Dozens of Venice Biennale Artists Stage ‘Drone’ Perfomance in Protest of Israel’s Participation

On the opening day of the Venice Biennale, around 60 artists and dozens of other participants staged a protest titled “Solidarity Drone Chorus” at the Giardini entrance, humming a viral song by Gazan composer Ahmed “Muin” Abu Amsha to sonically occupy the space. The action, organized by artists in the main exhibition over several months, protested Israel’s participation in the Biennale and expressed support for Palestine, with participants wearing T-shirts bearing the names and artworks of Gazan and Palestinian artists, many of whom have been killed. The protest follows an open letter from the Art Not Genocide Alliance demanding Israel’s exclusion.

Activist Super-Glues Herself to Display Cabinet at Berlin’s Bode Museum

An activist from the group New Generation staged a protest at Berlin’s Bode Museum by super-gluing herself to a display cabinet containing coins. Dressed as Germany’s Economic Affairs Minister, Katherina Reiche, the protester aimed to criticize the minister's perceived lack of independence from corporate interests. Police successfully removed the activist, and the Prussian Cultural Heritage Foundation confirmed that no museum exhibits were damaged during the incident.

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Activists from the group Everyone Hates Elon staged a protest at the Louvre by surreptitiously installing a framed photograph of Prince Andrew following his recent arrest. The image, captured by Reuters photographer Phil Noble, depicts the royal in the back of a car after being taken into custody on suspicion of misconduct in public office related to the Jeffrey Epstein investigation. Museum staff removed the unauthorized addition, which featured a gilded frame and a caption mocking the Prince's previous claims regarding his inability to sweat, within fifteen minutes.

Minneapolis Artists Respond to ICE, DHS After Killings of Renee Good and Alex Pretti

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Federal immigration enforcement operations in Minneapolis, led by U.S. Customs and Border Protection and ICE under Operation Metro Surge, have resulted in the deaths of two American citizens, poet Renee Good and nurse Alex Pretti, near major art institutions. The violence and subsequent shelter-in-place orders have directly impacted the local arts community, forcing school closures, remote learning, and causing widespread fear.

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The Minneapolis Institute of Art (MIA) announced it would remain closed on Sunday for safety reasons after a Border Patrol agent shot and killed Alex Jeffrey Pretti, a 37-year-old ICU nurse, during an ICE operation in Minneapolis on Saturday. The shooting occurred just blocks from the museum, and MIA had already closed early on Saturday following the news. The closure was part of a broader Day of Truth and Freedom protest against ICE operations in Minnesota, and the NBA also postponed a Timberwolves game in response to the incident.

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The Louvre Museum in Paris was forced to close on Monday after approximately 400 employees went on strike to protest deteriorating working conditions. The strike, organized by unions CGT, CFDT, and Sud, blocked the museum's iconic pyramid entrance. Workers cited a brazen $102 million theft of French crown jewels in October 2025 as evidence of deep operational dysfunction, and they accused management of failing to address longstanding security and staffing issues. The closure follows a turbulent year that included a leaked memo from director Laurence des Cars warning of water leaks and overcrowding, a wildcat strike in June, and the closure of the Sully wing due to structural weaknesses.

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Andrea Gyorody has resigned as director of Pepperdine University’s Frederick R. Weisman Museum of Art after the university removed or obscured artworks deemed “political” from the exhibition *Hold My Hand in Yours*, which she curated. The administration turned off Elana Mann’s video *Call to Arms 2015–2025* and covered an “Abolish ICE” patch in a collaborative sculpture by the collective Art Made Between Opposite Sides (AMBOS). Gyorody’s departure, effective October 24, was described by the university as mutual, and the exhibition was shuttered six months early after artists withdrew their work in protest.

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Nadya Tolokonnikova, cofounder of Pussy Riot, has created a performance installation titled "Police State" (2025) at the Museum of Contemporary Art in Los Angeles (LA MOCA). The work recreates a Russian jail cell where Tolokonnikova performs daily activities—making music, creating art, and resting—observed by visitors via security camera footage and peepholes. The installation also features artworks by current and former political prisoners from Russia, Belarus, and the United States, curated through Tolokonnikova's Art Action Foundation and the Artistic Freedom Initiative. Originally scheduled for June 5–14, the show was extended due to the museum's closure amid anti-ICE protests and National Guard deployment.

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The Louvre in Paris was forced to close on Monday after museum docents, ticket sellers, and security workers staged a spontaneous strike to protest overcrowding and understaffing during the city's busiest tourist season. The walkout, announced during a routine internal meeting, left visitors frustrated and confused. Union representative Sarah Sefian of CGT-Culture said most staff planned to strike for the full day, though some might return to open a limited "masterpiece route" for ticket holders to see the Mona Lisa and Venus de Milo. The museum typically closes on Tuesdays, and workers may return Wednesday.

Pussy Riot Storms Russia Pavilion at Venice Biennale

Pussy Riot staged a dramatic protest at the Russia Pavilion during the Venice Biennale, releasing pink smoke and waving Ukrainian flags while chanting slogans like 'Blood is Russia’s art.' Around 50 protesters, including members of Femen, occupied the area. Pussy Riot founder Nadya Tolokonnikova called for the pavilion to be closed and given to oppressed peoples, challenging Biennale president Pietrangelo Buttafuoco to meet her. The protest lasted about 20 minutes, with performers climbing the pavilion and exposing political slogans on their chests.

Venice Biennale Jury Resigns in the Wake of Controversial Prize Ban

The jury for the 2026 Venice Biennale has resigned just days before the public opening on May 9, after announcing on April 22 that it would not consider artists from countries accused of crimes against humanity for the Golden and Silver Lion prizes. The jury, consisting of Solange Oliveira Farks (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, cited its earlier statement of intention in its resignation, which directly impacted the participation of Russia and Israel—both subject to International Criminal Court warrants. In response, the Biennale postponed the awards ceremony from May 9 to November 22 and replaced the traditional jury with a public vote for best participant and best national participation, framing the move as upholding openness and rejecting censorship.

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A partial U.S. government shutdown occurred after the Senate passed a funding package but temporarily blocked additional funding for Immigration and Customs Enforcement (ICE). Unlike the previous shutdown, this one does not affect major cultural institutions; the Smithsonian Institution, the National Gallery of Art, the National Endowment for the Arts (NEA), and the National Endowment for the Humanities (NEH) remain open because their funding was approved on time.

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The Walker Art Center and the Minneapolis Institute of Art closed on January 20, 2026, in protest of escalating Immigration and Customs Enforcement (ICE) operations in the Twin Cities. The closures follow the fatal shooting of Renee Good, a 37-year-old mother of three, by ICE agent Jonathan Ross, which sparked nationwide outrage. The museums canceled scheduled events, including a performance by Nile Harris, and joined a broader one-day economic blackout called "A Day of Truth and Freedom" organized by Minnesota union leaders and community groups. Other cultural institutions participating include the Bakken Museum, the Minnesota Museum of American Art, the Weisman Art Center, and the Museum of Russian Art.

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Activists took to the streets across the U.S. over the weekend of January 11, 2026, for "No War, No Kings, No ICE" protests, sparked by the killing of Renee Nicole Good by an ICE agent and the U.S. invasion of Venezuela. In New York City, a coalition of 11 activist groups led by the NYC Democratic Socialists of America organized a march starting at Grand Army Plaza, featuring protest art including giant grayscale posters of Senators Schumer and Gillibrand and Representative Jeffries, as well as signs designed by Brooklyn artist Julie Peppito. An estimated tens of thousands attended the New York rally, part of some 1,000 protests nationwide.

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The Wolfsonian–Florida International University in Miami Beach is exhibiting "Harry Clarke and the Geneva Window," showcasing a luminous stained glass window created by Irish artist Harry Clarke (1891–1931) for the League of Nations building in Geneva. Commissioned by the Irish Free State in 1926, the window was ultimately rejected by the Irish government due to its controversial content, including depictions of drunkenness, nudity, and Protestant writers. The exhibition explores the window's scandalous history, Clarke's life cut short by tuberculosis at age 41, and the broader context of Irish nationalism and the Celtic Revival.

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London-based British-Guyanese artist Hew Locke expressed disappointment on Instagram after learning that the city of Ostend, Belgium, canceled a site-specific artwork commissioned late last year. The newly-elected city council cited insufficient public consultation before accepting Locke's proposal, which aimed to re-contextualize a statue of former Belgian King Leopold II—a ruler notorious for brutal colonial exploitation in the Congo. Locke offered to extend public consultation and reduce the installation from ten to five years, but received no response. The council's decision was announced without joint press release coordination, and Locke has had no further communication from them.

What Makes a Good Protest Sign?

The article's main feature is a guide on creating effective protest signs for the upcoming No Kings protest, compiled by comic artist Steven Weinberg with input from artists, writers, and curators including Hyperallergic's Editor-at-Large Hrag Vartanian. It offers practical advice for crafting visually and rhetorically powerful signs that challenge authority.

An Old Man Whose Egoscentrism Knows No Bounds

"Ein alter Mann, dessen Ich-Sucht keine Grenzen kennt"

More than 30 current and former jury members of the Stiftung Kunstfonds have issued a formal protest against German Culture Minister Wolfram Weimer, accusing his office of political interference and intimidation. The controversy stems from reports that the ministry requested lists of all jury members across various art institutions and bypassed jury decisions to exclude specific recipients from awards based on intelligence service reports.

What You Need to Know About the Venice Biennale’s Russian Pavilion Controversy

The Russian pavilion is set to return to the Venice Biennale for the first time since the 2022 invasion of Ukraine, presenting an exhibition titled 'The tree is rooted in the sky.' This has sparked significant controversy, with artists, curators, and politicians from Ukraine and several European nations calling for the pavilion's exclusion, citing the ongoing war and sanctions. The Biennale organizers have refused to remove Russia, stating they lack the authority to exclude a state recognized by Italy and emphasizing the event's role as a neutral space for cultural dialogue.

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The Washington Post laid off approximately 30% of its newsroom staff, including Pulitzer Prize-winning art critic Sebastian Smee, as part of broader cuts to sports, local news, and international coverage. Smee, who joined the Post in 2018 after working at the Boston Globe and The Australian, confirmed his departure in a statement to ARTnews, expressing gratitude to former editor Marty Baron and solidarity with affected colleagues. Another Pulitzer-winning critic, Philip Kennicott, reportedly remains on staff. The layoffs come shortly after the release of a documentary produced by Amazon MGM Studios, owned by Post owner Jeff Bezos.

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Bose Krishnamachari, artist and co-founder of the Kochi Biennale Foundation (KBF), has abruptly resigned, citing pressing family reasons. His departure comes during the 6th edition of the Kochi-Muziris Biennale, titled “For the Time Being,” which opened December 12, 2025, and runs through March 31, featuring 66 artists from over 20 countries. The biennial has faced multiple controversies since its 2012 debut, including financial mismanagement, sexual harassment allegations, and a recent closure in January 2026 due to religious protests over a painting by Tom Vattakuzhy referencing the Last Supper.

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India's Kochi-Muziris Biennale was forced to close briefly in late December 2024, just weeks after its mid-December opening, following protests by Christian groups over a painting of the Last Supper by artist Tom Vattakuzhy. The work was displayed not in the main biennial exhibition, “For the Time Being,” but in a side exhibition called “EDAM” at the Garden Convention Centre in Kochi. Christian organizations, including the Kerala Latin Catholic Association and the Syro-Malabar Church, condemned the painting as offensive and called for its removal, questioning the use of public funds. Vattakuzhy, who is from a Christian family, said he did not intend to offend and that the work was inspired by a play based on a poem about Mata Hari. The biennial's curators and president defended the work, refusing to remove it on grounds of censorship, and organizers announced the exhibition would reopen on January 2.

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The Museum of Contemporary Photography (MoCP) at Columbia College Chicago will host an exhibition titled “If Emmett Till Lived: Freedom on American Ground,” guest curated by Harvard professor Sarah Lewis. Opening September 3, the show draws from MoCP’s permanent collection and features 70 photographers—including Gordon Parks, Henri Cartier-Bresson, Dorothea Lange, and Carrie Mae Weems—to imagine the life Emmett Till might have lived had he not been lynched in 1955. The exhibition includes images of Chicago, the railways Till traveled, and milestones he missed, such as the Chicago Bulls phenomenon, Barack Obama’s election, and ongoing civil rights protests.

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British artist Anish Kapoor's iconic sculpture *Cloud Gate* (2006), known as "the Bean," in Chicago's Millennium Park became the site of a controversial photo op on Monday, when dozens of U.S. Border Patrol agents, led by chief Gregory Bovino, gathered in front of the 110-ton piece just after dawn. The agents, armed and in fatigues, reportedly shouted "Little Village"—a predominantly Mexican American neighborhood where Border Patrol had deployed tear gas in a raid over the weekend—instead of "cheese" for the photo. Local officials, including Chicago governor J.B. Pritzker and alderman Mike Rodriguez, condemned the action, and Kapoor himself expressed horror, likening the agents to "SS Nazi troops" and calling the incident a "fascist battle cry of intimidation." Chicago artist Michael Rakowitz also denounced the shoot as a "horrible invasion and occupation."

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Three artists—Faith Ringgold, Jean Toche, and Jon Hendricks—organized "The People's Flag Show" at Judson Memorial Church in New York's Greenwich Village in November 1970, protesting the Vietnam War and challenging US flag desecration laws. The exhibition featured around 150 artists via open call, including Yvonne Rainer, Kate Millett, and the Guerrilla Art Action Group. On November 13, 1970, Ringgold, Toche, and Hendricks were arrested and fined $100 for flag desecration; their case was later dismissed with help from the American Civil Liberties Union. Now, 55 years later, Judson Commons—the church's nonprofit arts arm—is mounting a new version of the exhibition, again via open call, featuring over 60 artists and a week of programming in the Judson Gym.

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On September 8, 2025, street artist Banksy painted a new mural on an exterior wall of the Royal Courts of Justice in London, depicting a judge using a gavel to beat a protester lying on the ground, with a red blood-like spatter on the protester's placard. The artwork was quickly covered and guarded, and by September 10, a masked man was filmed scrubbing the image off the wall while police stood nearby. The Ministry of Justice stated the mural was destroyed because the building is a protected heritage site, and the court was obliged to maintain its original character.

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On September 8, 2025, street artist Banksy unveiled a new mural on the side of the Royal Courts of Justice in London, depicting a judge beating a protester with a gavel. Banksy confirmed the work's authenticity via Instagram, and within hours, the mural was covered up and guarded by security officers. Local reports suggest the artwork references the recent arrest of nearly 900 pro-Palestine protesters in London on September 6.

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The Museum of Contemporary Art Los Angeles (MOCA) has closed its Geffen Contemporary space through the weekend due to nearby anti-ICE protests and increased military activity, including National Guard deployment. The closure affects an Olafur Eliasson exhibition and has postponed a durational performance by Pussy Riot's Nadya Tolokonnikova, who turned part of the venue into a prison cell-like installation. The protests began after ICE raids in Los Angeles, leading to arrests, a curfew, and vandalism of MOCA's facade.

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Chris Reitz, an art historian and chair of Louisville’s Commission on Public Art, has resigned in protest over the city’s plan to restore a statue of King Louis XVI that was damaged by protesters in May 2020 following the police killing of Breonna Taylor. In an op-ed, Reitz argued that the $200,000 restoration cost is unjustified for a statue he deems beyond repair, and accused city officials of trying to erase evidence of the protests. The statue, created by Achille Valois, was originally erected in France in 1829 and gifted to Louisville in 1966; it was vandalized on the same day the city released 911 calls from Taylor’s killing.

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Two lenders to the National Museum of African American History and Culture (NMAAHC) reported that their objects were removed from the museum’s galleries earlier than expected, raising concerns about the influence of President Trump’s recent executive order targeting “anti-American content” in Smithsonian museums. Amos C. Brown, a civil rights activist and pastor, lent a 1880 book on Black history and his father’s Bible, which Martin Luther King Jr. carried during protests; the museum cited the loan’s May expiration as the reason for removal. Liz Brazelton, who lent the diary of her great-great-grandfather—a lawyer who worked on behalf of Solomon Northup—said the diary was returned in March, six months before a 10-year loan agreement was set to end in September, with the museum citing an “internal gallery rotation schedule.” At least 32 objects have reportedly been removed, though the museum denied planned removals.