Solidarity and shared optimism take centre stage at 1-54 fair in London

The 1-54 Contemporary African Art Fair in London, held at Somerset House until 19 October, showcases a wide range of African and diaspora artists. Galleries from Nigeria, Kenya, Zambia, and beyond present works that highlight both historical and contemporary practices, with notable sales and institutional interest already reported. The fair coincides with Tate Modern's Nigerian Modernism exhibition and the opening of the Museum of West African Art (MOWAA) in Benin City, creating a moment of heightened global attention on African art.

Five can’t-miss fall art shows in Whatcom and Skagit counties

The article highlights five must-see fall art exhibitions in Whatcom and Skagit counties in Washington state. Featured shows include Mary Ann Peters' solo exhibition "myself inside your story" at the Whatcom Museum, Barbara Sternberger's abstract painting survey "At the Core" at Western Gallery, Joy Olney's "Pure Joy" at Cordata Gallery, and Voxel Gallery's first anniversary celebration with its "World Famous" exhibition. The piece also notes a photo exhibition on broadcasting pioneer Elaine Horn curated by archivist Jeff Jewell at the Whatcom Museum's Old City Hall.

Newport Art Museum reopens members’ exhibition after community feedback

The Newport Art Museum is reviving its Members’ Juried Exhibition, titled “Springboard,” after a strategic planning process revealed strong community demand. The exhibition opens January 22, 2026, in the museum’s historic John N.A. Griswold House and runs through May 31, 2026. Julie Keyes, founder of Keyes Art, will serve as juror, and current museum members may submit one to five works created within the past two years. Awards include Juror’s Choice, Emerging Artist Award, and Award for Innovation. The show will feature members’ works alongside pieces from the permanent collection, exploring themes of cultural inheritance, artistic lineage, and collective memory.

Class Notes

Boston University's College of Fine Arts (CFA) published its 2025 alumni class notes, featuring updates from graduates spanning the 1950s to the 1980s. Notable entries include Mark Mobius (’58) releasing a book on wealth, Cynthia Close (’67,’69) completing a memoir about her time in an artists' commune, and Jane O’Hara (’78) exhibiting a 51-painting series on animal rights at the New Bedford Art Museum. Other alumni activities range from radio documentaries and theatrical performances to gallery shows, poetry albums, and consulting work.

Buzz in New York’s art trade during Frieze week masks uncertainties

During New York's Frieze week, over a dozen art fairs opened in four days, creating a bustling atmosphere that masked underlying economic and political uncertainties. Dealers and advisers reported strong preview-day attendance and a palpable energy, with some noting that the crowded calendar and a recent US-UK trade deal helped buoy spirits. However, the art market has not returned to its 2022 peak, with auction estimates down $250 million from 2024 and high interest rates still deterring average collectors.

Up Close: Aki Sasamoto’s “Grilled Diagrams” at Studio Voltaire

Artist Aki Sasamoto presented her performance-installation "Grilled Diagrams" at Studio Voltaire in London. The work featured Sasamoto wielding oversized cooking utensils, manipulating rocks and gems on a custom grill, and delivering a monologue, creating a tense and unpredictable atmosphere for the audience.

How families can turn the Carnegie International into a family scavenger hunt

The Carnegie International exhibition, a prestigious contemporary art showcase held every four years, has opened at the Carnegie Museum of Art in Pittsburgh. This year, the exhibit spans four locations across the city, and the article suggests families turn it into a scavenger hunt. KDKA-TV's Kristine Sorensen interviews Dana Bishop-Root, director of education at the museum, who advises letting children lead the exploration and asking simple questions like 'What do you see?' to spark conversation. Featured works include Ginger Brooks Takahashi's perilla plant garden outside the museum, Peter Jameson's painted van, a colorful sculpture at the Children's Museum of Pittsburgh, an immersive installation by two Peruvian artists at the Mattress Factory, and an animated piece by Torkwase Dyson at the Kamin Science Center's Buhl Planetarium.

Giorgio Vasari beyond the Lives: what the exhibition at the Capitoline Museums in Rome looks like

An exhibition titled "Vasari and Rome" has opened at the Capitoline Museums in Rome, running until July 19, 2026. Curated by Alessandra Baroni and promoted by Roma Capitale, the show features over seventy works—including drawings, prints, engravings, letters, medals, sculptures, and paintings—that trace Giorgio Vasari's relationship with 16th-century Rome. Sixteen autograph works and seven drawings are among the highlights, arranged in four sections that follow the chronology of Vasari's Roman sojourns, from his arrival in 1532 under Cardinal Ippolito de' Medici to his later engagements with patrons like Bindo Altoviti and Cardinal Alessandro Farnese. The exhibition is staged in an intimate, chamber-like setting on the top floor of Palazzo Caffarelli, contrasting the small space with the vast theme of Vasari's role in papal Rome's political and cultural life.

The Carnegie International Tests What “We” Still Means in a Fractured World

The 59th edition of the Carnegie International, the oldest survey of contemporary art in the United States, opens at the Carnegie Museum of Art in Pittsburgh, featuring 61 artists and collectives from around the world and 36 newly commissioned works. Curated by Ryan Inouye, Danielle A. Jackson, and Liz Park, the exhibition is titled “If the word we,” developed in collaboration with writer Haytham el-Wardany, and for the first time partners with local institutions including the Children’s Museum of Pittsburgh, Kamin Science Center, Mattress Factory, and the Thelma Lovette YMCA to engage different segments of the city’s community.

"One of the most dramatic Biennales": 11 unmissable art shows to see at Venice

Theo Christelis reports from the opening week of the 2024 Venice Biennale, describing it as one of the most dramatic editions in recent memory. Key events include the death of main curator Koyo Kouoh and German Pavilion artist Henrike Naumann, the resignation of the prize jury over the participation of Israel and Russia, a protest by Pussy Riot, and a boycott by half the participating artists. Amid the turmoil, Christelis highlights unmissable shows including the Indian Pavilion (returning after seven years), Jenny Saville at Ca' Pesaro, Michael Armitage at Palazzo Grassi, and presentations at the British, Japanese, and Saudi Arabian Pavilions.

Multidisciplinary Exhibition Opens at The Parrish

A multidisciplinary solo exhibition titled "Sanford Biggers: Drift" has opened at the Parrish Art Museum in Watermill. The exhibition was organized by Chief Curator Corinne Erni and Curator Scout Hutchinson, and was marked by a public conversation between artist Sanford Biggers and Erni. The discussion focused on Biggers' use of textiles, symbolism, and layered cultural references.

Venice Biennale 2026 Roundup

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opened in May 2026 amid significant turmoil. The Austrian Pavilion features Florentina Holzinger's performance piece "Seaworld Venice," centered on a giant bell that chimes hourly. The biennale has been marked by the death of its curator, the resignation of the international jury over the inclusion of Russia and Israel, protests by Pussy Riot and the Art Not Genocide Alliance, and the cancellation of the South African Pavilion over Gabrielle Goliath's "Elegy," which honors murdered women including a Palestinian poet. The US Pavilion's state-sponsored offerings have also drawn criticism.

Clark Art Institute to Exhibit Priceless Art Donated by Tavitian Foundation

The Clark Art Institute in Williamstown, Massachusetts, announced an upcoming exhibition titled “An Exquisite Eye: Introducing the Aso O. Tavitian Collection,” on view from June 13, 2025, through February 21, 2027. The show features approximately 150 works from the Tavitian Collection, a major private collection of European art assembled by the late collector and philanthropist Aso O. Tavitian. Spanning c. 1450–1850, the exhibition includes paintings, sculpture, drawings, and decorative arts by artists such as Jan van Eyck, Jean-Antoine Houdon, and Elizabeth Louise Vigée-Lebrun. The collection, comprising 331 objects, was donated to the Clark and will eventually be housed in a new wing designed by Selldorf Architects, set to open in 2028.

Maine Institutions Dissect the American Semiquincentennial

Boston Art Review (BAR) has published an article examining how Maine-based cultural institutions are approaching the American Semiquincentennial, the 250th anniversary of the United States in 2026. The piece explores the programming, exhibitions, and institutional strategies being developed by museums and art centers across Maine to mark this milestone, focusing on how they interpret American history and identity through contemporary art.

Phantasmagoria review: digital sorcery at the Henry Moore Institute

The Henry Moore Institute in Leeds presents 'Phantasmagoria: Folkloric Sculpture for the Digital Age,' a major group exhibition exploring how digital technologies are reshaping contemporary sculpture. The show features works by artists including Joey Holder, Jürgen Baumann, and Danielle Brathwaite-Shirley, who fuse ancient folklore, occult practices, and modern digital tools such as AI, 3D printing, and video game mechanics. Highlights include Holder's immersive installation 'The Woosphere' with arcade-style consoles and Brathwaite-Shirley's interactive boat sculpture 'PIRATING BLACKNESS/BLACKTRANSSEA.COM.' The exhibition draws on the historical concept of phantasmagoria—18th-century theatrical spectacles using smoke and light—to critique the seductive illusions of digital capitalism.

Don’t Miss: Giles Duley’s “Distortion / Memory / Resilience” at Sutton Tower

Photographer and storyteller Giles Duley has opened a two-week exhibition titled “Distortion / Memory / Resilience” at Sutton Tower on the Upper East Side of New York. The show features his powerful images documenting life during war, alongside artistic touches such as wooden school desks filled with artwork by Ukrainian children. Duley, who lost two legs and one arm after an I.E.D. injury in Afghanistan in 2011, continues to work actively in war zones including Sudan, Afghanistan, and Ukraine. Proceeds from the exhibition support his NGO, the Legacy of War Foundation, which has raised over $4 million since 2017 to help communities rebuild after conflict.

A Major Exhibition on Elsa Schiaparelli opens at the V&A

A major exhibition dedicated to the pioneering fashion designer Elsa Schiaparelli has opened at the Victoria and Albert Museum (V&A) in London. The show explores Schiaparelli's innovative designs, her collaborations with surrealist artists like Salvador Dalí, and her lasting influence on fashion and visual culture.

Modern Art + Design Draw Active Bidders At Eldred’s

Eldred’s auction house held its Modern Art + Design sale on May 7, featuring 245 lots of art, furniture, decorative arts, rugs and collectibles. The sale achieved a total of $221,740 with an 81% sell-through rate, driven by active phone, online, and absentee bidding. Top lots included a Tiffany Studios Nautilus table lamp that sold for $23,040 (more than three times its estimate), a Handel reverse-painted glass table lamp that reached $10,880 against a $800–$1,200 estimate, and Frank Stella’s “Aiolio” from his “Imaginary Places III” series, which fetched $17,920. An abstract oil on canvas by Manabu Mabe also performed strongly, selling for $14,080.

Christie’s New York surpasses $1 billion

Christie’s New York kicked off its 20th and 21st Century Art sales week on 18 May 2026 with a record-shattering evening, generating over $1.12 billion across two sales: Masterpieces: The Private Collection of S.I. Newhouse and the 20th Century Evening Sale. The top lot was Jackson Pollock’s *Number 7A, 1948*, which sold for $181.2 million, setting a new auction record for the artist. Other artist records were set for Constantin Brancusi, Joan Miró, Alice Neel, and Mark Rothko. The S.I. Newhouse collection alone achieved $631 million, selling 100% of lots, and its cumulative total across four Christie’s sales reached $1.05 billion, making it the second-highest collection ever sold at auction after Paul Allen’s.

Besser Museum hosts Dr. Kelly Bushey for final Gallery Talk in Divine Comedy Series

Dr. Kelly Bushey will deliver the final Gallery Talk titled “The Agnostic and The Atheist” at the Besser Museum for Northeast Michigan on May 28, as part of a four-part lecture series accompanying the museum's exhibition *Divine Comedy Reenvisioned*. The talk explores Salvador Dalí's transition from surrealism to neo-classicism, influenced by his encounter with Sigmund Freud and his renewed spiritual perspective, offering insight into his illustrations of Dante Alighieri's *Divine Comedy*. The exhibition remains on view through July 18.

At this year's Venice Biennale, a clash of politics and art exposes the need for a rethink

The 2026 Venice Biennale is plagued by controversy and structural issues. Curator Koyo Kouoh died of cancer in 2025, leaving her team to execute the main exhibition "In Minor Keys" without her. The Biennale's jury resigned after refusing to judge entries from countries charged with war crimes, and media coverage during preview week focused on protests against the Israeli and Russian pavilions rather than the art. The sprawling exhibition features 96 national pavilions and 110 artists, with works ranging from Daniel Lind-Ramos's found-material figures to María Magdalena Campos-Pons's tribute to Toni Morrison and Kouoh.

Edward Hopper Exhibition in Seoul Breaks Attendance Record

An exhibition of Edward Hopper's work at the Seoul Museum of Art has broken attendance records, drawing 330,000 visitors—the highest for any exhibition that year. The show marks the first solo exhibition of the American painter in South Korea, where Hopper was virtually unknown until the 1990s. The article traces Hopper's growing recognition in the country, from his first appearance in Korean media in 2002 to the 2011 co-hosted exhibition 'This Is American Art' at the National Museum of Modern and Contemporary Art, which introduced his work 'Railroad Sunset' (1929) to local audiences.

Memorial Art Gallery admission will become free starting in 2027

The Memorial Art Gallery (MAG) in Rochester, New York, announced on May 13 that admission will become free for all visitors starting in 2027, eliminating its current $20 entry fee permanently. The museum, part of the University of Rochester, raised over $9 million through its "Free for All, Forever" campaign, surpassing its original target faster than expected. Key donations included a $1 million gift from Dr. Alexander A. Levitan and his wife Lucy K. Levitan, a $3 million donation from UR trustee Doug Bennett, his wife Abby, and the Sands Family Foundation, and $2 million from Mary Ellen Burris. Additional support came from anonymous donors, Kitty and Nick Jospé, and Sandy Hawks Lloyd and Justin Hawks Lloyd.

Exhibition at the Sarasota Art Museum uses shadows to explore the way identity changes based on experiences

Sarasota Art Museum presents 'Penumbra,' a solo exhibition by textile artist Maria A. Guzman Capron. The show features 10 works, including traditional wall hangings and a suspended 15-foot textile sculpture titled 'Sombra,' all exploring how identity shifts based on context and experience. Curator Lacie Barbour explains that the title refers to the penumbra—a liminal space between light and dark—serving as a metaphor for the multiplicity of identities. Capron, who was born in Milan to Peruvian and Colombian parents and later moved to Texas, draws on her own cross-cultural experiences, using hand-dyed, painted, and screen-printed fabrics to create layered portraits of multi-faceted figures.

(BPRW) Getty Awards $1.8M to Increase Access to Black Visual Arts Archives

The Getty Foundation has awarded $1.8 million in grants to eight institutions through its Black Visual Arts Archives initiative, a multi-year program aimed at increasing access to archival collections related to Black artists and arts organizations. The grants will support processing, digitization, and public programming at venues including Afro Charities, Auburn Avenue Research Library, Berkeley Art Museum and Pacific Film Archive, Charles H. Wright Museum, Morgan State University, South Side Community Art Center, the University of Chicago's South Side Home Movie Project, and the David C. Driskell Center. This brings Getty's total funding for the initiative to $4.5 million since 2022, supporting 20 grants nationwide.

Salon des Indépendants

The article is about the Salon des Indépendants, a historic French art exhibition society founded in 1884. It provided a platform for artists to exhibit works without a jury, challenging the official Paris Salon's conservative standards.

WeWork (oralmoral)

The article reviews "WeWork (oralmoral)," a temporary exhibition at The Gallery in Crown Heights, Brooklyn, curated by artist-turned-curator Florian Meisenberg. The show transforms a former office space into a free-form, non-hierarchical environment where works by over a dozen artists are placed unpredictably—in trash bins, closets, ventilation shafts, and on whiteboards left by the previous tenant. Artists span three generations, from Post-Minimal figures like B. Wurtz and David Humphrey to younger digital-savvy artists such as Lucas Blalock and Anna K.E., whose sound piece "Tamada" greets visitors. The exhibition runs from April 10 to May 18, 2026.

American Miners Photo Exhibition 'Beneath the Surface' Tour: National Gallery (DC)-Milwaukee Art Museum-Amon Carter Museum (Fort Worth, TX)

미국의 광부들 사진전 'Beneath the Surface' 순회: 내셔널 갤러리(DC)-밀워키미술관-에이먼카터미술관(포트워스, TX)

The National Gallery of Art in Washington, D.C., will present 'Beneath the Surface: Mining and American Photography' from May 23 to August 23, 2026, the first exhibition to focus exclusively on the relationship between resource extraction and American photography. Featuring 150 photographs by over 100 artists—including Richard Avedon, Walker Evans, Lewis Hine, LaToya Ruby Frazier, Dorothea Lange, and Gordon Parks—the show spans nearly 200 years, from early daguerreotypes of the California Gold Rush to contemporary large-scale works. After its Washington run, the exhibition will travel to the Milwaukee Art Museum (October 23, 2026–January 18, 2027) and the Amon Carter Museum of American Art in Fort Worth, Texas (February 14–May 9, 2027).

Koyo Kouoh’s Venice Biennale Looks to Ancient Wisdom to Mend a Fractured Present

Koyo Kouoh's Venice Biennale, titled after ancient wisdom, opens with a focus on healing and historical reimagination. The exhibition features works by artists such as Alexa Kumiko Hatanaka, Khaled Sabsabi, Daniel Lind-Ramos, Guadalupe Maravilla, Kennedy Yanko, and Ayrson Heráclito, alongside a strong emphasis on artist-led schools and institutions like Denniston Hill, blaxTARLINES KUMASI, and RAW Material Company. During the opening, the Koyo Kouoh Foundation was announced, set to launch in Basel to support Pan-African cultural infrastructure. The show includes Refaat Alareer's poem "If I Must Die" and addresses political realities, blending spiritual, ecological, and technological themes to explore collective care and restoration.

An Expert’s Guide To Navigating The Art World

An art consultant with experience directing galleries in New York and Seattle, working with Nick Knight at SHOWstudio, and presenting The Art Show on Sky Arts shares insights on navigating the art world. The consultant discusses how to discover emerging artists through galleries, Instagram, graduate shows, and word of mouth, and emphasizes the importance of building relationships with galleries versus working with a consultant. Key galleries mentioned include Lisson Gallery, Josh Lilley, Seventeen Gallery, Esther Shipper, Hauser & Wirth, Cooke Latham, and Robertson Ares Gallery.