Artist Walter Price is presenting a solo exhibition titled "Pearl Lines" at David Zwirner’s Hong Kong gallery. Running from March 24 through May 9, 2026, the show features a new body of work that continues Price’s exploration of the boundaries between figuration and abstraction through his signature use of vibrant color and psychological depth.
Congolese artist Jean Katambayi Mukendi has opened a solo exhibition titled "RATIO" at the KW Institute for Contemporary Art in Berlin. The show features works that interrogate fundamental dualities such as the natural versus the artificial, growth versus destruction, and the dynamics between resources and power.
Italian artist Giuditta Branconi has unveiled her first institutional solo exhibition, titled "Cannon Fodder," at the Collezione Maramotti in Reggio Emilia. The exhibition features a series of new large-scale paintings and a site-specific installation characterized by dense, chaotic compositions where multiple narratives unfold simultaneously. Branconi describes her approach as fostering an "anarchic gaze," intentionally refusing to guide the viewer through her crowded, vibrant visual landscapes.
The Westfälischer Kunstverein in Münster is presenting "Voices of Many Voices," a significant exhibition dedicated to the pioneering work of Julia Heyward. The show highlights Heyward’s multidisciplinary practice, which emerged from the 1970s New York performance scene, blending vocal experimentation, monologues, and complex multimedia orchestrations. By juxtaposing music, image, and language, the exhibition captures the artist's unique ability to navigate emotional extremes and the "simultaneity of opposites."
The Kunsthalle Mannheim is presenting "Dollhouse – A Retrospective," a major posthumous exhibition dedicated to the work of American artist Kaari Upson. The show brings together her sculptures, installations, videos, and drawings, which explore memory, identity, and social reality through the lens of her personal biography.
The article is an interview with Ramuntcho Matta about the exhibition "Brion Gysin: The Last Museum" at the Musée d’Art Moderne de Paris. It explores the life and work of Brion Gysin, a multifaceted artist associated with Surrealism, the Beat Generation, and the invention of the Dreamachine. The exhibition traces Gysin's career through his calligraphy, painting, and multimedia works, including collaborations with William S. Burroughs and Ian Sommerville. A complementary show, "Underwood 2246449-5 (Les diables de Brion)," organized by Matta at New Galerie, features Burroughs's typewriter and related instruments.
Newcastle Art Gallery in New South Wales, Australia, will open three new exhibitions on May 23, 2026, following its major expansion and reopening in February. The shows include the largest solo exhibition to date by Torres Strait Islander artist Brian Robinson, titled "Multiverse"; the first institutional solo show by Tiyan Baker, "Mouth Mnemonica"; and "The Mordant Family Gift," featuring 25 works donated by philanthropists Simon Mordant AO and Catriona Mordant AM. The gallery has already attracted over 80,000 visitors, surpassing its previous annual record.
Fondazione Sandretto Re Rebaudengo in Turin presents "Theatre of the Mind," the first Italian institutional solo exhibition by German-born painter Lenz Geerk. The show features recent works from 2022 to 2024, exploring painting as a perceptual device where figures, objects, and domestic interiors exist in unstable, unresolved configurations. Installation views by Giorgio Perrottino accompany the exhibition, which runs at the foundation's space.
The article surveys 11 art exhibitions opening across the Hudson Valley in May 2026, highlighting a regional preoccupation with structure, materiality, and resistance to singular narratives. Featured shows include "Surface, Structure, String" at Hudson Hall, a textile survey curated by Richard Saja with artists like Portia Munson and Laleh Khoramian; "Jose Picayo: 35 Years in Photographs" at Robin Rice Gallery; "The Linda McCartney Retrospective: From the Light" at the Fenimore Art Museum; "Carol Seitz: Growth in Difficult Places" at Convey/er/or; and "Stephen Olivier: Hazmat" at ASK in Kingston, among others.
Cowley Abbott Fine Art, a Toronto-based auction house, has opened its first permanent western Canada gallery in Calgary's East Village. The new space launches with a three-day public preview of museum-quality artworks heading to its Spring Live Auction on May 27 at the Globe and Mail Centre in Toronto. Highlights include rare works by Pierre-Auguste Renoir, Vincent van Gogh, Emily Carr, and members of the Group of Seven such as Lawren Harris and A.Y. Jackson. Among the standout pieces is Emily Carr's 1936 canvas "Wind," estimated at $500,000 to $700,000, and a Lawren Harris painting valued similarly. The gallery aims to attract both collectors and casual visitors, with Peter Ohler, Western Canada Representative and Director of Private Sales, emphasizing that the space is open to anyone interested in art.
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The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries building to the public. Designed by architect Peter Zumthor, the 900-foot-long structure features a non-linear, single-level layout with abundant natural light, intentionally encouraging visitors to wander without a set path. The inaugural exhibition, organized by 45 curators, abandons traditional art historical categories in favor of a thematic presentation centered on major bodies of water and global trade routes.
Untitled Art, the contemporary art fair, is returning to Houston for its second edition this October. To kick off plans, the fair has commissioned two artist projects that will be unveiled at the city's 39th annual Art Car Parade.
Bottega Veneta's creative director Louise Trotter has launched 'Bottega Veneta for the Arts,' a new collaborative series aimed at connecting the fashion house with the art world. The inaugural project features British photographer Peter Fraser, who documented Trotter's debut collection in Italy's Veneto region, the brand's birthplace. This follows previous art collaborations with photographer Duane Michals and painter Poppy Jones.
The Art Fund has announced the five finalists for its Museum of the Year 2026 award, all of which are located in England. The shortlist includes The National Gallery and V&A East Storehouse in London, Norwich Castle, Cambridge’s Fitzwilliam Museum, and The Box in Plymouth. The winner will be announced at a ceremony at London's Cutty Sark on June 25.
Laasya Art is hosting a special exhibition in Palo Alto featuring the works of two of India’s most prominent contemporary artists, Laxma Goud and Thota Vaikuntam. The event includes the premiere of two original short films produced by the gallery, "Zauq: The World of Laxma Goud" and "Thota Vaikuntam: The Making of the Telangana Woman," which explore the personal histories and creative processes of these masters.
Max Ernst | Untitled (ca. 1949) | Available for Sale
A rare miniature gouache on paper by Surrealist pioneer Max Ernst, titled 'Untitled' (ca. 1949), has been made available for sale through PM Gallery in Paris. The unique work, measuring only 3.1 x 2.85 cm, is presented in a bespoke silver and 18K gold frame adorned with ruby beads, created by the artist and jeweler Marcial Berro. The piece boasts a distinguished provenance, having previously belonged to the influential Parisian gallery owner Édouard Loeb and featured in the 1970 retrospective at the Württemberg Art Association.
Indrapramit Roy and Mark Cazalet are coming together for a duo exhibition titled 'Stray Birds' at the Shridharani Gallery in New Delhi. Curated by Jyotirmoy Bhattacharya and organized by Art Magnum, the show explores the parallel trajectories of two artists who met during their formative years in Baroda under the mentorship of Gulam Mohammed Sheikh. The exhibition features works that document lived experiences, memory, and movement through drawing and painting, often rooted in their personal sketchbooks and visual journals.
The Art Fund has announced the shortlist for the 2024 Museum of the Year award, featuring the National Gallery, V&A East Storehouse, The Box in Plymouth, the Fitzwilliam Museum, and Norwich Castle Museum & Art Gallery. The finalists represent a diverse cross-section of British heritage, ranging from London’s "Goliath" institutions celebrating bicentenaries to regional hubs undergoing major architectural transformations. The winner, to be announced on June 25, will receive a £120,000 prize, while runners-up each receive £20,000.
The Knoxville Museum of Art has debuted a major new exhibition by Chattanooga-born artist and puppeteer Wayne White titled "Revenge of the Knoxville Girl." The centerpiece of the show is a ten-foot-tall marionette of the titular character from the famous Appalachian murder ballad, depicted as having crawled out of the river to claim the severed head of her killer, Willy. The installation blends local folklore with references to Cormac McCarthy’s novel *Suttree* and Tennessee Volunteers football culture.
The Princeton University Art Museum has unveiled "Photography as a Way of Life," a major exhibition running from April 19 through September 7. The show examines the interconnected careers of Minor White, Aaron Siskind, and Harry Callahan, three titans of mid-20th-century American photography. Drawing heavily from the museum’s Minor White Archive, the exhibition features unpublished color and black-and-white prints, archival documents, and a reconstruction of White’s slide projection piece, "Slow Dance."
This month’s selection of art publications features a landmark six-volume catalogue raisonné of Amedeo Modigliani’s oil paintings, which utilizes advanced scientific imaging to authenticate 100 previously unlisted works while de-attributing 15 others. Other notable releases include a comprehensive study of arms and armor from the Wallace Collection, an exhibition catalogue exploring three generations of women artists from the Nicholson family, and a practical career guide for artists published by Delphian Gallery.
Newcastle Art Gallery has officially reopened following a major $145 million site-wide transformation, doubling its footprint to become the largest public art gallery in New South Wales outside of Sydney. Designed by Clare Design in collaboration with Smith and Tzannes and Arup, the expansion adds 1,600 square metres of exhibition space, a new learning studio, and upgraded facilities to house a collection of over 7,000 works. The inaugural exhibition, "Iconic, Loved, Unexpected," features nearly 500 pieces ranging from colonial-era paintings to contemporary commissions by artists like Megan Cope and Shellie Smith.
The Vancouver Art Gallery has received a major gift of over 800 photographs by the acclaimed American photographer Stephen Shore. Donated by the Chan family, the collection primarily features Shore’s seminal series "Uncommon Places" (1973–81), which documented North American landscapes and interiors in vivid color. This acquisition establishes the gallery as one of the world's leading repositories of Shore’s work, with a dedicated exhibition of the series scheduled to open on March 27.
The 2026 Venice Biennale has unveiled the artist list and framework for its international exhibition, "In Minor Keys." The project, which was the final vision of the late curator Koyo Kouoh, is being realized by a collaborative team following her death last year. The exhibition aims to explore themes of minor histories and global narratives through a diverse roster of international artists.
The Newcastle Art Gallery in New South Wales is set to open its $48 million expansion this Saturday, concluding a turbulent development process that spanned over two decades. The upgrade adds 1,600 square metres of exhibition space and 13 new galleries, transforming the facility into the largest public art institution in the state outside of Sydney and allowing its $145 million permanent collection to be displayed at scale for the first time.
The Metropolitan Museum of Art has announced a major exhibition titled "Krasner and Pollock: Past Continuous," scheduled to run from October 2026 to January 2027. This landmark show will trace the parallel careers of Lee Krasner and Jackson Pollock, marking the first significant New York presentation for either artist in over two decades. The exhibition aims to examine their distinct yet interconnected practices as artistic peers and life partners, featuring galleries that both juxtapose their works and present them independently to highlight their individual evolutions in abstraction.
South Africa will not host a national pavilion at the 2026 Venice Biennale following a legal battle between the country’s Department of Sports, Arts and Culture (DSAC) and artist Gabrielle Goliath. The conflict began when Culture Minister Gayton McKenzie labeled Goliath’s planned project, which addressed violence in Gaza, as "highly divisive" and cancelled the exhibition after she refused to alter the content. A South African high court recently dismissed Goliath’s urgent application to overturn the cancellation, leading the government to abandon its participation in the prestigious international event entirely.
The Moore Art Gallery has opened a new exhibition titled "All Hands on Deck: Edward Steichen and the WWII Naval Photographic Unit." The show presents black-and-white photographs taken by the influential photographer Edward Steichen and his team during World War II, offering an intimate look at the lives of sailors and aviators through dramatic and compositionally striking images. The exhibition includes prints annotated by Steichen with editorial instructions, revealing his meticulous process.
The Newport Art Museum has launched the Gertrude Vanderbilt Whitney Society, a new fund to support ambitious exhibition programming. The initiative was previewed at the Members' Show Exhibition and will be announced at the Julie Keyes Gallery Pop Up at Palm Beach Modern Auctions on February 13. The fund will support major projects including 'Sheila Isham: Between Worlds' opening July 10 and a 2028 exhibition on Edward Mitchell Bannister developed with multiple partners. The society is named after Gertrude Vanderbilt Whitney, a charter member of the Newport Art Association and influential arts patron.
A major controversy has erupted at the Art Gallery of Ontario (AGO) following the revelation that trustee Judy Schulich led a successful effort to block the acquisition of a new work by photographer Nan Goldin. The museum's Modern and contemporary curatorial working committee voted 11-9 against jointly purchasing Goldin's video piece *Stendhal Syndrome* (2024) with two other institutions, after Goldin was reportedly labeled antisemitic and compared to Nazi propagandist Leni Riefenstahl for her criticism of Israel's actions in Gaza. The decision prompted the resignation of the AGO's curator of modern and contemporary art and two volunteer committee members.