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Comment | Flourishing markets beyond the big three will benefit the art ecosystem—and the planet

The article analyzes the shifting dynamics of the global art market, reporting that regions outside the traditional 'big three' hubs of the US, UK, and China have increased their market share from 17% in 2015 to 24% in 2025. This shift is driven by nationally protective regulations like Brexit and tariffs, which have stifled the free circulation of contemporary art. While the US market remains dominant at 44%, countries such as South Korea, Switzerland, Japan, and Australia have seen growth, and emerging cultural energy is noted in places like Bangkok, Warsaw, Margate, and Qatar.

Venice Biennale Artists Decline Consideration for Golden Lions Chosen by Public Vote

Nearly half of the artists in the main exhibition of the Venice Biennale have signed a statement declining consideration for the Golden Lion awards, in solidarity with the jury that resigned last month. The statement, published by e-flux, includes prominent names such as Alfredo Jaar, Tuan Andrew Nguyen, Otobong Nkanga, and Walid Raad, as well as national pavilion representatives from France, Lithuania, and the Netherlands. The Biennale had planned to replace the jury-selected Golden Lions with "Visitor Lions" decided by public vote, but the artists' refusal marks an unprecedented protest within the exhibition.

Who Owns the Megayachts Docked Outside the Venice Biennale?

The article examines the megayachts docked outside the Venice Biennale, focusing on the 170-foot vessel 'Private GG' owned by Giancarlo Giammetti, cofounder of the Valentino fashion house. Giammetti, a serious art collector, was in Venice for the Biennale opening, posting photos of artworks and a dinner with actress Salma Hayek and her husband François-Henri Pinault, a major art collector. The yacht, built in 2022 by CRN, features luxury amenities including a jacuzzi, cinema saloon, and beach club.

At the Venice Biennale, Ukraine’s Pinchuk Art Centre finds fragile moments of joy amid loss

The Pinchuk Art Centre in Kyiv has transformed its Venice Biennale presentation from a glamorous celebration of young artists into a somber exhibition responding to the Russian invasion of Ukraine. This year's show, titled "Still Joy — From Ukraine into the World" (9 May-1 August) at the Palazzo Contarini-Polignac, features works by international artists like Tacita Dean and Julian Charriere alongside Ukrainian artists, as well as testimonials from soldiers collected by former marine Hlib Stryzhko. The exhibition explores how joy can persist amid trauma, with installations including pink scrolls bearing survivors' quotes, light box photographs of bombed interiors with rescued pot plants, and a sculpture of bells with displaced women's fingerprints.

Drained, Drowning, and Decay: The Best National Pavilions at the Venice Biennale

The 2026 Venice Biennale is defined by themes of ruin and decay, with standout national pavilions exploring bodily, infrastructural, and archaeological collapse. The Slovenian Pavilion features the Nonument Group repurposing materials from past Biennales into a ruin of a mosque for Bosnian Muslim soldiers from World War I. Syria presents its first national pavilion since the Civil War, with Sara Shamma invoking Palmyra, destroyed by ISIS. Germany's pavilion, titled "Ruin," features works by Henrike Naumann (who died in February) and Sung Tieu, questioning the pavilion's fascist architecture and nationalist residue. The Austrian Pavilion, curated by Florentina Holzinger, offers a visceral performance titled "Sea World." The Biennale is also marked by the abrupt resignation of its five-member jury, who refused to consider nations charged with crimes against humanity, leading to awards being chosen by public vote. Additionally, the main exhibition "In Minor Keys" was affected by the death of its curator, Koyo Kouoh.

Fondazione Sandretto Re Rebaudengo’s New Art Island Made a Sunny Splash in a Rainy Venice Vernissage Week

Patrizia Sandretto Re Rebaudengo, an ARTnews Top 200 collector, inaugurated a new art site on the island of San Giacomo in Venice’s Northern Lagoon during the rainy preview week of the Biennale. The island, purchased in 2018, features two Napoleonic-era powder magazines transformed into exhibition spaces: one hosting the group show “Don’t have hope, be hope!” from the Sandretto Re Rebaudengo Collection, and the other presenting “Fanfare/Lament,” a solo exhibition by Matt Copson curated by Hans Ulrich Obrist. The site also includes permanent installations by artists such as Claire Fontaine, Mario Garcia Torres, Hugh Hayden, Goshka Macuga, Pamela Rosenkranz, and Thomas Schütte, and will serve as a venue for exhibitions, performances, and residencies.

An Unprecedented 24-Hour Strike Could Upend the Venice Biennale

An unprecedented 24-hour strike is set to interrupt the Venice Biennale's opening week on Friday, May 8, in protest of Israel's participation in the global art event. The action, organized by the activist group Art Not Genocide Alliance (ANGA), follows a letter signed by over 230 Biennale participants demanding Israel's exclusion. The strike has exposed divisions among participants, with some artists and pavilion teams weighing solidarity against the rare opportunity to platform their own political messages. The Slovenian pavilion, represented by Nika Grabar of the Nonument Group, has committed to the strike, while others like Ecuador's Tawna Collective remain undecided, balancing protest with their mission to highlight ecological crises in the Amazon.

‘Exclusion can only satisfy the ego’: Venice Biennale president hits out at critics amid Russia and Israel controversy

Venice Biennale president Pietrangelo Buttafuoco defended the institution against critics at a conference on May 6, three days before the public opening, amid controversy over Russia's return to the event for the first time since its 2022 invasion of Ukraine and ongoing disputes over Israel's participation. He accused critics of “narcissism” and “censorship,” while Italian culture minister Alessandro Giuli sent inspectors to investigate whether Russia's involvement breached sanctions; a report was submitted to Prime Minister Giorgia Meloni's office. Meanwhile, the Biennale faces legal threats from the artist representing Israel over alleged discrimination, and protests have erupted, including a demonstration by Art Not Genocide Alliance and a Pussy Riot action at the Russia pavilion.

The Biennale Isn’t a Court. Tell That to the Protesters.

Pietrangelo Buttafuoco, president of the Venice Biennale, defended the decision to allow Russia to reopen its pavilion for the first time since its 2022 invasion of Ukraine, stating that the Biennale is "not a court; it is a garden of peace." The move has sparked widespread backlash, including threats to pull €2.3 million in EU funding. Protests have erupted on the ground, with Pussy Riot and FEMEN staging a theatrical demonstration outside the Russian Pavilion, setting off smoke flares and chanting slogans. Separately, around 60 artists performed a "Solidarity Drone Chorus" to protest Israel's participation, and the Art Not Genocide Alliance has called for a 24-hour strike and rallies across Venice. The Russian Pavilion will be open only during press preview days due to EU sanctions, with video projections visible from outside for the rest of the Biennale's run.

Major protests take place at Venice Biennale previews

Major protests erupted during the preview days of the Venice Biennale, with multiple demonstrations targeting the Israeli and Russian pavilions. On Wednesday, the Art Not Genocide Alliance (ANGA) held a large protest outside the temporary Israeli pavilion in the Arsenale, attended by over 200 people calling for its closure. Separately, the Solidarity Drone Chorus performed a sound composition by Gazan artist Ahmed Muin, with 60 artists wearing T-shirts bearing names of artists from Gaza. Meanwhile, Pussy Riot and FEMEN protested Russian participation, forcing the Russian pavilion to shut its doors. These actions follow the resignation of the entire Golden Lion jury days before the opening, after they stated they would not consider pavilions from countries whose leaders are charged with crimes against humanity by the ICC—widely seen as a reference to Russia and Israel.

A Pavilion of Ruins: Germany Reconsiders Its Past in Venice

The German Pavilion at the 61st Venice Biennale features a dual presentation exploring the country's layered political history. Artist Sung Tieu has cloaked the pavilion's fascist-era facade with a mosaic reconstruction of a GDR housing estate for Vietnamese contract workers, where she lived as a child. Inside, the late Henrike Naumann's immersive installation 'The Home Front' uses furniture and design to stage a confrontation between East and West German domestic and political ideologies. Naumann died in February 2025 at age 41, but her fully realized concept was completed collaboratively by her partner and curator Kathleen Reinhardt.

Venice Diary Day 1: At the Giardini, Artists Refuse to Make Fascism Cozy

Henrike Naumann's posthumous installation at the German Pavilion, which retains its 1938 Nazi-era fascist architecture, refuses to make the space 'cozy' by adorning windows with violently ripped domestic fabrics. The 2026 Venice Biennale is the first under president Pietrangelo Buttafuoco, associated with neo-fascist politics, and is overshadowed by controversy over his 'neutrality' policy allowing all countries to participate despite human rights concerns. The exhibition jury initially announced it would not consider pavilions from countries whose leaders are charged with crimes against humanity, then abruptly quit, leaving the situation unresolved. The US Pavilion features unimpressive blobs by Alma Allen, while the Russian Pavilion offers cut flowers and free vodka, and Andreas Angelidakis responds to fascist aesthetics at the Greek Pavilion.

David Nahmad maintains that his Modigliani was not looted by the Nazis

David Nahmad is continuing his legal battle to prove that his Modigliani painting, *Seated Man with a Cane* (1918), was not looted by the Nazis from the Jewish dealer Oscar Stettiner. Despite a recent New York ruling against him, Nahmad’s lawyers have filed a motion to review the case based on new eyewitness testimony. Two witnesses claim the painting they saw in the Van der Klip family—which bought the Nazi-looted work in 1944—is completely different from Nahmad’s painting, lacking a seated man or a cane. Nahmad’s legal team also cites a 1946 French bailiff report and a recent catalogue raisonné by Marc Restellini to argue that Mondex, the restitution firm working for Stettiner’s heirs, misidentified the work.

Nahmad Seeks to Reopen Modigliani Restitution Case With New Witnesses

David Nahmad's lawyers are asking a New York court to reconsider its April 3 decision in the restitution case over Amedeo Modigliani's *Seated Man with a Cane* (1918), which awarded the painting to the estate of dealer Oscar Stettiner. They cite new eyewitness testimony from Frédéric Allain, who recalls a different Modigliani—smaller, darker, and without a seated man or cane—hidden by the Van der Klip family in Paris during World War II, suggesting the wrong painting may have been the focus of the case. The filing also references a 1946 report describing the missing work as a self-portrait and a new catalogue raisonné by Marc Restellini that finds no link between the painting and Stettiner. Mondex, representing Stettiner's heirs, rejects the claims, asserting that *Seated Man with a Cane* bears Stettiner's name and was in the family's possession from 1944 to 1996.

Venice Biennale’s fierce pussy Group Says City Censored Posters About Queer and Trans People

The lesbian artist collective fierce pussy, comprising Nancy Brooks Brody, Joy Episalla, Zoe Leonard, and Carrie Yamaoka, claims that the city of Venice censored their posters for the Venice Biennale. The posters, which feature phrases like "Welcome queers and trans people" and "we are queers and trans people" alongside a list of occupations, were intended to be pasted across the city. After the city blocked the full-scale posting, the group created stickers and placed them on walls, windows, and advertising spaces. As a concession, La Biennale installed the original posters inside the Arsenale entrance.

BBC ‘Buried’ Footage of Banksy at NYC Mural Site, Former Reporter Claims

Former BBC New York correspondent Nick Bryant claims the BBC suppressed footage he captured of Banksy at a mural site in New York City in March 2018. In a Substack post, Bryant recounts being tipped off by Banksy's PR team about a new artwork at the Houston Bowery Wall, where he and his cameraman filmed the artist—described as a middle-aged man in a black beanie and grey coat—fleeing the scene with fresh paint on his fingers. Despite believing he had a world exclusive, Bryant says BBC editors in London decided not to air the footage, citing concerns about unmasking the artist and preserving the mystery for audiences, including a senior colleague's daughter who compared revealing Banksy's identity to telling children there is no Santa Claus.

Lucas Museum Aims to Tell the History of Storytelling via 1,200 Objects

The Lucas Museum of Narrative Art in Los Angeles has announced details of its inaugural exhibitions, set to open on September 22, 2026. Founded by filmmaker George Lucas and his wife Mellody Hobson, the museum will feature over 1,200 objects across 30 galleries, tracing the history of visual storytelling from ancient sculptures to Renaissance paintings, photography, comics, and manga. The collection draws from Lucas's personal trove of more than 40,000 works of illustrator art, including pieces by N.C. Wyeth, Norman Rockwell, Frank Frazetta, Beatrix Potter, and Jack Kirby, as well as large-scale murals and photography by artists like Judy Baca and Dorothea Lange. The museum, designed by Ma Yansong of MAD Architects, also includes archives of Lucas's film sets, props, and costumes.

Venice Bound? Here’s All the News You Need to Know About This Year’s Biennale

The 61st Venice Biennale is embroiled in geopolitical controversy over Russia's return to the event in 2026, which has sparked widespread backlash. Nearly 10,000 artists and cultural leaders signed an open letter opposing Russia's participation, and the European Union withdrew €2 million in funding for the 2028 edition. Leaked emails reveal Biennale officials worked with Russian pavilion commissioner Anastasia Karneeva to circumvent EU sanctions, while Italy's culture minister Alessandro Giuli plans to boycott the opening week. Meanwhile, activists continue to push for Israel's removal from the Biennale, though Israel will be accommodated in the Arsenale this year.

Duo Who Sold Fake Warhol, Banksy Plead Guilty in $2M Fraud

A father and daughter from New Jersey, Erwin Bankowski and Karoline Bankowska, pleaded guilty in federal court on April 28 to running a counterfeit art scheme that sold fake works attributed to Andy Warhol, Banksy, Pablo Picasso, Richard Mayhew, and others. Between 2020 and 2025, they placed over 200 counterfeit pieces, many made by an artist in Poland, into galleries and auction houses across the U.S., defrauding buyers of at least $2 million. They fabricated provenance, forged gallery stamps and certificates of authenticity, and misrepresented Native American heritage works, violating the Indian Arts and Crafts Act. They face up to 20 years in prison, restitution of at least $1.9 million, and deportation after serving their sentences.

The forgotten Chinese conceptualists: Melbourne show brings together works by New Measurement Group

An exhibition at Buxton Contemporary in Melbourne, titled "Poetry Goes No Further Than Language: a Historical Moment of Art Becoming Art Again," brings together the complete artistic output of the New Measurement Group, a pioneering Chinese conceptual art collective from Beijing, alongside four conceptual experiments by Shanghai-based artist Qian Weikang. Curated by Carol Yinghua Lu and artist Liu Ding, the show aims to reassess early Chinese conceptual art, featuring works by the New Measurement Group (Chen Shaoping, Gu Dexin, Wang Luyan), pieces from the New Wave art movement, and new commissions by Melbourne artist Darcey Bella Arnold. The curators faced challenges locating the group's five publications, including one purchased on eBay from Europe, and used re-enactment and re-fabrication to recreate lost works like Qian's "Ladder Poem" (1990).

Inside the Inaugural Edition of Art Cologne Palma Mallorca

The inaugural edition of Art Cologne Palma Mallorca took place from April 9–12, 2026, attracting 88 galleries from 20 countries and over 10,000 visitors to the Mediterranean island. The fair, held at the Palau de Congressos Convention Centre, reported strong sales and sold-out weekend days, with Artistic Director Daniel Hug praising the high level of engagement and positive response from both exhibitors and attendees. A second edition has already been scheduled for April 1–4, 2027.

Ai Weiwei to Reenact His Own Detention in 24-Hour Performance in Manchester

Artist and dissident Ai Weiwei will reenact his 81-day detention by China's Ministry of Public Security in a 24-hour performance titled "Sewing a Button" at Factory International's Aviva Studios in Manchester, England. The performance, part of his exhibition "Button Up!" running from July 2, 2025, will take place in a re-creation of his cell and involve Ai sleeping, eating, exercising, writing, washing, and being interrogated, with visitors able to book two-hour slots or a full 24-hour ticket. The work follows his earlier piece "S.A.C.R.E.D." (2013) and is joined by other commissioned works including "Eight-Nation Alliance Flags" and a new version of "History of Bombs."

Antony Gormley sculpture quietly removed and sold off by UK council

Kent County Council, led by the Reform party, has removed and sold Antony Gormley's early public sculpture 'Two Stones' (1979-81) from outside the Kent History and Library Centre in Maidstone. The council sold the work back to the artist himself in a private sale to raise funds, citing severe financial pressures and a need to avoid increasing costs for residents. The council's most recent accounts valued the work at £859,000, but the final sale price remains confidential.

How Pussy Riot Is Challenging Russia’s Return to the Venice Biennale

The feminist art collective Pussy Riot is campaigning to replace the official Russian exhibition at the 2024 Venice Biennale with their own show, "Resistance Imprisoned." The alternative exhibition features art created by nearly 30 current and former political prisoners in Russia, using improvised materials like envelopes, bedding, and blood. The collective's founder, Nadya Tolokonnikova, aims to expose the country's repressive system, drawing from her own experience in a penal colony.

Lost Bob Dylan Lyric Sheet Resurfaces After 60 Years—and Other Rare Finds Heating Up the Market

A rare, typewritten lyric sheet for Bob Dylan’s song “I’m Not There” has resurfaced after being hidden for nearly 60 years inside a first-edition book of poetry by Allen Ginsberg. The document, which was discovered by a book dealer handling the estate of Sally Grossman, is set to be auctioned by Omega Auctions with an estimate of £20,000–£40,000. Other high-profile collectibles hitting the block include Stephen Curry’s game-worn sneakers at Sotheby’s and a signed Albert Einstein etching.

This Watch Witnessed the Rise of the Empire State Building. Now It’s Up for Sale

A rare 1929 Patek Philippe wristwatch, originally owned by Paul Starrett—the chairman of the corporation behind the Empire State Building—is headed to auction at Phillips in New York. The Tiffany & Co. signed timepiece was purchased by Starrett during the construction of the iconic skyscraper and features unique floral engravings alongside his initials. It is expected to fetch between $15,000 and $30,000 during the June sale.

Art Basel reveals 33 medalists for second edition of its awards

Art Basel has announced the 33 medalists for the second edition of its annual awards program, honoring a diverse group of artists, curators, collectors, and institutions. The cohort is divided into categories including emerging, established, and icon artists, as well as cross-disciplinary figures and art-world allies. Notable honorees include Julie Mehretu, Barbara Kruger, and the Studio Museum in Harlem, representing a broad cross-section of the global art ecosystem.

schiaparelli fashion exhibition review 1234781242

The Victoria & Albert Museum presents "Schiaparelli: Fashion Becomes Art," the first UK retrospective dedicated to the Italian designer Elsa Schiaparelli. The exhibition highlights her central role within the Parisian avant-garde of the 1930s, showcasing her famous collaborations with artists like Salvador Dalí, Alberto Giacometti, and Meret Oppenheim. By displaying iconic pieces such as the 1938 skeleton dress alongside personal notes and related artworks, the show argues that Schiaparelli was not merely a follower of Surrealism but a primary catalyst for its innovation.

Painting Has Entered Its Performance Era

The rise of short-form video platforms like Instagram and TikTok has transformed painting from a static medium into a performative spectacle. To compete with algorithmic preferences for transformation and speed, artists are adopting specific visual grammars such as the "art reveal"—where a canvas is dramatically flipped toward the camera—and "speed painting," which turns the creation process into a high-stakes live event. These trends emphasize the labor and human presence behind the work, often utilizing emotional storytelling and direct engagement to build dedicated fanbases outside traditional gallery structures.

New Orleans Galleries’ Spring Sale Blooms With Modern and Contemporary Works

New Orleans Auction Galleries has announced its upcoming Fine Art and Design sale, featuring 279 lots that span over a century of modern and contemporary art. The auction highlights a diverse range of works, including pieces by Mexican modernist José Clemente Orozco, Abstract Expressionist Grace Hartigan, and Southern Regionalist John McCrady. The selection focuses on themes of identity, social consciousness, and the intersection of text and visual media.