Dozens of Venice Biennale Artists Stage ‘Drone’ Perfomance in Protest of Israel’s Participation

On the opening day of the Venice Biennale, around 60 artists and dozens of other participants staged a protest titled “Solidarity Drone Chorus” at the Giardini entrance, humming a viral song by Gazan composer Ahmed “Muin” Abu Amsha to sonically occupy the space. The action, organized by artists in the main exhibition over several months, protested Israel’s participation in the Biennale and expressed support for Palestine, with participants wearing T-shirts bearing the names and artworks of Gazan and Palestinian artists, many of whom have been killed. The protest follows an open letter from the Art Not Genocide Alliance demanding Israel’s exclusion.

Venice Biennale Breaks No Sanctions Over Russia Pavilion

venice biennale no sanctions broken russia pavilion

The Venice Biennale organizers have reaffirmed their decision to allow Russia to participate in the upcoming exhibition, despite intense pressure from the European Commission and Italy’s own Culture Minister, Alessandro Giuli. The Biennale maintains that it has fully complied with all international sanctions and that its mission is to reject censorship while providing a platform for artistic freedom. This stance has been bolstered by Italian Deputy Premier Matteo Salvini, who argued against "Russophobia" and stated that culture should serve as a bridge rather than a tool for division.

Dries Verhoeven on Representing the Netherlands at the 61st Venice Biennale

Dries Verhoeven will represent the Netherlands at the 61st Venice Biennale (2026) with a new work titled *The Fortress*, installed in the Dutch Rietveld Pavilion in the Giardini. The 25-minute performance piece transforms the sunlit pavilion into a darkened bunker, featuring a raw vocal composition using only false vocal cords. Verhoeven describes the work as a meditation on transition and self-preservation, reflecting a Western society caught between its enlightened self-image and a dark vision of the future. The piece responds to geopolitical unrest outside the Biennale grounds and is designed to be melancholic and confrontational, contrasting with the main exhibition's theme, *In Minor Keys*.

Sung Tieu on Representing Germany at the 61st Venice Biennale

Sung Tieu, who is co-representing Germany at the 61st Venice Biennale alongside Henrike Naumann, responds to a questionnaire from ArtReview about her plans for the German Pavilion. She describes her inspiration as her mother and childhood home, a site built for foreign contract workers in the GDR that later became a refuge for the diaspora. Tieu states that her work relates to the Biennale theme "In Minor Keys" through the lens of Gehrenseestrasse, a concrete record of collective memory. She also expresses skepticism about the Biennale's importance, noting that the German Pavilion's fascist architecture compels artists to work against it, and that national pavilions reveal how much work remains in undoing nationalism.

Miet Warlop on Representing Belgium at the 61st Venice Biennale

Miet Warlop, the artist representing Belgium at the 61st Venice Biennale (2026), discusses her plans for the Belgian Pavilion in the Giardini in an interview with ArtReview. Her installation, inspired by the Belgian motto 'L'union fait la force' ('unity makes strength'), aims to create a space between a workspace, exhibition, and performance that brings people together in introspection. She cites time spent with Venice's artistic communities, including students at the Accademia, as influential, and notes that her work engages with the Biennale's theme 'In Minor Keys' by incorporating minor-key music to evoke nuanced, introspective emotions.

Margaret Whyte on Representing Uruguay at the 61st Venice Biennale

Margaret Whyte, an artist from Uruguay, is set to represent her country at the 61st Venice Biennale in 2026, with her pavilion located in the Giardini. In an interview with ArtReview, Whyte discusses her exhibition, which builds on her earlier show "Tiempo de Escuchar" at the National Museum of Visual Arts in Uruguay, curated by Patricia Bentancur. Her work is inspired by Nassim N. Taleb's book "Antifragile" (2012), exploring themes of chaos, uncertainty, and resilience. She sees her antifragile approach as complementary to the Biennale's theme, "In Minor Keys," curated by Koyo Kouoh, emphasizing emotional depth, silence, and healing.

Pavel Brǎila on Representing Moldova at the 61st Venice Biennale

Pavel Brǎila is representing Moldova at the 61st Venice Biennale with an installation titled "Echoes of Harmony and Silent Cries" (2026), featuring flying carpets that fill the pavilion space at Santa Veneranda. In an interview with ArtReview, Brǎila explains that the work was driven by the constant presence of war in the news—Ukraine, Israel and Gaza, and other conflicts—and evolved into a sound installation as the propellers of the carpets created a minor-key resonance. He describes his first visit to the Biennale 25 years ago as a festive art festival, but now sees the platform as a crucial opportunity to represent his country's voice and express his urgent feelings about the world.

Bugarin + Castle on Representing Scotland at the 61st Venice Biennale

ArtReview published a questionnaire response from Bugarin + Castle, the artist duo representing Scotland at the 61st Venice Biennale (2026). Their exhibition, titled "Shame Parade" and curated by Mount Stuart Trust, explores charivari—medieval public shaming rituals involving sound, costume, and cross-dressing. The work draws on the artists' research into how noise and music have been used as tools of control, with particular attention to the Filipino legal definition of charivari as a punishable public disturbance. The exhibition includes sculpture, print, moving image, and a musical score created with Manila-based band Kalye Teresa, and is housed at the Olivolo, Castello pavilion.

Nilbar Güreş on Representing Turkey at the 61st Venice Biennale

Nilbar Güreş, the artist representing Turkey at the 61st Venice Biennale (2026), responds to a questionnaire from ArtReview about her upcoming exhibition. She expresses exhaustion with having to explain herself to Western audiences and critiques the white, male-dominated art world. Her inspiration for the pavilion comes from this disgust and fatigue, and she states that the Biennale's theme, "In Minor Keys," did not guide her preparation. Güreş also voices disillusionment with the art world's silence on humanitarian crises, particularly the bombing of hospitals and children in Palestine, and notes that artists speaking out on Palestine face censorship and exclusion.

Watch: Khaled Sabsabi and Michael Dagostino in Conversation

Artist Khaled Sabsabi and curator Michael Dagostino discuss their project 'conference of one’s self' for the Australia Pavilion at the 61st Venice Biennale. Sabsabi explains how the work draws on the twelfth-century Sufi poem 'The Conference of the Birds' by Farīd al-Dīn ʿAṭṭār, mapping its seven spiritual valleys and adding an eighth level of 'wholeness and completeness'. He also reflects on his childhood in Lebanon, migration to Australia, and how his return to Lebanon in 2002 reconnected him with his Sufi lineage, which informs his artistic practice focused on memory, displacement, and social justice.

Andreas Angelidakis on Representing Greece at the 61st Venice Biennale

Artist Andreas Angelidakis will represent Greece at the 61st Venice Biennale in 2026 with a project titled 'Escape Room'. He plans to split the Greek Pavilion in two, referencing the National Schism in Greek history, and will create an immersive experience that explores the building's dual identities as a national symbol and an exhibition space, set to the soundtrack of Frankie Goes to Hollywood's 'Relax'.

Marina Xenofontos on Representing Cyprus at the 61st Venice Biennale

Artist Marina Xenofontos will represent Cyprus at the 61st Venice Biennale in 2026. Her exhibition, centered on an animatronic sparrow titled 'Passer' and incorporating folk songs recorded by her grandmother and great-aunts, explores themes of memory, endurance, and the quiet persistence of culture.

Merike Estna on Representing Estonia at the 61st Venice Biennale

Artist Merike Estna will represent Estonia at the 61st Venice Biennale in 2026 with a project that transforms the national pavilion into an active, open studio. Eschewing the display of finished products, Estna plans to start with empty canvases and complete a series of 22 paintings over the course of the exhibition, allowing visitors to witness the "living" process of creation.

Five Artists on Representing India at the 61st Venice Biennale

India has announced its artist lineup for the 61st Venice Biennale, featuring Alwar Balasubramaniam, Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. The national pavilion, located in the Arsenale, will showcase a diverse range of installations that explore themes of architectural memory, environmental sustainability, and the physical processes of nature. From Tashi’s recreations of Ladakhi homes using recycled materials to Singh’s spectral thread-based architectural fragments, the works collectively examine the fragility of heritage and the shifting relationship between humans and their environments.

Sara Flores on Representing Peru at the 61st Venice Biennale

Sara Flores will represent Peru at the 61st Venice Biennale in 2026 with an immersive exhibition titled 'From Other Worlds.' The presentation, curated with Issela Ccoyllo and Matteo Norzi, will feature large-scale kené paintings, ethereal sculptures, and a video work in the Arsenale, aiming to create portals to Shipibo-Konibo ancestral knowledge and Indigenous futures.

‘In Minor Keys’ Review: Its Best Moments Live in the Institutions Koyo Kouoh Built

Andrew Durbin reviews the national pavilions at the 2026 Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review highlights how the best moments of the exhibition live in the institutions built by curator Koyo Kouoh, who organized the Biennale's main exhibition.

The Ukrainian Pavilion’s Deer Seen Around the World

Zhanna Kadyrova's concrete sculpture "The Origami Deer" (2019) is prominently displayed at the entrance to the Giardini during the 61st Venice Biennale, part of her project "Security Guarantees" in the Ukrainian Pavilion. Originally installed in Pokrovsk, eastern Ukraine, the work was removed in 2024 as Russian forces advanced, then traveled through Vienna, Warsaw, Prague, Berlin, and Paris before reaching Venice—a journey mirroring the displacement of millions of Ukrainians. The sculpture, shaped like a deer and evoking folded paper, references the 1994 Budapest Memorandum, in which Russia, the UK, and US guaranteed Ukraine's security in exchange for its nuclear disarmament—guarantees that proved worthless after Russia's invasions.

Amina Agueznay on Representing Morocco at the 61st Venice Biennale

Artist Amina Agueznay will represent Morocco at the 61st Venice Biennale in 2026 with a monumental installation titled 'Asǝṭṭa' in the Arsenale. The work focuses on collaborative practices and ancestral narratives, drawing from her fieldwork with weavers and metalsmiths, and incorporates traditional silver sequins to create a dialogue between the Middle Atlas Mountains and Venice's canals.

The 10 best pavilions to see at the 2026 Venice Art Biennale. Artribune's top ten

I 10 migliori padiglioni da vedere alla Biennale d’Arte di Venezia 2026. La top ten di Artribune

Artribune presents its top ten must-see national pavilions at the 2026 Venice Biennale, which features a record 100 participating countries. The article highlights standout projects including Greece's escape room by Andreas Angelidakis critiquing nationalist populism, Belgium's participatory dance installation by Miet Warloop, and Canada's greenhouse-like pavilion by Abbas Akhavan exploring colonial botany. The Biennale, curated by Koyo Kouoh under the theme "In Minor Keys," is marked by last-minute jury resignations leading to public voting for the Golden Lions, as well as protests over the participation of Russia and Israel.

At the Venice Biennale, the Armenian Pavilion Transforms into an Artist's Workshop: Works Are Born in Front of the Public

Alla Biennale di Venezia il Padiglione dell’Armenia si trasforma in bottega d’artista: le opere nascono di fronte al pubblico

The Armenian Pavilion at the 2026 Venice Biennale will transform into a functioning artist's studio, where sculptor Zadik Zadikian will create works in real time before the public. Titled "The Studio," the project is curated by gallerist Tony Shafrazi and curator Tina Chakarian, and will operate daily from May 6 to November 22 at the Tesa 41 of the Arsenale. Zadikian, born in Yerevan in 1948 and now based in the US, will work with traditional Armenian plaster techniques alongside his son Aram and studio assistants, emphasizing the process of making over the finished object.

Trace the making of Fermata: Hong Kong in Venice through complete artwork reveals and installation photography

The article details the making of 'Fermata: Hong Kong in Venice,' a collateral event at the 61st Venice Biennale curated by the Hong Kong Museum of Art (HKMoA). The exhibition features two Hong Kong-based artists—established media artist Ng and emerging artist Angel Hui—whose works explore the poetic rhythms of everyday life in Hong Kong, engaging with the Biennale's theme 'In Minor Keys' by Koyo Kouoh. The selection process involved nominations from local tertiary institutions and professional art organizations, with over 200 artists considered before Ng and Hui were chosen.

Meet the artists representing Hong Kong and Macao at the Venice Biennale

Hong Kong artists Angel Hui and Kingsley Ng, along with Macao artists Eric Fok Hoi Seng, Veronica Lei Fong Ieng, and O Chi Wai, will represent the Greater Bay Area at the 61st Venice Biennale, running from 9 May to 22 November 2026. Hong Kong's exhibition, titled 'Fermata: Hong Kong in Venice,' marks a shift from a solo to a duo format for the first time, co-organized and curated by the Hong Kong Museum of Art (HKMoA). Hui presents installations featuring embroidered plastic bags and aluminum window grilles inspired by local Hong Kong motifs, while Ng creates site-specific works referencing hanging laundry. Macao's showcase, 'Jacone's Polyphony,' features the three Macao artists. The biennale, curated by the late Koyo Kouoh, is themed 'In Minor Keys' and includes 110 artists, 100 national participations, and 31 collateral events.

Two New Orleans Artists Selected for the 61st International Art Exhibition of La Biennale di Venezia

New Orleans artists Dawn DeDeaux and Big Chief Demond Melancon have been selected to participate in the 61st Venice Biennale, titled "In Minor Keys." This marks the first time since 2015 that artists from New Orleans have been included in the prestigious international exhibition, and they are the only representatives from the American Gulf South selected for this edition. DeDeaux is recognized for her pioneering multidisciplinary work, while Melancon is celebrated for his intricate beadwork and craftsmanship rooted in the Black Masking Indian tradition.

TWO NEW ORLEANS ARTISTS SELECTED FOR THE 61ST INTERNATIONAL ART EXHIBITION OF LA BIENNALE DI VENEZI

New Orleans artists Dawn DeDeaux and Big Chief Demond Melancon have been selected to participate in the 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys." Curated by Koyo Kouoh, the exhibition marks the first time since 2015 that artists from New Orleans have been featured in the main international section. DeDeaux is recognized for her pioneering multidisciplinary work, while Melancon represents the Black Masking culture of the Young Seminole Hunters, showcasing the city's intersection of contemporary innovation and ancestral tradition.

Biennale Arte 2026: In Minor Keys

The 61st Venice Biennale, titled 'In Minor Keys,' will proceed as a posthumous tribute to its late Artistic Director, Koyo Kouoh, who passed away in May 2025. Before her death, Kouoh had already finalized the curatorial framework, artist selection, and exhibition architecture during a pivotal meeting at her RAW Material Company in Dakar. The exhibition is scheduled to run from May 9 to November 22, 2026, across the Giardini, Arsenale, and various Venetian venues.

Iran Will Not Participate in Venice Biennale, Organizers Say

Iran will not participate in the 61st Venice Biennale, which opens for previews this week, the Biennale Foundation announced on May 4. The decision comes two months after the United States and Israel launched strikes across Iran, and amid renewed tensions along the Strait of Hormuz. The Iranian pavilion was to be commissioned by Aydin Mehdizadeh Tehrani, director general of the visual arts office in the Iranian Ministry of Culture. Iran has had inconsistent attendance at the Biennale since 1958, with a long absence between the 1960s and 2003, but has participated semi-consistently over the last two decades, most recently in 2024.

ENTRE PERRO Y LOBO CANADA LLEVA EL CREPUSCULO A LA BIENAL DE VENECIA

Abbas Akhavan, born in Tehran in 1977, will represent Canada at the 61st Venice Biennale in 2026 with an exhibition titled "Entre chien et loup" (Between Dog and Wolf). Commissioned by the National Gallery of Canada and curated by Kim Nguyen, the Canada Pavilion is transformed into a monumental Wardian case—a 19th-century plant transport device—serving as a greenhouse for Victoria water lilies. The seeds were germinated at the Orto Botanico di Padova in collaboration with the Royal Botanic Gardens, Kew, and the installation will be on view until November 22, 2026.

Buhlebezwe Siwani “uYana umhlaba” at Consonni Radziszewski, Milan

Consonni Radziszewski inaugurates its Milan space with "uYana umhlaba," the first solo exhibition in Italy by South African artist Buhlebezwe Siwani. The show presents a new body of work that expands on research begun in 2020 with the Inkanyamba series, first exhibited at the Galeria Municipal de Almada in Portugal.

L’artista Kader Attia ci racconta la sua opera alla Biennale di Venezia 2026. L’intervista

Kader Attia presents his multimedia installation "Whisper of Traces" at the 2026 Venice Biennale, curated by Koyo Kouoh under the theme "In Minor Keys." The work explores the intersections of magic, spirituality, traditional healing, and digitalization, drawing on Attia's long-standing interest in how colonialism, neoliberalism, and technology have transformed shamanic and healing practices. Attia describes the project as an accumulation of psychic traces from human history, which his mother called "ghosts."

The Biennale releases the rules for voting on the Visitors' Lions while many artists and pavilions renounce competing for the prizes

La Biennale diffonde il regolamento per votare i Leoni dei Visitatori mentre molti artisti e padiglioni rinunciano a concorrere ai premi

The 61st Venice Biennale has opened to the public, introducing a controversial new voting system for the Golden Lions. After the entire jury resigned en masse on April 30, the Biennale decided to let the public decide the winners of the so-called "Leoni dei Visitatori" (Visitors' Lions). Voting is open from May 9 to November 22, 2026, and requires ticket holders to visit both main venues (Giardini and Arsenale) to receive a voting link. One vote per person is allowed for each of two categories: an artist in the main international exhibition "In Minor Keys" curated by Koyo Kouoh, and a national pavilion.