The 23rd Annual Smithsonian Magazine Photo Contest has announced its 60 finalists, selected from over 17,000 submissions. The images span six categories: American Experience, Artistic, Drone/Aerial, People, Travel, and Wildlife. The magazine is now inviting the public to vote for a Readers' Choice award winner, with polls open through March 30.
Van Cleef & Arpels opened its Paris atelier to Cultured magazine for a rare behind-the-scenes look at the jewelry house's craft traditions. The article profiles artisans such as a smelter, diamond cutter, threader, quality controller, polisher, and jeweler, who describe their work on iconic pieces like the Zip necklace—a design originally conceived in 1938 at the suggestion of the Duchess of Windsor and perfected over decades.
Rising Melbourne and Battersea Arts Centre (BAC) have announced that British artist and game designer Danielle Brathwaite-Shirley will design the ninth hole artwork for the playable exhibition 'The Art of Mini Golf' when it travels to London this summer. The exhibition, formerly known as 'Swingers', will take over BAC from 17 June to 26 July, featuring nine interactive golf hole artworks by leading women artists including Miranda July, Kaylene Whiskey, Saeborg, Delaine Le Bas, Natasha Tontey, BKTHERULA, Soda Jerk, and Pat Brassington. Brathwaite-Shirley's new commission, 'Enough Is Enough', uses video game language to critique technology's impact on society, addressing issues like surveillance, censorship, and wealth inequality.
Toronto-based artist Laura Findlay presents *Night Vision*, a solo exhibition at Glenhyrst Art Gallery in Brantford, Ontario, featuring ethereal oil paintings of nocturnal garden scenes. Using an Old Masters subtractive technique, Findlay applies dark glazes and wipes away pigment to create luminous images of birds, blooms, and bats that appear to emerge from darkness. The show runs through the spring of 2026.
Two Vancouver-based artists, Emilie Fantuz and Gillian Richards, are showcasing their work in a joint exhibition titled "Liminal City" at the Pendulum Gallery in downtown Vancouver. The show explores the effects of light and shadow in painting, with Fantuz focusing on what she calls "optical debris"—bursts of light and shadows that fracture contemporary vision—while Richards highlights transitional urban spaces and functional architecture, elevating overlooked everyday scenes. Fantuz, who is completing her MFA at Emily Carr University, has shifted from detailed neighborhood paintings to abstract studies of light and perception, often filtered through windows and screens. Richards, a former scenic artist in the film industry, uses photography as a starting point to capture intimate views of utilitarian structures.
Art Garden, a combination art gallery and plant shop in Asheville, North Carolina, reopens on May 7, 2025, at a new downtown location at 98 N. Lexington Ave. The business was displaced after its former home in Riverview Station was flooded by over 25 feet of water during Tropical Storm Helene in September 2024. The reopening includes a preview party for the ReRoot art exhibit, a fundraising gala, a theatre performance, and a Mother's Day plant sale, celebrating community support that helped rebuild the space.
Gallery Jupiter in Little Silver, New Jersey, presents "The Immersive Landscape," a solo exhibition of paintings by artist Christie Scheele, running from April 30 through June 11, 2026. The show features Scheele's open vista landscape paintings and her new Place Series assemblages, which incorporate foraged natural materials like stones, bark, and seaweed. An opening reception is scheduled for April 30. In conjunction with Earth Day, Scheele also collaborated with artist Kathleen Sweeney and designer Dominick Santise on EcoAction Cards, a set of activity cards aimed at inspiring environmental action.
Chiang Mai’s art scene is hosting a diverse range of exhibitions this April, anchored by a major retrospective of Araya Rasdjarmrearnsook at the MAIIAM Contemporary Art Museum. The survey, curated by Kittima Chareeprasit and Roger Nelson, spans four decades of the artist's provocative video and installation works. Other highlights include Myrtille Tibayrenc’s installation of 108 Buddha paintings at the Museum of Something (MOS), Chatchai Notananda’s process-oriented solo show at Haan Studio, and Houda Bakkali’s digital compositions at Alliance Française.
MORA Art Museum's exhibition series 'Equilibrium' presented a group show in Jersey City. The exhibition featured works by Russian-born artist Alina Shimova alongside a selection of other international artists.
Florida Atlantic University’s University Galleries opened a new exhibition titled “America 250: We Hold These Truths: We Walk These Grounds” at the Schmidt Art Gallery on its Boca Raton campus, marking the United States’ 250th anniversary. The show features work by six contemporary American artists—Carlos Betancourt, Daesha Harris, Doug Mills, John Hitchcock, Melissa Sclafani, and Yves Gabriel—and runs through March 29, 2026. The exhibition reinterprets familiar American symbols such as apple trees, wild horses, and presidential portraits, using objects and materials to explore themes of patriotism and American history.
Gallery Time & Space has unveiled 'Continuum: Artists Across Time and Space' at Venkatappa Art Gallery in Bengaluru, a large-scale exhibition featuring over 50 artists in a group show alongside solo presentations by SG Vasudev and Asit Poddar. The group exhibition explores metaphysical themes of consciousness, light, and love, bridging past and present through diverse mediums including cyanotypes, stoneware ceramics, and oil on canvas. Curator Renu George selected artists from the gallery's roster, highlighting both established and emerging talents.
Grove Gallery in Evanston, Illinois, hosted the opening reception of 'Triptych,' a three-person exhibition featuring artists Kate Berry-Brown, Vanessa Filley, and Darren Oberto. The show, on view through January 31, presents a range of media including pencil portraits, figurative photography, and oil paintings, exploring themes of motherhood, belonging, environment, and the cosmos. Gallery owner Sarah Kaiser-Amaral noted a synergy among the artists in their use of geometry and treatment of parenthood, describing a concept of order versus chaos. The gallery is donating 20 percent of sales from the exhibit to Housing Opportunities for Women (HOW), a nonprofit supporting people in Chicagoland experiencing poverty and homelessness.
Die Biennale muss offen bleiben – auch für Russland
The article argues against calls to exclude Russia from the Venice Biennale, focusing on the controversy surrounding the Russian pavilion's planned exhibition titled "Der Baum ist im Himmel verwurzelt" (The Tree Is Rooted in Heaven). The pavilion is set to feature musicians from Russia, Argentina, Mali, and Mexico, and its theme revolves around the idea that politics is time-bound. The author contends that while the demand to exclude Russia is understandable given the geopolitical context, it is dangerous because once a biennial begins disinviting states, it undermines the very concept of the international exhibition.
DE SARTHE gallery in Hong Kong presents 'Relationship Duplicates', the second solo exhibition by Beijing-based photographer Lin Zhipeng (No.223). The show, on view from May 16 to June 27, explores the tactile, intimate dimensions of human relationships through large-scale photoprints, a smartphone installation, and curated collages. Lin redefines 'duplicates' as supplements that extend relationships rather than mere copies, using nudity and physicality to counter the alienation of digital connectivity.
This article is a local events calendar for Savannah, Georgia, covering the week of May 12–21, 2026. Highlights include a SCAD Jewelry Trunk Show, a Telfair Museums anniversary preview of Impressionism and Modernity: French and American Painting with a lecture by National Gallery of Art curator Mary Morton, the opening of the Seven Ladies Exhibit at the Davenport House Museum, the 15th annual TEDxSavannah, a country concert by Ella Langley, a brewery anniversary party, a jazz fundraiser, and several preservation-focused lectures including one by National Preservation Partners Network CEO Kim Trent and a talk on landscape architect Clermont Lee. The Courtyard Concert Series at SCAD MOA concludes with local bluegrass band Swamptooth.
Melanie Mullan interviews three women redefining the art world: contemporary artist Petria Lenehan, who transitioned from fashion design to painting and now works from her studio in Wicklow, Ireland, promoting her work via Instagram; and Trish Lambe, CEO and Artistic Director of Photo Museum Ireland, who began her career at the museum in the 1990s and now leads its curatorial team. The article highlights Lenehan's intuitive painting process and Lambe's hands-on approach to exhibition production.
Gallery 1882, located in Chesterton, Indiana, is hosting a new exhibition featuring contemporary artists from across the United States. The show brings together a diverse range of works, highlighting emerging and established talents in a local gallery setting.
A new analysis of damaged statues from ancient Egypt is reshaping the historical narrative of Queen Hatshepsut. Researchers have re-examined 3,500-year-old statuary, finding evidence that the deliberate defacement of her images occurred decades after her death, challenging the long-held belief that her successor, Thutmose III, orchestrated an immediate campaign of destruction against her legacy out of personal animosity.
The Danish Arts Foundation has opened 'Things To Come', an exhibition by Danish artist Maja Malou Lyse at the Danish Pavilion in the Giardini, Venice, as part of the 61st International Art Exhibition – La Biennale di Venezia. Curated by Chus Martínez, the show runs until November 22, 2026, and features a film developed with the collective DIS, shot in a real sperm bank and special effects studio, alongside an installation titled 'Stars in My Pocket' that incorporates cryogenic fertility bank boxes and online 'sperm races' clips. The exhibition title references H.G. Wells' 'The Shape of Things to Come' and draws on scientific studies linking virtual sexual stimuli to increased sperm motility.
Central Illinois is hosting a diverse array of art and cultural exhibitions across several key institutions and galleries this spring. Highlights include the "Art on the Offense" group show at the Contemporary Art Center of Peoria, the "Lights, Camera, Fashion!" exhibition featuring the Lois Jett Historical Fashion Collection, and multiple annual student showcases at University Galleries and Merwin & Wakeley Galleries. Local spaces like the McLean County Arts Center and Eaton Studio Gallery are also actively engaging the community through regional artist spotlights and educational outreach for local students.
Guild Hall in East Hampton will host an exhibition walkthrough and artist talk with artist Claire Watson on Thursday, May 21, from 7:30 to 8:30 PM. The event accompanies her exhibition “Claire Watson: Re-Paired,” which runs through July 19 and features sculptures and mixed-media assemblages made from salvaged leather garments, deconstructed and reconfigured using traditional sewing and pattern-making techniques. The exhibition includes over fifteen works spanning from 2012 to the present, and the talk will be led by Melanie Crader, museum director and curator of visual arts at Guild Hall.
Spanish police have recovered two long-lost 17th-century altarpiece paintings by Baroque painter Lucas Valdés, which disappeared after being shown at the 1929 Ibero-American Exhibition of Seville. The works, depicting Old Testament scenes, were identified in an auction house catalog in September 2025, authenticated by the Spanish Historical Heritage Brigade, and returned to the Hospital of the Venerable Priests in Seville on May 20, 2026, after a mediation process with the consignors.
A team of international researchers has published the first scientific analysis of ritual incense residues from Pompeii. By examining ash from two ancient censers—one from an inn and another from a domestic shrine—they identified charred plants like oak and laurel, as well as evidence of imported frankincense from India.
Craft-based activism is surging in the U.S. as a form of protest against Immigration and Customs Enforcement (ICE) policies and operations under President Trump's second term. Projects include the "Melt the ICE" hat, a red beanie pattern that has sold over 65,000 copies and raised over $600,000 for immigrant-support nonprofits, and origami rabbits for a detained five-year-old boy, drawing direct parallels to historical craft-as-resistance movements like the Norwegian topplue worn against Nazi occupation.
Thieves stole the entire silver collection of the Doesburg Silver Museum in the eastern Dutch city of Doesburg in the early hours of Wednesday morning. More than 300 "irreplaceable" objects, including a treasured collection of mustard pots assembled by the museum's founder Martin de Kleijn, were taken after two men forced entry into the 13th-century Martini Church housing the museum. CCTV footage shows the duo using a crowbar to break in and shatter display cabinets. Only ceramics on temporary display were left behind. The museum is insured, but chairman Ernst Boesveld emphasized the loss is about history and cultural heritage, not just the silver price.
Researchers have discovered a hand stencil in a cave on the Indonesian island of Sulawesi that dates to 67,800 years ago, making it the oldest known rock art in the world. The faded 14 × 10 cm patch of pigment, found on the southeastern peninsula of Sulawesi, was dated using Uranium-series analysis of mineral crusts that formed on top of the painting. The discovery was made by a team from Griffith University in Australia, Indonesian archaeological organizations, and the National Research and Innovation Agency, who have been documenting cave art sites in the region since 2019.
New Zealand police recovered a diamond-encrusted Fabergé egg pendant from a 32-year-old thief who allegedly swallowed it after stealing it from Partridge Jewellers in Auckland. The suspect was detained within minutes of the theft, and officers monitored him for six days until the pendant was naturally passed. The special-edition locket, valued at $33,585, is a tribute to the Fabergé egg featured in the James Bond film Octopussy, featuring a green guilloché enamel shell and an 18-karat yellow gold octopus set with diamonds and sapphires.
A rare blue diamond pendant known as the Mellon Blue, owned by art collector Rachel Lambert “Bunny” Mellon, sold for $25.5 million at Christie’s Magnificent Jewels auction in Geneva on Tuesday. The 9.51-carat fancy vivid blue, internally flawless pear-shaped diamond had a pre-sale estimate of $20–30 million. This price is 22 percent less than the $32.6 million it achieved at Sotheby’s in 2014 as part of Mellon’s collection sale, and nearly 60 percent less when adjusted for inflation. The buyer was not disclosed.
Typhoon Halong severely damaged an archaeological site near Quinhagak, Alaska, that had been preserved in permafrost. The storm scattered thousands of Yup’ik artifacts—including wooden masks and tools—along the southwestern Alaskan coast. Archaeologist Rick Knecht of the University of Aberdeen raised the alarm about climate change threats, and salvage efforts are underway with the Nunalleq Museum to recover and conserve the items.