A rare self-portrait by 17th-century British painter William Dobson has been jointly acquired by London's Tate and the National Portrait Gallery for £2.37 million ($3.2 million), setting a new record for the artist. The painting, considered the first known self-portrait by a British-born painter, was created in the late 1630s and last sold at Bonhams London in 2016 for just over £1.1 million. It will go on view in London before embarking on a national tour in 2026.
Lorde's new single "Man of the Year" from her upcoming album *Virgin* (released June 27) features a music video that visually references Walter De Maria's *New York Earth Room* (1977), a minimalist installation of 280,000 pounds of soil filling a SoHo loft. The video shows Lorde stripping, taping her breasts, and rolling in dirt, while the song's lyrics explore her fluid gender identity. Lorde also cites Italian artist Lucio Fontana and includes an X-ray cover image by photographer Heji Shin.
MoMA PS1 has opened its marquee spring exhibition, “The Gatherers,” a group show featuring 14 artists from around the world who explore the psychic and material burdens of climate change, globalization, and neoliberalism. Curated by Ruba Katrib, the exhibition includes works in sculpture, video, assemblage, and installation, spanning regions from the Democratic Republic of Congo to Lithuania, and is on view through October 6. Katrib, PS1’s chief curator and director of curatorial affairs, emphasizes that the show lets the artworks speak for themselves through form and material rather than delivering a direct lecture.
The Whitney Museum of American Art has suspended its storied Independent Study Program (ISP) for the 2025–2026 academic year, following widespread outcry over the censorship of a performance titled "No Aesthetic Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi. The performance, scheduled for May 14, was canceled by museum leadership after reviewing a video in which Tbakhi made demands that supporters of Israel or America leave the venue. Director Scott Rothkopf informed the ISP community of the pause in an email, citing the need to search for a new director. The museum also confirmed that Sara Nadal-Melsió, hired in 2024 as the ISP's first associate director, will not retain her position. The cancellation drew condemnation from free speech advocates, including the National Coalition Against Censorship (NCAC), which likened the museum's actions to an authoritarian approach.
On Monday, Whitney Museum director Scott Rothkopf announced via email that the museum would "pause" the 2025–26 academic year of its Independent Study Program (ISP), citing a lack of a director and strained operations. The announcement coincided with an open letter from high-profile ISP alumni—including artists Emily Jacir, Andrea Fraser, Mark Dion, and others—denouncing the museum's cancellation of a pro-Palestine performance titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi. The performance was canceled two days before it was to be part of an ISP curatorial exhibition, after the museum accused the artists of "valorizing specific acts of violence" and singling out community members based on belief systems. The letter also referenced the earlier demotion of ISP director Gregg Bordowitz in February.
The Château de Wargemont, a 19th-century seaside castle in Normandy where Pierre-Auguste Renoir summered and painted, has been listed for sale by Sotheby’s International Realty for €4 million ($4.5 million). The 17-room property, set on 25 acres, is the last great Impressionist site still in private hands and retains original features including Renoir’s dining room mural The Two Hunts, the only in-situ decor by an Impressionist. Renoir was invited there by diplomat and banker Paul Bérard, and the estate appears in several of his works, including Les rosiers à Wargemont (1879), which sold for $7.5 million at Sotheby’s in 2004.
A new museum dedicated to Frida Kahlo, the Museo Casa Kahlo, will open on September 27 in Mexico City's Coyoacán district at her family home, Casa Roja. Unlike the existing Museo Frida Kahlo at the adjacent Casa Azul, which focuses on her later career and marriage to Diego Rivera, this institution will explore Kahlo's early life and artistic roots, including her father's photography. The museum will display childhood photographs, dolls, jewelry, letters, her first oil painting, and her only known mural, alongside temporary exhibitions of Mexican, Latin American, and women artists. The project is led by Kahlo's descendants, including Mara Romeo Kahlo and Frida Hentschel Romeo, with support from the Rockwell Group architecture firm and a new nonprofit, the Fundación Kahlo.
Lorde released a music video for her song "Man Of The Year," the second single from her upcoming album *Virgin*. The video features the singer in a room filled with dirt, which fans quickly noted resembles Walter De Maria's iconic installation *New York Earth Room*. Lorde has acknowledged the homage, describing the work as an inspiration for the song's sound and her personal rebirth. The video was not filmed in the actual installation, which is permanently housed in SoHo and managed by the Dia Art Foundation.
The Metropolitan Museum of Art's Michael C. Rockefeller Wing, closed since 2021, reopens after a $70 million renovation. The redesign by architect Kulapat Yantrasast transforms the previously dark and cramped galleries into airy, energizing spaces, with a major rehang that reconfigures the Oceania galleries. Notable changes include the repositioning of a Kwoma ceremonial house ceiling in collaboration with descendants of the original painters, the relocation of Asmat funerary poles to a dedicated gallery, and the addition of newly acquired works by Ömie artist Ilma Savari. The renovation also features revised wall texts that better contextualize the objects.
Writer and curator Laura Raicovich is organizing a weekend-long festival called the "Circus of Life" in St. Louis, Missouri, taking place October 24–26 at the Big Top circus grounds in the Grand Center Arts District. The event is part of Counterpublic, a triennial civic exhibition founded in 2019 by James McAnally, and will feature artists, writers, theater groups, performers, and activists. Raicovich leads a team of four "ringleaders" including Kenneth Bailey, Galen Gritts, Jeanne van Heeswijk, and Nontsikelelo Mutiti, with additional participants such as Chloë Bass, Hilma's Ghost, and Kameelah Janan Rasheed. The program includes performances by Bread and Puppet Theater, conversations with Roxane Gay and Nermeen Shaikh, workshops, a parade, and communal meals, all free and open to the public.
Belgian Neo-Impressionist Georges Lemmen's painting *Jeune femme faisant du crochet (Julie Lemmen)* (1890) sold for $698,500 at Sotheby's New York on May 14, shattering its $50,000–$70,000 estimate and more than doubling the artist's previous auction record. The Pointillist portrait of the artist's sister, Julie Fréderique Lemmen, had been in a private Florida collection since 1960 and was consigned through Sotheby's online portal. The sale drew over a dozen bidders, including a museum, two dealers, and five private collectors, and was backed by an irrevocable bid.
Artnet News highlights five recent rediscoveries and reinterpretations that are reshaping narratives around Black artists and sitters in art history. These include Gustav Klimt's long-lost portrait of Prince William Nii Nortey Dowuona, an Osu prince exhibited in a racist "human zoo" in Vienna, which resurfaced in 2023 and was shown at TEFAF Maastricht with a $16.4 million price tag. Also featured are Edvard Munch's dual portrayals of Sultan Abdul Karim—one intimate, one stereotyped—on view at the National Portrait Gallery in London, and new research identifying James Cumberlidge, a Black servant in a Jean-Baptiste van Loo portrait, correcting a historical misattribution.
David Hammons has released a "post-exhibition catalogue" through Hauser & Wirth Publishers, six years after his 2019 survey at the gallery's Downtown Los Angeles location. The 12-by-12-inch, nearly 7-pound volume contains hundreds of images—installation shots, artwork reproductions, and ephemera—but no text whatsoever: no table of contents, essays, titles, dates, or page numbers. The book functions more as an artist's book than a traditional exhibition catalog, presenting Hammons's work in a raw, unapologetic sequence that resists scholarly interpretation.
The Smart Museum at the University of Chicago has announced plans for a major mid-career survey of artist Theaster Gates, titled “Unto Thee,” opening September 23 and running through February of next year. This marks Gates’s first solo museum exhibition in his hometown of Chicago, despite his international acclaim and numerous institutional shows elsewhere. The exhibition will feature objects Gates has collected and repurposed from the university, including glass lantern slides, vitrines, concrete, and wooden pews, alongside a large-scale installation of African masks accompanied by music from the late DJ Frankie Knuckles.
The Museum of Fine Arts in Bilbao has completed a restoration of Pedro Berruguete's *The Annunciation* (1485–1490), a painting that once formed part of an altarpiece likely for a church in Palencia, Spain. The work, on a five-year loan from the Arburu collection, had suffered from cracks, dirt, and oxidized varnish over centuries. Two specialists—Elisa Mora Sánchez for the paint layer and Mayte Camino Martín for the gilding—cleaned, repaired, and re-gilded the panel, revealing Berruguete's blend of Italian Renaissance, Flemish, and Castilian Gothic influences.
René Magritte, the iconic Belgian Surrealist, remains a dominant force in the art market and popular culture. In November 2024, his painting *L’empire des Lumières* (1954) sold for a record $121.2 million at Christie’s in New York, followed by *La reconnaissance infinite* (1933) fetching £10.3 million ($13.7 million) at Christie’s in London in March 2025. Magritte also topped Artnet News’ 2025 Intelligence Report as the best-selling Impressionist & Modern artist, with over $312 million in sales. The article highlights five essential works, including *The False Mirror* (1928) and *The Lovers* (1928), both held by the Museum of Modern Art in New York, and *The Treachery of Images* (1929), exploring their surrealist themes and enduring appeal.
A new exhibition at the British Museum, “Hiroshige: Artist of the Open Road,” showcases over 100 works by the Japanese ukiyo-e master Utagawa Hiroshige, including a landmark gift of 35 prints from U.S. collector Alan Medaugh. Many of the prints have never been publicly displayed before, and some are believed to be the only surviving examples of their kind. The show runs through September 7 and features landscapes, bird-and-flower prints, fan prints, and an immersive digital experience created with Outernet London.
The Centre Pompidou will open its first South American satellite in Foz do Iguaçu, Brazil, in November 2027, backed by Paraná state officials. Designed by Paraguayan architect Solano Benítez, the museum will feature exhibition galleries and research facilities, highlighting South American artists alongside works from the Pompidou’s permanent collection of around 150,000 objects. This expansion comes as the Paris flagship closes for five years starting September 2024 for a $280 million renovation.
A street in Washington, D.C., where the acclaimed 20th-century painter Alma Thomas lived and worked for over seven decades was renamed "Alma Thomas Way" on Monday. The new signs now mark the block between 15th and Church streets and 15th and Q streets, near the red brick home at 1530 15th Street, NW, where Thomas maintained a studio in her kitchen. The renaming follows a bill introduced by D.C. council member Christina Henderson in May 2024, approved unanimously by the council, and signed into law by Mayor Muriel Bowser in October. A ceremony with about 30 attendees, including Thomas's grand nephew Charles Thomas Lewis and Susan Talley of the Friends of Alma Thomas group, commemorated the event.
On June 6, 2025, Artcurial Paris will host "Twenty One Contemporary," a curated auction dedicated exclusively to 21st-century art. The sale features works by artists such as Xavier Veilhan, Barthélémy Toguo, Aboudia, Thomas Houseago, and Guillaume Bresson, spanning experimental sculpture, painting, and works on paper. Highlights include Veilhan's machine-carved birch sculpture "The Neptunes" (2015), Toguo's large-scale watercolor "Homing Pigeon" (2005), and Bresson's photorealistic "Sans titre" (2010), with estimates ranging from €15,000 to €120,000.
Camden Art Centre in London has secured a 99-year lease on its current home after raising £1.9 million. The lease was previously set to expire in 2027. The effort was led by director Martin Clark and board chair Guy Halamish, with contributions from artists including Kara Walker and Alvaro Barrington.
British artist Stuart Semple has been ordered by a French court to pay €16,000 ($18,200) in damages for selling a blue paint called Easy Klein, which he developed as a tribute to Yves Klein. The ruling, issued on what would have been Klein’s 97th birthday, sided with Klein’s estate and trademark holders—Blue Bay Limited, RUK (the company managing Klein’s copyrights), and Klein’s son Yves Amu Klein—who argued that Semple’s product unfairly capitalized on Klein’s legacy. Semple denies the claims and plans to appeal, stating that the packaging was a satirical riff on Calvin Klein perfume, not an attempt to confuse consumers.
Crystal Bridges Museum of American Art in Bentonville, Arkansas, has acquired a monumental Tiffany stained-glass window titled "Mountain Landscape (Root Memorial Window)," created by Tiffany Studios in 1917 and designed by Agnes Northrup. The 9-foot-tall, 8-foot-wide window, which depicts a cascading waterfall and mountains, was previously installed for 94 years at the Sunset Ridge Church and Collective in San Antonio, Texas. It is only the second Tiffany work in the museum's collection, joining a wisteria lamp donated in 2022.
The collection of Old Masters assembled by Thomas A. Saunders III and his wife Jordan sold for $64.7 million at Sotheby’s on May 21, falling below its low presale estimate but still becoming the most valuable trove of Old Masters ever sold in a single auction. Seven artist records were set, including Luis Meléndez’s *Still Life of a Cauliflower…* ($6.3 million) and Jan Davidsz. de Heem’s floral still life ($8.8 million). The top lot was Francesco Guardi’s twin landscapes of Venice ($10.5 million). A further 14 paintings sold the next day, bringing the collection’s total to $65.4 million.
MoMA has opened "Woven Histories: Textiles and Modern Abstraction," a touring survey that examines the role of textiles in modern and contemporary art. The exhibition features works by artists such as Sonia Delaunay, Paul Klee, Agnes Martin, Jeffrey Gibson, and Anni Albers, and incorporates other mediums like video and photography. Curator Lynne Cooke notes that the show has evolved at each venue, and at MoMA it holds special significance because the museum was foundational in writing the history of Modernism and collected textiles from its early days.
A new museum dedicated to Frida Kahlo will open in Mexico City's Coyoacán district this September, housed in the Casa Roja, a private residence purchased by Kahlo's parents and passed down through the family. The property was gifted by the artist's grandniece Mara Romeo Kahlo, and the museum was designed by the New York–based Rockwell Group. Adán García Fajardo has been appointed director, and the project is funded by the newly established nonprofit Fundación Kahlo, chaired by public relations veteran Rick Miramontez. The museum will explore Kahlo's early life, inspirations, and cultural influences, and will feature rotating contemporary art exhibitions focused on Mexican, Latin American, and women artists.
Art in America's 2025 "New Talent" issue features 20 emerging artists chosen by the magazine's editors, including Nico Williams, Bint Mbareh, Justin Allen, Agnes Questionmark, and Brooklin A. Soumahoro. The issue also includes a postmortem on figurative painting by Barry Schwabsky, an essay on spiritual art by Eleanor Heartney, a symposium on art's purpose with seven artists, and a tribute to the late Jaune Quick-to-See Smith by Emmi Whitehorse. Other sections cover Suzanne Valadon, Hito Steyerl's book, and a debate between art fairs and biennials.
Suzanne Valadon, a self-taught French post-impressionist painter known for her brash, unflinching style and commitment to representation, is the subject of a major retrospective at the Centre Pompidou in Paris through May 26. The exhibition, simply titled "Suzanne Valadon," features 200 works and is part of a recent swell of attention that includes six major exhibitions in six years, highlighting her self-portraits, nudes, and depictions of the human body with unidealized realism.
The Metropolitan Museum of Art's new Anna Wintour Costume Center opens with the exhibition "Charles James: Beyond Fashion," showcasing the work of the mid-century couturier often called "America's First Couturier." The show presents James's sculptural gowns—made of silk, tulle, and taffeta—on pedestals, accompanied by quotations that frame his designs as art. Highlights include the famous 10-pound "Clover Leaf Gown" and the "Taxi dress," a precursor to the wrap dress. The exhibition features animated video imaging by Diller Scofidio + Renfro that uses robotic cameras to reveal the architectural layers within the garments. The show runs from May 8 to August 10, 2014.
François-Xavier Lalanne's functional sculpture "Ostrich Bar" (1965) sold for €11.1 million ($12.5 million) at Sotheby's Paris on May 20, far exceeding its €3–4 million estimate after an 11-minute bidding war. The piece, one of only six ever produced, features two porcelain ostriches gripping a metal shelf with a central egg for ice cubes; it was the artist's personal favorite, kept in his bedroom for over four decades. The sale took place within Sotheby's Important Design sale curated by model Betty Catroux.