Georg Baselitz (1938-2026)

Georg Baselitz, born Hans-Georg Kern in 1938, has died at age 88. The German painter and sculptor, who changed his name in 1961, built a career on aesthetic dissent. Expelled from art school in East Berlin, he first gained notoriety with a 1963 exhibition at Galerie Werner and Katz in Berlin, where two works were seized for obscenity. His signature gesture—inverting his images, beginning with "Der Wald auf dem Kopf" in 1969—became his most recognizable trademark, shifting focus from subject to the act of painting itself. Baselitz also produced significant sculptures, often carved with a chainsaw and axe, and his work was the subject of major retrospectives at the Centre Pompidou (2021-2022) and the Musée d'Art Moderne de Paris (2011-2012).

In Venice, the Monumental Farewell of Georg Baselitz at the Cini Foundation

À Venise, l’adieu monumental de Georg Baselitz à la fondation Cini

The Fondazione Giorgio Cini on Venice's San Giorgio Maggiore island has opened "Georg Baselitz. Eroi d'Oro," an exhibition of the late German artist's final works, just one week after his death in 2026. The show, presented alongside the Venice Biennale, features monumental self-portraits and portraits of his wife Elke, painted over gold-leaf backgrounds. Created in the last two years of his life, these works represent Baselitz's ultimate creative gesture, synthesizing six decades of experimentation with his signature inverted figures and expressionist color, supported by Galerie Thaddaeus Ropac.

Heir of Goya and Abstract Expressionism, the painting of Roger-Edgar Gillet finally rediscovered in an unprecedented retrospective

Héritière de Goya et de l’expressionnisme abstrait, la peinture de Roger-Edgar Gillet enfin redécouverte dans une rétrospective inédite

A major retrospective at the Musée Estrine in Saint-Rémy-de-Provence finally brings long-overdue recognition to French painter Roger-Edgar Gillet (1924–2004), an artist who emerged from the post-war abstraction scene of the Nouvelle École de Paris but later forged a singular figurative style blending Goya, Delacroix, and Northern grotesque traditions. The exhibition follows two important donations—to the Centre Pompidou in 2017 and the Musée des Beaux-Arts de Rennes in 2022—that helped revive institutional interest in Gillet, whose work had been marginalized since the 1960s.

At the Centre Pompidou-Metz, 100 Works to Understand the Double Face of François Morellet

Au Centre Pompidou-Metz, 100 œuvres pour comprendre le double visage de François Morellet

The Centre Pompidou-Metz presents a centenary retrospective of French artist François Morellet (1926–2016), featuring 100 works that explore the dual nature of his practice. Curator Michel Gauthier has divided the exhibition into two mirrored halves—one dedicated to reason and geometric rigor ("the Mondrian side"), the other to disorder and irrationality ("the Picabia side")—reflecting Morellet's own description of himself as the "monstrous son of Mondrian and Picabia." The show traces his evolution from early figurative works and self-taught experiments to his embrace of concrete art, Islamic decorative systems, and systematic absurdity.

5 free exhibitions to enjoy without cost during the May long weekends

5 expositions gratuites pour profiter sans frais des ponts du mois de mai

Beaux Arts Magazine highlights five free exhibitions to enjoy during the long weekends of May 2026 in France. The selections include "Diseuses de silence" at Espace Monte-Cristo in Paris, featuring 21 female sculptors such as Prune Nourry and Niki de Saint Phalle; a retrospective of Ernest Pignon-Ernest at Musée Ziem in Martigues; and the first French retrospective of Peruvian photographer Javier Silva Meinel at Maison de l'Amérique latine in Paris. Other venues mentioned are the Musée Ziem and the Magasins Généraux in Pantin, offering diverse contemporary art experiences without admission fees.

From Agnès Varda to Giuseppe Penone, the strange passion of artists for potatoes deciphered in Aubenas

D’Agnès Varda à Giuseppe Penone, l’étrange passion des artistes pour les patates décryptée à Aubenas

The article explores the exhibition "Des patates" at Le Château – Centre d'Art Contemporain et du Patrimoine in Aubenas, France, which celebrates the humble potato as an artistic subject. It highlights how filmmaker and visual artist Agnès Varda turned potatoes into art with her 2003 Venice Biennale project "Patatutopia," dressing as a potato and scattering 700 kilos of tubers, inspired by her documentary *Les Glaneurs et la glaneuse*. The show also features works by Giuseppe Penone, Michel Blazy, Valérie Geissbühler Pacheco, and Lucas Chanoine, all using potatoes to explore themes of consumption, waste, colonialism, and the cycle of life.

John Chamberlain’s Former Studio Hosts a Star-Studded New Interview Series

The John Chamberlain Estate is launching "ON THE COUCH," a biweekly filmed interview series hosted by estate director Alexandra Fairweather, timed to what would have been the sculptor's 100th birthday. Season one features eight cultural figures including artist Daniel Arsham, architect Annabelle Selldorf, fashion designer Alexander Wang, interior designer Sasha Bikoff, entrepreneur Jon Gray, and painter David Salle. Episodes will be filmed at Chamberlain's former studio on Shelter Island, now a private museum, with guests seated on his iconic foam couches. The series launches May 19 across major streaming platforms.

The Met’s Frida & Diego Opera Imagines Feminist Revenge from Beyond the Grave

The Metropolitan Opera has opened "El Último Sueño de Frida y Diego," a new opera by composer Gabriela Lena Frank and librettist Nilo Cruz that imagines Frida Kahlo returning from the underworld during Día de los Muertos for a reunion with her husband Diego Rivera. The production features mezzo-soprano Isabel Leonard as Frida, Carlos Álvarez as Diego, and choreography by Deborah Colker, with sets by Jon Bausor that evoke Kahlo's iconic paintings and mirror. The opera explores themes of pain, creativity, and marital strife, granting Kahlo physical freedom denied to her in life while centering her perspective over Rivera's.

New York institutions offer nuanced and inclusive views of US’s 250th birthday

New York institutions are presenting nuanced exhibitions for the US's 250th birthday, offering both patriotic and critical perspectives on the American Revolution. The Grey Art Museum at NYU displays one of the 26 surviving Dunlap broadsides of the Declaration of Independence alongside over 100 contextual documents in "The Declaration of Independence: Long Trail to Liberty," while the Museum of the City of New York's "The Occupied City" immerses visitors in the British occupation of New York, featuring interactive elements like toppling a digital effigy of King George III.

J.M.W. Turner’s Most Famous Self-Portrait Might Not Actually Be by the Artist at All

Art historian James Hamilton has publicly claimed that J.M.W. Turner's most famous self-portrait, which appears on the £20 note, is actually by the painter John Opie. Hamilton, who used the portrait on the cover of his 1997 biography of Turner, argues that the work was misattributed when it entered the Turner Bequest—the vast collection of paintings and works on paper Turner left to the nation after his death in 1851. He points to stylistic evidence, noting Opie's signature technique of "light emerging dramatically from dark," and has published his research in Turner Society News, calling on the Tate to reattribute the painting.

Iván Argote brings roving public art project to Chicago streets

Paris-based artist Iván Argote launches a new mobile sculpture titled DIGNIDAD in Chicago on June 12, installed on a flatbed truck that will travel through the city. The project, organized by the Floating Museum as part of its Floating Monuments series, begins in Humboldt Park—a neighborhood central to Chicago's Puerto Rican community—and will also visit Pilsen, Little Village, and potentially other cities like Dallas and Minneapolis. Argote, known for his giant pigeon sculpture Dinosaur on the High Line, worked with curator Carla Acevedo-Yates and local communities to create a work that responds to current political tensions around immigration and dignity.

Frida Kahlo and Diego Rivera are given a voice by New York's Metropolitan Opera

New York is experiencing a wave of Frida Kahlo-related events this spring, including a new book from Rizzoli about her childhood home museum in Mexico City and a small exhibition at the Museum of Modern Art (MoMA) featuring works by Kahlo and Diego Rivera. The centerpiece is the Metropolitan Opera's new production of *El Último Sueño de Frida y Diego*, with music by Gabriela Lena Frank and libretto by Nilo Cruz, both Pulitzer Prize winners. The opera, which premiered in San Diego in 2022, opens on 14 May and features set and costume design by Jon Bausor, who also co-curated the MoMA exhibition alongside curator Beverly Adams. The production imagines Kahlo's spirit rising from the underworld on the Day of the Dead to reunite with Rivera, blending Mexican musical elements with a dreamlike, visually rich aesthetic.

‘Common ground for me is everywhere I step’: Mohammad Omer Khalil on his five-institution show

Mohammad Omer Khalil, a 90-year-old Sudanese artist and master printmaker, is the subject of a five-institution exhibition titled "Common Ground" spanning New York, Philadelphia, and Michigan. The show brings together six decades of his prints and paintings, along with ephemera from his travels, oral histories, and cultural influences. Khalil, who has lived in the US since 1967, learned printmaking at the EFA Robert Blackburn Printmaking Workshop and has taught at Pratt Institute, the New School, Columbia University, and New York University. He also produces editions with notable artists and has maintained a long connection to the Asilah Cultural Moussem in Morocco.

For Fashion Iconoclast Iris van Herpen, ‘Nature Is the Best Artist’

The Brooklyn Museum has opened "Iris van Herpen: Sculpting the Senses," a major exhibition surveying two decades of the Dutch designer's avant-garde fashion. Curated by Matthew Yokobosky and Imani Williford, the show features over 140 of van Herpen's biomorphic couture pieces, including designs worn by Lady Gaga and Björk, alongside works by contemporary artists like Agostino Arrivabene and Tara Donovan. The exhibition, which originated at the Musée des Arts Décoratifs in Paris in 2023, highlights van Herpen's use of cutting-edge technology such as 3D printing and magnetic sculpting, as well as her deep inspiration from natural phenomena like fossils, coral, and water.

Radiohead Brings Its Strange Visual Universe to Life in an Immersive Spectacle

Radiohead has launched "Motion Picture House," an immersive audiovisual installation at Brooklyn Navy Yards in New York, on view through June. The exhibition draws from the band's albums *Kid A* (2000) and *Amnesiac* (2001), featuring glitching televisions, cryptic posters, stick-figure sculptures, and alien landscapes. It culminates in a 75-minute film, *KID A MNESIA*, directed by Sean Evans, originally released in 2021. The show debuted at Coachella Festival and will travel to Chicago, Mexico City, and San Francisco through early 2027.

Canadian Masterworks Lead Heffel’s Spring Sales

Heffel Fine Art Auction House will hold its Spring Auction on May 21, 2026, featuring two sessions: Post-War & Contemporary Art and Old Master, Impressionist, & Modern Art. The sale, held in Toronto and online, includes works by Canadian masters such as Alex Colville, Jean-Paul Riopelle, Guido Molinari, and E.J. Hughes, with top estimates reaching up to $1.75 million CAD for Hughes' 'Coastal Boats Near Sidney, BC'.

Researchers Identify Enslaved Boy in Joshua Reynolds Painting

Researchers in the U.K. have identified the enslaved boy depicted in Joshua Reynolds's 1748 painting of Royal Navy lieutenant Paul Henry Ourry. For centuries known only as "Jersey," the boy has been identified as George Walker, also called Boston Jersey, through baptismal and admiralty records. Walker was baptized at age 15 in Westminster in 1752, served on HMS Monmouth and HMS Deptford, and was discharged in 1753, after which his fate remains unknown. The research, a collaboration between the National Trust, the National Gallery in London, and Royal Museums Greenwich, also used scientific analysis to reveal Reynolds's original compositional intentions.

Why London’s Whitechapel Gallery Hired an Economist

London's Whitechapel Gallery has appointed economist Mariana Mazzucato as its first economist-in-residence, a three-year role aimed at rethinking how museums generate revenue and demonstrate social value. The gallery faces a £880,458 deficit, a 325% increase from the previous year, due to declining exhibition income, reduced trust and foundation funding, and cuts in Arts Council England grants. Mazzucato, a professor at University College London and director of the Institute for Innovation & Public Purpose, will advocate for treating culture as a strategic public investment.

Thom Yorke and Stanley Donwood Plot a Mysterious Art Show in Venice

Musician Thom Yorke and artist Stanley Donwood will present a new exhibition titled “No Go Elevator (not without no keycard)” in a small gallery in Venice next month, coinciding with the Venice Biennale. The show marks their first showcase outside the U.K. and features a mix of drawings and a large painting created in London this year, with cryptic textual components and no unifying theme, according to the artists.

British Art Show—exhibiting UK's 'most exciting' art in past five years—announces line up for tenth edition

The artist lineup and thematic framework for the tenth edition of the British Art Show have been revealed. Curated by Ekow Eshun and titled 'A Chorus of Strangers,' the exhibition will feature 30 artists, including Alex Margo Arden, Liz Johnson Artur, and Jesse Darling, and will tour five UK cities from October 2026 to June 2028, beginning in Coventry.

A mind-bending Spaniard, an imagistic Puerto Rican and a lush Latvian – the week in art

This week's art roundup from The Guardian features a major exhibition on Spanish painter Francisco de Zurbarán at the National Gallery in London, described as a mind-bending and revelatory show with loans from the Prado and other top museums, positioning him alongside Goya and Picasso. Other highlights include Gilbert & George's tribute to their late homeless friend at their London centre, outdoor sculptures by Lynn Chadwick at Houghton Hall, thickly built-up paintings by Angel Otero at Hauser & Wirth Somerset, and abstract works by Latvian sculptor Daiga Grantina at Warwick Arts Centre. The article also covers a new Banksy statue in central London depicting a man marching with a flag, and a Masterpiece of the Week feature on Guido Reni's 'Saint Mary Magdalene'.

Arghavan Khosravi’s Intricate Paintings Find Hope amid Oppression

Arghavan Khosravi creates intricate, surreal three-dimensional paintings that blend sculptural elements with painted canvases, featuring hidden details such as creased book spines, concealed female figures, and glowing bullets. In an interview at her Connecticut studio, she explains her preference for works that reveal themselves gradually over time, rather than shouting for attention.

Art Dubai’s 20th edition rallies its local art community amid regional tensions.

Art Dubai, the UAE's premier art fair, opened its 20th edition as a scaled-down "Special Edition" from May 14–17 at Madinat Jumeirah, after being postponed due to the Iran–Israel war. For the first time, entry was free, and the lineup was pared to 50 galleries, most from the region, including Abu Dhabi, Beirut, Jeddah, Ramallah, and Dubai.

11 Contemporary Emirati Artists To Know

The article highlights 11 contemporary Emirati artists, providing an overview of their practices and significance within the Gulf's evolving art scene. It contextualizes this list against recent major events in the region, including the debut of Art Basel Qatar in early February and the subsequent U.S. attacks on Iran, which caused turmoil across the Gulf, disrupted airline operations, and forced Art Dubai to scale back its event to a smaller fair in mid-May. Artists and galleries in the Gulf also had to temporarily close.

5 Standout Artworks at Carnegie International 2026

The Carnegie Museum of Art in Pittsburgh, Pennsylvania, has unveiled the 59th edition of its Carnegie International exhibition, featuring a monumental series of murals titled *Orogenic* (2026) by Abraham González Pacheco. The newly commissioned work, made of concrete, metal, and pigment, depicts a maelstrom of archaeological objects inspired by the museum’s collection and sets the tone for the exhibition.

How to Buy Minimalist Art

Artsy Editorial offers a guide on buying Minimalist art, explaining the movement's core principles of geometric shapes, limited color palettes, and material reduction. The article highlights key artists such as Carl Andre and Polly Apfelbaum, and emphasizes that Minimalism focuses on the idea behind the work rather than the artist's technical skill.

British ’90s art and fashion exhibition heading to Tate Britain in fall 2026.

Tate Britain will mount the first major exhibition exploring the transformative impact of fashion, art, and photography on 1990s Britain. Curated by former British Vogue editor-in-chief Edward Enninful, the show titled “The 90s: Art and Fashion” will bring together over 100 works—including photographs, paintings, films, sculptures, objects, and garments—from nearly 70 artists. It runs from August 8, 2026 through February 14, 2027.

Why Contemporary Photographers Are Rejecting the Camera

Contemporary photographers are increasingly rejecting traditional cameras in favor of alternative, camera-less techniques such as photograms, cyanotypes, and chemigrams. These artists draw inspiration from early scientific experiments with light-sensitive materials, like those of Johann Heinrich Schulze and Thomas Wedgwood, who created temporary images using silver nitrate and sunlight before photography was formally invented.

Catherine Opie “To Be Seen” at National Portrait Gallery, London

The National Portrait Gallery in London is hosting "Catherine Opie: To Be Seen," the first major UK museum exhibition dedicated to the American photographer. The show brings together over 80 photographs spanning 30 years of Opie's career, exploring themes of social, political, and individual identity through studio portraiture, environmental studies, and documentary images.

There Has Never Been an Apolitical Venice Biennale

"Es hat niemals eine unpolitische Venedig-Biennale gegeben"

The Venice Biennale is embroiled in political controversy, with the US Pavilion's selection process criticized for bypassing traditional curatorial expertise in favor of a politically connected outsider. Simultaneously, a collective of artists and academics is protesting Russia's return to the Biennale, arguing it uses art as a political instrument to normalize its actions amid the war in Ukraine. An analysis in ArtReview contends the Biennale has never been apolitical, serving as a stage for geopolitical power plays since its inception.