christophe leribault louvre president appointment

French President Emmanuel Macron has appointed Christophe Leribault as the new president of the Louvre Museum, following the sudden resignation of Laurence des Cars. Leribault, an 18th-century art expert who was currently serving as the director of the Palace of Versailles, takes over the institution during a period of significant internal crisis. In a concurrent move, Annick Lemoine was named the new director of the Musée d’Orsay and the Musée de l’Orangerie, filling the vacancy left by the late Sylvain Amic.

philadelphia art museum rebranding

The Philadelphia Museum of Art is reversing its controversial rebranding decision, abandoning the name "Philadelphia Art Museum" and the acronym "PhAM" after widespread backlash. The museum will retain its new griffin logo but restore the original name, Philadelphia Museum of Art, across all platforms. The rebrand, developed with Brooklyn design studio Gretel at a cost of $1 million, was rolled out less than four months ago but met with public mockery and internal turmoil. The reversal follows the firing of CEO Sasha Suda, who filed a lawsuit over her ouster, and the appointment of Daniel Weiss, former CEO of the Metropolitan Museum of Art, as her successor. Chief marketing officer Paul Dien also resigned amid the fallout. The board voted unanimously to undo the name change after a survey commissioned by an interdisciplinary task force.

lithuanian pavilion

Lithuania's pavilion at the 2019 Venice Biennale presents "Sun & Sea (Marina)," an opera about a day at the beach that serves as a subtle, chilling commentary on climate change. Viewers observe performers lounging on a sandy tableau from a balcony, as they sing about mundane inconveniences and environmental apathy. The work, created by theater director Rugilė Barzdžiukaitė, playwright Vaiva Grainytė, and composer Lina Lapelytė, was adapted into English for the biennale and organized by Lucia Pietroiusti of London's Serpentine Galleries.

british museum treasure hunter stolen antiquities recovery

The British Museum is hiring a dedicated treasure hunter to recover hundreds of stolen antiquities, including gold jewelry and semi-precious stones allegedly taken by former curator Peter Higgs. Since the theft of some 1,500 objects was revealed in 2023, over a third have been recovered, but the museum is racing to find the remaining pieces before they are destroyed or melted down. The new role will focus on liaising with an international network of dealers, auction houses, and collectors, while also using open-source investigation and AI tools to track down items scattered globally.

louvre closed as workers begin strike france

The Louvre Museum in Paris was forced to close on Monday after approximately 400 employees went on strike to protest deteriorating working conditions. The strike, organized by unions CGT, CFDT, and Sud, blocked the museum's iconic pyramid entrance. Workers cited a brazen $102 million theft of French crown jewels in October 2025 as evidence of deep operational dysfunction, and they accused management of failing to address longstanding security and staffing issues. The closure follows a turbulent year that included a leaked memo from director Laurence des Cars warning of water leaks and overcrowding, a wildcat strike in June, and the closure of the Sully wing due to structural weaknesses.

louvre staff vote with unanimity to strike

Louvre staff voted unanimously to strike starting December 15, following a meeting of 200 employees from three unions. The unions filed a strike notice with France’s Ministry of Culture, citing a museum in “crisis” with “increasingly deteriorated working conditions” and describing the visitor experience as a “real obstacle course.” The strike could force closures during the busy holiday period. This action follows a year of turmoil at the museum, including a January leaked memo from director Laurence des Cars warning of water leaks and overcrowding, a June wildcat strike over working conditions, and an October theft of $102 million in French royal jewels that exposed outdated security systems. Structural issues recently forced closure of the Sully wing, and a water leak damaged 400 books in the Egyptian antiquities library.

mps to debate whether sponsorship and advertizing by fossil fuel companies should be banned in uk

On Monday, the UK Parliament will debate whether to ban sponsorship and advertising by fossil fuel companies, following a petition with over 100,000 signatures. The petition specifically cites the £50 million partnership between BP and the British Museum, arguing that such deals allow fossil fuel giants to greenwash their reputations. While the government has no current plans to restrict fossil fuel advertising, cultural institutions like the National Portrait Gallery, Tate galleries, and Royal Opera House have already ended sponsorship deals with BP. The British Museum has defended its BP deal, with director Nicolas Cullinan stating the funding helps keep the museum free to the public.

aral culture summit uzbeikstan

The inaugural Aral Culture Summit (ACS) took place in Nukus, Uzbekistan, organized by the Uzbekistan Art and Culture Development Foundation (ACDF). The summit brought together around 500 attendees to explore how arts, cultural heritage, and design can support environmental regeneration in the Aral Sea region, which has suffered catastrophic ecological collapse due to Soviet-era river diversions for cotton farming. Speakers included Ivana Živković of the UNDP, Elena Kan of KIVA Center for Agroinnovations, Kazakh biodesigner Dana Molzhigit, and Belgian landscape architect Bas Smets, who discussed afforestation, climate resilience, traditional knowledge, and microclimate design.

VARINIA BRODSKY ZIMMERMANN: “ENTIENDO AL MUSEO COMO UN CAMPO DE REVERBERACIÓN”

Varinia Brodsky Zimmermann, director of the Museo Nacional de Bellas Artes de Chile, is interviewed as part of a series on contemporary museums in Latin America. She describes the museum as a "field of reverberation" that amplifies social, cultural, and political questions without reacting mechanically to demands. The conversation covers structural challenges facing public museums in Chile, including budget precarity and suspended exhibition projects, and Brodsky advocates for more permeable, horizontal, and sustainable institutions that maintain critical depth while engaging diverse communities.

LATIN AMERICA AT THE VENICE BIENNALE: A VISUAL TOUR OF THE CENTRAL EXHIBITION

LATINOAMÉRICA EN LA BIENAL DE VENECIA: UN RECORRIDO VISUAL POR LA MUESTRA CENTRAL

The 61st Venice Biennale, titled "In Minor Keys," opened its preview days on May 8, 2025, curated by the late Koyo Kouoh (1967–2025). The central exhibition, realized by a team she selected before her death, features 110 participants from around the world, with a strong Latin American presence of 15 artists, collectives, and organizations. The show explores themes of colonial history, plantation economies, geological memory, and environmental crisis through works that emphasize shared materials, politics, and poetics across geographies from Dakar to San Juan.

Santiago Yahuarcani: The Beginning of Knowledge

SANTIAGO YAHUARCANI: EL PRINCIPIO DEL CONOCIMIENTO

The Museu de Arte de São Paulo (MASP) is hosting "El principio del conocimiento," the first solo exhibition in Brazil for Peruvian artist Santiago Yahuarcani. Curated by Amanda Carneiro, the show features approximately 35 paintings on llanchama (tree bark) that explore the Uitoto worldview. The exhibition is organized into five thematic sections that navigate the sensory experience of the Amazon, the spiritual significance of sacred plants like coca and tobacco, and the brutal historical memory of colonial extraction.

Venice in Crisis Mode

Venedig im Krisenmodus

The 61st Venice Biennale has opened under extraordinary circumstances, marked by political protests, a jury resignation, and canceled awards. The Biennale's jury resigned en masse after announcing they would exclude Israeli and Russian contributions from their decisions, leading to the cancellation of the Golden Lion awards and a crisis over the international competition's legitimacy. A newly introduced audience prize also faced boycotts from artists in solidarity. Protests, closed pavilions, and pro-Palestinian actions dominated the preview days, with artists pasting protest posters directly onto their works, reflecting heightened tensions.

Michael Armitage and the Feverish Memory of Images

Michael Armitage und das fiebrige Gedächtnis der Bilder

The British-Kenyan painter Michael Armitage is the subject of a major solo exhibition at the Palazzo Grassi in Venice, part of the Pinault Collection. The showcase features new works, including the titular painting "52,000 Years," which references prehistoric cave art while weaving together themes of political unrest, the refugee crisis, and lush landscapes. Armitage’s technique is noted for its use of Lubugo bark cloth, a traditional Ugandan material that adds a tactile, irregular dimension to his complex figurative compositions.

Guangzhou Image Triennial 2025 Review: The Case for Sensitivity

The Guangzhou Image Triennial 2025, titled 'The Case for Sensitivity,' has opened at the Guangdong Art Museum. The exhibition, featuring over 50 artists and artist groups, directly addresses a perceived crisis of technological mediation, arguing that digital existence deprives us of direct contact with the natural world. It aims to foster new forms of attention by emphasizing the materiality of images—what they are made of—over what they represent.

Art Dubai announces details for revised 2026 edition

Art Dubai has unveiled the details for its 2026 "special edition," which features a significantly reduced scale in response to ongoing regional conflict. The fair will host 50 galleries—a sharp decline from the 120 participants in 2025—with a strategic focus on regional representation, as nearly two-thirds of the exhibitors hail from the Middle East. To compensate for the smaller commercial footprint, the event will deepen its ties with local institutions like the Sharjah Art Foundation and Alserkal Avenue through expanded collaborative programming.

Gilles Bloch: "The Museum needs 1.1 billion euros"

Gilles Bloch : « Le Muséum a besoin de 1,1 milliard d’euros »

Gilles Bloch, president of the Muséum national d’histoire naturelle in Paris, has issued an urgent call for €1.1 billion in funding to address the critical state of the institution's infrastructure. Ahead of its 400th anniversary in 2026, a diagnostic report reveals that 74% of the museum's 120 buildings are in poor condition, with several galleries currently closed to the public or suffering from inadequate climate control. The requested funds would cover €500 million in emergency repairs to stabilize decaying structures and a further €600 million for long-term modernization and energy efficiency upgrades.

Venice Biennale Artists Decline Consideration for Golden Lions Chosen by Public Vote

Nearly half of the artists in the main exhibition of the Venice Biennale have signed a statement declining consideration for the Golden Lion awards, in solidarity with the jury that resigned last month. The statement, published by e-flux, includes prominent names such as Alfredo Jaar, Tuan Andrew Nguyen, Otobong Nkanga, and Walid Raad, as well as national pavilion representatives from France, Lithuania, and the Netherlands. The Biennale had planned to replace the jury-selected Golden Lions with "Visitor Lions" decided by public vote, but the artists' refusal marks an unprecedented protest within the exhibition.

Drained, Drowning, and Decay: The Best National Pavilions at the Venice Biennale

The 2026 Venice Biennale is defined by themes of ruin and decay, with standout national pavilions exploring bodily, infrastructural, and archaeological collapse. The Slovenian Pavilion features the Nonument Group repurposing materials from past Biennales into a ruin of a mosque for Bosnian Muslim soldiers from World War I. Syria presents its first national pavilion since the Civil War, with Sara Shamma invoking Palmyra, destroyed by ISIS. Germany's pavilion, titled "Ruin," features works by Henrike Naumann (who died in February) and Sung Tieu, questioning the pavilion's fascist architecture and nationalist residue. The Austrian Pavilion, curated by Florentina Holzinger, offers a visceral performance titled "Sea World." The Biennale is also marked by the abrupt resignation of its five-member jury, who refused to consider nations charged with crimes against humanity, leading to awards being chosen by public vote. Additionally, the main exhibition "In Minor Keys" was affected by the death of its curator, Koyo Kouoh.

An Unprecedented 24-Hour Strike Could Upend the Venice Biennale

An unprecedented 24-hour strike is set to interrupt the Venice Biennale's opening week on Friday, May 8, in protest of Israel's participation in the global art event. The action, organized by the activist group Art Not Genocide Alliance (ANGA), follows a letter signed by over 230 Biennale participants demanding Israel's exclusion. The strike has exposed divisions among participants, with some artists and pavilion teams weighing solidarity against the rare opportunity to platform their own political messages. The Slovenian pavilion, represented by Nika Grabar of the Nonument Group, has committed to the strike, while others like Ecuador's Tawna Collective remain undecided, balancing protest with their mission to highlight ecological crises in the Amazon.

First Impressions of a Venice Biennale Torn Apart by the Present

The 61st Venice Biennale, titled "In Minor Keys," opens amid turmoil: its curator Koyo Kouoh died of cancer during planning, and the festival jury resigned after a controversial statement about excluding Israel and Russia from prizes, replaced by a Eurovision-style people's choice award. The main exhibition, completed by a team of five collaborators using Kouoh's plans, features over 110 artists and collectives, with highlights including works by Big Chief Demond Melanchon, Tammy Nguyen, Guadalupe Maravilla, Ayrson Heráclito, and a section focused on Michael Armitage's Nairobi Contemporary Art Institute.

‘We are complicit’: Austrian artist Florentina Holzinger’s immersive Venice Biennale pavilion brings apocalypse to the city

Austrian artist Florentina Holzinger has created 'Seaworld Venice,' an immersive and confrontational installation for the Austrian Pavilion at the 2024 Venice Biennale. The work explores climate change, technology, and a dystopian flooded future, drawing comparisons to the 1995 film 'Waterworld'—though neither Holzinger nor curator Nora-Swantje Almes had seen it. Known for extreme performance art involving nudity, blood, live piercing, and heavy machinery, Holzinger's previous works have caused audience members to faint or require medical treatment. The pavilion marks a significant platform for her radical, hybrid practice that blends theatre, dance, opera, and performance art.

After His Untimely Death, Rutherford Chang’s Survey Rewrites What a Square Can Do

Rutherford Chang, who died last year at age 45, is the subject of a posthumous survey at UCCA Center for Contemporary Art Beijing titled "Hundreds and Thousands." The exhibition centers on Chang's socially engaged works that explore value, circulation, and systems through the deceptively simple form of the square. His best-known piece, "We Buy White Albums" (2013–25), involved amassing roughly one percent of the first pressing of the Beatles' "White Album," highlighting how objects accrue personal and economic worth through use and history. Other works include melting 10,000 copper pennies into a cube and assembling Wall Street Journal portraits from 2008 into a grid that captures a year of crisis and change.

Prominent German Art Foundation Accuses Top Culture Official of ‘Attempted Intimidation’

Jurors from the Kunstfonds Foundation, a major German contemporary art funding body, have accused Minister of State for Culture Wolfram Weimer of attempted intimidation and political interference. The conflict erupted after Weimer requested the names of the independent jury members, a move the foundation views as a threat to artistic freedom. This follows a separate controversy where Weimer reportedly consulted domestic intelligence to exclude bookstores with left-wing leanings from a national award.

Olafur Eliasson stages public wake for the Great Salt Lake in Utah

Icelandic-Danish artist Olafur Eliasson presented 'A symphony of disappearing sounds for the Great Salt Lake,' a large-scale multimedia installation in Salt Lake City’s Memory Grove Park. The work featured a three-story luminous sphere projecting visuals of wind currents and geothermal light, accompanied by a soundscape of migratory birds, brine flies, and frogs. Commissioned by the Salt Lake City Arts Council and Bloomberg Philanthropies, the ten-day public event served as a creative wake for the rapidly receding lake.

Unlike Josh Kline, I Choose New York

Artist Josh Kline’s recent essay on the devastating impact of New York City’s real estate market on the arts has sparked a heated debate regarding the city's future as a creative hub. While Kline argues that the 'polycrisis' of high rents and student debt is stifling artists born after 1975, this response critiques his generational focus, suggesting that the struggle for affordability is a structural issue affecting artists of all ages, particularly those from marginalized backgrounds who have faced these barriers for decades.

Bicoastal Art World Satire ‘Kill Dick’ Imagines Sackler Revenge

Luke Goebel's new novel 'Kill Dick' is a satirical, chaotic takedown of the contemporary art world and its entanglement with the Sackler family, fictionalized here as the Sicklers. The book follows protagonist Susie, the daughter of the Sickler family lawyer, as she navigates addiction, familial disgust, and a numbed existence against the backdrop of 2016 America. Its prose is deliberately abrasive and shocking, mirroring the emotional state of its narrator.

What the Art Market Still Gets Wrong About Next-Gen Collectors

Art market expert Georgina Adam's new book, 'NextGen Collectors and the Art Market,' analyzes the industry's struggle to attract and retain younger buyers like millennials and Gen Z. She examines the difficulty in defining this demographic, their shifting tastes away from traditional blue-chip artists, and their volatile, less loyal market behavior.

Peter Halley Continues to Probe the ‘Crisis in Geometry’

American artist Peter Halley is presenting his first solo show in Austria in two decades at Galerie Nikolus Ruzicska in Salzburg. The exhibition, titled 'Peter Halley: Six Paintings for Salzburg,' features six new works created specifically for the occasion, showcasing his mature exploration of geometric abstraction using his signature 'Cells,' 'Prisons,' and 'Conduits.'

Love & Fury: how poster artists responded to the Aids crisis – in pictures

A new exhibition titled 'Love & Fury: New York’s Fight Against AIDS' showcases posters created by grassroots groups and artists in response to the AIDS crisis from the late 1970s to the 2000s. The show features works from collectives like the Silence=Death Project and Gay Men’s Health Crisis, as well as artists including Keith Haring and Howard Cruse, highlighting how graphic design was used to promote safe sex, demand government action, and build community resilience.

warhol foundation grant program expansion small nonprofits

The Andy Warhol Foundation for the Visual Arts is launching a new grant program to support U.S.-based visual arts nonprofits with budgets under $200,000, offering awards between $20,000 and $30,000. The program will begin accepting applications for its Spring 2026 grant cycle, with a deadline of March 1. This marks a significant expansion of the foundation's previous focus, which had been on organizations with budgets of $300,000 or more.