The Condé M. Nast Galleries have opened at the Metropolitan Museum of Art's Costume Institute, a 12,000-square-foot space designed by architecture firm Peterson Rich. The galleries feature white granite floors, classic pedestals, and recessed uplighting to protect fragile fabrics, creating a seamless integration with the museum's existing architecture.
The Metropolitan Museum of Art has revealed photos from inside the Costume Institute's latest exhibition, 'Costume Art,' ahead of the 2026 Met Gala. Curated by Andrew Bolton, the show explores the relationship between clothing and the body, organized around thematic body types such as the Naked Body, Pregnant Body, and Aging Body. It features garments and artworks from The Met's collection, both historical and contemporary, and will be the first exhibition held in the new Condé M. Nast Galleries, a 12,000-square-foot space adjacent to the Great Hall. The exhibition opens to the public on May 10, 2026, and runs through January 10, 2027.
An exhibition titled “Full Circle” opens May 2 at the Pitt Meadows Art Gallery, showcasing the work of local artist Liz Boulton. The show features her paintings in watercolour, acrylic, and mixed media, as well as hand-built art dolls, reflecting her decades-long artistic journey and her use of texture mediums, gels, and repurposed materials.
Gaby Hurtado-Ramos presents "Last Night and Tomorrow" at BOX 13 ArtSpace in Houston from May 22 to June 27, 2026. The exhibition explores queer social spaces—dance parties, gay bars, karaoke—through layered drawings, photographs, and prints, imagining futures of acceptance and connection. Hurtado-Ramos is an artist and educator whose practice includes risograph publishing under Rear-View Press, and they have exhibited and taught widely across the U.S.
The Metropolitan Museum of Art's 2026 Met Gala will take place on May 4, themed "Costume Art" to highlight fashion as a central artistic discipline. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with a host committee featuring Anthony Vaccarello, Zoë Kravitz, and other celebrities. The event coincides with the opening of the new Condé M. Nast Galleries and the spring exhibition "Costume Art," which pairs historic garments with artworks spanning 5,000 years. The dress code is "fashion is art," and the red carpet will be livestreamed by Vogue.
Legendary Kenyan painter Patrick Mukabi, known as Panye, has died at age 56 after an illness. Born in Nairobi in 1969, he studied graphic design at the Technical University of Kenya before dedicating himself to fine art. His bold, colorful works were displayed at venues like Jomo Kenyatta International Airport, Java House outlets, and in over 20 countries. He developed the Cover Girls series celebrating curvy women and worked at major art spaces including the Nairobi National Museum, Kuona Artists Collective, GoDown Arts Centre, and the Railway Museum. At Dust Depo Studio, he mentored many young artists, teaching them both technique and the business of art. His protégé Jimmy Kitheka recalls Mukabi's warmth and discipline, and how the studio became a creative hub. Even during his illness, the art community rallied to support him through benefit exhibitions like the Patrick Mukabi Medical Fund Benefit Art Exhibition in April 2026 and a solo show at Banana Hill Art Gallery.
The article explains the concept of an Artist Corporation (A-Corp), a new business structure for artists introduced in a bill before the Colorado state legislature, originally proposed by entrepreneur Yancey Strickler. It allows artists to form a legally recognized business entity without hiring a lawyer, simply by filling out a form, and provides liability protection by separating personal assets from business assets. The bill is expected to reach the governor's desk by mid-May and be enacted within six months, with five or six other states, including New York, expressing interest.
L’intima corrispondenza tra l’artista Maria Lai e lo stilista Antonio Marras è in mostra a Milano
The exhibition "Paso Doble" at Galleria M77 in Milan brings together over 200 works by artist Maria Lai (1919–2013) and fashion designer Antonio Marras, curated by Francesca Alfano Miglietti. The show explores the deep creative and personal dialogue between the two, rooted in a transformative encounter that Marras describes as a turning point in his artistic language. Works range from historical pieces by Lai—including textile books, thread installations, and stone-embedded works—to Marras's own mixed-media creations using humble materials like cardboard, fabric scraps, and pastry trays. The exhibition culminates in collaborative installations such as "Llencols de aigua" (Water Sheets) and "Janas," immersive environments where viewers become part of a silent choreography of memory and imagination.
La mostra dell’artista Marinella Senatore a Milano è una festa di nome e di fatto
Marinella Senatore's solo exhibition "FESTA!" opens at Mazzoleni's Milan space, marking both the artist's first show at the gallery and the gallery's 40th anniversary. The exhibition presents new works including sketches, drawings, and embroidered tapestries that reinterpret Baroque public celebrations as participatory, community-driven art. The tapestries, produced in collaboration with the Chanakya school in Mumbai, feature motifs from 17th- and 18th-century festivities—ephemeral architecture, light displays, and fireworks—transformed into contemporary banners that activate the gallery space.
Moraine Valley Community College in Palos Hills, Illinois, is inviting artists aged 18 and older living within 50 miles to submit up to two pieces for its 23rd annual community art show. Submissions are accepted May 19-21, with notifications on May 26. The exhibition runs May 29 to July 30, opening with a reception and awards ceremony on May 30. This year’s juror is Lisa DeLuca, a photographer and teaching artist with experience as a recruiter for art schools and a docent at the Museum of Contemporary Art, Chicago. She has previously juried the college’s high school exhibition and other regional shows.
The international jury of the 61st Venice Biennale announced it would exclude from prize consideration countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically targeting Russia and Israel. This prompted the Italian culture minister to send inspectors to the Biennale's offices, leading the jury to resign. The Biennale then replaced the Golden Lion with "Visitors' Lions" prizes voted by ticket-holders, immediately making Russia and Israel eligible again. The article traces this crisis to the Biennale's historical structure under Mussolini's 1930 Royal Decree, which established the national pavilion system as a diplomatic concession system designed to serve state power, and notes the recent acceptance of a €50 million donation from Qatar for a new permanent pavilion in the Giardini.
The Arkansas Museum of Fine Arts (AMFA) in Little Rock opens the 65th Young Arkansas Artists exhibition on Saturday, featuring 52 artworks selected by a panel of museum and art professionals. The exhibition expands to four works per grade, K-12, and includes a "Best in Class" award chosen by grand juror Celeste Alexander. The show runs through July 26 in the Robyn and John Horn Gallery, with free admission and related activities at the museum's Windgate Art School.
Uzbek artist Saodat Ismailova is making her U.S. museum debut at the Smithsonian Institution. The exhibition introduces her multimedia works, which often explore Central Asian history, spirituality, and female identity, to an American audience for the first time.
The article titled "Helen McNicoll: An Impressionist Journey" appears to be about the Canadian Impressionist painter Helen McNicoll, likely focusing on her life, work, and artistic legacy. However, the actual content of the article is inaccessible due to a security verification page from the National Gallery of Canada's website, which blocks access to the full text. The page displays a security challenge requiring JavaScript and cookies to proceed, preventing any substantive information from being extracted.
The Art Museum of Southeast Texas (AMSET) opens two new exhibitions today: "Julius Stockfleth: Dawn of a Century" and "Bill Pangburn: Printed Traces - A Neches River Journal." The Stockfleth exhibition features early Texas artist Julius Stockfleth's paintings of the 1900 Galveston hurricane and Texas coastal history, marking a homecoming as his work was first shown at AMSET in 1987. The Pangburn exhibition presents a new series of large-scale abstract woodcut prints inspired by the Neches River. Both run through July 5, with a free public reception tonight and a musical performance by composer Nathan Felix on May 30.
May’s art guide highlights several exhibitions across Dayton, Cincinnati, and Columbus, including "The Future of Female" at the Dayton Society of Artists, a juried show exploring women-identifying artists' perspectives; "At This Moment" at the Main Library's 2nd Floor Gallery, reflecting on contemporary life; "Teresa Olavarria: Lichen" at The Contemporary Dayton, featuring works in vitreous enamel and bronze; and a color-themed collaborative exhibition at the Edward A. Dixon Gallery in partnership with Dayton Collaboratory. The guide also features a 35mm film series by photographer Jake Schneider documenting Greenville’s Swinging 8’s Square Dance Club.
The iconic Rocky statue, a symbol of Philadelphia and the beloved film franchise, is now the subject of its own dedicated exhibition at a museum after years of tension between the city, the film's creators, and local institutions. The statue, originally created as a prop for the 1976 film 'Rocky' starring Sylvester Stallone, has had a complicated history, moving from the Philadelphia Museum of Art steps to the Spectrum arena and back, with debates over its artistic merit and placement.
The iconic bronze statue of Rocky Balboa, the fictional boxer portrayed by Sylvester Stallone, is moving inside the Philadelphia Museum of Art for the first time starting Saturday, as part of the museum's new exhibition "Rising Up: Rocky and the Making of Monuments." The exhibition, which marks the 50th anniversary of the original film, features over 150 artworks and ancient artifacts, and explores how monuments are created and reinterpreted by artists and communities. The statue had stood outside the museum for more than 20 years and was originally a prop from the 1982 film "Rocky III."
The Yale Art Gallery's fourth floor is hosting five concurrent exhibitions running through June, including solo shows by John Coplans, August Sander, Jes Fan, and Hans Hofmann, alongside a group exhibition of American Impressionism featuring artists like Mary Cassatt, John Singer Sargent, and Childe Hassam. The displays range from Coplans' intimate black-and-white self-portraits to Sander's sprawling photographic catalog of 20th-century German society, and from Fan's modern sculptures to Hofmann's bold abstract paintings.
The Great Neck Library in New York will host an exhibition of paintings by artist Rosemary Wilson Sloggatt titled "Among Children 2026: Paintings and Portraits by Rosemary Wilson Sloggatt" from June 1 to June 30. The show includes a Kids' Reception on June 3 and an Artist Reception on June 20. Sloggatt, who studied at Parsons School of Design and Otis Art Institute, has taught art in the Great Neck Public Schools for over 25 years.
The Coburn Art Gallery at Ashland University in Ashland, Ohio, will host a regional exhibition featuring 70 works by members of the Ohio Collage Society from May 29 through July 24. The free opening reception takes place on May 29 from 6 to 7:30 p.m., showcasing two-dimensional and three-dimensional collages that explore diverse materials and techniques. Featured artists include Anita Burgess, Nancy S. Sotka, Mary Ann Sedivy, and others.
Gió Marconi Gallery in Milan will host 'Phantom Banter', the first Italian solo exhibition of American sculptor Ron Nagle, from May 29 to July 24, 2026. The show features eleven ceramic sculptures created between 2024 and 2026, along with a selection of recent drawings, highlighting Nagle's process-oriented practice focused on material, surface, and language. Nagle, born in San Francisco in 1939, is a key figure in the California Clay Movement, having apprenticed with Peter Voulkos in the 1960s and influenced by Ken Price. His small-scale works, rarely exceeding 15 centimeters, explore reduction of scale and surface construction through cast and fired ceramics combined with resins and synthetic materials.
The article reviews "Dispossessions in the Americas," a group exhibition at Wrightwood 659 in Chicago curated by Jonathan D. Katz and Eduardo Carrera. Featuring works from 1960 to 2025, the show examines colonial legacies in the Americas, focusing on the forced dispossession of land, culture, and language from indigenous, Afro-descendant, queer, and trans communities. The review critically questions how a polished, architecturally prestigious venue can coherently display art about socially voiceless communities without falling into voyeurism or fetishization of pain.
An ongoing group exhibition titled 'Echoes of Past and Future' at Divine Art Gallery in Delhi brings together 48 artworks by 48 artists, spanning generations of Indian modern and contemporary art. The show features works by masters such as Anjolie Ela Menon, Manu Parekh, and Himmat Shah alongside contemporary voices like Ashok Bhowmick and Bhaskar Rao, aiming to create a dialogue between past and present artistic expressions.
Gallery of Art 850 in Panama City, Florida, hosted the opening reception for 'The Color Blue' art exhibit on Thursday evening. The show is the second in a series of themed exhibits, following last year's 'The Color Red' which coincided with the RedFish Film Festival. Artists were invited to create works featuring shades of blue, and the exhibit includes 75 entries spanning paintings and sculptures, up from 63 last year.
Dataland, the world's first museum dedicated to AI arts, will open to the public on June 20 at The Grand LA complex in Los Angeles. Designed by Gensler, the museum's inaugural exhibition, 'Machine Dreams: Rainforest' by Refik Anadol Studio, runs through January 31, 2027, and uses a Large Nature Model (LNM) processing ecological and biofeedback data in real time to create an immersive, evolving sensory experience.
Masure Gallery of Photography has opened in Fort Worth, Texas, as the city's only gallery dedicated exclusively to fine art photography. Founded through a partnership between gallery manager Simone Fischer and the co-owners of Fort Worth Camera, Jeff and CJ Masure, the space transforms a former event room into a white-walled exhibition venue with gallery-quality lighting. The gallery launched with "RED – A Bold Photography Exhibition," selected from nearly 200 open-call submissions requiring the color red, and now represents six local photographers: Walt Burns, Brooks Burris, Caroline Hanson, Chris Ireland, Felix Schilling, and K.P. Wilska. The first solo show, "Modern Exposure" by Walt Burns, opens June 4.
Rajib Ahasen's debut solo exhibition, 'Embrace of the Earth', opened on April 24, 2026, at La Galerie, Alliance Française de Dhaka (AFD). The show features around 36 works in watercolour and acrylic, rooted in the artist's memories of rural Bangladesh and his transition to urban life. Scenes of earthen roads, canals, riverbanks, and agrarian life dominate the collection, reflecting a personal narrative shaped by observation and recollection. Ahasen, who earned a Mawlana degree from a Qawmi madrasah in 2014 without formal fine arts training, has previously participated in national and international exhibitions including the Friendship Art Exhibition and Kahal International Art Fair.
Andrew Christopher Green presents a solo exhibition titled "Catkins" at Galerie Khoshbakht in Cologne, running from April 17 to May 23, 2026. The show features a selection of works documented through 9 images and 1 video on the gallery's exhibition page, with photography by Mareike Tocha.
Reina Sugihara presents a solo exhibition at Midway Contemporary Art in Minneapolis, running from March 7 to May 2, 2026. The show features works by the artist, with images courtesy of the artist and MISAKO & ROSEN, Tokyo, and photographs by Aaron Van Dyke and Kei Okano. The exhibition documentation includes 21 images and no videos, with none containing text descriptions.