Art House Productions is set to debut "EXPANDED METAMORPHOSIS: CONTEMPORARY APPROACHES TO PROCESS," a group exhibition curated by Andrea McKenna at the Art House Gallery in Jersey City. Running from April 4 to April 26, 2026, the show features ten artists—including Jan Huling, Valerie Huhn, and Dan Payton—who utilize industrial, organic, and repurposed materials to explore themes of transformation and experimentation.
Curator Summer Guthery, who left economics to found four non-profit experimental art spaces across the US, is launching a fifth venture called Times with fellow curator Francesca Sonara. Located in Manhattan’s Chinatown at 151 Lafayette Street, the 3,000-square-foot space will host up to three exhibitions simultaneously across two galleries and a screening room. The inaugural event on 12 February features Latvian performance artist Jana Jacuka, followed by a solo exhibition by Danish artist Nina Beier (21 February-9 May). Times rejects a permanent institutional model, planning a three-year obsolescence to remain nimble and responsive to artists’ needs.
Artist Kunel Gaur presents his solo exhibition "Signs of Life" at Method Delhi, running from December 11, 2025 to January 25, 2026. The show features immersive works that explore contemporary life through architectural materials like wood, concrete, metal, and acrylic, with series including "Colour Field Studies," "Interface Portraits," "KUMI," and "Tile Assemblies." Gaur's practice draws on graphic design, architecture, and brutalist influences to examine how identity, memory, and emotion are filtered through technology and industrial systems.
Solo Studios 2025 returns to the Riebeek Valley in South Africa from 24–26 October, transforming the twin towns of Riebeek Kasteel and Riebeek West into a living canvas. Over sixty artists will participate in open studios, curated exhibitions, performances, and culinary events, with highlights including the LANDscape[s] exhibition at Die Kunshuis featuring works from the Modern Art Projects South Africa collection, a group show at EcoPlace made from recycled materials, and talks on art collecting led by Strauss & Co.'s Elmarie van Straten. The weekend also features music, a marketplace of ceramicists, and exhibitions such as 'Red Hot, Pink Spot' at the Church Hall.
Southwest Florida is home to over a dozen art centers, and in July 2025, 24 exhibitions are on view across venues from Sarasota to Marco Island. Highlights include Art Center Sarasota's 'Vice and Virtue: Annual Juried Regional Show,' juried by curator Jessica Todd, exploring morality and duality; Venice Art Center's solo shows by Karen Weih and Cosette Kosiba; the 'Over the Bridge' exhibition at Visual Arts Center in Punta Gorda featuring B.A. Wikoff and Lily Obsitnik; and the 'Member’s Showcase Exhibit' at the same venue. Satellite shows and the DeSoto Arts Center's annual art show round out the month's offerings.
The article explores the street art scene in Luxembourg, highlighting cities and towns like Esch-sur-Alzette, Leudelange, Koler, and Ettelbruck where murals and graffiti adorn buildings, schools, and even waste bins. It traces the movement's origins to the 1980s hip-hop-inspired rebellion, when graffiti was illegal and artists like Sumo, Spike, Stick, Dan Sinnes, and Alain Tshinza emerged. Today, urban art is embraced as a tool for social cohesion and expression, with projects like Kufa's Urban Art Esch in Esch-sur-Alzette featuring over fifty murals by international artists. The article also notes techniques such as grid systems, projections, and reverse graffiti, exemplified by Klaus Dauven's 2023 tribute on the Vianden dam.
Shrewsbury Library has opened a new community gallery curated by Shrewsbury Arts and Crafts, founded by Jess Richards. The space features work from 24 local artists, a mural by Emma Williams, and was created after Richards faced the possible closure of her shop in Perches House. A collaboration with library manager Katherine Berry turned a small concession idea into a full gallery wall, enabling workshops and year-round creative programming.
Der letzte lebende Surrealist
Alejandro Jodorowsky, the 97-year-old Chilean-French artist and filmmaker, is profiled in his Paris apartment as the last living Surrealist. The article reflects on his century-spanning career, from his early pantomime work with Marcel Marceau in the 1950s to his cult films like "El Topo" and "The Holy Mountain," as well as his famously unrealized adaptation of Frank Herbert's "Dune." Jodorowsky shares his philosophy that true art has a beginning but no end, offering a retrospective on a life lived at the intersection of performance, cinema, and visionary creativity.
Oviedo accueillera le premier musée de philosophie au monde
The Gustavo Bueno Foundation has announced plans to open the world's first museum of philosophy in Oviedo, Spain, scheduled for January 2027. Housed in the historic Miñor sanatorium, the institution will serve as a physical extension of the Oviedo School of Philosophy, focusing on the "philosophical materialism" developed by the late thinker Gustavo Bueno. The museum aims to move beyond academic circles to engage the general public in critical thinking and the rigorous analysis of social structures.
Le Journal des Antiquaires et Galeries n°10 vient de paraître
The tenth issue of Le Journal des Antiquaires et Galeries has been released, focusing on the resilience of the art market amidst geopolitical and economic headwinds. The publication highlights major spring events including Art Paris, Art Brussels, and the Paris Gallery Weekend, while introducing the newly formed Federation of Art Market Actors (FAM’Art).
The Museum of Modern Art of Rio de Janeiro (MAM Rio) is hosting a major retrospective titled 'Rubem Valentim: a ordem do sensível,' featuring approximately 180 works spanning four decades. Curated by Raquel Barreto and Phelipe Rezende, the exhibition showcases Valentim’s unique fusion of modernist abstraction with the spiritual symbols of Afro-Brazilian and Indigenous cosmologies. The presentation includes paintings, reliefs, and sculptures, culminating in monumental works like 'Templo de Oxalá.'
Wayne Koestenbaum, a leading figure in New York's queer and literary scenes since the 1980s, is releasing his first novel in nearly two decades, *My Lover, the Rabbi*, in March. The 464-page book centers on an unnamed narrator's psychosexual affair with an aging rabbi, exploring themes of desire, repulsion, internalized homophobia, and the lingering aftermath of the Holocaust. Koestenbaum, known for his confessional prose and genre-straddling criticism—including his 1993 book *The Queen's Throat*—discusses the novel's intellectual filth, the conflation of desire and disgust, and his literary role models such as Samuel Delany and Jean Genet.
On a cold January evening in Tribeca, 85 people gathered at TIWA Select, an art gallery five stories above Walker Street, for "Stories to Savor," a fundraiser for 826NYC. The event blended readings, a dinner party, and a fundraiser, featuring a lineup of New York food luminaries including Martha Stewart, Alison Roman, Missy Robbins, Andrew Tarlow, and Annie Shi. Participants read food-themed essays and poems written by former 826NYC students, while chef Woldy Reyes prepared a Filipino-inspired feast. The evening was emceed by New Yorker writer Naomi Fry and co-host Kristen Naiman of The RealReal, with guests including fashion designer Ulla Johnson and artist Simone Bodmer-Turner.
Design studio Valle de Valle, formerly known as Studio Giancarlo Valle, has rebranded to reflect the equal partnership of founders Jane Keltner de Valle and Giancarlo Valle. The New York-based studio, which designs interiors, furniture, and architecture, announced the name change nearly a decade after its founding. The duo met at a holiday party 20 years ago—Jane was a style director at AD and previously at Teen Vogue, while Giancarlo worked at SHoP Architects. In 2024, they opened Casa Valle, a Tribeca gallery, and recently reissued Antoni Gaudí’s Batlló chair with BD Barcelona. Upcoming projects include designer Ulla Johnson’s Madison Avenue flagship, a Manhattan wine bar, and the transformation of a 500-acre island in the Bahamas.
Artist Phillip K. Smith III installed "0/90/120," a site-specific work of 11 light panels, inside the historic William F. Cody house in Palm Springs, California. The installation, which ran through May, used reflective and illuminated volumes to transform the Desert Modern architect's family home, drawing the surrounding Sonoran Desert landscape indoors. Smith, who studied architecture at RISD and is known for desert-based works like "Lucid Stead" (2013) and "Reflection Field" at Coachella, created the piece to capture the rapid light changes at sunset and warp perceptions of space.
Tappan Collective in Los Angeles unveiled its latest group exhibition, “ELSEWHERE,” on Tuesday with a festive evening event. The show explores and expands the landscape genre, featuring works by artists including Gia Coppola, Michael Harnish, Sasha Court, Marleigh Culver, Michael DeSutter, Lisa Hardy, and Marina Ross. Founder Chelsea Nassib hosted a conversation with painter Satsuki Shibuya and CULTURED contributor Janelle Zara, drawing a crowd of cultural insiders and LA tastemakers such as entrepreneur Holly Liss Jammet, gallerist Rosa Park, and art advisor Kipton Cronkite.
This article lists numerous gallery openings and ongoing exhibits in Central Oregon for the current week. Venues include Amejko Artistry, Art Adventure Gallery, Artists’ Gallery Sunriver, ArtHouse LTA, Belknap Exhibit Center, Canyon Creek Pottery, Deschutes Historical Museum, Dry Canyon Community Arts Center, High Desert Museum, Hood Avenue Art, Jeffrey Murray Fine Art Photography, John Paul Designs, Kreitzer Art Gallery and Studio, Lubbesmeyer Fiber Studio, Makin’ It Local, Nancy McGrath Green Gallery, and Nashwood Gallery, featuring works by artists such as Anna Amejko Peterson, Jana Charl, Kenneth Merrill, Jesica Carleton, Jeffrey Murray, Lori and Lisa Lubbesmeyer, Kara Frampton, and Will Nash.
ArtRage Gallery in Syracuse is hosting a new exhibition titled 'A Rising Tide of Plastic in Art,' featuring works by members of the international collective Project Vortex. The show includes sculptures, photographs, and installations created from reclaimed plastic waste, with artists like Alejandro Durán, Nicole Hixon, Anne Percoco, and Blue McRight transforming debris into commentary on pollution.
The Alliance for the Arts in Fort Myers will open its 40th Annual All Florida Exhibition on March 6, running through March 28. The juried show features 43 works by 39 artists selected from over 450 submissions, representing a wide range of styles and media from across the state. Concurrently, the venue will host 'Selected Works by Ralph Bigletti' in the Theater Gallery and 'Marilyn Hedlund’s Fine Art Acrylics Students’ Showcase' in the Member Gallery, with a free public opening reception on March 6.
On May 8, during the pre-opening of the Venice Biennale, the independent collective ANGA (Art Not Genocide Alliance) organized a strike protesting genocide and precarity in the art world. Pro-Palestinian activists entered the Arsenale, where part of the exhibition "In Minor Keys" curated by the late Koyo Kouoh was installed, and hung posters on artworks calling for the liberation of Palestine and denouncing what they described as the Biennale's "art-washing" of Israel's reputation. The disruption blurred the line between activist intervention and the exhibition itself, as many works already addressed Palestine directly, including a poem by Refaat Alareer placed at the entrance.
The Center for Institutional Studies, Research, and Training (CERFI), a research cooperative co-founded by Félix Guattari in the wake of May 1968, sought to merge militant political practice with institutional psychotherapy. By adopting a model of 'analytical self-management,' the group utilized rotational roles and collective research to avoid the hierarchies and alienation typical of traditional academic and political organizations. This experimental structure was heavily influenced by the 'grid' system used at the La Borde psychiatric clinic, aiming to turn administrative labor into a tool for subjective liberation.
Thai artist Torlarp “Hern” Larpjaroensook creates immersive sci-fi sculptures and installations using found and ready-made objects. His recent work 'Cosmos of Nostalgia' was displayed at the NTU Museum in Singapore from January to April 2026, part of a campus-wide exhibition featuring three Southeast Asian artists. Earlier notable works include 'U.S.O. – Unidentified Standing Object' (2018) at Subhashok The Arts Centre in Bangkok and 'Spiritual Spaceship' (2018) at the Bangkok Art Biennale, which explored the contrast between modern technology and traditional Thai spirituality.
A group exhibition titled 'Ephemeral Geographies: Where Land, Light and Time Shift' opens at Gallery Pradarshak in Mumbai on April 24, 2026. The show features ten emerging and mid-career Indian artists—Alistan Dias, Amol Pawar, Bhoomika Karbhari, Manthan Tambe, Meetul Agarwal, Pradip Suryawanshi, Rohan Bhavsar, Sharu Anjirbag, Siddhant Bansod, and Suresh Jangid—who present landscapes across mediums like painting and mixed media as evolving conditions shaped by perception, memory, and atmospheric change.
Marti’s on Main art gallery in Albion has officially launched its 16th season, unveiling an ambitious schedule that expands from six to eight exhibitions for 2026. The season opener features stone sculptures by George Graham and Richard Bannister, alongside a dedicated showcase of works by Albion High School art teacher Dr. Athena Nichols and five of her senior students.
Chauvet Arts in downtown Nashville has opened a new exhibition titled "The Gallery of Impossible Dreams," running from December 13, 2025, to January 23, 2026. The show features works by new artists Andy Llanes Busto and Lisyanet Rodriguez, alongside long-time gallery artists Carlos Gamez de Francisco, Brandon Jones, Greer Wilkins, and Jorge Yances, with a special collection of photography, field and audio recordings by Philip Holsinger.
Ten artists have accused Arusha Gallery, which operates in Edinburgh and London, of failing to pay them nearly half a million pounds for sold works, with some waiting months or years for payment. Artist Charlotte Keates claims she is owed approximately £430,000 from sales dating back to 2023, while gallery owner Bella Arusha Collins King disputes the amount and asserts the gallery is entitled to a 50% cut from a collaboration Keates entered with Hermès. The gallery acknowledges missing payments, citing a downturn in the art market and the unexpected death of co-owner Guy Rowland Maxwell Bargery in January.
Artist Tatana Kellner announces an opening reception for her exhibition "Inequity" at The Sketchbook Gallery @ Jane St. Art Center in Saugerties, New York, running from June 27 to August 1, 2026. The show features works from her ongoing series "Apart," which explores tensions between individuals and societal systems, drawing on her personal history as an immigrant from communist Czechoslovakia and a child of Holocaust survivors.
A new gallery called the Capitol Crossing Gallery of Art has opened in Washington, D.C., within the Capitol Crossing development on Capitol Hill. The gallery features over 20 artists with local connections to the DMV area, including a large lobby commission by Katherine Tzu-Lann Mann. The space is curated by Alexandra Foxworth-Hill, senior property manager for Capitol Crossing Advisors, who selects abstract works that complement the building's modern, sustainable design.
Oil painters Betz Green and Jim Green will showcase their work at the Stover Mill Gallery in Erwinna, Pennsylvania, on weekends from May 9 through May 31, with an opening reception on May 9. Betz Green creates representational, portrait-oriented still lifes with whimsical narratives, while Jim Green works in an impressionistic and expressionistic style with vibrant colors and exaggerated forms. Both artists have won top awards at local venues such as Phillips Mill and Stover Mill.
Art House Gallery in Jersey City is set to host "Expanded Metamorphosis: Contemporary Approaches to Process," a group exhibition curated by Andrea McKenna. Running from April 4 to April 26, 2026, the show features ten artists—including Jan Huling, Valerie Huhn, and Dan Payton—who utilize industrial, organic, and repurposed materials. The collection emphasizes the physical act of creation, showcasing works that have been shaped through rigorous methods of alteration, accumulation, and construction.