Paul Slocum, artist and gallerist, celebrated the 20th anniversary of his Dallas-based And/Or gallery, a pioneering space dedicated to new media and digital art. The gallery, founded in 2006, has championed early internet and computer-based artists like Cory Arcangel and Petra Cortright, operating from a DIY ethos largely independent of the traditional art market.
Northern California's di Rosa Center for Contemporary Art has listed its 217-acre Napa campus for sale at $10.9 million after years of financial struggles. The museum, which houses a renowned collection of Postwar Northern California art, plans to use the proceeds to stabilize its finances and ensure the long-term care of its collection. Executive director Kate Eilertsen, who took over in 2020, has introduced alternative revenue streams like event rentals and a summer camp, and opened outposts in downtown Napa and San Francisco. The museum will remain open during the sale, and talks are underway with the Napa Land Trust and Open Space District to sell only part of the property for a public hiking trail, while keeping the sculpture park intact.
Artist Nan Goldin is donating proceeds from the sale of her 2007 photograph *Ava twirling* to support children from Gaza, inspired by a benefit exhibition and sale titled “Colors That Survived.” The exhibition, curated by children’s educator and YouTube star Rachel Accurso (Ms. Rachel), features prints of drawings by children from Gaza, priced at $200 each in a limited edition of 20, and has already sold out, raising over $65,000. Goldin’s photograph is being auctioned online through January 19, with bidding starting at $15,000. The fundraiser is organized by Artists Support, a charitable initiative founded in 2020, and also involves the team behind the docudrama *The Voice of Hind Rajab*, which won the Grand Jury Prize at the Venice Film Festival.
London's Roman Road gallery presents "Lize Bartelli: The Hour of the Star," the artist's third solo exhibition, opening January 23, 2026, at Pipeline Contemporary as part of the Visiting Curators Initiative. The show features 14 new paintings that explore feminine expression, identity, and the tension between becoming and performing the self, drawing inspiration from Clarice Lispector's 1977 novel of the same name. Bartelli's graphic style reduces subjects to elemental forms, with red emerging as a structural color that embodies contradiction.
This article marks the 100th anniversary of the Leica I camera, first unveiled in 1925 after Oskar Barnack's proposal to create a lightweight, portable camera using 35mm cinema film. It highlights seven era-defining photographs made with Leica cameras, including Alfred Eisenstaedt's iconic V-J Day in Times Square (1945) and Ilse Bing's Self-Portrait in Mirrors (1931), and notes that Leica is staging exhibitions across its 29 galleries worldwide to celebrate the centenary.
Artnet's Gallery Network highlights a selection of collectible design works that blur the line between fine art and functional objects. Featured pieces include Pawel Grunert's sculptural chairs, Djivan Schapira's nature-inspired dining table, Franz West's artist chairs, Yves Klein's iconic blue table, and Jean Royère's mid-century wardrobe, all available through the network's partner galleries.
Marcel Duchamp's 1917 readymade *Fountain* and its radical questioning of art's definition are the focus of a new retrospective at the Museum of Modern Art (MoMA) in New York, curated by Matthew Affron, Michelle Kuo, and Ann Temkin. The exhibition, the first major Duchamp show in the U.S. since 1973, assembles three hundred objects and presents them chronologically, tracing Duchamp's evolution from early paintings to his conceptual breakthroughs. The article highlights how *Fountain* was originally submitted to a no-jury exhibition by the Society of Independent Artists, sparking a debate that ultimately led to its rejection and Duchamp's resignation, a pivotal moment in art history.
Philippe Vergne, the French curator who has served as director of the Serralves Museum of Contemporary Art in Porto since 2019, will step down at the end of July 2026 at his own request. The Serralves Foundation announced that Vergne will continue contributing to exhibition curation until his departure, and the search for a new director will begin immediately. During his tenure, the museum presented major exhibitions of artists including Alexander Calder, Joan Miró, Cindy Sherman, Mark Bradford, and Maurizio Cattelan, and expanded its space with the Álvaro Siza Wing.
A rare early artwork by David Hockney, created when he was just 19, is heading to auction at Tennants Auctioneers' Modern and Contemporary Art Sale on June 13. The mixed media piece, titled *Bolton Junction Eccleshill, Bradford*, depicts scenes from Hockney's hometown and is expected to fetch between £7,000 and £10,000. Originally purchased by Hockney's tutor Malcolm Riley at the artist's end-of-year show, the work reflects the perspective lessons Hockney learned at Bradford Regional College of Art. The sale also features works by other notable northern artists, including two drawings by L.S. Lowry, pieces by mining artists Norman Cornish and Tom McGuinness, and ceramics by Pablo Picasso, alongside lots by Damien Hirst and David Bailey.
Frieze New York 2026 opened at the Shed in Hudson Yards, drawing a record crowd of collectors, artists, and celebrities on preview day. The fair featured over 65 international galleries, with a strong presence of Latin American artists and a notable shift toward textile-based works, sculpture, and paper pieces. Highlights included the Ruinart Art Lounge with preparatory studies by Tadashi Kawamata, and the Focus section spotlighting emerging galleries. Notable attendees included Leonardo DiCaprio, gallerist Almine Rech, and Sotheby's senior vice president Ralph DeLuca.
The article examines the meteoric rise of artist Mike Winkelmann, known as Beeple, who broke auction records in 2021 by selling an NFT for $69.3 million at Christie's, becoming the third most expensive living artist. His robot dogs, featuring heads of figures like Elon Musk and Mark Zuckerberg, debuted at Art Basel Miami Beach and are now on view at Berlin's Neue Nationalgalerie during Gallery Weekend. The show, titled "Regular Animals," has sparked controversy, with critics like Markus Lüpertz denouncing the works as trivial entertainment unworthy of a museum, while curators Carolyn Christov-Bakargiev and Lisa Botti defend the exhibition.
The article from Ebony.com explores the intersection of fashion and fine art, highlighting how Black designers are increasingly being recognized as fine artists whose work bridges clothing design and sculpture. It profiles several contemporary Black designers who create garments that function as sculptural objects, exhibited in galleries and museums rather than solely on runways. The piece examines how these creators challenge traditional boundaries between fashion and art, using materials and techniques that elevate their work into the realm of fine art.
Alfonso Gonzalez Jr., a second-generation Los Angeles artist with roots in graffiti, sign painting, and muralism, has opened his first museum exhibition at LACMA. Titled “In Between Stops,” the show features 12 benches installed along the museum’s Kendall Concourse, each serving as a functional sculpture that honors the street art and vernacular signage of LA. Gonzalez Jr., who learned the sign-painting trade at Los Angeles Trade Tech College and worked for outdoor advertisement companies like Wall Dogs and Colossal Media, draws on his background to create fictitious ads that critique advertising tactics while preserving rapidly disappearing elements of LA culture, such as mom-and-pop shops and barber shops.
Three artists—Veronika Georgieva, Stephen j Shanabrook, and Shura Skaya—have transformed an industrial venue at the Brooklyn Navy Yard into a pop-up exhibition titled “Drifting Until Caught.” The show, accessible only by appointment, features works that range from pressed plastic sculptures and chocolate casts to wax crayon drawings and acrylic paintings, all exploring the boundary between figuration and abstraction. Each artist employs mechanical or chance-based methods, such as Shanabrook’s hydraulic press or Georgieva’s video projections, to create images that embrace distortion and materiality.
Artist Beeple (Mike Winkelmann) has installed "Regular Animals" at Berlin's Neue Nationalgalerie, featuring robot dogs with hyper-realistic silicone heads of Elon Musk, Mark Zuckerberg, Jeff Bezos, Andy Warhol, Pablo Picasso, and Beeple himself. The dogs roam the gallery and periodically "poo" printed images of their surroundings that have been transformed by artificial intelligence, with each dog's output reflecting the style of its figurehead—for example, the Picasso dog produces Cubist-style images. The work premiered at Art Basel Miami Beach 2025, where Beeple distributed the prints with certificates reading "100% organic GMO-free dog s**t" and QR codes for free NFTs.
This article provides a guide to notable museums and art galleries in Tokyo, including the Mori Art Museum, Museum of Contemporary Art Tokyo, The National Art Center Tokyo, Yayoi Kusama Museum, teamLab Planets Tokyo, Creative Museum Tokyo, and Tokyo Metropolitan Teien Art Museum. Each entry includes details on opening hours, addresses, and highlights such as immersive installations, contemporary art collections, and unique architectural settings.
A listicle from Time Out Los Angeles presents the 21 best museums to visit in Los Angeles, highlighting essential institutions like LACMA, The Broad, and the Getty Center. The article provides practical details such as addresses, hours, pricing, and notes on free admission days, while also mentioning specific current attractions like the newly opened David Geffen Galleries at LACMA and Yayoi Kusama's Infinity Mirrored Room at The Broad.
Chicago's diverse landscape of pop culture and contemporary art is highlighted through a curated list of seven key destinations in the metropolitan area. The selection ranges from the Volo Museum’s collection of Hollywood vehicles and Titanic artifacts to the Museum of Contemporary Art Chicago’s extensive permanent collection of over 2,000 modern works and high-tech media displays.
The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have launched "A Nation of Artists," a massive dual-museum exhibition running through late 2027. The show features over 1,000 works, including the public debut of 120 pieces from the private Middleton Family Collection, owned by Philadelphia Phillies owner John Middleton. While the PMA presents the works chronologically from 1700 to 1960, PAFA offers a thematic exploration, both aiming to integrate underrepresented Black, Indigenous, and immigrant artists alongside canonical figures like Georgia O’Keeffe and Jackson Pollock.
The Los Angeles County Museum of Art (LACMA) held a lavish opening gala for its new David Geffen Galleries, a $724 million concrete building designed by architect Peter Zumthor. The event drew a constellation of artists including Jeff Koons, Ed Ruscha, Mark Bradford, Refik Anadol, Todd Gray, Do Ho Suh, and Lauren Halsey, as well as Hollywood figures like Will Ferrell and Sharon Stone. LACMA director Michael Govan hosted the evening, which featured conversations about the building's design, the interplay of light and art, and the significance of the new space for the museum's future.
The Museum of Modern Art in New York has launched a major retrospective of Marcel Duchamp, marking the artist's first comprehensive North American survey in over half a century. The exhibition traces Duchamp’s evolution from his early satirical drawings and avant-garde paintings to his revolutionary experiments with movement and mechanization, featuring iconic works like "Nude Descending a Staircase" and "L.H.O.O.Q." alongside technical diagrams and studies for "The Large Glass."
The Los Angeles County Museum of Art (LACMA) is set to open its highly anticipated David Geffen Galleries to the public on May 4, 2026, following a members-only preview starting April 19. Designed by Swiss architect Peter Zumthor, the $724 million, 110,000-square-foot concrete structure spans Wilshire Boulevard and houses the museum's permanent collection in a single-floor layout. The opening will be celebrated with a public block party on June 20, featuring free admission, tours, and live performances.
The Los Angeles County Museum of Art (LACMA) has officially opened the David Geffen Galleries, a massive glass-and-concrete structure designed by Pritzker Prize-winning architect Peter Zumthor. Elevated nine meters above the ground and spanning Wilshire Boulevard, the 275-meter-long building replaces several older structures to house the museum’s permanent collection. The inaugural installation, developed by a team of 45 curators, abandons traditional chronological displays in favor of a geographic framework organized around four major bodies of water: the Pacific, Indian, and Atlantic Oceans and the Mediterranean Sea.
LA카운티미술관(LACMA) 뉴 데이빗게펜 갤러리 4/19 오픈...서도호 작 '경복중 자경전' 설치
The Los Angeles County Museum of Art (LACMA) has announced the official opening of the David Geffen Galleries on April 19, 2026. Designed by Pritzker Prize-winning architect Peter Zumthor, the 900-foot-long horizontal structure spans Wilshire Boulevard and features a single elevated exhibition level for the museum’s permanent collection. The inaugural installation, curated by a collaborative team of 45 specialists, rejects traditional chronological or geographical hierarchies in favor of a thematic approach centered around global oceanic frameworks.
The Metropolitan Museum of Art is set to open the Condé M. Nast Galleries, a new permanent home for the Costume Institute located in prime real estate adjacent to the Great Hall. The inaugural exhibition, "Costume Art," will integrate fashion with artworks from 19 of the museum’s collecting areas, featuring pieces by designers like Tory Burch and Michael Kors alongside works by artists such as Jean Arp. This move transitions the Costume Institute from its traditional basement location to the center of the museum's physical and narrative layout.
Pitzhanger Manor & Gallery in West London has announced a major retrospective of Sir Peter Blake, scheduled to open in November 2026. The exhibition, titled 'Peter Blake: In the Studio,' features a full-scale reconstruction of the artist's Hammersmith workspace, providing an immersive look at the environment where his seven-decade career unfolded. The show will display a wide range of media, including his iconic Pop Art paintings, sculptures, and recent collages that respond to the works of William Hogarth.
Pitzhanger Manor & Gallery in West London has announced a major exhibition, "Peter Blake: In the Studio," scheduled to run from November 2026 to April 2027. The landmark show will feature a full-scale recreation of the artist’s Hammersmith workspace, providing an immersive look at the environment where the 'Godfather of British Pop Art' conceived his most famous works. The exhibition will span seven decades of Blake's career, showcasing paintings, collages, and sculptures alongside his personal collection of curiosities and memorabilia.
The Los Angeles County Museum of Art (LACMA) has finalized the construction of the David Geffen Galleries, a $723.8-million project designed by Swiss architect Peter Zumthor. As the museum prepares for its April 16 gala, officials have released a detailed breakdown of the spending, which supported over 8,600 jobs and generated an estimated $1.2 billion in regional economic activity. Despite the massive investment, the project remains a lightning rod for controversy due to its unconventional modernist design and the fact that it offers less gallery space than the four buildings it replaced.
The Los Angeles County Museum of Art (LACMA) has unveiled its $724-million David Geffen Galleries, a massive concrete structure designed by Swiss architect Peter Zumthor that spans Wilshire Boulevard. Replacing several older pavilions, the new building rejects traditional museum conventions like white-cube galleries and encyclopedic organization in favor of a sinuous, organic form that emphasizes light, atmosphere, and a visceral connection to the surrounding landscape.
The Ashley Gibson Barnett (AGB) Museum of Art in Lakeland, Florida, has launched its largest-ever student art exhibition, featuring 187 award-winning works from Polk County students in grades seven through twelve. The showcase includes regional and national winners of the Scholastic Art and Writing Awards across various media, including ceramics, photography, and digital painting. Notably, eighth-grader Sophia De La Cruz’s mixed-media piece, "Blast of Emotions," was selected for the museum’s permanent collection, placing her work alongside masters like David Hockney and Robert Rauschenberg.