Nancy Lupo's exhibition "Meow Meow Real Estate" opens at the Nicoletta Fiorucci Foundation in London's Chelsea neighborhood, curated by Vittoria de Franchis. The show shares its title with Lupo's first novel, which follows a woman searching for an apartment—a quest that is both literal and existential. The foundation's Victorian architecture serves as the bourgeois dwelling central to the narrative.
On Tuesday, April 28, at IED Firenze (former Teatro dell'Oriuolo), the collective performance "In corpo presente" took place as the final act of a research project exploring contemporary meanings of freedom, presence, belonging, and collective action. Since December 2025, 50 students from various disciplines at IED Firenze have been involved in the project, guided by artist Jacopo Benassi.
Dominique White (b. 1993) presents her solo exhibition "All Great Powers Collapse from the Centre" at Kunsthalle Basel, transforming the galleries into immersive environments with her sculptures. The exhibition evokes a sense of submersion, as if walking along an ocean floor where orientation shifts and measures dissolve, creating a weighty, water-like atmosphere.
Marko Tadić presents his solo exhibition "Funga Robo" at Trotoar in Zagreb, showcasing recent works that explore speculative futures of cities through the lens of artistic ecologies. The exhibition title merges references to fungal mycelia and robotics, establishing a dialogue between biological systems and technological development.
Berlin-based Swedish artist Sanna Helena Berger makes her Danish debut with "Difference" at Matteo Cantarella in Copenhagen. The exhibition explores the concept of the remainder—the mathematical and physical space left behind when one value is subtracted from another—through a series of sculptural and spatial interventions.
Lucio Santiago's bronze sculpture "LA ESPERA" (2015) is listed for sale at US$3,400 through Bernardini Art Gallery & Auction House. The work measures 23 × 19 × 19 cm, is unique, and signed. Lucio Santiago, born in 1987 in Oaxaca de Juárez, is the son of artist Alejandro Santiago. His artistic training includes workshops in photography at the Manuel Álvarez Bravo center and with Katy McFadden, as well as graphic art at Gráfica Bambú and a three-year residency at La Ceiba in Xalapa. His first solo exhibition was in 2007, and he has since shown in Europe and the US. His work explores themes of life and death, incorporating wings, skeletons, mutilated bodies, and animals like eagles, fish, and coyotes.
Galerie Albrecht in Berlin presents 'Sachlichkeit', an exhibition running from 2 May to 27 June 2026, that explores the concept of objectivity in art. The show features works by Kate Diehn-Bitt, a forgotten representative of the New Objectivity movement, alongside Michael Langner, associated with 'German Pop', as well as Rafael Cidoncha, Emese Kazár, and Sabine Herrmann. The exhibition examines how these artists portray people and objects with empathy, realism, and sometimes surreal distortion, ranging from Diehn-Bitt's empathetic portraits to Langner's automobile studies and Kazár's commentary on women's lives.
An art gallery opening reception for local artist Christina Lynch will take place from 5-7 p.m. Friday, Jan. 9, at Yes Arts in Frankfort, Kentucky. The exhibition, titled "Memory Palace," is inspired by Francis Yates' 1966 book "The Art of Memory" and explores themes of collective memory, printmaking, and identity. Lynch's work brings the beauty of Eastern Europe to Kentucky, drawing on her travels to Oslo, Norway, and Krakow, Poland, where she studied at the Jan Matejko Academy of Fine Arts through an EU Erasmus+ award.
The Middle East Institute (MEI) in Washington, D.C., is presenting an exhibition titled "Arab Pop Art: Between East and West," featuring works by Arab artists who remix global Pop Art with local voices and political commentary. The exhibition includes a closing celebration with a live performance by Syrian-American rapper and poet Omar Offendum, an artist talk with participating artist Marwan Chamaa and co-curators Lyne Sneige and Laila Abdul-Hadi Jadallah, and a film screening of "A Thousand and One Berber Nights" (2023) with director Hisham Aidi. The show is part of MEI's broader programming and has been highlighted in multiple media outlets including YUNG Magazine, Hyperallergic, Vogue Arabia, and Washington City Paper.
The article lists January 2026 art exhibitions across multiple venues in Charlottesville, Virginia, including Ruffin Gallery at the University of Virginia, Crozet Artisan Depot, The Fralin Museum of Art, The Gallery at Studio IX, IX Art Park, Kluge-Ruhe Aboriginal Art Collection, and Jefferson School African American Heritage Center. Highlights include the Ruffin Distinguished Artist-in-Residence exhibition “We Dream of Life” by Paula Wilson and iris yirei hu, featuring a monumental 56-foot textile; “Haiti’s Time” at The Fralin Museum; and “In the Beginning” at Kluge-Ruhe showcasing Spinifex Arts Project artists. Other shows include “INSTRUMENTAL” by Rich Tarbell, “The Looking Glass” immersive space, and “Finally Remembered: The Black Patriots of Central Virginia” at the Heritage Center.
The Altos de Chavón Art Gallery in La Romana, Dominican Republic, is presenting 'WONDERLAND,' a new exhibition by artist Stepanova opening on January 9, 2026. The show explores early childhood perception through immersive paintings, and the opening will feature a darkroom installation, live performances, and a curated atmosphere.
V. Sanjay Kumar's novel *This Garden of Weeds* explores the Indian art world through a murder mystery centered on the death of a mythic artist, Maya. The story follows her daughter Tara as she uncovers Maya's past through flashbacks involving former art-school classmates—an art critic, a reporter, and a performance artist—while also weaving in subplots about a wealthy family's entry into art collecting, a gallerist's shady dealings, and a reality show for artists. The novel satirizes the fusion of gossip, celebrity, and commerce that defines contemporary art culture.
The Lin Xiang Xiong Art Gallery, designed in the shape of a turtle, has officially opened at The Light Waterfront in Gelugor, Penang. The eight-storey museum houses a collection of over 1,000 artworks, with more than 400 on display through rotating exhibitions. It features an art education centre, permanent and special exhibition halls, and a sixth-floor global exhibition platform. The opening ceremony included remarks from Penang Chief Minister Chow Kon Yeow and founder Prof Lin Xiang Xiong, who emphasized the gallery's mission of 'Art for Peace.' A special inaugural exhibition, 'Picasso and Lin Xiang Xiong: A Dialogue Across Time,' explores themes of anti-war, anti-poverty, and environmental awareness.
Boston Art Review (BAR), an independent online and print publication focused on contemporary art in Boston, has published an article titled "The Boston Collective: Assembled at the Right Time and Place." The piece explores how a group of artists, curators, and cultural organizers in Boston have come together at a pivotal moment to form a collective that amplifies local creative voices and fosters collaboration across the city's art scene.
Artist Arunava Mondal's solo exhibition "Ambient Landscapes" is currently on view at Tejas Art Gallery in Kolkata. The show explores the liminal spaces between light and shadow, memory and sensation, featuring abstract works that evoke atmospheres rather than specific topographies. Mondal builds his surfaces in translucent layers, using surreal colors and impossible geometries to create environments where observed reality merges with dreamlike logic. The exhibition includes a conversation with the artist about his inspirations, his travels through India, and his approach to nature as his ultimate muse.
Cal Poly Pomona's W. Keith and Janet Kellogg University Art Gallery is presenting "Color & Quirk," an exhibition running from August 25 to November 18, 2025, curated by Michele Cairella Fillmore. The show features unconventional, colorful artists who avoid white, black, and gray, including Megan Geckler, known for immersive flagging tape installations like "You can never quarantine the past," Colin Roberts, who creates plexiglass sculptures inspired by glass architecture, and Seda Saar, whose work explores perception, light, and color through interior architecture and themed entertainment design.
The Bridge Chronicle published a guide to eight art galleries in Pune, India, highlighting venues such as Monalisa Kalagram, Darpan Art Gallery, Vida Heydari Contemporary (VHC), Raja Ravi Varma Art Gallery, Hindu Hriday Samrat Balasaheb Thackeray Cartoonist Art Gallery, Vesavar Art Gallery, Friday Art House, and Art2Day. Each gallery is described with its location, unique vibe, and reasons to visit, ranging from contemporary and conceptual spaces to those dedicated to traditional Indian art and political cartooning.
The Summer Guide 2025 highlights a diverse array of gallery openings in Santa Fe, New Mexico, focusing on both established and emerging art spaces. Notable exhibitions include Gerald Peters Contemporary's "Material Girl: Pop Culture and the Female Gaze" (June 13), featuring six female artists examining gender and commodification through Pop Art; Daniel Cooney Fine Art's "George Dureau, Photographs" (May 31), showcasing intimate portraits of New Orleans' counterculture; and Station 5 Micro-Gallery's two shows—"ACCUMULATION" (June 7) by Michael Sumner and Melody Sumner Carnahan, and "THE NARROW LINE TO THE INTERIOR" (August 2) inspired by poet Bashō. Other highlights include ELECTR∆ Gallery's queer mysticism group show "The Third Way" (July 11), new works by Tim Jag (June 12), and Pie Projects' "MOMENTUM" (June 14) featuring Florence Miller Pierce's rediscovered resin reliefs.
The Indonesian Pavilion at the Venice Biennale presents "Printing the Unprinted: The Reversal of World Discovery," a project that reimagines global history by casting an Indonesian kingdom as the explorer who discovers the West. Seven Indonesian artists—Agus Suwage, Syahrizal Pahlevi, Nurdian Ichsan, R.E. Hartanto, Theresia Agustina Sitompul, Mariam Sofrina, and Rusyan Yasin—participated in a two-month residency at the Scuola Internazionale di Grafica in Venice, collaboratively creating works through printmaking and expanded forms. The pavilion includes exhibitions, workshops, and symposiums that challenge dominant narratives and highlight Indonesia's contributions to maritime technology, commerce, arts, and knowledge.
Alessandro Rabottini, artistic director of Fondazione In Between Art Film, reflects on the closing of 'Canicula', the final chapter of the foundation's 'Trilogy of Uncertainties' exhibition series in Venice. The article explores how staging time-based moving-image works interacts with the fast-paced environment of the Venice Biennale, and how artists' film and video have evolved as a medium within the art world.
Oman has chosen artist, architect, and curator Haitham Al Busafi to represent the country at the 61st Venice Biennale in 2026. Al Busafi will curate and present his own monumental installation, Zīnah, in the national pavilion, commissioned by the Omani Ministry of Culture, Sports and Youth. The work transforms a traditional Omani horse harness into an interactive spatial experience using sand, metal, and sound.
Kazakhstan has unveiled details for its national pavilion at the 61st Venice Biennale, titled “Qoñyr: Archive of Silence.” Curated by Syrlybek Bekbota, the exhibition features nine artists including Smail Bayaliyev, Asel Kadyrkhanova, and Ardak Mukanova, and will be hosted at the Museo Storico Navale. The presentation utilizes the Kazakh concept of "Qoñyr"—a term encompassing specific colors, sounds, and scents—to explore themes of Soviet domesticity, nuclear trauma, and cultural heritage through sound installations, video, and archival assemblages.
Roksana Pirouzmand’s dual-site exhibition in Los Angeles, hosted at OXY ARTS and JOAN, features performance-based sculptures and installations that utilize literal erosion to explore themes of loss and displacement. The works include anatomical clay casts of the artist and her mother, which are subjected to water, vibration, and physical interaction, causing them to crack and deteriorate over the course of the show. At OXY ARTS, a kinetic metal floor involves the viewer directly, as their footsteps cause clay hands to collide and break, illustrating the physical impact of movement and presence.
Mongolia has selected artists Nomin Bold, Dorjderem Davaa, Gerelkhuu Ganbold, and Tuguldur Yondonjamts to represent the country at the 61st Venice Biennale in 2026. The pavilion, titled 'Entanglements: Connectivities Across Borders,' will be curated by Uranchimeg Tsultem and Thomas Eller and will explore interspecies relations, spirituality, and historical trade links, specifically the Mongol Empire's 13th-century connections to Venice.
Kyrgyzstan has chosen artist Alexey Morosov to represent the country at the 61st Venice Biennale in 2026. His pavilion, curated by Geraldine Leardi, will feature a large-scale installation titled BELEK, which explores Kyrgyz nomadic heritage, water as a sacred resource, and the impact of Soviet-era hydro-engineering on the landscape.
A new group exhibition titled 'At the East of My Past and the West of My Future' opens at the South Broadway Cultural Center Gallery in Albuquerque, running from May 28 to July 17. Curated by multidisciplinary artist Watermelon7, the show features 14 artists who reinterpret the city's iconic Big I interchange as a symbol of movement, identity, and transformation. Inspired by Jack Kerouac's 'On the Road' and Route 66, the works explore personal and collective journeys through paintings, mixed-media pieces, and installations.
The Metropolitan Museum of Art has revealed photos from inside the Costume Institute's latest exhibition, 'Costume Art,' ahead of the 2026 Met Gala. Curated by Andrew Bolton, the show explores the relationship between clothing and the body, organized around thematic body types such as the Naked Body, Pregnant Body, and Aging Body. It features garments and artworks from The Met's collection, both historical and contemporary, and will be the first exhibition held in the new Condé M. Nast Galleries, a 12,000-square-foot space adjacent to the Great Hall. The exhibition opens to the public on May 10, 2026, and runs through January 10, 2027.
The 2026 Met Gala will take place on the first Monday in May at New York's Metropolitan Museum of Art, supporting the Costume Institute. The spring exhibition is titled "Costume Art" and will be the first to occupy the new Condé M. Nast Galleries. The dress code is "Fashion is Art," inviting guests to explore fashion as an embodied art form. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with Jeff Bezos and Lauren Sánchez Bezos as honorary chairs. The event will be livestreamed by Vogue, hosted by Ashley Graham, La La Anthony, Cara Delevingne, and Emma Chamberlain.
Gaby Hurtado-Ramos presents "Last Night and Tomorrow" at BOX 13 ArtSpace in Houston from May 22 to June 27, 2026. The exhibition explores queer social spaces—dance parties, gay bars, karaoke—through layered drawings, photographs, and prints, imagining futures of acceptance and connection. Hurtado-Ramos is an artist and educator whose practice includes risograph publishing under Rear-View Press, and they have exhibited and taught widely across the U.S.
The article explains the concept of an Artist Corporation (A-Corp), a new business structure for artists introduced in a bill before the Colorado state legislature, originally proposed by entrepreneur Yancey Strickler. It allows artists to form a legally recognized business entity without hiring a lawyer, simply by filling out a form, and provides liability protection by separating personal assets from business assets. The bill is expected to reach the governor's desk by mid-May and be enacted within six months, with five or six other states, including New York, expressing interest.