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INTERSTATE art exhibition set to open this week

Central Washington University's Sara Spurgeon Gallery is hosting a national juried exhibition titled “INTERSTATE: Where I-90 meets I-82,” opening November 6 in Ellensburg. Juror Alexis L. Silvia, Curatorial Assistant at the Frye Art Museum in Seattle, selected works by 46 artists from across the United States, including Brandin Barón, Neil Berkowitz, Shivani Bhalla, and others. The exhibition runs through December 6, with an opening reception from 5 to 7 p.m. following a 4 p.m. presentation.

In historic move, MFA Boston returns works by 19th-century enslaved artist David Drake to his heirs

The Museum of Fine Arts (MFA) Boston has agreed to return two 1857 ceramic jars by David Drake, an enslaved Black potter, to his living descendants. One vessel will remain on loan to the museum for at least two years, while the other—the "Poem Jar"—has been purchased back by the MFA from the heirs for an undisclosed sum, now carrying a "certificate of ethical ownership." The museum acknowledges that Drake created the works involuntarily and without compensation, marking the first time the MFA has resolved a claim for art wrongfully taken under U.S. slavery.

Grace Rosario Perkins: Circles, Spokes, Zigzags, Rivers

The Whitney Museum of American Art in New York is presenting "Grace Rosario Perkins: Circles, Spokes, Zigzags, Rivers," an exhibition of nine recent paintings and a large-scale sculpture by the Akimel O’odham/Diné artist (b. 1986, Santa Fe). The show runs from October 18, 2025, to February 8, 2026, and is organized by senior curator Adrienne Edwards and curatorial assistant Rose Pallone. Perkins’s densely layered works incorporate acrylic, spray paint, found materials, and textual fragments, drawing on petroglyphs, ancestral storytelling, and personal experience to explore themes of grief, love, and hope while resisting reductive representations of Indigenous identity.

The Chateau Show offers a stylish exhibition full of surprises for artistic insiders

Each October, the Chateau Show takes over the historic Aldredge House on Swiss Avenue in Dallas, a Gilded Age home built in 1915-17. Founded by artists Joel Murray and Clint Bargers, the four-year-old exhibition invites a select crowd of curators, museum directors, and art world insiders to view envelope-pushing works by emerging, mid-career, and established artists. This year’s edition features 21 participants, including Alicia Eggert, Luke Harnden, Virginia L. Montgomery, and Arthur Peña, with installations ranging from site-specific pieces to more commercial works. The show is free and open by appointment from Oct. 19-25.

Makers of Ancient Egypt to be hailed in Cambridge exhibition

The Fitzwilliam Museum in Cambridge is opening an exhibition titled "Made in Ancient Egypt" that shifts focus from pharaohs and iconic treasures to the anonymous craftspeople who built and decorated the civilization's artifacts. Featuring loans from the British Museum, Berlin State Museums, and the Musée du Louvre, the show includes jewelry, ceramics, stonework, and personal items like ostraca—pottery shards used as notepads—that reveal the lives, skills, and even the days off of ancient makers. Curator Helen Strudwick highlights recent discoveries, including a handprint on a "soul house" and an unreadable signature on a shrine, emphasizing the human connection these objects provide.

Bowdoin College Museum of Art Announces Major Exhibition and Long-Term Loan Partnership with Wyvern Collection

The Bowdoin College Museum of Art (BCMA) has announced a major exhibition and long-term loan partnership with the Wyvern Collection, a prestigious London-based private collection of medieval art. The first exhibition, "Medieval Art from the Wyvern Collection: Global Networks and Creative Connections," will open this fall, featuring more than 57 artworks on long-term loan combined with objects from BCMA's own holdings. The show highlights cross-cultural connections across a vast geographic range—from Japan to Mexico, northern Europe to Africa—challenging traditional Eurocentric views of the Middle Ages.

Participants withdraw from Chicago Architecture Biennial over sponsor’s investment in weapons manufacturer

Nine participants in the Chicago Architecture Biennial (CAB), which opened on September 19, have withdrawn in protest over exhibition sponsor Crown Family Philanthropies' investment in General Dynamics, a military contractor supplying weapons to the Israeli military. A letter signed by 22 individuals, collectives, and firms—nearly half of whom also withdrew—argues that the sponsorship contradicts the biennial's mission of addressing architecture's role in shaping a collective future. The biennial's sixth edition, titled SHIFT: Architecture in Times of Radical Change, is led by artistic director Florencia Rodriguez. Participants had raised concerns last month, and organizers clarified that Crown Family funds support education programming, not the exhibition itself, which the letter calls "even more painful" given the destruction of schools in Gaza.

At West Chelsea Contemporary, Two Artists Bring Classical Archetypes Into the Present

West Chelsea Contemporary in Austin, Texas, is presenting “LUX ÆTERNA,” a joint exhibition featuring more than 40 works by Swiss visual artist Simon Berger and British artist Gary James McQueen. Berger is known for portraits created from hammered laminated safety glass, while McQueen, nephew of the late fashion designer Alexander McQueen, works with lenticular prints that shift optically. The show includes two collaborative pieces that combine their respective mediums, exploring themes of classical mythology, perception, and the nature of light.

Maui art exhibit to showcase works by Satoru Abe

The Maui Arts & Cultural Center will present "Satoru Abe: Reaching for the Sun," a retrospective exhibition showcasing over seven decades of work by the late Hawaiʻi-based artist Satoru Abe (1926–2025). Running from September 16 to November 22, 2025, at the Schaefer International Gallery, the show features more than 70 paintings, sculptures, and works on paper drawn from the Honolulu Museum of Art’s permanent collection and private lenders. Co-curated by HoMA curators Katherine Love and Alejandra Rojas Silva, the exhibition traces Abe’s evolution from figurative works in the 1950s through abstract explorations of natural forms, marking his first solo exhibition on Maui.

Historic 16-Venue Art Exhibit Spotlights Local Women Artists

The Greater Washington region launches "Women Artists of the DMV," the largest curated fine arts exhibition ever dedicated to contemporary female artists in the United States. Featuring more than 500 artists across Maryland, Virginia, and Washington, D.C., the landmark survey spans 16 galleries and cultural venues from late August through January 2026, with the American University Museum at the Katzen Arts Center serving as the central hub. Curated by Florencio Lennox Campello, the exhibition highlights both established and emerging voices across genres including painting, sculpture, glasswork, textiles, and public art, with strong representation from Southern Maryland and Prince George's County.

His final exhibition: More than 300 paintings featured in Marley Kaul's fourth book

Bemidji State University art professor Marley Kaul's fourth and final book, "Marley Kaul Paintings," will be released in September, featuring over 300 full-color paintings selected by Kaul and his family. The hardcover coffee table book is divided into 10 chapters that trace Kaul's artistic development from 1961 to 2021, including a final chapter titled "The Unfinished Series" from his last year. A retrospective exhibition of nearly 50 paintings will open at the Talley Gallery on September 4, followed by three book release events in Minneapolis, Bemidji, and Grand Forks.

Northwest Village Network shows work of 30 area artists

Thirty local artists, primarily from Northwest Philadelphia and members of the Northwest Village Network (NVN), will hold an exhibition at the Center on the Hill in September. The show features collage, painting, drawing, mixed media, and photography, with participants ranging from seasoned professionals to newcomers. Artists include Ron Lieberman, a former New York Times illustrator; Sara Allen, who photographs her aging body; and Dr. Claire EB. Robinson, a retired OB/GYN turned photographer. The exhibition is hosted at the Presbyterian Church of Chestnut Hill, which houses the Center on the Hill, a program for active adults.

Ceramics exhibition opens Dowd Gallery 2025-26 year

Two ceramic artists, Errol Willett and Edward Feldman, opened the 2025-26 exhibition year at SUNY Cortland’s Dowd Fine Arts Gallery with the show “Creating Movement and Flow: A Conversation of Form and Utility.” The exhibition, on view through November 14, 2025, features ceramic works that emphasize motion and process over static objects. A series of free public workshops accompanies the show, including two-part sessions led by Feldman in September and Willett in October, focusing on wheel-throwing and hand-building techniques.

More than 150 US arts organisations pledge to resist political pressure

More than 150 US arts organizations and over 320 artists and cultural workers have signed a public statement affirming their commitment to resisting political pressure. Organized by the National Coalition Against Censorship (NCAC) and the Vera List Center for Art and Politics (VLC) at the New School, the statement does not explicitly name President Donald Trump or his administration's actions, but was precipitated by Trump's pressure campaigns against the Smithsonian Institution and the Kennedy Center, as well as deep cuts to the NEA, NEH, and IMLS. Signatories include institutions from both Democratic- and Republican-controlled states, such as the Museum of Contemporary African Diasporan Arts in New York and Diverseworks in Houston, Texas.

‘A more complex picture’: Singapore marks 60th anniversary of independence from British rule with slew of cultural offerings

Singapore is celebrating its 60th anniversary of independence from British rule on 9 August with a series of cultural offerings under the banner SG60. National Gallery Singapore launched a signature exhibition, *Singapore Stories: Pathways and Detours in Art*, featuring over 400 works from the 19th century to the present, housed in the former supreme court and city hall buildings. The show, curated by Adele Tan, reduces colonial imagery and opens with John Turnbull Thomson's *The Esplanade from Scandal Point* (1951) to present a more complex, multicultural picture of Singapore's history.

Why these Confederate monuments from Richmond are headed to California

Several Confederate monuments removed from Richmond, Virginia, including the Vindicatrix sculpture from the Jefferson Davis Monument and the Matthew Fontaine Maury sculpture and globe, are being loaned to a national temporary art exhibition in Los Angeles. The Valentine and the Black History Museum & Cultural Center of Virginia are sending these artifacts, along with granite slabs from various monument bases, to be part of a show running from October to May that reimagines their place in history. More than 15 monuments from across the U.S. will be featured, and the museums have gathered over 6,000 survey responses from the community to guide future decisions.

The NMWA Honors 50 Years of the Women’s Studio Workshop

The National Museum of Women in the Arts (NMWA) is honoring the 50th anniversary of the Women’s Studio Workshop (WSW) in Kingston, NY, with an exhibition titled "A Radical Alteration: Women’s Studio Workshop as a Sustainable Model for Art Making." Curated by Maymanah Farhat, the show runs through September and features over 40 objects—including artists’ books, zines, ephemera, and archival materials—dating from 1974 to 2024. The exhibition highlights WSW’s history as a feminist arts organization that supports women, trans, intersex, nonbinary, and genderfluid artists, with a focus on book arts and marginalized communities.

Museum Announces 2025-26 Exhibitions

The Fairfield University Art Museum has announced its 2025-26 exhibition season, featuring three shows tied to the United States semiquincentennial. Two exhibitions open in fall 2025: "Stitching Time: Social Justice Collaboration Quilts Project" and "Give Me Life: CPA Prison Arts Program," showcasing art by incarcerated individuals from Louisiana State Penitentiary and York Correctional Institution; and "Monuments: Commemoration and Controversy," organized by The New York Historical, examining public monuments as sites of debate over national identity and race. In spring 2026, the museum will present "For Which it Stands…," curated by Executive Director Carey Mack Weber, focusing on depictions of the American flag across the last century.

Art Basel unveils gallery list and key highlights for its 2025 Miami Beach show

Art Basel has announced the gallery list for its 2025 Miami Beach edition, featuring 283 premier galleries from 43 countries and territories. The fair, taking place December 5-7 at the Miami Beach Convention Center, includes 48 debut exhibitors and will debut the new Art Basel Awards, presented in partnership with BOSS. The event will highlight Latinx, Indigenous, and diasporic artistic positions, with a strong focus on the Americas, including galleries from New York, Los Angeles, and Latin America.

Art Basel Miami Beach to welcome 41 new exhibitors

Art Basel Miami Beach (ABMB) will return from December 5 to 7, 2025, with 285 galleries, including 41 first-time exhibitors—a significant increase from previous years. The fair will emphasize Latinx, Indigenous, and diasporic artistic currents, and will feature galleries from 44 countries, with over two-thirds operating in the Americas. New participants include New York galleries such as David Peter Francis, Candice Madey, and Margot Samel, as well as Erin Cluley Gallery from Dallas, Miami’s Nina Johnson, and Voloshyn Gallery, the first Ukrainian exhibitor at the fair. Returning mega-galleries include Gagosian, Hauser & Wirth, David Zwirner, Pace Gallery, and White Cube. The fair will also debut the Art Basel Awards, with gold medalists announced on December 4.

Artist Paul Rucker’s Klan Robes Expose America’s Racist Underbelly

Artist Paul Rucker's exhibition "Rewind Resurrection" returns to New York a decade after its debut, featuring his iconic Klan robes reimagined in bold fabrics like pink, Kente cloth, and camouflage. The show, which was censored at York College of Pennsylvania in 2017 following the Charlottesville white supremacist rally, includes KKK memorabilia, data visualizations of prison proliferation, and wooden relief sculptures honoring victims of racial violence. It is Rucker's first New York show, self-funded in a rented Chelsea gallery, and he hopes an institution will acquire the entire installation.

Shalini Le Gall named director of the Ackland Art Museum

Shalini Le Gall, deputy director for curatorial affairs at the Portland Museum of Art in Maine, has been named director of the Ackland Art Museum at UNC-Chapel Hill. She will begin her new role on September 8, 2025, bringing over 20 years of experience in museums and higher education, including expertise in exhibit curation, acquisitions, strategic planning, and community engagement. Le Gall succeeds a period of growth at the Portland Museum of Art, where she oversaw more than $10 million in acquisitions and coordinated traveling exhibitions across the U.S.

Ancient art on wheels: how Mumbai's leading museum is sending miniature exhibitions by bus into the Indian countryside

Mumbai's Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), formerly the Prince of Wales Museum, has retrofitted three public buses as mobile mini-museums to bring curated exhibitions into the Indian countryside. The buses travel across Maharashtra and beyond, carrying miniature displays that foreground objects and material culture, encouraging viewers to build narratives from artifacts rather than starting with pre-written histories. The initiative grew out of a 2024 exhibition, "Ancient Sculpture of India, Egypt, Assyria, Greece and Rome," co-curated with the J. Paul Getty Museum, Berlin State Museums, and the British Museum.

Newly designed gallery for Applied Arts of Europe opening at Art Institute of Chicago

The Art Institute of Chicago will open the newly designed Eloise W. Martin Galleries for the Applied Arts of Europe on July 11, 2025. The 4,500-square-foot space will display over 300 objects from the museum's collections of furniture, silver, ceramics, and glass dating from 1600 to 1900, with 40% more objects on view than previously. Highlights include a carved chair made by Indian artisans for a European merchant, rare Chinese porcelain vases mounted in gilded bronze, and a neo-Gothic sideboard by William Burges. The galleries, designed by Barcelona-based architects Barozzi Veiga, follow a chronological narrative exploring design, craftsmanship, and commerce amid geopolitical shifts and colonialism.

Painting of St. Rose of Lima is part of Walters Art Museum exhibition

The Walters Art Museum in Baltimore has unveiled a new permanent installation of Latin American art, featuring a rare 18th-century painting titled "The Allegory of St. Rosa of Peru" by an anonymous artist from the Cuzco School. The oil-on-canvas depicts St. Rose of Lima, the first canonized saint from the New World, emerging from a giant rose alongside an allegorical female figure representing the Americas and a stylized Inca ruler. The artwork, dated between 1730 and 1760, is a rare survivor of colonial-era paintings that were often destroyed after the Tupac Amaru uprising.

metropolitan museum of art's new rockefeller wing to open this weekend with public party

The Metropolitan Museum of Art will reopen its Michael C. Rockefeller Wing on May 31, 2025, after a four-year renovation led by Kulapat Yantrasast and WHY Architecture. The redesigned wing houses the museum's collections of Arts of Africa, Oceania, and the Ancient Americas in distinct galleries with improved sight-lines, filtered daylight, and a more navigable layout. A day-long public festival featuring a ribbon-cutting, live performances, workshops, artist talks, and food will celebrate the opening.

Comment | Are museums ‘guilt tripping’ their visitors? No, they aren’t doing enough

The article argues that museums are not doing enough to address political realities, colonial histories, and systemic oppression in their exhibitions and wall texts, contrary to critics who claim visitors feel guilt-tripped or bored by such content. The author cites the Victoria and Albert Museum's exhibition "The Great Mughals: Art, Architecture and Opulence" as a missed opportunity, noting that it privileged opulence without adequately engaging with the violent histories of colonialism, as pointed out by art historian Archishman Sarker and artist Sutapa Biswas.

A New Generation of Gallerists Is Redefining Artist Representation

A new generation of gallerists is rethinking traditional artist representation models, moving away from rigid exclusivity clauses and transactional relationships. Figures like Bryce Watanasoponwong of The Charoen AArt in Bangkok, Storm Ascher of Superposition, and Lorraine Han of Unveil Gallery are adopting flexible, collaborative approaches that reflect the realities of contemporary artists, who often juggle multiple roles and prefer non-exclusive arrangements. These gallerists emphasize open dialogue, shared responsibility, and long-term relationship-building over strict contracts, as seen in Ascher's seven-year support of artist Haleigh Nickerson, which culminated in a solo show at NADA New York 2025.

Feeling Lost? Tackle Life’s Biggest Questions Inside Oracle, Denver’s New Introspective Art Exhibit.

Oracle, a new experiential art exhibit curated by Esther Hernandez, opened on May 9 at Union Hall Art Space in Denver. The 1,700-square-foot gallery invites visitors to wear blindfolds and be guided by volunteers to 16 works by six local female artists—Yazz Atmore, Faatma Be Oné, Linda Bishara, Rebecca Peebles, Sarah Tenney, and Harriet Woodman—before removing the blindfold to reflect on pieces that resonate with their personal questions. The exhibit includes interactive works, such as a ceremonial weighted blanket and a mixed-media altar, and runs through August 23.

Young artists, Mia exhibit, shine uncomfortable light on American racism

The Minneapolis Institute of Art (Mia) opened its fourth annual Teen Perspectives exhibition on May 10, titled “Minneapolis as Monument,” featuring works by high school students addressing health and racial equity. The show, running through July 20, includes paintings, photos, sculptures, and video installations inspired by the murder of George Floyd five years ago and the concurrent “Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys” exhibition. Speakers included Virajita Singh, Mia’s chief diversity and inclusion officer, and Bukata Hayes of Blue Cross Blue Shield of Minnesota, the program’s sponsor. Student artists like Lydia Nobrega and Joseph Willie created pieces that explore personal stories, community, and systemic racism.