During the Venice Biennale there is also the Ibiza Pavilion, inside a takeaway pizzeria

Durante la Biennale di Venezia c’è anche il Padiglione Ibiza, dentro una pizzeria da asporto

During the Venice Art Biennale, an independent project called the Ibiza Pavilion opens from May 7 to 9, 2026, inside Pizza al Volo, a popular takeaway pizzeria in Campo Santa Margherita, Dorsoduro. Conceived and curated by Margherita Chiarva with support from Victoria Genzini and Gabriele Della Maddalena, the three-day initiative features a group exhibition, performances, collective embroidery, tarot readings, and somatic practices by international artists connected to Ibiza through experience or collaboration, including Noemi Manser, Beatrice Dettori, Liz Kueneke, COSIMA, and Maria Giulia Alvigini.

The arrival of the Orient Express hotel in Venice reopens the historic Palazzo Donà Giovannelli (filling it with contemporary art)

L’arrivo dell’hotel Orient Express a Venezia riapre lo storico Palazzo Donà Giovannelli (riempiendolo di arte contemporanea)

Palazzo Donà Giovannelli, a 15th-century Venetian palace, has reopened as the flagship Orient Express hotel after an eight-year restoration led by architect and interior designer Aline Asmar d’Amman. Located in the Cannaregio district, the 5-star luxury hotel features 47 rooms, suites, and residences, blending historical frescoes and neogothic details with contemporary sculptures, Murano glass chandeliers, and custom furnishings. The property, owned by Arsenale Group since 2019, includes a transformed courtyard lobby, a secret garden, and a rotating selection of contemporary artworks displayed in a passage called Calle Meraviglia.

Here's what the much-talked-about Russian Pavilion at the Venice Biennale looks like. Photos and video

Ecco com’è il chiacchieratissimo Padiglione Russia della Biennale di Venezia. Foto e video

The Russian Pavilion at the 2026 Venice Biennale has opened amid intense controversy over its unauthorized participation. The pavilion, housed in a 1914 building recently restored by Italian architects 2050+, features a program of musical improvisations, ensemble performances, techno concerts, and interactive actions, including free used clothing. The space is designed as a fragrant flower shop with a chill-out room featuring a conifer grove and video installations. The exhibition, titled "L’Albero Radicato nel Cielo" (The Tree Rooted in the Sky), is organized by young poets, musicians, and philosophers who prefer to remain anonymous as a collective, coordinated by the Gnessin Russian Academy of Music. However, due to sanctions, the pavilion is only open from May 5 to 8, as organizers cannot obtain the necessary permit to operate beyond the private opening.

Svolta per il Museo del Fumetto che chiuse a Milano: nuova sede in un’ex biblioteca di Monza

The Franco Fossati Foundation's Museo del Fumetto (Comics Museum), which was evicted from Milan due to a €180,000 debt to the city, has found a new permanent home in Monza. The Monza city council approved the foundation's proposal on April 30, paving the way for the renovation of a former library in the Cederna district, which has been abandoned for years. The archive of 500,000 pieces will be temporarily stored in Desio while the Monza building is refurbished with €850,000 from the municipality and additional funds from the foundation.

Cultural Observatories: Dinosaurs or Subjects Capable of Interpreting the Present?

Osservatori culturali. Dinosauri o soggetti in grado di interpretare il presente?

The Cultural Observatory of Canton Ticino has published a study on cultural observatories worldwide, including a map and list of surveyed organizations. The analysis reveals that cultural observatories are not a global phenomenon but are concentrated mainly in Europe and South America, with occasional presence in North America (especially Canada and Hispanic-oriented organizations in the US). Africa, Asia, and Oceania are almost entirely absent from the map. The study also highlights a high rate of inactive observatories: among the top 10 countries by active observatories, only Germany shows an effective activity ratio. Spain has 26 active observatories out of about 45 total, while Italy has 11 active out of over 20 inactive. The research defines observatories as non-profit organizations that combine cultural and statistical expertise to deepen and transfer knowledge about the cultural sector, and classifies as inactive those with no recent activity on web or social channels.

Veneto: In Place of a Liberty Café in Recoaro Terme, a Contemporary Art Center Opens. Interview with the Curator

Veneto: al posto di un caffè liberty di Recoaro Terme apre un centro d’arte contemporanea. Intervista alla curatrice

The historic Palazzo Caffè Nazionale in Recoaro Terme, a small spa town in the Veneto region of Italy, is being transformed into a contemporary art center called Cantiere del Contemporaneo, set to open on May 2, 2026. The project, curated by Elisabetta Bacchin, will focus on artist residencies, with the inaugural group including Romesh Bothalage, Pietro Chiarello, Francesco Pizzocchero, and Virginia Stevenin, who will work for two months in the converted spaces. The initiative is part of a broader regeneration plan funded by the National Plan for Borghi and the European Union's PNRR funds, aiming to revitalize the town's cultural and economic identity through contemporary art.

Aumenti salariali e welfare per i lavori della cultura. È stato firmato il nuovo Contratto Nazionale di Lavoro. L’intervista

A new national labor contract for Italy's cultural sector has been signed. The Federculture National Labor Contract, finalized on April 30, 2026, includes a 7.5% increase in minimum wages (effective December 1, 2024), doubled welfare contributions for healthcare, and a simplified job classification system. The agreement was reached between Federculture and major unions including FP CGIL, CISL FP, UIL FPL, and UIL PA, with negotiations for the 2025-2027 term set to resume on May 26.

The Dutch Pavilion at the Venice Biennale is a political protest (also against the Biennale itself)

Il padiglione dei Paesi Bassi alla Biennale di Venezia è una contestazione politica (anche della Biennale stessa)

The Dutch Pavilion at the 2026 Venice Biennale, titled "The Fortress" by artist Dries Verhoeven and curator Rieke Vos, transforms the modernist Rietveld Pavilion into a fortress-like enclosure. Inside, a rotating group of thirteen international performers will stage a series of performances throughout the Biennale, focusing on themes of geopolitical uncertainty, social disorder, and the search for stability in an unbalanced world. This marks the first time the Netherlands has used the Rietveld Pavilion for a performance-based project.

In Valcamonica il Parco archeologico di Luine ha chiuso e non si sa se e quando riaprirà: la storia

The Luine Archaeological Park in Valcamonica, Italy, closed on April 1, 2026, after the municipality of Darfo Boario Terme, led by Mayor Dario Colossi, failed to renew the management contract held by Zamenhof Art and ArchExperience. The park, which houses rock engravings dating back to the end of the Paleolithic period (about 13,000 years ago), is a UNESCO World Heritage site and a unique part of the Camunian park system. Weeks after the closure, the park remains in limbo with no clear reopening date, while multimedia installations and digital content created by the former managers are being removed. The story has received little media attention beyond local outlets.

“La preistoria non è stata solo violenza, ma anche cura”. Intervista all’archeologa femminista Marga Sánchez Romero

Marga Sánchez Romero, a professor of Prehistory at the University of Granada and a leading voice in feminist archaeology in Spain, argues in an interview that prehistory has been misrepresented as a sequence of violence and hierarchies. She emphasizes that new questions are reshaping our understanding of the past, highlighting that care, cooperation, and solidarity were as crucial as conflict in human evolution. The conversation covers biases in archaeological interpretation, the famous Viking tomb of Birka, the origins of inequality, and the role of museums in creating more inclusive narratives.

In Romagna for over a century there is a "serious" spring carnival. The story of the plaster and thought floats

In Romagna da oltre un secolo c’è un Carnevale “serio” di primavera. La storia dei carri di gesso e di pensiero

A small town in Romagna, Casola Valsenio, has been hosting a unique spring festival for 125 years, featuring massive allegorical floats made of plaster and wood. Unlike traditional carnivals, this event—called the "serious carnival"—takes place in late April/early May and focuses on social and political themes. The floats, up to seven meters long and nine meters high, are built by local youth and paraded twice (day and night) with performers frozen in tableau vivant poses. A jury, this year chaired by Roberto Cantagalli, director of the MAR museum in Ravenna, awards a winner.

Transforming (and Transforming) to Survive. Interview with sculptor and designer Tadeáš Podracký

Trasformarsi (e trasformare) per sopravvivere. Intervista allo scultore e designer Tadeáš Podracký

Czech sculptor and designer Tadeáš Podracký (b. 1989) presents new works during Milan Design Week 2026, including three carved wooden lamps and sculptures exploring hybridity. The pieces are inspired by the rare Sorbus sudetica tree, a hybrid species that has survived for nearly 20,000 years through asexual reproduction. The exhibition, titled "Before the Shape Appears," is produced by 5 Vie and hosted at Cavallerizze in Via Olona. Podracký's practice bridges fine art and collectible design, using techniques such as carving, waxing, patination, and pigment infusion to create objects that appear to have grown organically.

The Dragon's Coils, the Flower and the Cloud. The Museo del Tappeto Antico of Brescia Looks to China

Le spire del drago, il fiore e la nuvola. Il Museo del Tappeto Antico di Brescia guarda alla Cina

The Museo Internazionale del Tappeto Antico (MITA) in Brescia, Italy, has opened a new exhibition titled "Le trame del dragone. Tappeti cinesi delle dinastie imperiali" (The Dragon's Wefts: Chinese Carpets of the Imperial Dynasties). The show presents around forty antique Chinese carpets from the MITA collection, the world's most important private collection of antique rugs, assembled by Romain Zaleski and housed in a glass cube designed by OBR. Curated by Giovanni Valagussa, the exhibition traces the history of Chinese carpet-making from the 15th to the 19th century, highlighting two main typologies: red-ground rugs from the Xinjiang region with geometric and floral motifs, and gold-and-blue rugs from the Ming and Qing capitals featuring dragon and auspicious symbols. The exhibition is free and runs until June.

The Animals We Are. The New Metamorphosis of the Apartment-Showroom Casaornella in Milan

Gli animali che siamo. La nuova metamorfosi dell’appartamento-showroom Casaornella a Milano

Interior designer Maria Vittoria Paggini has unveiled the 2026 edition of Casaornella, her apartment-showroom in Milan's Via Conca del Naviglio 10, during Design Week. Titled "L'animale sociale" (The Social Animal) with the subtitle "Nessuno mi può giudicare" (Nobody Can Judge Me), the space is completely restructured each year. For this edition, Paggini removed all doors to create a fluid, open-plan layout, using curtains for privacy. The project explores themes of authenticity and human relationships in the digital age, inspired by Italian pop songs from Mina to Luigi Tenco, which form the exhibition's soundtrack.

Cultural heritage reform. The 'Italia in scena' law gives some answers but raises many questions

Riforma dei beni culturali. La legge “Italia in scena” dà alcune risposte ma produce tante domande

Italy's parliament approved the "Italia in scena" law in March 2026, a cultural heritage reform aligned with right-wing priorities: territorial valorization, local identity promotion, autonomy, and private-sector involvement. The law establishes a digital registry (Anagrafe), a roster of accredited operators, and a framework for private management of cultural assets, but allocates only €4.5 million annually—a symbolic sum compared to France's cultural mediation budgets. It also opens participation to the Third Sector (cooperatives, community foundations) but defers all critical details to implementing decrees with no strict deadlines or enforcement mechanisms.

In Milan Design Week, in a garden, emerging designers can exhibit for free. "We received almost 100 applications to the call"

Nella Milano della Design Week in un giardino i designer emergenti possono esporre gratis. “Abbiamo ricevuto quasi 100 richieste alla call”

During Milan Design Week, the venue enoteca/naturale launched the initiative "Entra pure," offering its garden and interior space for free to emerging designers under 35. The open call received nearly 100 applications, with eight selected projects being displayed and utilized within the space from April 21-26, providing an alternative platform during the city's major design event.

The process for awarding the title of Italian Capital of Culture should be rethought. Here's why.

Il processo per assegnare il titolo di Capitale Italiana della Cultura andrebbe ripensato. Ecco perché

An analysis of the selection process for Italy's "Capital of Culture" title reveals a consistent pattern: cities chosen for the prestigious designation are almost exclusively administered by political coalitions aligned with the national government in power at the time of selection. The sole exceptions were Bergamo and Brescia, which were jointly awarded the title via a special parliamentary decree in recognition of their suffering during the pandemic, bypassing the standard procedure. This political alignment has persisted across different legislatures and changes in government.

Italian-American DJ Anyma Transforms the Coachella Desert with His Spectacle

Il dj italo-americano Anyma trasforma il deserto di Coachella col suo spettacolo

Italian-American DJ and producer Anyma, also known as Matteo Milleri, debuted his immersive audio-visual spectacle "ÆDEN" at the Coachella Valley Music and Arts Festival. The performance utilized massive LED screens and architectural-scale visuals to blend electronic music with digital art, featuring appearances by artists like Matt Bellamy and LISA who transitioned from digital avatars to physical presences on stage.

Istanbul Bets on Contemporary Art: New Space Announced During CI Bloom Fair

Istanbul scommette sull’arte contemporanea: durante la fiera CI Bloom annunciato l’arrivo di un nuovo spazio

The fifth edition of CI Bloom, the boutique contemporary art fair organized by Contemporary Istanbul, recently concluded at the Lütfi Kırdar Congress and Exhibition Hall. Featuring 28 galleries and over 300 artists, the fair introduced aggressive financial incentives to support exhibitors, including a 30% reduction in participation fees, fixed exchange rates to mitigate currency risk, and a partnership with Turkish Airlines providing free art transport and customs coverage.

In the countryside on the outskirts of Milan, a series of artistic performances will take place in a wheat field

Nella campagna alla periferia di Milano ci saranno una serie di performance artistiche in un campo di grano

The Biblioteca del Grano, an experimental agricultural and cultural site on the outskirts of Milan, is hosting a series of artistic performances and workshops led by artist Edoardo Mozzanega. Scheduled to coincide with Milan Art Week and Design Week, the program includes 'Tiger’s Nap,' a collective public sleeping performance, and 'A House Full of Tigers,' a workshop based on Social Dreaming. These events are part of the broader 'Learning Landscapes' initiative, which brings together international researchers and artists to explore food and land as cultural infrastructure.

The Fair Dedicated to Emerging Artists Returns to Milan: Applications Open for the Sixth Edition of ReA! Art Fair

A Milano torna la fiera dedicata agli artisti emergenti. Aperte le iscrizioni per la sesta edizione di ReA! Art Fair

ReA! Art Fair has officially launched its open call for the sixth edition, scheduled to take place from October 22 to 25, 2026, at the Fabbrica del Vapore in Milan. Organized by the non-profit association ReA Arte, the fair will select 50 emerging international artists to showcase their work in a curated group exhibition format. Applications are open until May 1, 2026, welcoming a wide range of disciplines including digital art, performance, and traditional media.

In Bologna, an exhibition combines pictorial traditions and contemporary perfumes

A Bologna una mostra mette assieme tradizioni pittoriche e profumi contemporanei

The exhibition "Sogni di natura" (Dreams of Nature) has opened at the Collezioni Comunali d’Arte in Bologna’s Palazzo d’Accursio, coinciding with the 57th edition of Cosmoprof Worldwide. The show transforms the historic Sala Boschereccia into a multisensory "imagined garden" where 18th-century landscape paintings by Vincenzo Martinelli and Giuseppe Valiani are paired with contemporary fragrances. Students from the Italian Perfumery Institute developed these scents by analyzing the historical and symbolic identity of the room’s original decorations.

What are therapeutic gardens and how are they designed? An expert explains

Cosa sono i giardini terapeutici e come si progettano. Ce lo spiega l’esperta

Landscape architect Monica Botta discusses the resurgence and design principles of healing gardens, specialized green spaces designed to promote physical and psychological well-being. While the therapeutic value of nature was largely ignored in mid-20th-century clinical architecture, a modern shift is reintegrating 'nature therapy' into healthcare facilities to combat stress, depression, and chronic illnesses.

In Trentino, an immersive exhibition tackles workplace safety to engage with urgent issues

In Trentino una mostra immersiva affronta i temi della sicurezza sul lavoro per coinvolgere su questioni urgenti

The METS – Museo etnografico trentino San Michele is set to launch an immersive exhibition titled "Un lavoro a regola d’Arte" on April 17, 2026. Created by artists Paola Samoggia and Carlo Magrì, the project utilizes seven rooms featuring short films, video art, and multisensorial elements to explore themes of workplace dignity, health, and safety. The exhibition moves beyond mere statistics to address the human reality of labor, incorporating music, dance, and performance to create a reflective space on the risks and rights of workers.

Withdrawing from Intense Labor: 'Quiet Quitting' Discussed in a Milan Exhibition

Sottrarsi al lavoro troppo intenso. Si parla di ‘quite quitting’ in una mostra a Milano

Artist Niccolò de Napoli explores the phenomenon of "quiet quitting" in his solo exhibition, "I’m here, but not entirely yours," hosted at Studio Lombard DCA in Milan. The exhibition, produced by PROGETTO LUDOVICO, utilizes the unconventional setting of a strategic consultancy firm to showcase works that critique modern labor expectations. Key pieces include a blue neon sign mimicking corporate aesthetics, a sound installation referencing the 1983 film "Vieni avanti cretino," and monochromatic cases made of switchable glass that obscures itself as viewers approach, symbolizing the withdrawal of the self from the workplace.

Milan Art Week 2026: The Essential Artribune Guide to Every Event, Hour by Hour

Milano Art Week 2026. Qui l’Agendissima di Artribune da stampare con tutti gli eventi ora per ora giorno per giorno

Milano Art Week returns from April 13 to 19, 2026, centered around the 30th edition of the miart international modern and contemporary art fair. Held at the Allianz MiCo South Wing, the fair will host 160 galleries across three sections—Established, Emergent, and the new Established Anthology—under the thematic banner "New Directions," inspired by the transformative jazz of John Coltrane.

Between Control and Fragility: The Invisible Stories of Martina Zanin on Display in Rome

Tra controllo e fragilità: le storie invisibili di Martina Zanin in mostra a Roma

Martina Zanin’s solo exhibition, "EVERY CARESS, A BLOW," has opened at the Fondazione Pastificio Cerere in Rome. Curated by Antonio Grulli, the show features a multidisciplinary range of works including photography, bronze sculpture, and immersive installations that explore the thin line between protection and threat. Through recurring motifs like falconry gloves and symbolic animals such as the hawk and the hare, Zanin investigates the invisible power dynamics and rituals inherent in relationships.

Seeing the world through the eyes of twenty-somethings: IED students' photos recount the urgencies of our time at Gallerie d’Italia in Turin

Vedere il mondo con gli occhi dei ventenni. Alle Gallerie d’Italia di Torino le foto degli studenti IED raccontano le urgenze del nostro tempo

The Gallerie d’Italia in Turin is hosting "The Searchlights," a public portfolio review and exhibition featuring the work of 18 photography students from the Istituto Europeo di Design (IED). Part of the EXPOSED Torino Photo Festival, the event showcases photographic projects that tackle urgent contemporary issues including the climate crisis, mental health, and digital memory. Each student presents their work in custom-designed boxes on communal tables, facilitating direct dialogue between the young artists and the public.

‘Scattered Memories’: Fragments That Refuse to Fade

The Goethe-Institut Sudan, in collaboration with the Humboldt Forum Berlin, presents 'Scattered Memories,' a transcontinental exhibition at the Goethe-Institut Kairo from 1 to 3 May 2026. The show features Sudanese artists working across collage, film, music, performance, food, and storytelling to explore themes of loss, remembrance, and cultural memory. Public programs include discussions, guided tours, and a traditional coffee corner, transforming the exhibition into a space for communal gathering and exchange.

ART AFRICA to host 2nd NEW FUTURES ARTS COLLABORATIVE 2026, in Cape Town, South Africa.

ART AFRICA has announced an open call for the second edition of its NEW FUTURES ARTS COLLABORATIVE, scheduled for 2026 in Cape Town, South Africa. The residency, titled "De-composition, Extraction and Regeneration," invites artists to collectively explore themes of extractivism, ecological crisis, and social justice, using artistic practice as a tool for transformation and regeneration.