Ten Contemporary Korean Women Artists

The National Museum of Women in the Arts (NMWA) presented the exhibition "Ten Contemporary Korean Women Artists" from May 21 to August 25, 1991. The show featured forty-eight works in various media that blend Eastern and Western techniques, highlighting modern visions rooted in ancient traditions. It was the first major exhibition of its kind in the United States, celebrating the achievements of Korean women artists, many of whom studied during the 1970s and 1980s—a period of artistic evolution, rapid economic development, and political unrest in Korea.

Early career artists are invited to apply to Collective programme

Collective Gallery on Calton Hill in Edinburgh has announced its 2026 exhibition programme, featuring solo shows by Paloma Proudfoot and Katie Paterson in the City Dome Gallery. Proudfoot's exhibition, running from March to May 2026, will include new sculptures and a performance exploring the female voice and body, while Paterson's 'Afterlife' presents nearly 200 amulets made from endangered materials, previously shown at Folkestone Triennial 2025. The gallery also launched a new career-development programme called Time + Space, inviting early-career artists to apply by 14 December 2025, with the first edition featuring Alberta Whittle and Aqsa Arif.

Putting young galleries at the front: Frieze London’s bold strategy holds

Frieze London's 22nd edition in October 2025 will retain a bold floor plan debuted in 2024 that places emerging galleries near the main entrance, pushing blue-chip heavyweights like Gagosian and David Zwirner further inside. Fair director Eva Langret confirms the layout is permanent, citing overwhelmingly positive feedback and renewed energy. The Focus section for galleries under 12 years old gets a boost, with a rotating system ensuring fresh stands near the entrance each year. A new curated section, Echoes in the Present, explores artistic links between West Africa, Brazil, and their diasporas. Meanwhile, Frieze Masters, dedicated to pre-20th-century art, will be run by new director Emanuela Tarizzo.

Makers of Ancient Egypt to be hailed in Cambridge exhibition

The Fitzwilliam Museum in Cambridge is opening an exhibition titled "Made in Ancient Egypt" that shifts focus from pharaohs and iconic treasures to the anonymous craftspeople who built and decorated the civilization's artifacts. Featuring loans from the British Museum, Berlin State Museums, and the Musée du Louvre, the show includes jewelry, ceramics, stonework, and personal items like ostraca—pottery shards used as notepads—that reveal the lives, skills, and even the days off of ancient makers. Curator Helen Strudwick highlights recent discoveries, including a handprint on a "soul house" and an unreadable signature on a shrine, emphasizing the human connection these objects provide.

Bowdoin College Museum of Art Announces Major Exhibition and Long-Term Loan Partnership with Wyvern Collection

The Bowdoin College Museum of Art (BCMA) has announced a major exhibition and long-term loan partnership with the Wyvern Collection, a prestigious London-based private collection of medieval art. The first exhibition, "Medieval Art from the Wyvern Collection: Global Networks and Creative Connections," will open this fall, featuring more than 57 artworks on long-term loan combined with objects from BCMA's own holdings. The show highlights cross-cultural connections across a vast geographic range—from Japan to Mexico, northern Europe to Africa—challenging traditional Eurocentric views of the Middle Ages.

Participants withdraw from Chicago Architecture Biennial over sponsor’s investment in weapons manufacturer

Nine participants in the Chicago Architecture Biennial (CAB), which opened on September 19, have withdrawn in protest over exhibition sponsor Crown Family Philanthropies' investment in General Dynamics, a military contractor supplying weapons to the Israeli military. A letter signed by 22 individuals, collectives, and firms—nearly half of whom also withdrew—argues that the sponsorship contradicts the biennial's mission of addressing architecture's role in shaping a collective future. The biennial's sixth edition, titled SHIFT: Architecture in Times of Radical Change, is led by artistic director Florencia Rodriguez. Participants had raised concerns last month, and organizers clarified that Crown Family funds support education programming, not the exhibition itself, which the letter calls "even more painful" given the destruction of schools in Gaza.

At West Chelsea Contemporary, Two Artists Bring Classical Archetypes Into the Present

West Chelsea Contemporary in Austin, Texas, is presenting “LUX ÆTERNA,” a joint exhibition featuring more than 40 works by Swiss visual artist Simon Berger and British artist Gary James McQueen. Berger is known for portraits created from hammered laminated safety glass, while McQueen, nephew of the late fashion designer Alexander McQueen, works with lenticular prints that shift optically. The show includes two collaborative pieces that combine their respective mediums, exploring themes of classical mythology, perception, and the nature of light.

Artists Enclave holds 'Tierra Verde' Juried Exhibition to combine art with activism

Artists Enclave, a Denton arts networking organization based at UNT CoLab, hosted the "Tierra Verde" Juried Exhibition throughout August 2025. The show featured over 60 artworks by Texas artists exploring the intersection of art and activism, with pieces addressing environmental issues, protests, political beliefs, and social stigmas such as menstruation. The exhibition opened on Aug. 1 with a reception attended by over 175 guests, featuring live music by Rachel Yeatts, and awarded prizes to artists including Aileen Khuu, Jose Angel Hernandez, Anadara Braun-Good, Lauren Doorish, and Genie Baranoff.

Guest Artist Exhibition Opens at Center for the Visual Arts

The University of Toledo Department of Art will host a free public exhibition of photographs and installation works by guest artist Margaret LeJeune, opening August 25 at the Center for the Visual Arts. Titled "Drawn from Memory: Mapping Salt and Time," the exhibition examines ecological shifts in Dare County, North Carolina, including the transformation of coastal forests into ghost forests due to saltwater intrusion and rising sea levels, while also addressing histories of colonialism, enslaved Africans and their descendants, and Indigenous displacement. LeJeune will give an artist talk on September 24, and the show runs through October 10.

‘A more complex picture’: Singapore marks 60th anniversary of independence from British rule with slew of cultural offerings

Singapore is celebrating its 60th anniversary of independence from British rule on 9 August with a series of cultural offerings under the banner SG60. National Gallery Singapore launched a signature exhibition, *Singapore Stories: Pathways and Detours in Art*, featuring over 400 works from the 19th century to the present, housed in the former supreme court and city hall buildings. The show, curated by Adele Tan, reduces colonial imagery and opens with John Turnbull Thomson's *The Esplanade from Scandal Point* (1951) to present a more complex, multicultural picture of Singapore's history.

French government adopts bill for restitution of colonial-era objects

The French government has adopted a bill that facilitates the restitution of cultural objects plundered from former colonies, eight years after President Emmanuel Macron pledged to return African heritage. Presented by Culture Minister Rachida Dati, the bill maintains that French public collections are inalienable but creates an exemption for items taken by force between 1815 and 1972. Restitution requests must come from foreign states, be for public preservation and display, and involve items allegedly stolen, looted, or sold under duress. A bilateral scientific committee will examine each case, with final approval from the Conseil d'État. The bill aims to replace the current slow, case-by-case legislative process that has resulted in only 30 objects returned since 2017.

700 Years of Tenochtitlan (again): Mexico honours its pre-Hispanic capital

Mexico is commemorating the 700th anniversary of the founding of México-Tenochtitlan with a series of public events including art installations, urban routes, performances, and dances organized by federal and local authorities. The festivities, centered on the Zócalo near the Templo Mayor site, feature large-scale reproductions of Mexica artifacts such as the Aztec Calendar Stone and the Coatlicue statue, along with a video-mapping projection titled "Memoria Luminosa" that narrates the city's history. The celebration follows a similar event in 2021 led by then-president Andrés Manuel López Obrador, which drew criticism for historical inaccuracies and political manipulation.

Palestinian Museum seeks new ways to reach audiences as crisis escalates

The Palestinian Museum in Birzeit, West Bank, is adapting its operations amid the ongoing war in Gaza and escalating violence across occupied territories. Director General Amer Shomali, who began his role on October 8, 2023, describes how the museum has shifted focus to research, digital access, and international partnerships while protecting its collection. The museum closed for four months from October 2023 to February 2024, and has since moved artworks to safer locations, including keeping paintings exhibited in Europe abroad. It mounted a bold exhibition, "This is Not an Exhibition," featuring 335 works by 122 Gazan artists, at least five of whom have been killed, and collaborated on "Thread Memory: Embroidery from Palestine" at the V&A Dundee in Scotland.

Newly designed gallery for Applied Arts of Europe opening at Art Institute of Chicago

The Art Institute of Chicago will open the newly designed Eloise W. Martin Galleries for the Applied Arts of Europe on July 11, 2025. The 4,500-square-foot space will display over 300 objects from the museum's collections of furniture, silver, ceramics, and glass dating from 1600 to 1900, with 40% more objects on view than previously. Highlights include a carved chair made by Indian artisans for a European merchant, rare Chinese porcelain vases mounted in gilded bronze, and a neo-Gothic sideboard by William Burges. The galleries, designed by Barcelona-based architects Barozzi Veiga, follow a chronological narrative exploring design, craftsmanship, and commerce amid geopolitical shifts and colonialism.

Art x Climate Gallery triumphs at the Smithsonian

The article reports that the Art x Climate Gallery has achieved a notable success at the Smithsonian Institution, though the specific details of the triumph are obscured by a security verification page that blocks access to the full content. The gallery, which likely focuses on the intersection of art and climate change, appears to have been recognized or celebrated within the Smithsonian's prestigious museum network.

CAM Raleigh to pause exhibitions amid financial and cultural challenges for small, local museums

The Contemporary Art Museum (CAM) in Raleigh, North Carolina, announced it will temporarily pause exhibitions and in-house programming starting June 15, 2025, as part of a strategic effort to reassess its role and operations. The museum cited rising operational costs, shifting donor trends, and increasingly competitive funding as challenges facing small museums nationwide. While the main galleries close, CAM will continue offsite programming and host the annual Raleigh Fine Arts Society’s NC Artists Exhibition in September. Two current exhibitions—'Look to the West' and 'Skin of the City' featuring works by Rigoberto Mena—remain on view through June 15.

Meet at Mia: How One Museum Reimagined Summer Without a Blockbuster Exhibition

The Minneapolis Institute of Art (Mia) faced summer 2024 without a major blockbuster exhibition, a significant challenge since special exhibitions typically drive up to 30% of annual attendance. Programming manager Anna Dilliard responded by launching "Meet at Mia," a 16-week outdoor series of Thursday night events including concerts, film screenings, and community rides in the museum's courtyard. The initiative built on a successful pilot event in August 2023 and grew from 700 attendees to 1,500 at its first official event, transforming a potential attendance slump into a season of community engagement.

9 must-see Seattle art exhibits for the next month

This article highlights nine visual art exhibitions in Seattle for June, curated as staff picks to embrace themes of change, regeneration, and healing. Featured shows include "Taking Care: Embrace with Tenderness" at Seattle University's Hedreen Gallery, which closes next year when the building is razed for a new museum; "Jill Kyong: Between Spaces" at SlipStitch Studio; "Mel Carter: bitter, the mourning" at Gallery 4Culture; "Gina Ariko: Ikebana and the Art of Resilience" at Gallery 110; "Healing Our Roots" at The Fishbowl gallery; and "Third Eye" at Base Camp Studios, among others. The exhibitions span photography, glass art, floral arrangements, and group shows, all free and open to the public.

A New Generation of Gallerists Is Redefining Artist Representation

A new generation of gallerists is rethinking traditional artist representation models, moving away from rigid exclusivity clauses and transactional relationships. Figures like Bryce Watanasoponwong of The Charoen AArt in Bangkok, Storm Ascher of Superposition, and Lorraine Han of Unveil Gallery are adopting flexible, collaborative approaches that reflect the realities of contemporary artists, who often juggle multiple roles and prefer non-exclusive arrangements. These gallerists emphasize open dialogue, shared responsibility, and long-term relationship-building over strict contracts, as seen in Ascher's seven-year support of artist Haleigh Nickerson, which culminated in a solo show at NADA New York 2025.

Gallery sharing event Constellations Warsaw brings international flavour to a quickly developing art scene

Eleven Warsaw galleries opened their doors to eleven international counterparts for the second edition of Constellations, a gallery-sharing event running until May 10. Organized by Piktogram, Dawid Radziszewski, Stereo, and Wschód, the initiative pairs galleries from Basel, Berlin, Bucharest, Frankfurt, London, Naples, Paris, Shanghai, Stockholm, and Vienna with Polish art spaces like Foksal, Raster, and experimental newcomer Turnus. Highlights included Iris Touliatou's installation "untitled (still not over you)" at Import Export, which won the Friends’ Art Prize, funding an acquisition for the Museum of Modern Art in Warsaw (MSN).

New Voices Help Museums Tell New (or Forgotten) Stories

Museums across the United States are increasingly turning to guest curators, community advisors, and outside scholars to reinterpret their collections, often highlighting marginalized or overlooked histories. The New York Times article profiles several institutions, including the Museum of Fine Arts, Boston, and the Brooklyn Museum, that have invited new voices to rehang permanent collections or organize temporary exhibitions that challenge traditional narratives, such as centering Indigenous perspectives or recovering stories of enslaved people.

A small selection of the nation's largest public Haitian art collection is now on display in Des Moines

A selection of 15 pieces from the Waterloo Center for the Arts' Haitian art collection—the largest publicly held collection of its kind in the United States—is now on display at the Des Moines Art Center through summer 2025. The exhibition, titled "Light with Ourselves: Haitian Art in Iowa," includes paintings, metalwork, ritual objects, and beaded sequined banners called drapo, co-curated by Elizabeth Gollnick of the Des Moines Art Center and Chawne Paige of the Waterloo Center for the Arts. The collection began with a donation from F. Harold Reulin and his wife and has grown to over 2,000 pieces since 1977.

Whitney Biennial Between Cuteness and Panic

Whitney-Biennale zwischen Niedlichkeit und Panik

The Whitney Museum of American Art has unveiled its latest Biennial, a sprawling survey of contemporary art that navigates the tension between playful aesthetics and existential dread. Curators have embraced an expanded definition of American art, incorporating global perspectives and diverse media to reflect a nation grappling with political instability and social change. The exhibition oscillates between moments of "cuteness" and "panic," utilizing strong visual narratives to address the complexities of the current era.

Maximilien Durand reconduit au Louvre

Maximilien Durand, aged 50, has been reappointed for a three-year term as head of the Department of Byzantine and Eastern Christian Arts at the Louvre Museum in Paris. He has been preparing the department's opening since 2022. Durand previously served as director of the Musée des Tissus in Lyon and deputy director of collections at Paris Musées. His role includes overseeing collections, acquisitions, loans, and exhibitions, as well as a national expertise mission. Separately, Sophie Jugie moved to the Musées de France service after her non-renewal as head of the Sculptures department.

Ouverture du Musée des Tissus

The Musée des Tissus (Museum of Fabrics) has opened its doors, marking the return of a specialized textile museum in Paris. The article also covers several other art-world developments: American Rousseau works returning to Paris, the outsourcing of museum reception services as a growing model, the New Museum's expansion, and Art Brussels adapting to contemporary trends.

The New Entrance of the Louvre

La nouvelle entrée du Louvre

The article, titled "La nouvelle entrée du Louvre," reports on the upcoming redesign of the main entrance to the Louvre Museum in Paris. It also covers several other art-world stories: the return of American Rousseau works to Paris, the growing trend of outsourcing museum reception services, the New Museum's expansion, the troubled Musée des Tissus project, and Art Brussels adapting to contemporary trends.

At the Grand Palais, the Paris Book Festival Puts Comics in the Spotlight

Au Grand Palais, le Festival du livre de Paris met la bande dessinée à l’honneur

The Festival du livre de Paris returns to the Grand Palais from April 17 to 19, 2026, marking a continued transformation from a massive trade fair into a curated cultural event. This year’s edition features 450 publishers and places a significant emphasis on comic books (BD), highlighted by two thematic exhibitions on the Balcon d’Honneur and a dedicated youth village. The program also includes a culinary-themed nocturne and the "Cabaret Extra!" performance series produced in collaboration with the Centre Pompidou.

In Kyoto, a photography festival unites artists on society's fringes

Kyotographie, an independent international photography festival in Kyoto, has announced 'The Edge' as its theme for the 2026 edition, following a focus on humanity in 2025. The festival will feature exhibitions exploring fringes, darkness, and extremes of life, including a posthumous show of Fatama Hassona's 'The Eye of Gaza', a focus on South Africa with works by Lebohang Kganye, Pieter Hugo, and a peripatetic library from A4 Arts Foundation, as well as Ernest Cole's 'House of Bondage' at the Kyoto City KYOCERA Museum of Art—his first exhibition in Japan. Other highlights include Linder Sterling's survey 'Goddess of the Mind' at the Museum of Kyoto Annex and Anton Corbijn's 'Presence' at the Shimadai Gallery.

Hall Art Foundation Opens Season With Three Major Exhibitions

The Hall Art Foundation is reopening its Vermont campus for the 2026 season with three major exhibitions running through November 29. The centerpiece, "A Farewell to the Western World," is a group show of roughly 70 works exploring global power shifts and political instability, featuring artists such as Ai Weiwei, Aleksandra Mir, and Philip Guston. Also on view are Christian Marclay's video installation "Made To Be Destroyed," which compiles film scenes of artworks being damaged or destroyed, and Piotr Uklański's photographic installation "The Nazis," examining how film and popular culture have shaped representations of the Third Reich. The campus, set on a former dairy farm in Reading, includes converted gallery buildings and outdoor sculptures by Olafur Eliasson, Antony Gormley, Richard Long, and Marc Quinn.

Amy Sherald is branching out. But don’t worry. She’s still painting.

Amy Sherald, the acclaimed portraitist known for her official portrait of Michelle Obama, is expanding her practice beyond painting. The article reports that she is branching out into new creative territories, though she reassures audiences that painting remains central to her work. Details of her new projects or media are not specified in the provided text, but the headline signals a shift in her artistic output.