The Madison Museum of Contemporary Art (MMoCA) has acquired a significant work by artist and former University of Wisconsin-Madison professor, Warrington Colescott. The museum will present a solo exhibition of Colescott's work in the fall of 2025, featuring the newly acquired piece alongside other works from its collection.
The Denver Art Museum is presenting "The Stars We Do Not See: Australian Indigenous Art," an exhibition organized by the National Gallery of Victoria, Melbourne and the National Gallery of Art, Washington, in association with the Denver Art Museum, the Portland Art Museum, and the Peabody Essex Museum. The show features works from the National Gallery of Victoria's collection, including paintings by Indigenous Australian artists such as Mirdidingkingathi Juwarnda Sally Gabori, Thunduyingathi Bijarrb May Moodoonuthi, and others, with Bank of America serving as the North America Tour Sponsor.
The British Museum has reached an agreement with the state government of Assam to loan the Vrindavani Vastra, a 350-year-old sacred tapestry depicting the life of Krishna, for a six-month period starting in 2027. The loan is contingent upon the construction of a specialized new extension at the Assam State Museum in Guwahati to accommodate the textile's extreme fragility. This marks the first time the artifact, which features the earliest known Assamese inscriptions, will return to its place of origin since it was acquired by the British Museum following the 1904 Younghusband expedition to Tibet.
The Wisconsin Artists Biennial exhibition opens at the Museum of Wisconsin Art (MOWA) in West Bend from February 7 to April 19, featuring 52 works by 50 Wisconsin artists. Selected from nearly 500 artists who submitted over 1,200 entries, the show was juried by Nicole Jacquard, Taylor Jasper, and Melissa Oresky. The biennial awards $10,000 in cash prizes, including the MOWA Prize of $5,000 and a solo museum exhibition. An opening party on February 7 includes a reception, juror talk, and award presentation.
Fine artist Vanessa Johansson is presenting her debut solo exhibition in the Sky Garden Penthouse of Gramercy’s 200E20TH in New York City. The show features atmospheric acrylic abstract paintings, displayed in a residential setting that complements CetraRuddy’s contemporary architecture. Johansson, who studied at the Art Students League, will next participate in the group exhibition “Women and Abstraction” at Pierre Cornette de Saint Cyr in Paris.
The Vancouver Art Gallery (VAG) has selected Formline Architecture and Urbanism, based in Vancouver, and KPMB Architects, based in Toronto, to design its new building at Larwill Park in downtown Vancouver. The announcement comes ten months after the museum abandoned a Herzog & de Meuron design due to a 50% cost increase, and after parting ways with director Anthony Kiendl. The VAG has outgrown its current 1913 courthouse home, and the new project was initiated 13 years ago by former director Kathleen Bartels. A preliminary design is expected next year, though no budget, timeline, or opening date has been revealed.
A roundup of art gallery exhibitions in Bangkok for May 2026 highlights four shows: 'The Fourth Decade of the Bualuang Paintings' at The Queen's Gallery, featuring 141 works by 52 Thai artists from the Bualuang painting contests; 'New Beginning' at ART Space by MOCA Four Seasons, a group show with artists from Japan and Thailand exploring renewal; 'Museum of Monsters' at River City Bangkok, a solo exhibition by artist FAHFAHS (Napath Kuntaruck) confronting hidden memories; and 'Beneath the Horizon Line' at Art Jewel Gallery, Siam.
The Henry Art Gallery hosted its fall opening celebration on October 3, transforming the museum into a lively social event with a DJ set by KEXP's Diana Ratsamee and an open bar. The evening featured four exhibitions: "Spirit House," exploring life and death through works by 34 Asian diasporic artists; Charlene Liu's single painting "Scallion"; Rodney McMillian's "Neighbors," a multimedia reflection on social and civic violence; and Kameelah Janan Rasheed's "we leak, we exceed," an immersive text-based installation. The event drew crowds who engaged with the art and each other, creating a vibrant atmosphere that contrasted with the museum's usual quietude.
Slawn’s studio opens its doors to a living exhibition at Saatchi Yates, transforming the gallery space into an immersive environment where the artist’s creative process becomes part of the display. The exhibition invites visitors to witness Slawn at work, blurring the line between studio and gallery, and offering a rare behind-the-scenes look at his practice.
The Art Production Fund held its 15th annual gala at the Seagram Building in New York, transforming the venue into a ski chalet fantasy. The event featured performances by Amanda Ross-Ho, including ice skating choreography, and raised over $1 million for public art. Attendees included artists Derrick Adams, Mickalene Thomas, Sanford Biggers, and Marilyn Minter, along with patrons, designers, and cultural figures.
This article highlights a series of art exhibitions and events taking place in Kenosha and Racine counties this week. The Anderson Arts Center in Kenosha is hosting a watercolor exhibition in collaboration with the Watercolor USA Honor Society through May 24. Additionally, the Kenosha Art Association is offering a Tatakizome (hammering plants) Flower Printing class with instructor Jill Montgomery. In Racine, an exhibition titled "Flying Kites in a Windless World" featuring works by Vanessa Filley continues.
A striking turtle-shaped art gallery, the Lin Xiang Xiong Art Gallery, has opened over the sea in Penang, Malaysia. Designed by Singaporean artist Lin Xiang Xiong, the eight-storey over-water museum at The Light Waterfront is the world's first of its kind, currently in its soft-opening phase. It houses four permanent galleries tracing Lin's six-decade career, plus a special exhibition titled "Picasso and Lin Xiang Xiong: A Dialogue Across Time" that pairs works by Pablo Picasso with Lin's own. The space also includes an Art Seed Garden for education and hosts international exhibitions and forums focused on peace and cross-cultural exchange.
The Summer Guide 2025 highlights a diverse array of gallery openings in Santa Fe, New Mexico, focusing on both established and emerging art spaces. Notable exhibitions include Gerald Peters Contemporary's "Material Girl: Pop Culture and the Female Gaze" (June 13), featuring six female artists examining gender and commodification through Pop Art; Daniel Cooney Fine Art's "George Dureau, Photographs" (May 31), showcasing intimate portraits of New Orleans' counterculture; and Station 5 Micro-Gallery's two shows—"ACCUMULATION" (June 7) by Michael Sumner and Melody Sumner Carnahan, and "THE NARROW LINE TO THE INTERIOR" (August 2) inspired by poet Bashō. Other highlights include ELECTR∆ Gallery's queer mysticism group show "The Third Way" (July 11), new works by Tim Jag (June 12), and Pie Projects' "MOMENTUM" (June 14) featuring Florence Miller Pierce's rediscovered resin reliefs.
The Indonesian Pavilion at the Venice Biennale presents "Printing the Unprinted: The Reversal of World Discovery," a project that reimagines global history by casting an Indonesian kingdom as the explorer who discovers the West. Seven Indonesian artists—Agus Suwage, Syahrizal Pahlevi, Nurdian Ichsan, R.E. Hartanto, Theresia Agustina Sitompul, Mariam Sofrina, and Rusyan Yasin—participated in a two-month residency at the Scuola Internazionale di Grafica in Venice, collaboratively creating works through printmaking and expanded forms. The pavilion includes exhibitions, workshops, and symposiums that challenge dominant narratives and highlight Indonesia's contributions to maritime technology, commerce, arts, and knowledge.
The inaugural Gregorian Art Exhibition opened at Jubilee Hall, St. Gregory’s College, Ikoyi, Lagos, honoring renowned artist Bruce Onobrakpeya. Organized by the St. Gregory’s College Old Boys Association, the three-day event runs from April 25 to April 27, 2026, under the theme “Celebrating Legacy, Excellence and Continuity.” It features an intergenerational mix of artists including Victor Uwaifo, David Dale, Mike Omoighe, and others, and attracted Nigeria’s cultural, political, and religious figures. Speeches by Dr. Michael Omolayole and Francis Oluwole Kudayah highlighted the exhibition as a cultural tradition and platform for mentorship, with plans for an annual art clinic and a digital “Gregorian Art Mart” to support alumni welfare and the college endowment fund.
Cultural institutions across Kenosha and Racine counties in Wisconsin have announced their exhibition schedules and public hours for the week of April 9, 2026. Featured venues include the Anderson Arts Center, the Carthage College Art Gallery, and the Kenosha Public Museum, which continues to showcase its permanent collection including "The Wisconsin Story" and "Mammoths at the Museum." Local galleries such as Lemon Street Gallery and OS Projects are also hosting open hours for the public to engage with regional contemporary art.
Uzbek artist Saodat Ismailova is making her U.S. museum debut at the Smithsonian Institution. The exhibition introduces her multimedia works, which often explore Central Asian history, spirituality, and female identity, to an American audience for the first time.
The Pearl Fincher Museum of Fine Arts announces its 2026 summer programming, including Summer Art Camps for ages 5 to 13 running June 16 through July 31, with weekly themes such as "Color World" and "Kinetic Canvas." The museum will also open two exhibitions on June 13: "Chromatica: A World in Color" in the Main Gallery, organized like a color wheel with works from Texas and beyond, and "Fragments, Remnants, and Remains" by artist Curtis Gannon in the Cole Gallery. Additional activities include a Maker Space, Wild Art Wednesdays, and a free artist talk by children's author and illustrator Steven Weinberg on June 19.
The University of Wisconsin-Whitewater's Crossman Gallery recently hosted the BA & BSE Senior Show, a showcase of diverse artworks created by graduating students. The exhibition featured a wide range of mediums, including photography, painting, sculpture, and print design, highlighting the creative versatility of the senior class. The event served as a professional milestone for students, allowing them to navigate the gallery submission process and network with faculty and the community.
The American Folk Art Museum in New York is presenting "An Ecology of Quilts: The Natural History of American Textiles," an exhibition of 30 quilts from its collection of over 600 pieces. Co-curators Austin Losada and Emelie Gevalt highlight the materials and labor behind the quilts, including indigo dye and cotton, while featuring works by Malissia Pettway of Gee's Bend and Japanese artist Tomie Nagano, the only living artist in the show.
The Trout Museum of Art in Appleton, Wisconsin, opened a retrospective exhibition and named a lecture hall in honor of Li Hu, the late UW-Oshkosh emeritus art professor. The event, titled "A Tribute to Li Hu: Celebrating a Visionary Legacy," included a ribbon cutting for the Li Hu Lecture Hall, a panel discussion featuring former students and colleagues, and an exhibition of Hu's sculptural and painted works spanning his career. Hu, who died in 2016, was born in Shanghai, survived the Cultural Revolution, earned a degree from Shanghai University Fine Arts College, and moved to the U.S. in the early 1990s before teaching at UW-Oshkosh for nearly two decades. The exhibition is on view through January 4, 2026.
The Qianlong Garden in Beijing's Palace Museum (Forbidden City) has reopened to the public after a 25-year, $20 million conservation project in partnership with the World Monuments Fund (WMF). The 1.6-hectare garden, built between 1771 and 1776, features 27 buildings with elaborate decorations including rare silk trompe l'oeil murals, jade inlays, and bamboo thread marquetry. The restoration began with the Juanqinzhai pavilion in 2002 and was completed in 2008, followed by work on three other structures. The project also involved recreating traditional materials and techniques that had fallen out of practice.
Abu Dhabi's 421 Arts Campus, an independent arts platform supporting emerging artists from the UAE and the SWANA region, celebrates its 10-year anniversary on November 15, 2025. Over the past decade, it has supported over 1,500 creative practitioners, presented more than 50 exhibitions, commissioned hundreds of new works, and delivered around 2,000 programs including residencies, grants, and public events. It has also mentored over 60 interns and worked with more than 250 regional designers through its Dukkan421 design store.
Was die Sanierung des Pergamonmuseums kostet
The Pergamon Museum in Berlin is undergoing a major renovation with a total budget of €1.5 billion for both construction phases, including cost risks. The Federal Office for Building and Regional Planning (BBR) has announced that current projections indicate the overall costs will not be exceeded. Phase A, which includes the hall housing the famous Pergamon Altar, is expected to open on June 4, 2027, with a potential cost increase of up to 5% over the originally approved €489 million. Phase B, covering the Ishtar Gate and Babylonian Processional Way, has seen its cost forecast reduced by €27 million to €722.4 million, with an additional €295.6 million set aside for risks and price increases. The museum will fully reopen only in 2037.
St. Gregory's College in Lagos, Nigeria, launched its inaugural Gregorian Art Exhibition on April 25, 2026, at Jubilee Hall. Organized by the St. Gregory's College Old Boys Association in honor of legendary artist Bruce Onobrakpeya, the three-day event features established and emerging artists under the theme “Celebrating Legacy, Excellence and Continuity.” Speakers included former association chairman Dr. Michael Omolayole and current president Francis Kudayah, who announced plans for an annual art clinic and a digital platform called the “Gregorian Art Mart.” Onobrakpeya, who could not attend in person, delivered a vote of thanks reflecting on his career and the school's role in his development.
The inaugural Gregorian Art Exhibition opened on April 25, 2026, at St. Gregory's College, Ikoyi, Lagos, organized by the Old Boys Association to honor renowned Nigerian artist Bruce Onobrakpeya. The three-day event, themed “Celebrating Legacy, Excellence and Continuity,” brought together an intergenerational mix of artists, cultural figures, and stakeholders, featuring speeches from alumni leaders Dr. Michael Omolayole and Francis Oluwole Kudayah, who announced plans for a yearly art clinic and a digital platform called the “Gregorian Art Mart.” Onobrakpeya, unable to attend in person, reflected on his decision to remain in Nigeria and credited the school for shaping his artistic identity.
A 20-something intern at a small Seoul gallery, identified as Park, accepted a job paying 1.35 million won ($910) per month after taxes—below South Korea's minimum wage—because she believed early experience was essential for career advancement in the art world. The article, based on interviews with the Korea JoongAng Daily, reveals that many entry-level workers face low pay and precarious conditions, exacerbated by a severe oversupply of arts graduates (48,000 annually) versus only about 3,523 job postings per year on the industry site Art More, leading to reliance on personal connections and informal hiring.
A major retrospective and group exhibition titled “The Gregorian Art Exhibition” is set to take place at St. Gregory’s College in Lagos, Nigeria, from April 25 to 27, 2026. The event honors the legendary Nigerian modernist Bruce Onobrakpeya and will feature works by him alongside other notable alumni and artists including the late Victor Uwaifo and David Dale. The opening is expected to draw high-profile figures such as Nobel laureate Wole Soyinka and the Obi of Onitsha, Igwe Nnaemeka Alfred Achebe.
Gerd Harry ‘Judy’ Lybke, the founder of the influential German gallery Eigen + Art, is making his debut at the inaugural Art Cologne Palma Mallorca. Lybke, who began his career as a nude artist's model in East Germany before opening an underground flat-gallery in 1983, reflects on the evolution of the art market from a socialist system defined by censorship to the modern capitalist landscape. For this fair, he is presenting a diverse roster ranging from New Leipzig School star Neo Rauch to emerging talent Maja Behrmann, with works priced between €2,000 and €20,000.
Nuneaton Museum & Art Gallery is hosting "A Simple Line," a specialized exhibition dedicated to the history and craft of engraving. The show features a prestigious selection of works ranging from 17th-century Dutch masters like Gerard Douw to 18th-century Italian printmaker Giovanni Battista Piranesi and the celebrated English landscape painter J.M.W. Turner. Visitors can view rare pieces such as Turner’s mezzotint of Dunstanburgh Castle and architectural etchings of Pompeii, alongside a concurrent "Festival of Arts" showcasing local regional talent.