Thaddaeus Ropac is betting on Milan—will it pay off?

Austrian dealer Thaddaeus Ropac opened a new gallery in Milan on September 20, capitalizing on Italy's newly reduced 5% VAT on art imports—the lowest in the EU—and an influx of wealthy expats from London following the UK's abolition of non-dom tax status. The gallery occupies the first floor of the historic Palazzo Belgioioso, with Elena Bonanno di Linguaglossa appointed as director. Ropac's move follows his earlier successful expansions into Seoul and Pantin, which proved prescient.

Century-old art studio in need of urgent repairs

The Charleston Trust has launched a £250,000 fundraising campaign called Studio 100 to urgently repair a century-old studio at Charleston in Firle, East Sussex. The studio, originally built in a chicken shed in 1925 by artists Vanessa Bell, Duncan Grant, and Roger Fry, was intended as a temporary space but has become a globally significant site. The total project cost is about £470,000, with support already secured from Arts Council England. Repairs will focus on the roof, windows, doors, and fragile painted surfaces, along with installing climate control systems, scheduled from November 2026 to April 2027.

Smithsonian leader asserts ‘authority over our programming’ in letters to staff and Trump White House

Smithsonian Secretary Lonnie G. Bunch III sent letters to the White House and staff asserting the institution's independence after President Donald Trump ordered a comprehensive review of eight Smithsonian museums. The review, initiated by an August 12 White House letter, targets exhibitions, collections, and programming for alleged bias and divisive content. Bunch stated the Smithsonian is conducting its own internal review to ensure nonpartisan, factual programming, emphasizing that the institution retains authority over its content. The letters follow Trump's social media attack on the Smithsonian and an earlier executive order directing Vice President J.D. Vance to remove what the administration calls 'race-centred ideology.'

Lee Ufan donates eight paintings to Dia Art Foundation

Korean artist Lee Ufan, a key figure in the Mono-ha movement, has donated eight paintings from the 1970s to the 1990s to the Dia Art Foundation in New York. The works, from his From Point, From Line, and With Winds series, will be featured in a spring 2026 exhibition at Dia Beacon alongside sculptural installations already in the foundation's collection. Lee is also collaborating with Avant Arte on a limited-edition print release to support Dia's programming.

Future home of the Vancouver Art Gallery turned back into parking lot

Crews have begun filling in the excavation work at the future home of the Vancouver Art Gallery at West Georgia and Cambie, turning the site into a parking lot operated by Easy Park. The project, originally set to open in 2028, has been scaled back after costs rose from $400 million to $600 million, and $60 million had already been spent on planning and pre-construction. The gallery has appointed new architects—Chipewyan architect Alfred Waugh of Formline Architecture and Bruce Kuwabara of Toronto-based KPMB—to lead a redesigned, smaller-scale project, effectively starting from scratch.

Dozens of Venice Biennale Artists Demand Israel’s Exclusion

A coalition of 182 artists, curators, and art workers participating in the 2026 Venice Biennale, organized under the Art Not Genocide Alliance (ANGA), formally delivered a letter demanding the exclusion of Israel from the exhibition. The signatories, including prominent artists like Yto Barrada, Alfredo Jaar, and Miet Warlop, argue that the Biennale must not normalize Israeli policies towards Palestinians.

Total Warfare. A Conversation with Luigi Alberto Cippini  by ANY

Architect Luigi Alberto Cippini, founder of Armature Globale, engages in a provocative dialogue with Michael Abel and Nile Greenberg regarding the stagnation of contemporary architecture. Cippini calls for a radical departure from traditional disciplinary boundaries, advocating for a "punk" approach that embraces low-resolution aesthetics, hyper-specialized research, and a rejection of the pedantic communication standards that currently dominate the field.

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Composer Philip Glass has withdrawn his Symphony No. 15, a commissioned work honoring Abraham Lincoln, from the John F. Kennedy Center for the Performing Arts ahead of its scheduled premiere by the National Symphony Orchestra in June. Glass informed the center in a letter on Tuesday, stating that the Kennedy Center's current values are in direct conflict with the symphony's message, calling the decision an obligation. He joins soprano Renée Fleming in severing ties, while the Washington National Opera has already relocated due to low attendance. The center's board voted to add President Donald Trump's name to the institution in December, a move questioned for its legality and opposed by Kennedy family members and Democratic Representative Joyce Beatty.

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Chanel has opened Espace Gabrielle Chanel, mainland China's first public library dedicated to contemporary art, at Shanghai's Power Station of Art (PSA). The 18,000-square-foot library, designed by Japanese architect Kazunari Sakamoto, holds over 50,000 books and audiobooks and includes an upgraded exhibition hall, a terrace overlooking the Huangpu River, and a 300-seat public theater. It will host the Archive of Chinese Contemporary Art. The library is part of Chanel's Next Cultural Producer program, launched at PSA in 2021 under the Chanel Culture Fund, which supports emerging practices in Chinese craft, architecture, and theater.

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President Donald Trump was booed while attending a fundraiser for the musical *Les Misérables* at the John F. Kennedy Center for the Performing Arts. He arrived with Melania Trump to support the center, but faced a mixed reception of boos and chants of 'U-S-A.' The event followed Trump's controversial takeover of the Kennedy Center, where he fired the board of trustees appointed by Joe Biden and George W. Bush, installed himself as chair, and replaced longtime president Deborah Rutter. Several artists, including Ben Folds, Renée Fleming, Shonda Rhimes, Issa Rae, and Rhiannon Giddens, resigned in protest, and the center has seen program cancellations such as *Hamilton* and Pride events.

Comment | 'Artnet-Artsy merger: a Bloomberg for art?'

Artnet and Artsy have officially merged under private equity firm Beowolff Capital, founded by former Goldman Sachs trader Andrew Wolff. The deal, which took Artnet private, has already led to layoffs at both companies—including at least seven staff members from Artnet News—and the closure of Artnet's Berlin office. Jeffrey Yin, CEO of Artsy, will lead the combined entity. The merger aims to combine Artnet's vast database of 18 million auction results with Artsy's primary market gallery network to create a seamless user experience for discovering, researching, and buying art.

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The European Union's Regulation 2019/880, aimed at combating illicit trafficking and terrorism, will take effect on June 28, imposing stricter import controls on antiquities and artworks over 200 years old and valued above €18,000 ($19,500). The regulation requires importers to provide evidence that an object was lawfully exported from its country of origin, even for items exported decades ago when such documentation was not required. This reverses the presumption of innocence, placing the burden of proof on importers. Dealers and experts express concern that the rules are not based on market realities, as importers must be registered within the E.U., forcing non-E.U. dealers to rely on third-party agents or shippers. The regulation also poses challenges for ancient objects, where borders and export controls may be historically ambiguous.

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Investment group Beowolff Capital has announced a voluntary takeover offer for Artnet, valuing the company at approximately €65 million ($73.7 million). Beowolff Capital, a U.K.-registered firm led by CEO Andrew Wolff, has already secured 65% of Artnet's shares and plans to delist the company from the Frankfurt Stock Exchange. The deal includes the purchase of a 29.99% stake from Weng Fine Art AG, ending a long-running control struggle. Artnet's management supports the offer, which is expected to close on May 30, 2025.

Mexican Cultural Workers Denounce Pedro Reyes Sculpture at LACMA

A group of nearly 80 Mexican cultural workers, including artists, critics, and academics, has signed an open letter denouncing the display of Pedro Reyes's sculpture "Tlali" at the Los Angeles County Museum of Art (LACMA). The colossal lava stone head, unveiled earlier this month at LACMA's new building, echoes a controversial 2021 public commission by Reyes that was scrapped by Mexico City's government after protests from feminist and Indigenous advocates. The signatories accuse LACMA of ignoring the previous activism against the artist's work in Mexico, calling the museum's decision to legitimize a new version of the polemic sculpture "deceiving." Reyes has not responded to requests for comment.

In Pictures: sculpture gets a leg up at Frieze Los Angeles

Frieze Los Angeles 2025 is showcasing a diverse array of sculptural works that emphasize tactile materials and bodily forms. Highlights from the fair include Vincent Pocsik’s architectural mirrors at Nazarian Curcio, Shana Hoehn’s public installation featuring human limbs emerging from a fallen tree, and Alejandro García Contreras’s intricate ceramic spiderwebs. The presentation underscores a trend toward figurative sculpture that blends personal symbolism with physical presence, with several works already finding buyers among notable collectors.

The Big Review | Monuments, The Geffen Contemporary at Moca and The Brick, Los Angeles ★★★★★

A major exhibition titled 'Monuments' is on view at two Los Angeles venues, The Geffen Contemporary at Moca and The Brick. The show places nine decommissioned Confederate monuments, some already defaced, into dialogue with works by 19 contemporary artists, most of whom are Black. The centerpiece is Kara Walker's 'Unmanned Drone' (2023), a radical reworking of a removed statue of Confederate general Stonewall Jackson, which occupies its own venue at The Brick.

First gallery for Pan-African contemporary art in San Francisco to open in 2026.

San Francisco’s first gallery dedicated entirely to Pan-African contemporary art, the Art of Contemporary Africa (AOCA), will open on February 12, 2026, at the Minnesota Street Project in the Dogpatch neighborhood. Founded by industry veteran Craig Mark and South African photographer Clint Strydom, the gallery represents both leading and emerging African artists working across various media. Its inaugural group exhibition, “Afropop,” features artists including Dr. Esther Mahlangu, Ayanda Mabulu, Noria Mabasa, Willie Bester, Clint Strydom, Médéric Turay, and Samuel Allerton. AOCA is the sister gallery to The Melrose Gallery in Johannesburg and has already participated in major art fairs such as Expo Chicago, 1-54 New York, the Seattle Art Fair, and the Atlanta Art Fair.

Karma gallery debuts representation of Yvonne Jacquette in Miami

Karma gallery has taken over representation of the estate of Yvonne Jacquette (1934-2023), the American painter known for her aerial nighttime cityscapes and unconventional perspectives. The gallery, with locations in New York, Los Angeles, and Maine, is already showing Jacquette's work in a Manhattan group exhibition and at Art Basel Miami Beach, with a solo show planned for 2026 at its Chelsea space. The decision follows nearly three decades of representation by DC Moore Gallery.

These 16 Miami Art Week 2025 Exhibitions Are Already Creating Buzz Among Collectors

Miami Art Week 2025 is set to take place December 3–7, headlined by Art Basel Miami Beach (public days December 5–7) and concurrent fairs including Design Miami (20th anniversary) and NADA Miami. The article highlights 16 must-see exhibitions across venues such as the Miami Beach Convention Center, Wynwood, and the Miami Design District. Featured galleries include Pace Gallery (presenting Alexander Calder, Elmgreen & Dragset, James Turrell), Locks Gallery (Louise Bourgeois, Isamu Noguchi), Southern Guild (debuting at Art Basel with Zizipho Poswa and others), and Leon Tovar Gallery (focusing on Latin American women modernists).

The Sports Are Just the Tip of the Iceberg. Here’s What Else to Expect From the 2028 Olympics.

Los Angeles is preparing a comprehensive Cultural Olympiad for the 2028 Olympic and Paralympic Games, led by LA28 senior vice president Dwayne Jones and executive director Nora Halpern. The program will feature free sports movie screenings, live music, food experiences, art installations, community events, and special exhibitions at local museums. Sixteen local artists have been commissioned to create posters honoring the games, with a dedicated gallery exhibition planned for July 2027. A new digital calendar and mapping tool will help residents and visitors navigate the cultural offerings, and institutions like LACMA, the LA Philharmonic, and the Museum of Latin American Art have already expressed support.

Riyadh continues to bet big on public art: over 100 new works to be installed in the Saudi capital in the coming years

Riyadh continua a scommettere forte sull’arte pubblica: nei prossimi anni oltre 100 nuove opere installate nella capitale saudita

Saudi Arabia is significantly expanding its Riyadh Art public art initiative, with plans to install over 100 new monumental works across the capital city in the coming years. Following the recent Tuwaiq Sculpture 2026 event, which added 25 stone and metal sculptures to the permanent collection, the city has announced 12 new site-specific installations by high-profile international artists including Anselm Kiefer, El Anatsui, and Manal AlDowayan. The project aims to reach a total of 115 new commissions, building upon a collection that already features masters like Anish Kapoor, Jeff Koons, and Giuseppe Penone.

A Caravaggio for Rome

Un Caravage pour Rome

The Italian Ministry of Culture has acquired Caravaggio's 'Portrait of Maffeo Barberini' for the state. The painting, which had been on loan to the Palazzo Barberini from its private owner, will now be permanently deposited at the museum.

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A Confederate heritage group, the Georgia Division of the Sons of Confederate Veterans, has filed a lawsuit against Stone Mountain Park in Georgia, challenging a new exhibition that examines the site's history of slavery, segregation, and white supremacy. The group argues that the exhibition, commissioned by the Stone Mountain Memorial Association and developed by Warner Museums, violates state law by repurposing the park away from its original mandate to honor the Confederacy. The exhibition, funded with $11 million from the Georgia legislature in 2023, is not yet open to the public but has already sparked backlash from heritage groups.

How the adoption of canvas in Venice changed the way artists painted

Art historian Cleo Nisse has published a new book, *Venetian Canvas and the Transformation of Painting*, examining how 16th-century Venetian painters such as Titian, Veronese, and Tintoretto pioneered the use of canvas as a painting support. Nisse reveals that canvas was not a uniform material—artists experimented with different weaves, including tabby and herringbone patterns, and even repurposed sailcloth and tablecloth-quality fabrics to achieve specific visual effects. The book argues that canvas was already familiar in the late Middle Ages for banners and alternatives to tapestry, and that Vittore Carpaccio was the first master of the medium, varying canvas types for expressive purposes in his *Legend of St Ursula* series.

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The Lazio Region of Rome and Italy's Ministry of Culture are undertaking a €35 million ($41.1 million) restoration of Villa Silvestri Rivaldi, a historic palazzo overlooking the Colosseum that has long fallen into disrepair. Originally commissioned by Pope Paul III in the 1540s and designed by Sangallo the Younger with gardens by Giacomo Del Duca, the villa has housed cardinals, served as a convent, textile factory, welfare institution, and school, and was even used by squatters and hostage-takers in the 1970s. Early restoration work since 2024 has focused on stabilizing the structure and cleaning its frescoes with laser technology, with full-scale restorations set to begin in 2026.

Venice Biennale Swamped in Protests Ahead of Planned Strike

The Art Not Genocide Alliance (ANGA) has announced a 24-hour strike for Friday, May 8, coinciding with previews of the 2026 Venice Biennale, alongside a protest rally organized by local group Biennalocene and Italian trade unions. Earlier this week, sixty artists staged a sonic protest at the Giardini entrance to draw attention to the plight of those affected by genocide and war in Palestine and elsewhere. The Latvian pavilion has also encouraged attendees to wear a design by artist Krišs Salmanis reading “Death in Venice – Russia go home!” Meanwhile, dissident artists Pussy Riot stormed the Russian pavilion waving Ukrainian flags, and the entire 2026 Biennale jury resigned after the decision to exclude countries whose leaders are charged with crimes against humanity by the International Criminal Court from competing for top prizes.

EU Cuts Venice Biennale Funding Over Russia Involvement

The European Commission has withdrawn a $2.3 million grant from the Venice Biennale, following through on a threat made last week. The funding cut is a direct response to the Biennale's decision to readmit Russian artists as a government-funded delegation for its 2026 edition, which the EU argues violates sanctions and provides Russia a cultural platform during its war against Ukraine.

Longtime art and studio complex in downtown Wilmington is for sale

Acme Art Studios, a longtime visual arts institution in downtown Wilmington, North Carolina, has been listed for sale at $4.4 million. The one-acre complex at 711 N. Fifth Ave. includes a 12,000-square-foot warehouse with studio and gallery space, plus four vacant lots. Founded in 1991 by a collective of artists in a former carpet warehouse, Acme has become a vital hub for the local arts scene, renting to dozens of artists and hosting countless shows over more than three decades. The property is owned by five artists, including co-founder Pam Toll, who said the decision to sell was unanimous and that the timing is right for a number of reasons.

Historic 16-Venue Art Exhibit Spotlights Local Women Artists

The Greater Washington region launches "Women Artists of the DMV," the largest curated fine arts exhibition ever dedicated to contemporary female artists in the United States. Featuring more than 500 artists across Maryland, Virginia, and Washington, D.C., the landmark survey spans 16 galleries and cultural venues from late August through January 2026, with the American University Museum at the Katzen Arts Center serving as the central hub. Curated by Florencio Lennox Campello, the exhibition highlights both established and emerging voices across genres including painting, sculpture, glasswork, textiles, and public art, with strong representation from Southern Maryland and Prince George's County.

'We already have proof of concept,' says art gallery director (10 Photos)

Matthew Hills, executive director of the Thunder Bay Art Gallery, gave local media a tour of the partially-completed facility on the city's north-side waterfront, confirming the opening has been delayed from 2025 to 2027. Inflation, supply-chain issues, and trade wars have driven the project cost to $74.7 million, with a $22.6 million funding shortfall. City council recently released $5 million to prevent a construction shutdown, and Hills said a phased opening in 2026 is under consideration. Current funding includes $37 million from the federal Canada Cultural Spaces Fund, $5.7 million from Ontario, $5.2 million from the city, and $4.9 million in private donations.