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Kimbell Art Museum acquires Chardin still life after record-breaking auction sale falls through

The Kimbell Art Museum in Fort Worth, Texas, has acquired Jean Siméon Chardin's still life *The Cut Melon* (1760) from the Rothschild family after a record-breaking auction sale at Christie's Paris in June 2024 fell through. The winning bidder, Italian real estate promoter Nanni Bassani Antivari, never paid, leading Christie's to sue him for compensation. The Rothschilds then sold the painting directly to the Kimbell, which had been the underbidder at auction. The work, which retains its original frame from its 1761 Salon debut, went on view at the museum on 22 May in the French still life gallery.

First look: the ‘once-in-a-lifetime’ rehang at London's National Gallery

On May 10, London's National Gallery will unveil its first full rehang of the collection since the Sainsbury Wing opened in 1991. The wing has been closed for over two years to create a larger entrance foyer. Christine Riding, the director of collections and research, oversaw the rehang, which she calls a "once-in-a-lifetime" opportunity. Nearly 40% of the collection—1,045 paintings—will be displayed, including 919 from the collection and 126 on loan. The rehang is sponsored by Hong Kong-based property developer C C Land and is called "C C Land: The Wonder of Art." Works by female artists have been given greater prominence, and some paintings were conserved or reframed. The chronological arrangement from west to east remains similar, but many pictures have been repositioned to highlight artistic influences across generations.

Walk the auction: your guide to Christie’s 20th and 21st Century Art sales in NY this May

Christie’s is holding its spring 20th and 21st Century Art sales week in New York from 12–15 May 2025, featuring over 500 works across six live auctions. Highlights include the single-owner collection of Leonard and Louise Riggio, led by a rare Piet Mondrian and René Magritte’s *Les droits de l'homme*; the 20th Century Evening Sale headlined by a Claude Monet from his *Les Peupliers* series; and the 21st Century Evening Sale, where Jean-Michel Basquiat’s *Baby Boom* sold for $23.4 million. Other notable consignors include Anne and Sid Bass, Tiqui Atencio, and Ago Demirdjian. The free public exhibition runs from 3–15 May at Christie’s Rockefeller Center galleries.

Left at the altar: Luc Tuymans's paintings to replace Tintoretto works at Venetian church

Belgian artist Luc Tuymans has created two new paintings, "Heat" and "Musicians" (2025), for the altar of the Abbey of San Giorgio Maggiore, a 16th-century church on a Venetian island. The works temporarily replace two canvases by Jacopo Tintoretto—"The Last Supper" and "The People of Israel in the Desert"—which are undergoing restoration funded by the Save Venice conservation charity. The commission was organized by Benedicti Claustra Onlus and the Draiflessen Collection, and the paintings will be on view from May 9 to November 23.

WHEN FASHION MEETS ART QUOTES BODIES AND POWER AT THE MET GALA

The 2026 Met Gala took place on the first Monday of May, opening the Costume Institute's spring exhibition 'Costume Art' at the Metropolitan Museum of Art. The dress code 'Fashion is Art' prompted celebrities to treat the body as a canvas, with attendees like Hunter Schafer, Madonna, Rachel Zegler, Angela Bassett, Kendall Jenner, Troye Sivan, and Emma Chamberlain referencing specific artworks—from Gustav Klimt's *Mada Primavesi* to the *Winged Victory of Samothrace*—and historical fashion pieces.

Barbara Chase-Riboud Speaks Out on Declining US Biennale Pavilion

Sculptor and author Barbara Chase-Riboud has publicly declined an invitation to represent the United States at the 2026 Venice Biennale, stating it was "not the moment" for her to do so. She was among the artists initially considered by the newly formed American Arts Conservancy (AAC), which is organizing the US pavilion after both she and photographer William Eggleston turned down the opportunity.

“Joseph Barrett: Views from his Lahaska Studio” to open at Silverman Gallery

The Silverman Gallery of Bucks County Impressionist Art in Holicong, Pennsylvania, will open a new exhibition titled “Joseph Barrett: Views from his Lahaska Studio” on May 16-17, 2025, with opening receptions featuring live jazz and refreshments. The show runs through June 20 and includes previously unseen works such as “View from My Window,” “Neshaminy,” and “County Theater in Snow,” alongside Barrett’s painting “Estate of Joseph Stanley,” recently returned from a two-year display at the U.S. Embassy in Kigali, Rwanda, as part of the State Department’s Art in Embassies program.

Selling exhibition to support art: Déjà Vu at Alserkal heralds joint initiative

A multi-gallery selling exhibition titled 'Déjà Vu' opens at Concrete in Alserkal Avenue on April 25, running for 14 days. The exhibition features over 50 artists from 20 leading UAE contemporary art galleries and is curated by Kevin Jones, Nada Raza, and Zaina Zaarour. It is designed as a commercial initiative to support galleries impacted by recent events.

Art exhibitions to explore in the UAE this September

This September, the UAE is hosting a diverse array of art exhibitions across Dubai and Abu Dhabi, ranging from group shows to solo presentations and digital art showcases. Highlights include 'Summer Collective: Wavering Hope' at Ayyam Gallery, featuring 12 Syrian artists; Colombian artist Ana Escobar Saavedra's first solo show at 421 Arts Campus; 'To Know Malaysia Is To Love Malaysia' at the Cultural Foundation, presenting works by NYU Abu Dhabi MFA graduates; 'History Encoded' at kanvas, tracing digital art from algorithmic works to AI and blockchain; and Marwan Bassiouni's 'New Western Views' at Lawrie Shabibi, exploring mosque interiors in Western landscapes.

Art’s new hybrid economy: who is making creative waves in a sector where analogue and digital media exist together?

The article examines how contemporary artists are navigating a hybrid art economy where analogue and digital media converge, particularly in the age of AI. It profiles Simon Denny, recently appointed a Member of the New Zealand Order of Merit, whose machine-assisted paintings at Kraupa-Tuskany Zeidler in Berlin address the illegibility of AI-generated images and the militarized rhetoric of Italian Futurism. Other artists featured include Sara Ludy, whose postdigital paintings at Smart Objects, Los Angeles, reflect screen-based perception, and Chris Dorland, whose exhibition at Nicoletti Contemporary, London, exposes the limits of technical systems through glitch aesthetics. Hito Steyerl's new book *Medium Hot: Images in the Age of Heat* (2025) is also discussed, questioning the role of images in an era of operational, nonhuman vision.

Finnish gallery Makasiini Contemporary will open a new gallery space in Helsinki.

Finnish gallery Makasiini Contemporary has announced it will open a new location in Helsinki this fall, after eight years in Turku. The 8,000-square-foot space, located in Helsinki's historic Train Factory in Pasila, will debut on September 19 with three simultaneous exhibitions: solo shows by Spanish painter Jorge Galindo and Canadian painter Cindy Phenix, plus a group exhibition featuring artists from the gallery's roster. Founded in 2016 by Frej Forsblom, the gallery also maintains its flagship in Turku's former governor's stables, built in 1832.

Spencer Finch and Lindsay Adams to create large-scale commissions for Obama Presidential Center

The Obama Presidential Center has commissioned new site-specific works by artists Spencer Finch and Lindsay Adams for its 19-acre campus in Chicago's Woodlawn neighborhood. Finch will create a wall tile installation inspired by the color palettes of Honolulu, Nairobi, Jakarta, and Chicago—cities formative to Barack Obama's life—while Adams will translate her 2024 painting "Weary Blues" into silkscreened fabric panels for the public cafe. The center, opening in the first half of 2026, will feature over 20 commissioned artworks, including previously announced pieces by Maya Lin, Richard Hunt, and Julie Mehretu.

Steven Durland, Champion of Performance Art, Dies at 75

Steven Durland, a longtime editor of *High Performance* magazine and a champion of performance art, died on March 11 at age 75 after a brief illness. His life partner, Linda Frye Burnham, confirmed his death in Saxapahaw, North Carolina. Durland was born in Long Beach, California, raised in South Dakota, and trained as a ceramic artist with a BFA from the University of South Dakota and an MFA from the University of Massachusetts Amherst. He became deeply involved in performance and mail art, and from 1986 to 1994 served as editor of *High Performance*, a magazine founded by Burnham that featured thousands of artists including Nancy Buchanan, Carolee Schneemann, Paul McCarthy, Suzanne Lacy, and Ulysses Jenkins. Durland also maintained his own artistic practice, creating performances such as "Win Defeat/BID FOR POWER" (1978) and "Death and Taxis" (1982), and produced the micro-newspaper *Tacit*.

The Bahamian Pavilion Brings Junkanoo to Venice in a Biennale Standout

After a thirteen-year hiatus, the Bahamian Pavilion has returned to the Venice Biennale with an exhibition titled "In Another Man's Yard," featuring the late master John Beadle and his former student Lavar Munroe. The pavilion, housed in the San Trovaso Art Space in Dorsoduro, centers on Junkanoo—the vibrant, crepe-costumed procession that is a defining cultural tradition of the Bahamas. Munroe's large-scale sculptural works incorporate strips of discarded Junkanoo costumes, while paintings and installations commemorate Beadle, who died in 2024. The presentation was revived with support from Baha Mar, a resort company, after government funding was withdrawn in 2014.

After Five Years of Community Building, Social Practice CUNY Initiative to End in 2027

The Social Practice CUNY (SPCUNY) initiative, a major program fostering the intersection of art and social justice across the City University of New York’s 25 campuses, will officially sunset in February 2027. Co-directed by artists Chloë Bass and Greg Sholette, the program will conclude following its final 2025–26 fellowship cohort. The decision to end the project stems from the directors' personal transitions, including Sholette’s upcoming retirement and Bass’s shift away from full-time teaching to focus on her studio practice.

antonio canova monumental horse sculpture back on view 50 years storage

Antonio Canova's monumental plaster horse sculpture, *Cavallo Colossale* (1819–21), has been restored and returned to public display after spending 50 years in storage at the Museo Civico di Bassano. The sculpture, acquired by the museum in 1849, had deteriorated in storage since the late 1960s. A multi-year restoration led by Passarella Restauri involved reassembling over 200 fragments, removing 19th-century additions, and installing a new internal metal frame for earthquake protection. The project was funded by Intesa Sanpaolo and the Venice in Peril fund.

mfa boston returns benin bronze robert owen lehman

The Museum of Fine Arts Boston has returned two Benin Bronzes—a 16th/17th-century terracotta and iron Commemorative Head and a 16th-century bronze Relief Plaque—to the Kingdom of Benin. The works were looted by British soldiers during the 1897 attack on Benin City, later acquired by collector Robert Owen Lehman Jr., and donated to the MFA in 2013 and 2018. The repatriation ceremony took place on June 27 at Nigeria House in New York, with the items handed over to Prince Aghatise Erediauwa and Ambassador Samson Itegboje. The MFA closed its Benin Kingdom Gallery in April and noted that three other Benin works donated by Lehman remain in its collection pending further provenance research.

hew locke belgium sculpture cancelled

London-based British-Guyanese artist Hew Locke expressed disappointment on Instagram after learning that the city of Ostend, Belgium, canceled a site-specific artwork commissioned late last year. The newly-elected city council cited insufficient public consultation before accepting Locke's proposal, which aimed to re-contextualize a statue of former Belgian King Leopold II—a ruler notorious for brutal colonial exploitation in the Congo. Locke offered to extend public consultation and reduce the installation from ten to five years, but received no response. The council's decision was announced without joint press release coordination, and Locke has had no further communication from them.

can art act as silent diplomacy these sculptors think so

A 4.9-meter stainless steel sculpture titled "Chaînes de Lumière" was unveiled on March 15, 2025, in Bikfaya, Lebanon, by artist duo Pierre and Cedric Koukjian. The work, composed of seven monumental links, was inaugurated in the presence of local officials including Bikfaya Mayor Nicole Gemayel, former President Amine Gemayel, Swiss Ambassador Marion Weichelt, and several UN envoys. It is part of a series of chain-motif sculptures installed globally, with previous works like "X-Link" (2022) in Geneva, Switzerland, and future installations planned for London and Bristol.

I cantieri che restaurano i saloni rinascimentali di Palazzo Venezia a Roma si possono visitare (gratis!). Ecco come

Palazzo Venezia in Rome is opening its monumental Renaissance halls to the public for free guided tours on three dates in 2026—May 23, June 6, and June 20—as part of the "VIVE Cantiere Aperto" project. Visitors will be led by restorers and art historians onto scaffolding to observe the restoration of the Loggia Grande, Sala del Mappamondo, and Sala delle Battaglie, including their wooden ceilings, sculptural decorations, and wall paintings. The halls have served as Venetian embassy, Austro-Hungarian imperial seat, and Mussolini's government headquarters before becoming a museum space.

serpentine summer party pavilion cate blanchett

The Serpentine Summer Party took place in London's Kensington Gardens, drawing a glamorous crowd to celebrate Bangladeshi architect Marina Tabassum's 25th Anniversary Serpentine Pavilion, titled "A Capsule in Time." Co-hosted by actor Cate Blanchett, the event featured musical performances by Caroline Polachek and GALLiVANTER, along with exhibitions by Giuseppe Penone and Sir Peter Cook. Notable attendees included Serpentine Board Chairman Michael Bloomberg, Artistic Director Hans Ulrich Obrist, CEO Bettina Korek, and a host of celebrities and cultural figures.

Ocean County Artists' Guild presents "Proof I Was Here" by Conni Freestone

Conni Freestone's solo exhibition "Proof I Was Here" opens June 1, 2026 at the Ocean County Artists' Guild in Island Heights, New Jersey, running through the end of the month. The show spans three interconnected spaces and explores themes of existence, memory, and identity through photography, featuring images of Bruce Springsteen, Asbury Park cars, Havana's aging vehicles, and Route 66 remnants, alongside self-portraiture. An opening reception on June 7 includes live music by Johnny Kasun and Timmy Basskidd Douglas, and a RiverJAM event on June 16 features additional performances.

In Stockholm, the Tech scene supports art

Stockholm's art fair, featuring 54 galleries and around 150 artists, offers a democratic layout with no sections, placing established and emerging galleries side by side. Prices range from €300 to €300,000, with most works under €50,000. Notable presentations include Olafur Eliasson's new works at i8 gallery, Benjamin Orlow's sculpture destined for the Venice Biennale's Nordic Pavilion, and emerging galleries like Coulisse Gallery showing Jonatan Pihlgren. The fair reflects a strong local collector base, though some galleries note a recent market contraction.

Hopkins Bloomberg Center exhibition to explore American art as cultural diplomacy

The Johns Hopkins University Bloomberg Center is launching a new exhibition titled "Artistic Generosity and the American Artist Abroad," showcasing four decades of American art commissioned for U.S. embassies worldwide. Opening April 7 at the Irene and Richard Frary Gallery, the show features site-specific commissions, prints, and photographs from the Foundation for Art and Preservation in Embassies (FAPE) collection, including works by Frank Stella, Ellsworth Kelly, and Julie Mehretu.

Hopkins Bloomberg Center exhibition to explore American art as cultural diplomacy

The Johns Hopkins University Bloomberg Center is set to launch a new exhibition titled 'Artistic Generosity and the American Artist Abroad,' showcasing four decades of American art commissioned for U.S. embassies. Opening April 7 at the Irene and Richard Frary Gallery, the show features works from the Foundation for Art and Preservation in Embassies (FAPE) by renowned artists including Sam Gilliam, Ellsworth Kelly, Julie Mehretu, and Martin Puryear. Highlights include never-before-seen maquettes by Don Gummer and the late Frank Stella, alongside a replica of the Declaration of Independence donated by David M. Rubenstein.

Phillips’ Evening Sale of Modern & Contemporary Art More than Doubles Auction Total from the Previous Year

Phillips’ Evening Sale of Modern & Contemporary Art achieved a total that more than doubled the previous year's auction result, driven by strong demand for works spanning the 19th to 21st centuries. The sale opened with three lots exceeding their high estimates, including record prices for Lee Bontecou's rare 'Untitled' (1985-2001), which set a new record for any two-dimensional work by the artist after nearly five minutes of bidding. Other records were set for Pat Passlof, P.S. Krøyer, and Joseph Yaeger. Top lots included Andy Warhol's 'Sixteen Jackies' ($16.2 million), Claude Monet's 'La Route de Vétheuil, effet de neige' ($9.9 million), and Jackson Pollock's 'Untitled' ($9.2 million). The sale also featured works from The Collection of Ambassador John L. Loeb, Jr., which achieved a combined $8.4 million, with two Vilhelm Hammershøi works acquired by prominent institutions.

Blue Shields Placed at 34 Archaeological Sites Across Lebanon, Signaling Enhanced Protections

The Lebanese Culture Ministry has placed distinctive blue shields at 34 archaeological sites across the country. This action formally designates the sites as protected cultural property under the 1954 Hague Convention, aiming to shield them from destruction during the ongoing armed conflict involving Israel and Hezbollah.

royal ontario museum director nicholas r bell

The Royal Ontario Museum (ROM) in Toronto has appointed Nicholas R. Bell as its new director and CEO, effective July 6. Bell, who currently leads the Glenbow museum in Calgary, succeeds Josh Basseches following a decade-long tenure. During his time at Glenbow, Bell was noted for securing a $250 million capital campaign and implementing a landmark free-admission policy, the first of its kind for a major Canadian museum.

british museum israel embassy party petitiion backlash

Staff at the British Museum have criticized the institution for allowing the Israeli embassy in London to host a party on its premises celebrating the 77th anniversary of Israel's founding. An internal petition signed by 250 staff members demands an end to relations with Israeli cultural institutions, citing concerns over perceived political bias and potential damage to curatorial partnerships. The event, held on May 13, featured Israeli ambassador Tzipi Hotovely and other political figures, and was not publicly advertised. The museum defended the event as a commercial rental handled on a non-political basis, but former curator Venetia Porter and others argue it undermines impartiality amid the ongoing conflict.

From shopping malls to housing estates, Singapore Biennale integrates art into the city’s urban fabric

The eighth edition of the Singapore Biennale, titled "Pure Intention," opens across five neighborhoods in Singapore, embedding over 100 artworks in sites ranging from shopping malls and housing estates to colonial-era buildings and parks. Curated by Selene Yap, Hsu Fang-Tze, Ong Puay Khim, and Duncan Bass, the biennale features works like field-0's "Drifting Bodies" (2025), which critiques Singapore's hydropower imports and their impact on Thailand's indigenous Karen hill tribe, and Allora & Calzadilla's "Under Discussion" (2004), exploring sovereignty and displacement. Organized by the Singapore Art Museum and commissioned by the National Arts Council, the event is part of SG60, Singapore's 60th anniversary celebrations.