Inside the New Madison Avenue Flagship of the Powerhouse Gagosian Gallery

Larry Gagosian has opened a new flagship gallery at 974 Madison Avenue (preferring the address 980 Madison at 76th Street) after Bloomberg Philanthropies took over the building's upper floors, which had housed Gagosian's New York flagship since the late 1980s. The megadealer relocated to the street level, creating a 12,000-square-foot complex with exhibition spaces, offices, meeting rooms, and private viewing areas designed by Jonathan Caplan of Caplan Colaku Architects. The gallery launched with a double-header presentation of works by Marcel Duchamp and Robert Rauschenberg, and features ceilings just over 12 feet high, adaptable walls, and a vestibule display of art books.

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A severe nor’easter in New York City has disrupted travel plans for numerous East Coast dealers and gallery staff heading to Los Angeles for Frieze Week. With nearly two feet of snow grounding direct flights, art professionals have been forced into grueling multi-stop itineraries through cities like Pittsburgh, Salt Lake City, and Fort Lauderdale to reach the West Coast in time for fair openings.

Calvin Tomkins, Who Profiled Giants of Modern Art, Dies at 100

Calvin Tomkins, the longtime New Yorker staff writer renowned for his profiles of major 20th-century artists, has died at the age of 100. His career spanned more than six decades at the magazine, where he produced intimate and influential portraits of figures like Marcel Duchamp and Robert Rauschenberg, and authored several books including "Living Well Is the Best Revenge."

An Exhibition of Peter Schlesinger’s Ceramics Inaugurates a Playful New Gallery in Hollywood

Mariposa gallery has officially opened its permanent location in Hollywood’s historic Beachwood Canyon, housed in the 1923 storybook building originally built by the Hollywoodland Realty Co. Founded by Alec Smyth, a former David Zwirner staffer, and interior designer Noah Ruttenberg, the gallery moves away from the traditional 'white cube' aesthetic in favor of a cozy, domestic environment. The inaugural exhibition features a series of swan-shaped ceramic sculptures by the Los Angeles-born artist Peter Schlesinger.

Glasgow’s Centre for Contemporary Arts to close permanently

Glasgow's Centre for Contemporary Arts (CCA) is closing permanently and entering liquidation, effective January 30. The 33-year-old venue, a key hub for experimental art, has cancelled all programs and made its 39 staff redundant. The closure follows a series of financial and operational crises, including a fire-related closure, the pandemic, a staff dispute, and protests over its stance on Israel.

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Conceptual artist Elias Marrow secretly installed an AI-generated artwork titled *Empty Plate* inside the National Museum Cardiff on October 29, where it hung for several hours before staff removed it. The framed digital print depicts a Welsh schoolboy holding a book and a blank plate, which Marrow says represents the state of Wales in 2025 and references Victorian charity propaganda. He described the act as 'participation without permission' rather than vandalism, and noted he used AI as part of the natural evolution of artistic tools.

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A leaked French government audit reveals that the Louvre Museum's security system is "outdated and inadequate," with significant gaps in CCTV coverage. The report, conducted by France's Court of Auditors and set for public release next month, found that modernization of security systems had been repeatedly postponed, and cameras were mostly installed only when rooms were refurbished. In the Denon Wing, home to the Mona Lisa, one-third of rooms lack cameras; in the Richelieu Wing, 75 percent of rooms are without them. Only 138 additional cameras have been installed since 2019. The audit was initiated by Louvre president and director Laurence des Cars after she assumed the role in 2021. The findings follow a robbery of French crown jewels from the museum and come amid staff strikes over understaffing and overcrowding.

Director of the Buffalo AKG Art Museum to depart in October

Janne Sirén, director of the Buffalo AKG Art Museum, will step down in October after 13 years leading the institution. The museum announced his departure on April 29, noting that the board will begin a search for a new director this summer. Sirén oversaw a transformative period including a $230 million campus expansion completed in 2023, designed by OMA and Shohei Shigematsu, which added a new building and reconnected the grounds. During his tenure, the museum's collection grew, staff expanded from 62 to nearly 200, the endowment rose from $31.3 million to $79.3 million, and annual visitors reached 340,000. He also launched a public art department, the Innovation Lab, and the AKG Nordic Art and Culture Initiative.

Embattled Louvre Director Laurence des Cars Resigns

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Laurence des Cars has resigned as director of the Louvre Museum following months of intense scrutiny and institutional turmoil. Her departure, accepted by French President Emmanuel Macron, comes in the wake of a massive $102 million jewelry heist in October 2025 that exposed severe security lapses, outdated infrastructure, and systemic management failures. Despite proposing a major security overhaul and a massive modernization project, Des Cars faced mounting pressure from government audits, staff walkouts, and investigations into ticket fraud.

Required Reading

This week’s roundup of essential art reading highlights a diverse range of global initiatives, from the development of a new arts center in Compton by formerly incarcerated painter Mr. Wash to a mural project for displaced children in Lebanon led by artist Abed Al Kadiri. The report also covers a guerrilla projection protest at the Museum of Fine Arts, Boston, where activists criticized the institution for laying off staff members of color despite a massive endowment, and a poignant look at medical students graduating amidst the ongoing crisis in Gaza.

Smithsonian's National Museum of Asian Art and Saudi Arabia strike deal to collaborate on exhibitions, conservation and more

The Smithsonian's National Museum of Asian Art (NMAA) has signed a partnership agreement with Saudi Arabia's Royal Commission for AlUla (RCU) to collaborate on exhibitions, conservation, research, and staff exchanges. The deal, signed on May 14 by NMAA director Chase Robinson and RCU CEO Abeer AlAkel, focuses on the ancient site of Dadan, a capital of the Lihyanite and Dadanite civilizations. The partnership covers joint conservation and research projects, exhibition loans, and professional development over four years.

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A group of arts professionals, including art historian Konstantin Akinsha and Francesca Thyssen Bornemisza, has published an open letter in Le Monde calling for the International Council of Museums (ICOM) to expel Russia for violating its code of ethics. The group threatens to take ICOM to court in France if it fails to act, citing Russia's systematic erasure of Ukraine's cultural identity since the 2022 invasion, including looting of museum collections and destruction of cultural sites documented by UNESCO. Signatories demand the exclusion of ICOM Russia and Russian museum staff involved in looting, and seek either negotiation or legal proceedings in a French court.

Artist Helina Metaferia infuses solo exhibit 'Syntropy' with research and activism

Artist Helina Metaferia presents her solo exhibition 'Syntropy' at Praise Shadows Art Gallery in Brookline, Massachusetts, on view through December 20. The show features her mixed media collages, including a self-portrait titled 'Enthroned (I am an institution; I am an altar; I am an artwork in/of/for progress),' which marks her first self-portrait in years. The exhibition is part of her ongoing socially engaged project 'By Way of Revolution,' which explores the history of activism and civil rights through workshops, performance, and archival research. Metaferia, an Ethiopian American interdisciplinary artist, teaches at Brown University and previously exhibited at the Museum of Fine Arts, Boston.

Blaffer Art Museum Terminates Curator; Artist Cancels Exhibition

The Blaffer Art Museum at the University of Houston terminated curator Erika Mei Chua Holum in July 2025, following a series of leadership changes and the cancellation of a planned outdoor sculpture exhibition by Guadalupe Maravilla. The museum's new director, Dr. Laura Augusta, cited conservation issues and campus construction as reasons for canceling Maravilla's 'Mariposa Relámpago,' a decision Chua Holum publicly disagreed with. Subsequently, artist Ja'Tovia Gary also canceled her scheduled solo exhibition, citing a breakdown in negotiations with Augusta over scope and budget.

Russian Pavilion Will Be Closed to the Public During Venice Biennale: Report

The Russian Pavilion will be closed to the public for most of the 2025 Venice Biennale, opening only during the pre-opening vernissage (May 5–8) for live performances tied to the exhibition “The Tree Is Rooted in the Sky.” After May 9, the pavilion will remain closed, with digital documentation displayed in the windows. The compromise follows weeks of pressure from European cultural and political figures—including Italy’s culture minister—to shutter the pavilion due to Russia’s ongoing war in Ukraine. Plans were confirmed via email correspondence between Biennale Foundation president Pietrangelo Buttafuoco, general director Andrea Del Mercato, and Russian Pavilion commissioner Anastasia Karneeva, as reported by Italian outlets Open and La Repubblica.

Walker Art Center Severs Ties with Restaurant for Laying Off Workers in Favor of QR Codes

The Walker Art Center in Minneapolis has announced it is severing ties with its on-site restaurant, Cardamom, following the establishment's sudden decision to lay off its front-of-house staff. The restaurant, operated by chef Daniel del Prado, intended to replace 16 servers and hosts with a QR code ordering system to combat financial losses. Museum director Mary Ceruti stated that the move caught the institution by surprise and does not align with the museum's commitment to providing a welcoming, full-service environment for its visitors.

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Activists from the group Everyone Hates Elon staged a protest at the Louvre by surreptitiously installing a framed photograph of Prince Andrew following his recent arrest. The image, captured by Reuters photographer Phil Noble, depicts the royal in the back of a car after being taken into custody on suspicion of misconduct in public office related to the Jeffrey Epstein investigation. Museum staff removed the unauthorized addition, which featured a gilded frame and a caption mocking the Prince's previous claims regarding his inability to sweat, within fifteen minutes.

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French President Emmanuel Macron has appointed Christophe Leribault as the new president of the Louvre Museum, following the sudden resignation of Laurence des Cars. Leribault, an 18th-century art expert who was currently serving as the director of the Palace of Versailles, takes over the institution during a period of significant internal crisis. In a concurrent move, Annick Lemoine was named the new director of the Musée d’Orsay and the Musée de l’Orangerie, filling the vacancy left by the late Sylvain Amic.

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The Louvre has indefinitely postponed the competition to select an architect for its expansion project, Louvre—Nouvelle Renaissance, just days before the jury was set to vote on a winning proposal. Announced by French President Emmanuel Macron in January 2025, the $778 million plan aimed to ease overcrowding at the museum, which hosts 9 million visitors annually, by creating a new entrance, upgrading infrastructure, and controversially building a dedicated 33,000-square-foot gallery for the Mona Lisa. Five firms—Amanda Levete Architects, architecturestudio, Dubuisson Architecture, Sou Fujimoto, and STUDIOS Architecture—had been shortlisted. The postponement follows staff walkouts, a leaked memo detailing structural issues, and a high-profile theft.

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The Philadelphia Museum of Art has reversed its controversial rebrand, announced just four months ago, and will return to its original name. The institution will, however, retain the new griffin logo and brand identity introduced in October. The decision followed a unanimous vote by the board of trustees, based on recommendations from a task force that surveyed staff, trustees, members, and the public.

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Daniel H. Weiss, the new director of the Philadelphia Art Museum, gave his first extensive interview to the Philadelphia Inquirer, defending the museum's board after the controversial firing of his predecessor, Sasha Suda. Suda was terminated in November for alleged misappropriation of funds, including a $39,000 salary increase over two years, which she claims was authorized and is now the subject of a lawsuit. Weiss, formerly president and CEO of the Metropolitan Museum of Art, stated the board does not need radical restructuring but acknowledged the museum faces a financial deficit and needs to address its widely ridiculed rebrand from the Philadelphia Museum of Art to the Philadelphia Art Museum (acronym PhAM). He has begun a listening tour with staff to assess problems, and the marketing chief who led the rebrand has since resigned.

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Filmmaker Amos Poe, a key figure in New York's No Wave cinema movement, died on December 25 at age 76 after a battle with cancer. His seminal DIY films such as 'The Blank Generation' (1975), 'Unmade Beds' (1976), and 'Subway Riders' (1979–80) helped define the punk scene of 1970s New York, breaking from earlier formalist traditions with gritty, energetic works made on minimal budgets with amateur actors. Separately, the British Museum faces internal controversy after director Nicholas Cullinan proposed a 2026 fundraising ball with a 'red, white, and blue' theme to celebrate a planned loan of the Bayeux Tapestry from France, with some staff criticizing the color scheme as being in poor taste amid a rise in far-right activity in the UK.

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Chinese authorities have launched multiple investigations into allegations that staff at the state-run Nanjing Museum secretly removed cultural treasures from the collection and sold them on the open market. The scandal erupted after a 16th-century Ming dynasty painting, *Spring in Jiangnan* by Qiu Ying, appeared in a Beijing auction catalog with an estimate of 88 million yuan ($12.5 million), despite being part of a 1959 donation by collector Pang Laichen. The museum claimed the work and four others were deemed forgeries in the 1960s, deaccessioned in 1997, and sold to a provincial relics store in 2001 for 6,800 yuan. An 80-year-old retired employee, Guo Lidian, accused former museum director Xu Huping of orchestrating a large-scale theft and smuggling operation, including falsely certifying authentic works as replicas. Xu has denied involvement.

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New York City Mayoral-Elect Zohran Mamdani has signed an open letter supporting roughly 1,000 workers at the Metropolitan Museum of Art who filed a petition with the National Labor Relations Board to form a bargaining unit. The vote is scheduled for January 13 and 15, 2026, and if approved, the Met would become the largest unionized museum in the country. The letter, released December 18 by the United Auto Workers (UAW), was also signed by Comptroller Elect Mark Levine and Manhattan Borough President Elect Brad Hoylman-Sigal, among other officials. The proposed union would cover curators, conservators, educators, and retail staff, citing long-term pay inequities, lack of job protection, and increasing workloads.

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The Louvre Museum in Paris was forced to close on Monday after approximately 400 employees went on strike to protest deteriorating working conditions. The strike, organized by unions CGT, CFDT, and Sud, blocked the museum's iconic pyramid entrance. Workers cited a brazen $102 million theft of French crown jewels in October 2025 as evidence of deep operational dysfunction, and they accused management of failing to address longstanding security and staffing issues. The closure follows a turbulent year that included a leaked memo from director Laurence des Cars warning of water leaks and overcrowding, a wildcat strike in June, and the closure of the Sully wing due to structural weaknesses.

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Louvre staff voted unanimously to strike starting December 15, following a meeting of 200 employees from three unions. The unions filed a strike notice with France’s Ministry of Culture, citing a museum in “crisis” with “increasingly deteriorated working conditions” and describing the visitor experience as a “real obstacle course.” The strike could force closures during the busy holiday period. This action follows a year of turmoil at the museum, including a January leaked memo from director Laurence des Cars warning of water leaks and overcrowding, a June wildcat strike over working conditions, and an October theft of $102 million in French royal jewels that exposed outdated security systems. Structural issues recently forced closure of the Sully wing, and a water leak damaged 400 books in the Egyptian antiquities library.

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Artist Brittany Fanning has publicly accused London-based Pictorum Art Group of failing to pay her for works sold in a group show three years ago. She and other artists, including Finn Johnson who obtained a court judgment, claim they are owed money. Former staffers also report unpaid wages. The gallery, which operated on Portman Square, was dissolved in July, and attempts to reach its directors, brothers Jackson Navin and Matthew Navin, were unsuccessful. Fanning, who has shown at galleries like Mindy Solomon and Steve Turner, says she is owed around $9,140 total, including for the painting *Shark Lover*.

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The Philadelphia Art Museum has appointed Daniel H. Weiss, former president and CEO of the Metropolitan Museum of Art, as its new director and CEO, effective December 1. Weiss, who led the Met for eight years until 2023 and most recently served as a professor and senior adviser at Johns Hopkins University, will guide the museum through at least 2028. His appointment follows the abrupt ouster of previous director Sasha Suda, who was terminated for cause on November 4 and has since sued the museum, alleging board members falsely accused her of misusing funds. The museum’s board chair, Ellen Caplan, praised Weiss’s leadership experience but did not address Suda’s dismissal.

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Sasha Suda, former director and CEO of the Philadelphia Museum of Art, has filed a lawsuit against the institution after being dismissed last week. The suit alleges that board members accused her of misusing museum funds for personal gain, which she claims was part of a "sham" investigation. Reports indicate the investigation examined her salary—just under $729,000 in 2023, among the highest for museum leaders—and expenses that had already been cleared. Suda also alleges the "final straw" was a disagreement over board chair Ellen Caplan's attempt to bring lobbyist Melissa Heller onto the board, which Suda opposed. She says she was fired without valid basis while leading an event for international museum leaders.

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Masked thieves stole jewels once belonging to Emperor Napoleon III and Empress Eugénie from the Louvre in a daylight smash-and-grab, using a furniture lift to access the first floor and cutting into display cases. The stolen items, including a diamond-encrusted brooch, diadems, necklaces, and the empress's crown (which was dropped during the escape), are valued at $102 million. French officials have admitted the loot is not privately insured, meaning the state will not be reimbursed if the items are not recovered. Louvre director Laurence des Cars blamed a "terrible failure" in security, offered her resignation (which was refused), and acknowledged staff did not detect the thieves soon enough.