The article highlights seven must-see exhibitions during Art Brussels, curated by critic Emile Rubino. Featured shows include Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive presentation of Lutz Bacher at WIELS, among other notable displays across the city.
The article provides a critic's guide to seven must-see exhibitions during the Art Brussels event. It highlights specific shows, including Richard Tuttle's assemblages at Galerie Greta Meert and an expansive presentation of Lutz Bacher's work at WIELS.
Frieze published a critic's guide titled 'Emergent Figures' Carves Space for Thai Artists in a Global Canon, which highlights a group exhibition featuring Thai artists at a venue in Brussels during Art Brussels. The show aims to present Thai contemporary art within a broader international context, moving beyond regional stereotypes. The article is part of a larger guide that also includes recommendations for other must-see shows during the fair, such as Richard Tuttle at Galerie Greta Meert and Lutz Bacher at WIELS.
The article provides a historical overview of protest actions that have taken place at the Venice Biennale, tracing key moments of political and social dissent within the prestigious international art exhibition. It highlights instances where artists, activists, and participating nations have used the Biennale as a platform to challenge authority, address censorship, and critique global issues, from the 1968 student protests to more recent controversies involving national pavilions and institutional policies.
Marina Xenofontos recreates an empty nightclub in her latest exhibition, transforming the gallery space into a hauntingly still environment that evokes the aftermath of a night out. The installation features meticulously crafted details such as discarded drinks, abandoned furniture, and dim lighting, capturing the melancholic atmosphere of a venue devoid of its usual crowd. The show is part of the broader Art Brussels programming, with the critic's guide highlighting it among seven must-see exhibitions during the fair.
Milan's art scene is currently anchored by a series of high-profile exhibitions coinciding with the Miart fair, featuring a diverse range of international talent. Highlights include Joy Labinjo’s vibrant figurative paintings at Tiwani Contemporary, which explore Black domesticity and sisterhood, and Cao Fei’s multimedia investigation into the intersection of technology and global agriculture at Pirelli HangarBicocca. Other notable presentations include Anselm Kiefer’s monumental tributes to female alchemists and historical figures, marking a significant moment for contemporary art in the city.
The Musée Marmottan Monet in Paris is hosting the first retrospective in France of Giovanni Segantini (1858–1899), a major but little-known figure of Symbolism. The exhibition traces his career through the lens of his geographical ascent into the Alps, from his early success with "Ave Maria à la traversée" (1886–1888) to his final triptych "La Vie, La Nature, La Mort," which he was working on when he died at age 41. Segantini's divisionist technique, which Vassily Kandinsky considered a precursor to abstraction, is highlighted as a means of expressing a dematerialized vision of the world.
L’histoire vraie du faussaire de César actuellement dans une série documentaire sur Canal+
The French documentary series on Canal+ explores the life of Éric Piedoie Le Tiec, a prolific art forger who flooded the market with thousands of fake works. Based in the French Riviera, Le Tiec specialized in creating pieces "in the style of" modern masters like Raoul Dufy and César Baldaccini. Following César's death in 1998, Le Tiec partnered with Jean-Charles Villa to mass-produce fake "compressions" using industrial car crushers, exploiting the artist's rising market value and lack of a definitive catalogue raisonné.
Chile's new president, José Antonio Kast, has implemented a 3% budget cut across all government ministries, including the Ministry of Cultures, Arts and Heritage. This reverses the trend of his predecessor, Gabriel Boric, who significantly increased cultural funding. The new Minister of Cultures, Francisco Undurraga, has stated there is "excessive spending on culture," and the government is seeking an additional $1bn in cuts, requiring ministries to identify alleged abuses in public fund usage.
Los Angeles is expanding its cultural offerings with several new and renovated art institutions. The Museum of AI Arts, called Dataland, is set to open this spring at the Grand L.A. complex, created by artist Refik Anadol. It claims to be the world's first museum dedicated to AI art, featuring immersive installations like an Infinity Room with AI-generated scents. Meanwhile, the Natural History Museum completed a $75 million renovation in 2024, adding a 60,000-square-foot wing and displaying a unique green-boned dinosaur named Gnatalie, along with Barbara Carrasco's previously censored mural. The Los Angeles County Museum of Art is opening the David Geffen Galleries on May 4, a 110,000-square-foot space for its permanent collection.
Fondazione Dries Van Noten has opened at Palazzo Pisani Moretta in Venice with its inaugural exhibition, "The Only True Protest Is Beauty," running from April 25 to October 4, 2026. Curated by Dries Van Noten himself, the show features over 200 works across twenty rooms, blending fashion, art, design, ceramics, glass, and photography. Highlights include archival pieces by Christian Lacroix and Rei Kawakubo for Comme des Garçons, alongside works by emerging and established artists such as Ayham Hassan, Peter Buggenhout, Ritsue Mishima, and Misha Kahn. The exhibition avoids a fixed curatorial logic, instead using instinctive juxtapositions to explore beauty as tension and disruption.
The Box, Plymouth’s flagship museum and art gallery, has announced a record-breaking performance for 2025, surpassing its annual visitor target by 18%. Since opening in 2020, the institution reached a milestone of 1.1 million total visitors, driven largely by the massive success of the 'Beryl Cook: Pride and Joy' exhibition. The show attracted 52,000 visitors in just its first nine weeks, with nearly half of those attendees traveling from outside the local region.
Expo Chicago returns to Navy Pier from April 9-12, featuring over 130 international galleries and anchoring a city-wide week of major art programming. Local institutions and commercial galleries are strategically timing their most significant exhibitions to coincide with the fair, including a major presentation of Chicago Imagist Roger Brown at Gray gallery and architectural collages by Marshall Brown at Western Exhibitions.
A comprehensive guide details spring 2026 exhibitions at Houston-area art venues, including Blaffer Art Museum, Galveston Arts Center, Museum of Fine Arts, Houston, Moody Center for the Arts, Houston Center for Contemporary Craft, Lawndale Art Center, and Art League Houston. Key shows include "The Uncanny In-Between" (contemporary Korean ceramics), "Mud + Corn + Stone + Blue" (U.S.-Central America histories), Bruce Lee Webb's "CURIOS," "End Cash Bail" (incarceration-themed poetry and visual art), Jamie Ho's "magic mirrors" (Chinese American identity), and Hammonds + West's "The River Entered My Home" (environmental grief).
On Indigenous Peoples' Day, nonprofit media lab Amplifier launched an unsanctioned augmented reality exhibition titled “Encoded” at New York's Metropolitan Museum of Art. The project features 17 Native artists who have digitally altered 25 iconic American artworks from the Met's collection—such as Thomas Cole's *View on the Catskills – Early Autumn* and Emanuel Leutze's *Washington Crossing the Delaware*—overlaying Indigenous perspectives onto the museum's American Wing. Visitors can view the AR works on smartphones or iPads, and Amplifier representatives are on-site to distribute guides and offer tours through the end of the year.
Seven art exhibitions across the Southern United States are highlighted for fall 2025, ranging from the Montgomery Museum of Fine Arts' showcase of Bill Traylor's expressive drawings on discarded cardboard to the Crystal Bridges Museum of American Art's "Get in the Game" exhibition exploring sports and culture. Other shows include the North Carolina Museum of Art's contemporary visions of the state, the Mississippi Museum of Art's retrospective of Joe Overstreet's abstract works, and the Morris Museum of Art's celebration of agricultural Southern landscapes. The exhibitions span diverse themes such as post-slavery narratives, athletic achievement, social justice, and regional identity.
Galerie magazine has compiled a curated list of nine must-see summer art exhibitions in upstate New York, highlighting the region's growing cultural significance. Featured shows include a Leonora Carrington survey at the Katonah Museum of Art, a historical exhibition on the Baghdad Modern Art Group at CCS Bard Galleries, and a collaborative installation by Antonio Marras and Maria Lai at Magazzino Italian Art. Other venues include The School in Kinderhook, The Campus near Hudson, Sky High Farms in Germantown, and the Edward Hopper House Museum & Study Center.
Christopher Payne's exhibition "Made in America: The Industrial Photography of Christopher Payne" at the Cooper Hewitt, Smithsonian Design Museum showcases 72 large-format photographs documenting active American factories and manufacturing processes. The trained architect turned photographer spent a decade visiting dozens of production sites across the United States, from the New York Times printing plant in Queens to the Bollman Hat Company in Pennsylvania, capturing workers' craftsmanship and the intricate steps involved in making everything from Peeps candies to jet engines. The exhibition is organized into three sections—traditional handcraft, large-scale production, and cutting-edge technologies—and coincides with the Smithsonian's celebration of the nation's 250th anniversary.
The city of Detroit is experiencing a significant Harry Bertoia revival, centered around the rediscovery and restoration of a massive 26-foot suspended sculpture. Originally commissioned in 1970 for a Michigan mall and long presumed lost or destroyed during building demolitions, the steel-wire and brass work was found languishing in a basement in 2017. Following an extensive restoration process, the monumental piece has been installed in General Motors' new global headquarters at the historic Hudson’s site, a feat that required complex engineering and a five-story opening in the building's facade.
MoMA PS1's sixth edition of the "Greater New York" quinquennial exhibition has opened, showcasing the work of over 50 artists and collectives. The show aims to capture the current state of New York's art scene, highlighting new and ambitious work created despite challenging economic and political conditions.
Why Beatriz González’s Haunting Paintings Are More Relevant Than Ever
A major retrospective of Colombian artist Beatriz González, "Beatriz González: A Retrospective," is touring internationally, with recent stops at the Pérez Art Museum Miami and the Museo de Arte Miguel Urrutia in Bogotá. The exhibition, the largest of her 60-year career, showcases over 150 works, including her iconic paintings that appropriate and rework images from art history and mass media to critique political violence, social inequality, and cultural memory in Colombia.
I 90 anni del mitico artista italiano Giorgio Griffa. Tutte le mostre per celebrare il compleanno del maestro
Giorgio Griffa, the Italian painter known for his radical and minimalist approach, turned 90 on March 29, 2026. A comprehensive program of celebrations includes the exhibition "Summer 69" at the Fondazione Giorgio Griffa in Turin (through July 2, 2026), which revisits his breakthrough summer of 1969 with photographs by Paolo Mussat Sartor alongside his early and recent works. The Castello di Rivoli Museo d’Arte Contemporanea has opened a monographic room with works from its permanent collection, and the Galleria Civica d’Arte Moderna e Contemporanea di Torino will dedicate a similar space in May. The MAXXI – Museo Nazionale delle Arti del XXI secolo has acquired six monumental works spanning over thirty years of Griffa's career, from the 1970s to the early 2000s.
Barber e Osgerby: il meglio del design londinese arriva in mostra a Milano
Designers Edward Barber and Jay Osgerby have opened a major exhibition, 'Edward Barber | Jay Osgerby. Alphabet,' at the Triennale di Milano. The show presents a chronological survey of their work from the mid-1990s to 2022, featuring furniture, objects, and prototypes displayed on large plinths, alongside an archival section revealing their creative process.
Edward Weston senza veli. Il fotografo americano in mostra a Torino
CAMERA – Centro Italiano per la Fotografia in Turin is hosting a major retrospective of the American photographer Edward Weston. The exhibition explores Weston’s mastery of 'straight photography,' showcasing his iconic nudes, still lifes of organic forms like peppers and shells, and sweeping Californian landscapes. Through absolute precision and tonal control, the show highlights how Weston transformed physical matter into timeless, sculptural images that defined a new visual language of the 20th century.
I colori di Mark Rothko conquistano Firenze: una grande mostra in tre sedi
The city of Florence is hosting a major three-venue retrospective dedicated to Mark Rothko, centered at Palazzo Strozzi with extensions into the Museo di San Marco and the Biblioteca Medicea Laurenziana. Curated by Christopher Rothko and Elena Geuna, the exhibition features 70 works spanning the artist's career, from his early Surrealist-influenced paintings of the 1930s and 40s to his iconic 'Multiform' and classic color-field abstractions. A unique highlight of the show is the installation of Rothko’s smaller works within the historic cells of the Museo di San Marco, directly alongside frescoes by Beato Angelico.
ARTnews has announced the winners of its second annual ARTnews Awards, honoring excellence in exhibitions at US arts institutions across six categories. Ralph Lemon received the Lifetime Achievement Award, Claudia Alarcón and Silät won Emerging Artist of the Year, Wafaa Bilal was named Established Artist of the Year, and Jack Whitten took Historical Artist of the Year. Parker Gallery, Los Angeles won Best Gallery Group Show, and “Legacies: Asian American Art Movements in New York City” at 80WSE, New York won Best Thematic Museum Show. Separately, President Donald Trump hosted the 48th Kennedy Center Honors, becoming the first sitting president to do so, amid his ongoing takeover of the institution. Celebrated photographer Martin Parr died at age 73.
A new book titled "Walter Otero: un galerista tropical" is being published this March. It features an interview by curator Omar-Pascual Castillo with Puerto Rican gallerist Walter Otero, chronicling his journey from personal assistant to painter Arnaldo Roche Rabell to founding his influential San Juan gallery, Walter Otero Contemporary Art (WOCA). The book details the gallery's history, its roster of artists, and Otero's adaptation to the digital age and crises like Hurricane Maria.
The Spring 2026 issue of ArtReview Asia has been published, featuring a cover profile of artist Li Yi-Fan. The issue includes an in-depth look at Li's work, which explores the relationship between humans and machines through video installations and performance lectures, ahead of his representation of Taiwan at the Venice Biennale. Other articles examine the contemporary art scene in Bangkok, urban redevelopment in Colombo, a colonial-era plant hunting exhibition in London, and Taiwan's museum boom.
France has opened a new permanent gallery at the Musée d'Orsay in Paris dedicated to displaying Nazi-looted artworks that remain unclaimed. The gallery features 13 works from the MNR (Musées Nationaux Récupération) collection, including a painting by Alfred Stevens originally destined for Hitler's planned museum in Linz. The display is the first in the museum's history to show the backs of paintings, revealing stamps, labels, and inventory marks that trace how each piece moved from private Jewish homes into Nazi hands. The museum also launched its first research unit to trace rightful heirs, led by Ines Rotermund-Reynard.
Guests at the 2025 Met Gala embraced the dress code 'Fashion is art' with bold, artistic ensembles. Beyoncé wore a custom Olivier Rousteing sculptural skeleton dress with a feathered train and diamond crown. Naomi Osaka stunned in a Robert Wun white sculptural dress that revealed a red beaded gown underneath. Emma Chamberlain arrived in a hand-painted Mugler dress by Miguel Castro Freitas. Co-chairs Anna Wintour, Nicole Kidman, and Venus Williams also made statements, with Williams wearing a sparkling gown in homage to her own portrait by Robert Pruitt. Many guests referenced famous artworks, such as Lena Dunham channeling Artemisia Gentileschi's 'Judith Slaying Holofernes' through a Valentino design by Alessandro Michele, and Lauren Sánchez Bezos wearing a Schiaparelli gown inspired by John Singer Sargent's 'Madame X.'