Nairy Baghramian and Ibrahim Mahama to create major new commissions for Art Basel 2026.

Art Basel has announced that Nairy Baghramian and Ibrahim Mahama will create major new site-specific sculptures for the 2026 edition of its flagship fair in Switzerland. Baghramian will present "Modèle vivant (S’empilant)" (2026), an elaborate installation designed for the Messeplatz fountain, while Mahama's commission details are yet to be fully disclosed. Both artists are part of Art Basel's inaugural class of Gold Awardees, with the commissions first revealed in February 2026.

L’œuvre « indocile » du photographe Guido Guidi exposée au BAL

The article announces the exhibition of photographer Guido Guidi's work at Le BAL in Paris, curated by Simona Antonacci, Pippo Ciorra, and Antonello Frongia, with scenography by Cyril Delhomme. The show, titled "Col tempo, 1956-2024," runs from February 20 to May 24, 2026, and was previously presented in a larger version at the MAXXI museum in Rome. Guidi, now 85, is described as the last of a generation of Italian photographers—alongside Luigi Ghirri and Ugo Mulas—who radically redefined photographic language through patient, obstinate reflection on the act of seeing.

« Le monde entier semble s’être mis en mouvement, animé par une soif d’expériences culturelles »

The article explores the transformation of cultural travel for artists and art lovers, contrasting the arduous, unknown journeys of historical figures like Eugène Delacroix, Paul Gauguin, and Ella Maillart with today's accessible, curated experiences. It describes how contemporary artists such as Ólafur Elíasson, JR, and Marina Abramović now use travel itself as a medium, creating works that engage with climate change, social issues, and presence. Destinations like the Venice Biennale, AlUla in Saudi Arabia, Naoshima in Japan, and Le Voyage à Nantes are highlighted as hubs where art and travel merge into immersive, sensory experiences.

Prelude for a Press at palace enterprise

An exhibition titled 'Prelude for a Press' is on view at palace enterprise in Copenhagen from March 19 to April 25, 2026, organized by Jesper List Thomsen. It features works by Marie Angeletti, Gerry Bibby, Ezio Gribaudo, Asger Jorn, Marion Milner, Anastasia Pavlou, Georgia Sagri, Jesper List Thomsen, and Jackie Wang.

Contrast Reigns in Austn Fischer’s Conspicuous Black-and-White Photos

Austn Fischer, a Wisconsin-born, London-based photographer, creates black-and-white images that explore fashion as performance and identity. His work features striking contrasts, such as lace ruffs paired with athletic wear, and he has collaborated with clients like The New Statesman and Crack Magazine, photographing subjects including Ai Weiwei and David Byrne. Fischer describes his process as working backwards, arranging scenes intuitively and later reflecting on their personal significance, especially regarding his sexuality and masculinity.

An Art Historian’s Riotous Novel Melds Medieval Art with Monica Lewinsky

Julia Langbein's new novel *Dear Monica Lewinsky*, published by Doubleday, follows translator Jean Dornan as she revisits a traumatic relationship with a professor from her youth, set against the backdrop of the 1998 Monica Lewinsky scandal. The story interweaves medieval art, particularly the 13th-century *Golden Legend*, with Lewinsky's public shaming, as Jean prays to Lewinsky for guidance and is visited by a haloed version of her. Langbein, an art historian with a PhD from the University of Chicago, draws on her expertise to explore themes of humiliation, self-estrangement, and collective experience.

Remembering Napoleon Jones-Henderson, an AfriCOBRA Founding Member Who Imbued Art and Life with Exuberant Energy

Napoleon Jones-Henderson, a founding member of the influential African American artist collective AfriCOBRA, has died. Born in Chicago in 1943, he studied at the Sorbonne and the School of the Art Institute of Chicago, where he was mentored by Bauhaus textile artist Else Regensteiner. In 1969, he co-founded AfriCOBRA, becoming known as "the weaver" of the group for his vibrant textile works that incorporated metallic threads and found objects. He later moved to Boston, taught at Massachusetts College of Art and Design, and maintained a prolific studio practice in Roxbury for over 50 years, creating works focused on empowerment, Pan-Africanism, and racial justice.

Who Were the Best-Selling Old Masters at Auction in 2025?

The article reports on the best-selling Old Master paintings at auction in 2025, highlighting Canaletto's *Venice, the Return of the Bucintoro on Ascension Day*, which sold for $43.8 million at Christie's—three times the next-highest Old Master price. Other notable sales include a $7.55 million triptych of Jesus performing miracles by an unknown 15th-century artist, noted for its exceptional condition and quality.

Who Were the Best-Selling Old Masters at Auction in 2025?

The article reports on the best-selling Old Master paintings at auction in 2025, highlighting Canaletto's "Venice, the Return of the Bucintoro on Ascension Day" which sold for $43.8 million at Christie's—three times the next-highest Old Master price. Other notable sales include a $7.55 million triptych of Jesus performing miracles by an unknown 15th-century artist, noted for its pristine condition. The analysis draws from the Artnet Intelligence Report: Year Ahead 2026.

Monk football and sperm whales: All About Photo awards winners 2026

The 11th edition of the All About Photo awards – The Mind's Eye has announced its 2026 winners, with first place awarded to Matt McClain for his image of an intern working in a historic millinery shop at Colonial Williamsburg, Virginia. The competition features a diverse range of winning photographs, including conceptual self-portraiture by Brooke Shaden, a street scene at the Benin-Togo border by France Leclerc, a train sleeping in Tunisia by Javier Arcenillas, freedivers with sperm whales by Khaichuin Sim, and young monks playing football in the Himalayas by Andrew Newey. Winners receive $5,000 in cash prizes.

Venice Biennale jury ‘will not award artists from countries facing war crimes charges’

The jury of the Venice Biennale has announced it will not award prizes to artists from countries whose leaders face charges of crimes against humanity by the International Criminal Court, a decision widely seen as targeting Russia and Israel. The five-member jury, appointed by the late curator Koyo Kouoh, stated its commitment to human rights and will exclude artists from nations whose governments are under ICC investigation when selecting winners of the Golden and Silver Lion awards for the 2026 edition, which opens on 9 May. The move follows controversy over Russia’s participation in the biennale, with the European Commission threatening to suspend a €2m grant due to Russia’s involvement, and Italy’s far-right government opposing the decision.

Nations Charged With Crimes Against Humanity Will Not Be Considered for Venice Biennale Awards

The jury for the 2026 Venice Biennale announced it will not consider contributions from countries whose leaders are charged with crimes against humanity for the Golden and Silver Lion awards, effectively excluding Israel and Russia. The decision, framed as a commitment to human rights and aligned with curator Koyo Kouoh's vision, comes amid broader controversy over participating pavilions, including American artists declining to represent the US and the EU withdrawing a $2.3 million grant over Russia's involvement.

Fondazione Bvlgari Bets on the Venice Biennale: Beyond the Pavilion in the Giardini, an Exhibition at the Biblioteca Marciana

Fondazione Bvlgari scommette sulla Biennale di Venezia: oltre al padiglione ai Giardini, una mostra alla Biblioteca Marciana

Fondazione Bvlgari is making its debut at the Venice Biennale with a collateral exhibition at the Biblioteca Nazionale Marciana, featuring site-specific works by Monia Ben Hamouda and Lara Favaretto. The show runs from May 9 to November 22, 2025, alongside the 61st International Art Exhibition. Ben Hamouda presents 'Fragments of Fire Worship,' neon sculptures in the Vestibule that explore language and cultural heritage, while Favaretto installs the final edition of 'Momentary Monument – The Library' in the Salone Sansovino, inviting public consultation of donated books. Additionally, Bvlgari has a pavilion in the Giardini featuring Canadian artist Lotus L. Kang, as part of a three-edition partnership with the Biennale through 2030.

'Hidden heritage' Metro art shown in exhibition

An exhibition at the Baltic Centre for Contemporary Art in Gateshead is showcasing "Blazing Trails," a project by local artist Sofia Barton originally commissioned for Tyne and Wear Metro trains. The artwork celebrates the hidden heritage of north-east England by depicting lesser-known community leaders, including suffragette Kathleen Brown and Chinatown founders Koon Kiu Cheng and Peter Cheng. The display runs until 27 September in the Baltic's pop-up shop.

Gulistan at GNAMC of Rome

Chinese artist Gulistan, based in Beijing, presents her solo exhibition "Time Garden" at the National Gallery of Modern and Contemporary Art (GNAMC) in Rome. Curated by Gabriele Simongini and supported by the Foundation for Chinese Art in Italy and the International Federation of Women Artists 923 Art Space, the show explores a fusion of Eastern and Western aesthetics through painting, drawing on the legacy of the Silk Road. The exhibition features series such as "Fragments of Time," "The Nature of Memory," and "Memory of the Portraits," blending Chinese ink traditions with classical Western portraiture and archaeological motifs.

WORDS WORDS WORDS at Everard Read shows the power of words in contemporary art

The article reviews 'WORDS, WORDS, WORDS,' an exhibition at Everard Read Gallery's CIRCA space in South Africa, which explores the role of language in contemporary visual art. Curated with a focus on how words are bent, repeated, fragmented, and reassembled, the show features works by South African artists including Willem Boshoff and Luca Evans, who engage with conceptual art traditions from Dada to Barbara Kruger. Boshoff's braille-inset wooden piece 'Planet of Echinus' questions inclusion and exclusion in language, while Evans' work riffs on Joseph Kosuth's iconic text pieces using ancient wood-inlay techniques.

Korea’s art market grows, but working conditions for entry-level workers do not

A 20-something intern at a small Seoul gallery, identified as Park, accepted a job paying 1.35 million won ($910) per month after taxes—below South Korea's minimum wage—because she believed early experience was essential for career advancement in the art world. The article, based on interviews with the Korea JoongAng Daily, reveals that many entry-level workers face low pay and precarious conditions, exacerbated by a severe oversupply of arts graduates (48,000 annually) versus only about 3,523 job postings per year on the industry site Art More, leading to reliance on personal connections and informal hiring.

Untitled (Second Night), 2021 by Louise Lawler, Dye sublimation print on museum box, 121.9 x 182.2 cm (2)

This article is a promotional description for an art platform that partners with leading galleries to showcase artists, artworks, and exhibitions. It highlights a membership model vetted by industry peers, offering visibility and access to influential galleries, collectors, and auction houses. The piece also mentions a specific artwork by Louise Lawler, "Untitled (Second Night), 2021," a dye sublimation print on a museum box.

From gunshots to gilded plates: Who are the real hooligans of the art world?

Alex Burchmore reviews 'The Hooligans,' an exhibition that explores the Maoist concept of hooliganism in the context of contemporary Chinese art. The show features works by artists like Xiao Lu, who famously fired a gun at her installation during the 1989 'China/Avant-Garde' exhibition, as well as Zhu Yu and He Yunchang, known for incorporating human body parts and surgical procedures into their art. The exhibition contrasts these transgressive acts with more market-friendly works, such as Zhu Yu's gilded plate paintings and Hu Yinping's commercial-style figurines, highlighting the tension between artistic rebellion and commercial success.

Southern Guild Stakes Its Claim in Tribeca

Southern Guild, a South African gallery founded by Trevyn and Julian McGowan in 2008, has opened a new outpost in Tribeca, New York, after closing its Los Angeles location. The gallery, which began in Cape Town and expanded to a 32,000-square-foot campus, now occupies a 19th-century heritage building with 17-foot ceilings and cast-iron columns. Its inaugural exhibitions feature South African artists Usha Seejarim and Mmangaliso Nzuza, showcasing large-scale works that take advantage of the dramatic vertical space.

Exhibition | GaHee PARK, 'Half-Looking, Half-Seen' at Perrotin, New York, United States

Perrotin New York presents 'Half-Looking, Half-Seen', a special exhibition of new paintings by GaHee Park, featuring still lifes and portraits set within seascapes and landscapes that explore psychological dynamics of perception and coexistence. The show precedes Park's first institutional solo exhibition in the United States, opening in August 2026 at the Yerba Buena Center for the Arts in San Francisco. Works such as 'Seafood Heaven', 'Wetland at Dusk', and 'Creeping Shadow' depict ambiguous scenes where figures, animals, and natural elements blur boundaries between perceiving and being perceived, with influences including Joan Jonas's performance art.

A new sensual exhibit from Mexico City is now on display at the Museum of Sex

The Museum of Sex in New York is hosting "The Life Force: Portraits from the Amparo & Manuel Foundation," a new exhibition opening April 23 that brings 45 works from a Mexico City-based collection to the U.S. for the first time. Featuring artists such as Amoako Boafo, Tracey Emin, and Bert Stern, the show explores themes of vulnerability, desire, and the tension between Eros and Thanatos—the life instinct and death drive—through painting, sculpture, drawing, and photography.

Museum of the Moving Image announces record attendance

Museum of the Moving Image (MoMI) in Astoria, New York, announced record attendance of 311,000 visitors in 2025, a 105% increase from 2024 and a 147% increase from 2023. The opening day of the exhibition 'Stories and Set Design for the Sopranos' on February 14, 2026, marked the highest single-day attendance in the museum's history, with 3,600 visitors. Growth was driven by special programs like the 'Open Worlds' initiative, community events such as Lunar New Year and Iftar celebrations, and popular exhibitions including 'Mission: Impossible—Story and Spectacle,' which drew over 81,500 guests. The museum also hosted more than 500 screenings in its upgraded Sumner M. Redstone Theater.

'Sachlichkeit' at Galerie Albrecht, Berlin, Germany on 2 May–27 Jun 2026

Galerie Albrecht in Berlin presents 'Sachlichkeit', an exhibition running from 2 May to 27 June 2026, that explores the concept of objectivity in art. The show features works by Kate Diehn-Bitt, a forgotten representative of the New Objectivity movement, alongside Michael Langner, associated with 'German Pop', as well as Rafael Cidoncha, Emese Kazár, and Sabine Herrmann. The exhibition examines how these artists portray people and objects with empathy, realism, and sometimes surreal distortion, ranging from Diehn-Bitt's empathetic portraits to Langner's automobile studies and Kazár's commentary on women's lives.

Vertiginous 2658, 2007 by Lucas Samaras

The article highlights a partnership with leading global galleries to showcase artists, artworks, and exhibitions, with membership vetted by industry peers and available by application and invitation only. It also emphasizes the role of art advisors who provide visibility and access to influential galleries, collectors, and auction houses, while celebrating contemporary art through editorial content.

At Chaumont-sur-Loire, incredible gardens recreate cult films

À Chaumont-sur-Loire, d’incroyables jardins recréent des films culte

The Domaine de Chaumont-sur-Loire in France has launched the 2026 edition of its Festival International des Jardins, themed around cinema. Participants including gardeners, landscape designers, and artists—among them actresses Sabine Azéma, Golshifteh Farahani, and Mélanie Laurent, and director Momoko Seto—have transformed small plots into living landscapes inspired by iconic films and cinematic genres, such as a vegetal Cannes Film Festival and a garden based on James Cameron's *Avatar* trilogy. The festival runs from April 22 to November 1, 2026, alongside the estate's ongoing 'Saison d'art' exhibition featuring works by Marc Desgrandchamps, Antonio Crespo Foix, and others.

designboom's ultimate guide to the venice art biennale 2026

Designboom has published a comprehensive guide to the 2026 Venice Art Biennale, featuring a curated list of must-see exhibitions, installations, and events across the city. Highlights include Miet Warlop's "IT NEVER SSST," Michael Armitage's "The Promise of Change" at Palazzo Grassi, and DRIFT's "Shy Society" at Palazzo Strozzi, alongside works by Lotus L. Kang, Lida Abdul, and Kan Yasuda. The guide also points to collateral shows in Pietrasanta and Berlin, offering visitors a broad itinerary beyond the main Biennale venues.

Patchwork Lost – A Critique of the Princeton University Art Museum’s American Art Wing

The article critiques the newly opened American art wing at the Princeton University Art Museum, arguing that its curatorial approach prioritizes contemporary social justice narratives over historical accuracy and national pride. The author contends that the exhibition presents a fragmented, politicized view of American history, highlighting slavery and racial injustice while omitting or minimizing the contributions of Princeton alumni to the nation's founding, such as James Madison and John Witherspoon. Specific examples include the inclusion of a 2022 revisionist painting of the Signing of the Constitution and selective signage that emphasizes marginalized figures while ignoring male patriots.

The Clay Studio organizes "Radical Americana" exhibitions across Philadelphia

The Clay Studio has organized "Radical Americana," a sprawling exhibition series featuring 45 artists across 22 sites in the Philadelphia area. Curated by Jennifer Zwilling, the project includes a central "welcome hub" at The Clay Studio and 25 satellite exhibitions at venues such as the Museum for Art in Wood, Cliveden, and the Historical Society of Pennsylvania. Artists were prompted to reflect on the Declaration of Independence and envision a better future, resulting in works that explore feminism, social justice, and LGBTQ rights through media including ceramics, wood, fiber, metal, glass, paper, and bookmaking. Notable participant Roberto Lugo presents "American Crib: What's Happening?" at The Clay Studio, blending Puerto Rican heritage with historical references.

How ‘Continnum’ reimagines art in domestic spaces

The exhibition 'Continuum,' curated by artist-curator Gauri Minocha at The Art Hub Gallery in Gurugram, presents over 100 artworks by South Asian artists within a refurbished house turned home gallery. Works are displayed across rooms, hallways, stairways, and terraces, moving away from the traditional white cube model to allow viewers to experience art in a domestic setting. The show spans from the 1950s to 2026, featuring modern masters like Ram Kumar, Jamini Roy, and Rubin Mondal, with each room defined by a distinct color palette and mood.