Roses and Thorns of Greater New York

The article is a digest of recent art news, with a primary focus on critical reviews of the 2026 "Greater New York" exhibition at MoMA PS1. Hyperallergic's editorial team provides mixed assessments of the works in the massive quinquennial survey of local artists. The piece also covers American-French sculptor Barbara Chase-Riboud's decision to decline an invitation to represent the United States at the 61st Venice Biennale, citing the problematic nature of the pavilion's commissioning entity.

What We Loved (And Didn’t) in “Greater New York”

The article presents a critical review of the 2026 "Greater New York" exhibition at MoMA PS1, a massive survey featuring over 150 works by more than 50 artists. The Hyperallergic editorial team highlights specific artists and works they loved, disliked, or found puzzling, offering a curated list of around 20 standout pieces. The review includes detailed commentary on individual works by artists like Dean Millien, the collective Red Canary Song, and Kameron Neal, capturing the diverse and often contentious reactions the show provokes.

How Pussy Riot Is Challenging Russia’s Return to the Venice Biennale

The feminist art collective Pussy Riot is campaigning to replace the official Russian exhibition at the 2024 Venice Biennale with their own show, "Resistance Imprisoned." The alternative exhibition features art created by nearly 30 current and former political prisoners in Russia, using improvised materials like envelopes, bedding, and blood. The collective's founder, Nadya Tolokonnikova, aims to expose the country's repressive system, drawing from her own experience in a penal colony.

A Blockbuster Take on Ovid’s “Metamorphosis”

The Rijksmuseum in Amsterdam has opened a major exhibition titled 'Metamorphoses,' inspired by Ovid's poem. The show brings together Renaissance masterpieces, antiquities, and contemporary works, grouping them by the myths they depict to explore themes of transformation, desire, and gender through striking visual juxtapositions.

The Future of Museums Is a Dance Floor

Museums and art institutions are increasingly incorporating nightlife and rave culture into their programming, treating the dance floor as a site of cultural and political significance. Exhibitions like Steve McQueen's 2024 Dia Beacon show, the 2018 'Elements of Vogue' in Madrid, the Swiss National Museum's 2025 'Techno' exhibition, and the author's own 2025 curatorial project 'Rave into the Future: Art in Motion' at the Asian Art Museum demonstrate this institutional turn.

US-Israel war on Iran disrupts art transport routes as prices surge

The ongoing US-Israel war on Iran has severely disrupted global art logistics, causing oil prices to surge and key shipping routes to close. Air freight costs for fine art have skyrocketed by 70% to 300%, and critical corridors like the Strait of Hormuz have become impassable, leaving exhibitions stranded at airports and shipments stuck at sea.

Harry Bertoia Gets His Moment

The city of Detroit is experiencing a significant Harry Bertoia revival, centered around the rediscovery and restoration of a massive 26-foot suspended sculpture. Originally commissioned in 1970 for a Michigan mall and long presumed lost or destroyed during building demolitions, the steel-wire and brass work was found languishing in a basement in 2017. Following an extensive restoration process, the monumental piece has been installed in General Motors' new global headquarters at the historic Hudson’s site, a feat that required complex engineering and a five-story opening in the building's facade.

A View From the Easel With Celia Paul

British painter Celia Paul provides an intimate look at her long-term studio and residence in London's Bloomsbury neighborhood, where she has lived and worked for 44 years. The artist describes a disciplined routine starting at 5am, emphasizing a need for silence and a pared-down environment to foster the introspection found in her seascapes and self-portraits.

Georgia O'Keeffe Museum Launches Digital Catalogue Raisonné

The Georgia O’Keeffe Museum has launched Access O’Keeffe, a comprehensive digital catalogue raisonné that makes over 2,000 of the artist’s works available to the public for free. Based on the definitive 1999 scholarship by Barbara Buhler Lynes, the platform includes paintings, sketches, and letters, featuring advanced search tools that allow users to filter by color, medium, and theme. The project was completed despite a significant funding scare when a federal grant was briefly rescinded during the Trump administration before being restored via legal action.

Michaelina Wautier’s Overdue Triumph

Flemish Baroque painter Michaelina Wautier is receiving renewed critical attention as scholars work to correct centuries of misattributions. Despite achieving significant success and recognition during her lifetime, her oeuvre was largely subsumed into the names of male contemporaries until recent research restored her identity to her masterpieces.

€1m Picasso painting to be won for €100 in charity raffle

A charity raffle in France is offering participants the chance to win a 1941 Pablo Picasso portrait, 'Tête de Femme', for the price of a €100 ticket. The initiative aims to sell up to 120,000 tickets to raise funds for the Alzheimer’s Research Foundation in Paris, with the painting's current owner, Opera Gallery, receiving €1m from the proceeds. The artwork will be displayed at Christie’s in Paris ahead of the drawing.

Marcel Duchamp Was the Messenger of History

The Museum of Modern Art (MoMA) in New York is launching the first comprehensive U.S. exhibition of Marcel Duchamp’s work in over 50 years. In an interview regarding the opening, renowned scholar Thierry de Duve discusses the artist's enduring legacy, from his infamous readymades like "Fountain" to his complex, labor-intensive works like the "Large Glass." The exhibition seeks to reconcile Duchamp’s identity as both a conceptual provocateur and a meticulous craftsman.

It’s Gabriele Münter’s World, We’re Just Living in It

The Solomon R. Guggenheim Museum is hosting "Contours of a World," a retrospective dedicated to Gabriele Münter, a co-founder of the Blue Rider group. The exhibition moves beyond the shadow of her long-time partner Wassily Kandinsky, showcasing her distinct approach to German Expressionism through photography, intimate domestic scenes, and vibrant landscapes. Unlike her contemporaries who leaned toward total abstraction, Münter utilized bold outlines and layered compositions to create a dynamic, phenomenological experience of seeing.

Remembering Nathan Farb, Thomas Zipp, and Christine Ruiz-Picasso

The art world mourns the loss of several influential figures, including photographer Nathan Farb, known for his large-format captures of the Adirondacks and 1960s Manhattan, and Christine Ruiz-Picasso, who was instrumental in establishing the Museo Picasso Málaga. Other notable passing include German interdisciplinary artist Thomas Zipp, prolific art forger William "Billy The Brush" Mumford, and Hassen Soufy, the last living member of the L'École de Tunis movement.

Josh Kline Misses the Mark

Critic Aruna D’Souza responds to a viral essay by artist Josh Kline regarding the extreme financial pressures of living and working in New York City. While Kline suggests that artists should abandon the city due to the affordability crisis, D’Souza argues that leaving is not a viable long-term solution and calls for a more proactive approach to systemic change within the urban art ecosystem.

Elucidating the Esoteric with Hilma's Ghost

The feminist art collective Hilma’s Ghost, founded by artists Dannielle Tegeder and Sharmistha Ray, is reclaiming the role of alternative spiritualities and the occult within art history. Sparked by the 2018 Hilma af Klint retrospective at the Guggenheim, the collective emerged during the COVID-19 pandemic as a research-based project that bridges artmaking with esoteric practices like tarot, witchcraft, and neo-tantric cosmologies. Through workshops and collaborative paintings, the duo explores how women and queer artists have historically been erased from the canon due to their unconventional, mystical methods.

Counterpublic Triennial Names 47 Artists and Collectives for Upcoming Third Edition, Including Glenn Ligon, Rebecca Belmore, Rirkrit Tiravanija

The St. Louis-based triennial Counterpublic has unveiled the artist list for its third edition, titled "Coyote Time," scheduled to run from September 12 to December 12, 2025. The exhibition features 47 artists and collectives, including major figures such as Glenn Ligon, Rebecca Belmore, and Rirkrit Tiravanija, alongside posthumous presentations of works by Juanita McNeely and Benjamin Patterson. Curated by a five-person international team, the triennial will activate various sites across the city, including the Mississippi Riverfront and the historically Black neighborhood of The Ville.

The Unbearable Strangeness of Being

South African artist Cinga Samson makes his New York debut at White Cube with "Ukuphuthelwa," an exhibition of haunting, large-scale oil paintings. The works feature figures with distinctive white pupils engaged in enigmatic rituals within dark, crepuscular landscapes. Drawing from the isiXhosa concept of spiritual alertness during sleeplessness, Samson’s compositions blend the palpable with the unearthly, often depicting scenes that feel choreographed yet remain stubbornly illegible to the Western gaze.

Paul Klee: Other Possible Worlds

The Jewish Museum in New York has launched "Paul Klee: Other Possible Worlds," the first U.S. museum exhibition dedicated specifically to the artist’s late-period works. Featuring 100 paintings and drawings, the show focuses on the final decade of Klee’s life (1930–1940), a period marked by his dismissal from the Düsseldorf Academy by the Nazis, his exile to Switzerland, and his battle with a fatal autoimmune disease.

Performance Artist Crackhead Barney Moves From the Streets to the Stage: ‘Art Should Be Going Insane’

Performance artist Crackhead Barney, known for her viral street interventions and ambush interviews at protests and public events, is transitioning her work to the formal stage. Her new play, GOD IS RAPING ME, is having sold-out dates at the Pageant performance space in Brooklyn, marking a significant shift from her guerrilla-style, social media-driven practice to theatrical production.

List of Failed Business Ideas Found Beneath Rembrandt’s “The Night Watch”

A recent conservation analysis of Rembrandt's "The Night Watch" at the Rijksmuseum has revealed a surprising discovery beneath the painting's surface. Using macro X-ray fluorescence, researchers uncovered a handwritten list of alternative business ideas considered by the young Rembrandt, including face-painting at children's parties, an umbrella repair shop, and making luxury combs from fishbones.

Philadelphia Museum of Art Rebrands Again as "PhArt"

The Philadelphia Museum of Art has announced a rebranding to "PhArt," following the discovery of a long-lost Marcel Duchamp readymade—an early prototype of a whoopee cushion titled "Le rire"—in its archives. The institution is dropping "Museum" from its name to signal a commitment to art that transcends traditional boundaries, and the new branding will be featured prominently on social media.

Juan Uslé’s Childhood Shipwrecks

The Museo Reina Sofía in Madrid has opened a major retrospective of Spanish painter Juan Uslé, titled "That Ship on the Mountain." The exhibition features approximately 100 works spanning four decades, tracing the artist's journey from his childhood in Cantabria to his established career in New York City. It notably uses the traumatic shipwreck of the Elorrio, which Uslé witnessed as a boy, as its conceptual starting point.

What Makes a Good Protest Sign?

The article's main feature is a guide on creating effective protest signs for the upcoming No Kings protest, compiled by comic artist Steven Weinberg with input from artists, writers, and curators including Hyperallergic's Editor-at-Large Hrag Vartanian. It offers practical advice for crafting visually and rhetorically powerful signs that challenge authority.

Internet Goes Wild for The Met’s Newly Acquired Mannerist Painting

The Metropolitan Museum of Art's acquisition of a newly identified Mannerist painting, Rosso Fiorentino's "Madonna and Child with Saint John the Evangelist" (1512–13), has sparked a viral, irreverent reaction on social media. Commenters on the museum's Instagram post have described the muscular infant Jesus using contemporary slang like "baddie," "yasssified," and "caked up," drawing parallels to modern beauty trends.

At Palm Beach’s Hottest Fair, Blue-Chip Meets Emerging Art

The ninth edition of the Palm Beach Modern and Contemporary (PBM+C) art fair opened with a VIP preview benefiting the Ann Norton Sculpture Gardens. The fair, presented by Art Miami, features 55 international galleries showcasing a mix of blue-chip modern works, contemporary art, and emerging talent, with highlights including special exhibitions dedicated to Russell Young's Marilyn Monroe centennial works and a satellite exhibition at the sculpture garden.

The Canonization of Frida Kahlo

A major exhibition, 'Frida: Making of an Icon,' at the Museum of Fine Arts, Houston, re-examines the legacy of Frida Kahlo. It moves beyond her iconic status by presenting her early works, influences, and, most significantly, over a hundred works by artists she inspired, demonstrating her impact across generations and cultures.

A Visual Journey Through 150 Years of the Legal Aid Society

A Visual Journey Through 150 Years of the Legal Aid Society

The New York Historical Society has unveiled a special exhibition, "Delivering Justice: 150 Years of The Legal Aid Society," chronicling the history and impact of the nation's largest public defense provider. The display features archival photographs, newspaper clippings, and artwork that trace the organization's evolution from its 1876 founding as a small office aiding German immigrants to its modern role in landmark cases, including its defense of Attica prison uprising leaders and a recent lawsuit against brutality at Rikers Island.

Haroutiun Galentz: The Form of Colour

Haroutiun Galentz: The Form of Colour

A new English-language monograph, *Haroutiun Galentz: The Form of Colour*, repositions the Armenian-Lebanese painter as a major cosmopolitan modernist. The book assembles his work from international collections, arguing his career—spanning formative years in Beirut's pre-war art scene and a later period in the Soviet Union—must be understood beyond national art historical frameworks.

the mayor gallery celebrating 100 years

The Mayor Gallery in London is celebrating its centenary with a three-part exhibition series revisiting its history. The second part, 'Celebrating 100 years – Part 2: European Art,' is on view through February 20, 2026, showcasing post-war European artists from movements like ZERO, Arte Povera, and Concrete art, including works by Armando, Lucio Fontana, François Morellet, and Man Ray.