Gallery Dotwalk in New Delhi has opened its second exhibition, 'The Architecture of the Void: Lines on a Postcolonial Skeleton,' featuring works on paper by leading modern Indian artists. The show, which runs until May 30, 2026, highlights drawings, watercolors, and etchings from a generation of artists processing India's post-Independence and Partition era.
Space One Eleven Art Center in Birmingham is launching two concurrent solo exhibitions: "Navegando la Masculinidad de la Frontera / Navigating the Border’s Masculinity" by El Paso-based artist José Villalobos and "see saw sawn" by local sculptor Jason Tanner Young. Villalobos’s work utilizes sculpture and performance to deconstruct machismo and queer identity within Norteño culture, while Young, an Associate Professor at the University of Montevallo, presents a body of work rooted in his extensive background in wood and expanded sculpture practices.
LancasterOnline reports on the December First Friday 2025 event in Lancaster, Pennsylvania, featuring over 20 art show openings, markets, and concerts. The monthly gallery walk and cultural celebration brings together local galleries, artists, and musicians for a night of visual art, live performances, and community commerce.
Christie’s Paris held a series of auctions focused on 20th- and 21st-century art, achieving over $64 million in total sales with a 92% sell-through rate. The sales included works from the Lise and Roland Funck-Brentano Collection and the Henri Canonne Collection, and featured Impressionist, Modern, and Contemporary art. Three world records and one national record were set, including a wooden relief by Sophie Taeuber-Arp that sold for $3.4 million and Jane Avril au Divan Japonais by Henri de Toulouse-Lautrec, which fetched over $6 million and set a national auction record for the artist. The evening sale alone brought in over $34 million, and the Contemporary Art sale exceeded its high estimate at over $9.4 million.
American University's 2025 Master of Fine Arts Thesis Exhibition, titled “TRANSIT,” is on view at the AU Art Museum from April 19 to May 18. The show features the culminating works of six graduating Studio Art MFA students: Phaedra Askarinam, Pooja Campbell, Patricia Edwine Poku, Connor Gagne, Andrés Izquierdo, and Julia Cheng Zhang. Their diverse practices span painting, ceramics, installation, and performance, unified by the theme of transit—interpreted as acts of passage, transformation, and self-discovery. Curated around this shared concept, the exhibition explores life transitions such as grief and parenthood, as described by Professorial Lecturer Molly Springfield.
Nine artists broke auction records at Sotheby’s modern and contemporary South Asian sale in New York on March 17, 2025. The sale totaled $16.8 million, more than tripling its low estimate of $4.9 million. The top lot was Jagdish Swaminathan’s triptych *Homage to Solzhenitsyn* (1973), which sold for $4.68 million, far exceeding its estimate. Jehangir Sabavala’s *The Journey of the Magi* (1963) followed at $2.73 million. Other record-breakers included Ganesh Pyne, Madhvi Parekh, Nelly Sethna, Sheikh Mohammed Sultan, Mohan Sharma, and M. Sain.
Artists Niquu Eyeta and Ghizlane Sahli are featured in a dual presentation titled ‘House of Galleries (Volume 11),’ showcased by the gallery Sakhile&Me. The exhibition creates a dialogue between Eyeta’s organic compositions, which utilize plant pigments and clay, and Sahli’s intricate 'alveoli' structures made from silk and repurposed plastic. Both artists emphasize the concept of material as a living archive, focusing on themes of ecological consciousness, ritualistic repetition, and the reanimation of discarded matter.
Architects Michael Meredith and Hilary Sample of the firm MOS discuss the concept of "polycrisis"—the intersection of economic, political, and ecological failures—and its impact on architectural form. The conversation highlights a growing void between the formal aesthetic project of architecture and the urgent political realities of the modern world. Sample specifically addresses how the dominance of political and regulatory restrictions in collective housing has stifled formal innovation, often reducing architecture to a mere byproduct of governance rather than a tool for social or cultural expression.
Harry Chávez: Donde muerde el mito was the first presentation of Peruvian artist Harry Chávez's work at the Museo de Arte de Lima (MALI), held as part of the MALI Colecciones. Intervenciones contemporáneas program. The exhibition recently won the Premio Luces 2026 from El Comercio in the best exhibition category, a public-vote award reflecting its impact. The show explores symbolic conflicts between serpent and feline in Andean and Amazonian mythology, featuring works like 'Salto mortal' and 'Nacimiento del dragón' that depict cosmic struggles and hybrid transformations.
A dinner and party at Raoul's, the iconic SoHo French bistro, celebrated its 50th anniversary in partnership with Moda Operandi. The event drew a crowd of regulars and celebrities including Chloë Sevigny, Jennifer Lawrence, Amy Sedaris, and Dave Gahan, who reflected on the restaurant's history as a haven for artists and its role in the neighborhood's transformation from a gritty gallery hub to a tourist destination. Karim Raoul, the founder's son, spoke about the restaurant's enduring family-run ethos.
Filmmaker Toby Perl Freilich has created a documentary titled "Maintenance Artist" about the pioneering artist Mierle Laderman Ukeles, known for her 1969 "Manifesto for Maintenance Art" and her decades-long role as the unsalaried artist-in-resident at the New York City Department of Sanitation. The film, which premieres at the Tribeca Film Festival, features archival footage, interviews with art historians and family, and documents Ukeles's process of curating her archives for the Smithsonian Archives of American Art, highlighting her iconic projects like "Touch Sanitation" (1979-80) and her ongoing work on Freshkills Park.
Artist Murari Jha presents *The Future of Nostalgia*, a solo exhibition at Nature Morte in New Delhi, running through May 17, 2026. The show features abstract sculptures in stone, bronze, wood, brass, aluminum, and synthetic putty that explore themes of home, migration, memory, and belonging. A live durational performance is scheduled for May 16, with Jha describing the gallery as a stage and his sculptures as performative objects. The works are deliberately untitled to invite viewers to become co-creators of meaning.
Alisan Fine Arts is presenting 'New Voices in Paris Now: Between Memory and Matter' at Alisan Atelier in Hong Kong as part of its 45th anniversary programme. The exhibition features four contemporary Chinese artists—Li Donglu, Qi Zhuo, Shi Qi, and Yao Qingmei—who currently live and work in Paris. Each artist explores themes of memory, cultural identity, and material transformation through diverse media including oil painting, eroded film, paper reliefs, and blown-glass sculptures. The show runs parallel to 'The Chinese Avant-Garde in Paris' at the gallery's Central location, both part of the French May Arts Festival.
A new group exhibition titled 'An Ancient Ballad' opens at Emami Art in Kolkata on 22 May 2026, bringing together 12 artists across generations. The show examines recurring motifs of nature, the human body, and animal forms in modern and contemporary art through photography, painting, printmaking, textile, ceramics, and sculpture. Historical works by L. M. Sen and K. C. Pyne are displayed alongside contemporary artists including Arunima Choudhury, Ajit Kumar Das, Alakananda Sengupta, Raja Boro, and Rahul Sarkar, creating an intergenerational dialogue on memory, mythology, and lived experience.
Baró Galeria presents 'Against Time', an exhibition of Dutch photographer Erwin Olaf's still life photographs at its Next Door space in Palma, Mallorca, Spain. Opening on May 25, 2026, the show is part of the inaugural Mallorca PhotoFest, an international photography festival. The exhibition focuses on Olaf's small-format flower photographs made between 2006 and 2021, exploring themes of time, finitude, and photography as a trace of disappearance. An essay by Esmeralda Gómez Galera accompanies the show.
Whitestone Gallery Hong Kong presents 'Intersection', a duo exhibition featuring Japanese artists Kisho Kakutani (b.1993) and Kosuke Harasawa (b.1997), running from 16 May to 4 July 2026. Kakutani's works capture bright, humid mornings with frosted, detailed depictions of beaches and cityscapes, while Harasawa focuses on rain-soaked Hong Kong night scenes populated by ghostly figures with transparent umbrellas, blending nostalgia with urban transformation.
Esther Schipper Berlin presents 'Hyperarousal', Celeste Rapone's first exhibition with the gallery, featuring three new paintings that explore the intersection of sensuous stimulation and nervous tension. The works depict female protagonists in narratively dense, ambiguous scenes that allegorize millennial angst, using techniques like alla prima painting and color-based formal constraints. Key pieces include 'While Waiting' (2025), showing a figure with pepper spray and a digital camera, and 'Den' (2026), where intertwined figures follow a self-defense tutorial on an iPad.
Galerie Lelong in New York is presenting "Lucia Laguna: Apenas meus cabelos são brancos... [Only my hair is white...]," the Brazilian artist's first solo exhibition in the United States, organized in collaboration with Fortes D’Aloia & Gabriel. The show features new paintings from her ongoing series "Pequenos formatos" and "Paisagem," which explore the interplay between architecture and nature through vibrant color blocking and geometric forms. Laguna's work reflects her recent move from a suburban home with a garden to an apartment in Rio de Janeiro's Laranjeiras neighborhood, a shift that has prompted compositional changes as her studio space became more condensed and her views of the urban landscape changed.
Artist Suman Dey presents his second solo exhibition, titled *Chance, Remains of Another Time*, at Emami Art in Kolkata. The show features large-scale works on wood and other materials that explore abstract notions of memory, time, and nature through fragmented forms, textures, and narrative. Key pieces include a series of frames capturing everyday surface textures and a work titled *Journey* that uses boat shapes to depict transformation. The exhibition runs until May 9.
Perrotin New York presents 'Antechamber,' an exhibition of over twenty new paintings by Swedish artist Jens Fänge. The works feature distorted, labyrinthine interiors populated by people, animals, and mannequins, using layered materials like oil, vinyl, linen, and burlap to create compositions that blur the line between figuration and abstraction. Recurring motifs such as doors, windows, halos, and locusts shift meaning across the show, which draws inspiration from Hans Christian Andersen's fairytales and Nathanael West's surrealist novels.
Turkish artist Nilbar Güneş will represent Türkiye at the 61st Venice Biennale (May 9–November 22, 2026) with her exhibition "A Kiss on the Eyes" in the Arsenale's Türkiye Pavilion. Güneş, born in Istanbul in 1977 and educated at Marmara University, the Academy of Fine Arts Vienna, and the University of Applied Arts, works across photography, film, painting, performance, and mixed media. Her practice draws on personal biography to address societal issues, and she has shown internationally at venues including Osmos in New York and Vortic Art in London.
Perrotin Gallery in Paris is presenting a new exhibition titled "When I Think of You in Spring" by Japanese-born artist Susumu Kamijo, running from April 25 to May 30, 2026. This is the artist's second solo show at the venue, following "The Sun Inside" in 2023. The exhibition features a series of paintings populated by large flowers, fruits, birds, butterflies, and animals such as parrots and a sailfish, set against backgrounds of clouds, horizon lines, and hills. Kamijo's work balances abstraction with recognizable forms, focusing on composition, color, and balance rather than narrative.
South Korean artist Lee Chae will present a solo exhibition titled "Imbued, Between Flower and Wind" at Whitestone Gallery Taipei from April 11 to May 16, 2026. The show features new series including "Afterimage of Wind" and "Wind-Infused," which utilize metaphors of flora and wind to explore the relationship between external stimuli and the human inner soul. Lee’s technique involves layering translucent pigments and then wiping them away to create poetic afterimages that visualize the transformation of emotions over time.
Artist Claudia Bitrán is debuting her long-awaited solo exhibition, "Titanic, a deep emotion," at Cristin Tierney Gallery in New York City. The show features a scene-by-scene remake of James Cameron’s 1997 blockbuster, meticulously reconstructed over a decade using lo-fi materials, DIY production methods, and a cast of over 1,400 volunteers. The exhibition is presented as a three-channel film installation complemented by paintings, sculptural props, and storyboards that highlight the labor-intensive, communal process of its creation.
A wide array of cultural events are scheduled across Cyprus for Wednesday, February 18. These include the opening of a curated showcase of publications from the late archaeologist Vassos Karageorghis in Nicosia, a contemporary art auction featuring 82 works, a presentation by underwater photographer Sakis Lazaridis, a sold-out theatre performance in Limassol, and numerous ongoing exhibitions in Nicosia, Limassol, and Larnaca featuring both historic and contemporary Cypriot artists.
Choreographer Florentina Holzinger, known for her extreme and provocative performances, has joined the roster of the Thaddaeus Ropac gallery. This move coincides with her preparation to represent Austria at the 61st Venice Biennale in 2026 with a site-specific performance project titled SEAWORLD VENICE.
Mexico City's annual art week, anchored by the Zona Maco fair, is expanding its focus to include a significant design component in 2026. The event features 15 highlighted design-focused exhibitions and installations, including site-specific shows in modernist houses, a dedicated collectible design category at Zona Maco, and exhibitions by international names like Lee Broom and Lanza Atelier.
Tehran Auction, Iran's premier auction house, held a $1.5 million art sale at the Azadi Hotel in October, selling 120 works by top Iranian Modern and contemporary artists. This strong domestic performance contrasts sharply with the weak showing of Iranian art at Sotheby's and Christie's in London, where prices have slowed amid sanctions and geopolitical isolation.
Project Native Informant, an east London gallery known for its adventurous program featuring artists like DIS, Sin Wai Kin, Juliana Huxtable, and Hal Fischer, is closing after 12 years. Founder Stephan Tanbin Sastrawidjaja announced the decision on Instagram on October 31, citing a volatile and unsustainable global economic, political, and social environment, along with personal factors. The gallery had not staged an exhibition since July 2024 and had previously lost commercially viable artist Joseph Yaeger, who signed with Modern Art and Gladstone in 2023.
Swedish-born, Brooklyn-based artist Helena Calmfors presents 'Floral Disciplines,' her debut solo exhibition at The Untitled Space gallery in New York, on view from October 23 to November 7, 2025. Curated by Indira Cesarine, the show features watercolors, photography, and performance that explore queer identity, eroticism, and power through the visual language of BDSM, blending floral imagery with fetish iconography to challenge patriarchal and heteronormative frameworks.