Christina Quarles opened a solo exhibition titled 'The Ground Glows Black' at Hauser & Wirth's Los Angeles gallery. The show, which runs from February 24 to May 3, 2026, features new works by the artist, with photography documentation provided by Fredrik Nilsen.
Artist Glenn Ligon opened a solo exhibition titled 'Late at night, early in the morning, at noon' at Hauser & Wirth's New York gallery. The show runs from January 15 to April 11, 2026, and features new and recent works by the acclaimed conceptual artist.
Luc Tuymans at David Zwirner
Belgian painter Luc Tuymans has opened a new solo exhibition, "The Fruit Basket," at David Zwirner's Los Angeles gallery. The show, running from February 24 to April 4, 2026, presents a series of new paintings by the influential artist, continuing his decades-long exploration of the medium.
"Weil das Ego sich plötzlich auflöst"
The art world is facing significant structural and political shifts, highlighted by the merger of Artnet and Artsy which has resulted in mass layoffs, particularly within the Artnet News editorial team and its Berlin operations. Simultaneously, tensions are rising in German cultural policy as gallery owner Rupert Pfab raises concerns over government interference in the Stiftung Kunstfonds jury selection, reflecting a broader climate of unease that includes recent controversies at the Berlinale.
Was taugt die Mallorca-Ausgabe der Art Cologne?
The Art Cologne has launched a new satellite edition in Palma de Mallorca, returning to the island 19 years after a previous attempt failed. Held at the modern Palau de Congressos, the fair adopts a 'boutique' format designed to tap into the local market of wealthy European expatriates and second-home owners. Unlike the high-stakes environment of major fairs like Art Basel, this iteration features an innovative pricing model that allows smaller, younger galleries to showcase curated, riskier presentations at more affordable entry points.
"Hinter allen schönen Dingen liegt ein Leiden"
The art market is undergoing a profound structural transformation as a new generation of collectors shifts focus away from traditional blue-chip masters like Cy Twombly and Mark Rothko. These 'NextGen' buyers, socialized through the internet and Instagram, prioritize identity-building over status, favoring streetwear, digital art by figures like Refik Anadol, and music memorabilia over classical painting. Meanwhile, institutional shifts are occurring globally: Greece has introduced specific legislation to criminalize the production of art forgeries, and LACMA director Michael Govan is defending the $724 million Peter Zumthor-designed expansion as a necessary 'magnet' for attracting major donations.
The Hole, a prominent New York-based contemporary art gallery, is facing multiple lawsuits and allegations of financial instability. Legal filings from landlords at both its Bowery and Tribeca locations indicate significant rent arrears totaling over $180,000, alongside unpaid real estate taxes. Founder Kathy Grayson confirmed the closure of the gallery’s Los Angeles outpost, attributing the crisis to a sharp decline in sales starting in late 2023 and a destabilizing period of rapid expansion.
Artist Ding Shilun's career is accelerating, marked by a major auction record for his 2021 work 'The Adoption of the Maiden' at Phillips London and a current solo exhibition, 'Spectres in Rehearsal,' at Bernheim Gallery in Zurich. His large-scale paintings blend theatrical compositions, Goya-esque and manga influences, and narrative structures from Chinese zhiguai tales to create accessible yet complex scenes.
The global art market saw a 4% growth in 2025 according to the latest Art Basel and UBS Art Market Report, yet the industry remains on edge. Despite the headline increase, the report reveals a sharp decline in the average number of buyers per gallery—reaching its lowest level since 2021—and rising operational costs for shipping and logistics. Protectionist trade policies and geopolitical instability, particularly escalating conflicts in the Middle East affecting oil prices, continue to strain the contemporary sector.
The Victoria and Albert Museum is facing intense pressure to become an accredited living wage employer just as it prepares to open its high-profile V&A East site in Stratford. A petition coordinated by Organise and Citizens UK has garnered over 21,000 signatures, calling on Director Tristram Hunt to ensure all staff and contractors receive the London living wage of £14.80 per hour. While the museum meets legal minimum wage requirements, campaigners argue that as a publicly funded institution, it must provide a wage that reflects the actual cost of living in the capital.
Angela de la Cruz's solo exhibition "Upright" at Birmingham's Ikon gallery presents a collection of broken and mended artworks. Her canvases are crumpled, folded, and snapped, while sculptures are assembled from precarious junk like a three-legged chair on a stool and a piano stacked atop another. The works, though appearing on the verge of collapse, are all repaired and propped back up, reflecting a state of post-collapse resilience.
Thomas Zipp gestorben
The Berlin-based artist Thomas Zipp has died. His gallery, Barbara Thumm, announced the news on Saturday. Zipp, born in 1966, was a professor of painting and multimedia at the Berlin University of the Arts and was considered one of the most significant figures in German contemporary art since the 1990s. His work was shown internationally at venues including the Venice Biennale and museums in New York, London, and Zurich.
Kengo Kuma and Associates has been selected to lead the design of a massive £750 million extension to London’s National Gallery, titled Project Domani. The Tokyo-based firm won the commission over sixty-four other competitors and will collaborate with UK firms BDP and MICA to develop the new wing on land currently occupied by a hotel and office complex. The design features a dual-level approach, utilizing vaults and arches on the main floor to harmonize with existing galleries while introducing a modern geometric aesthetic on the upper level.
Italian Arte Povera pioneer Michelangelo Pistoletto has launched a global public art project titled "Three Mirrors," broadcasting digital works across major cities including London, Los Angeles, Seoul, and Milan. Organized by the digital art platform Circa, the series features three filmed performances of the artist drawing on mirrors, illustrating his "Third Paradise" philosophy. The works appear daily at 20:26 local time on prominent advertising screens, transforming commercial spaces into sites for artistic reflection.
The Chicago art scene takes center stage with a curated guide to six essential exhibitions coinciding with the EXPO Chicago 2026 art fair. Highlights include Josh Brainin’s immersive two-channel video installation at Tala and a thematic exploration of Chicago’s urban infrastructure hosted at the Chicago Cultural Center, showcasing a diverse range of media from digital video to architectural critique.
Artist Steve DiBenedetto presents a new body of work in his solo exhibition, "Spiral Architect," at Derek Eller Gallery. The show features 17 paintings ranging from large-scale canvases to intimate works, all characterized by a restless movement between abstraction and figuration. DiBenedetto utilizes a process-heavy technique of adding, scraping, and reworking oil paint to create dense, visionary landscapes filled with octopi, cellular forms, and Rube Goldberg-esque machinery.
Two concurrent solo exhibitions at Alexander Berggruen Gallery feature the work of artists Kevin McNamee-Tweed and Tajh Rust. McNamee-Tweed presents enigmatic, tenderly absurd ceramic scenes, while Rust debuts in New York with figurative paintings that explore perception and Black identity through portraits of leisure and experimental silvered glass works.
The Tiny Brooklyn Project Space Resisting the Gallery Machine
Subtitled NYC, a small non-commercial project space in Brooklyn's Greenpoint, is hosting the exhibition 'On Other Terms' by artists Pap Souleye Fall and Char Jeré. The immersive, multi-sensory installation, filled with intricate assemblages, analog objects, and digital elements, creates an overwhelming environment that mimics the friction and complexity of urban life.
Un giro in 10 stand da non mancare alla fiera miart 2026 a Milano
The 30th edition of miart, Milan’s international modern and contemporary art fair, has launched at the Allianz MiCo South Wing under the artistic direction of Nicola Ricciardi. Titled "New Directions," the 2026 edition features 160 galleries from 24 countries, organized into sections like Emergent, Established, and Established Anthology. Despite some logistical complaints regarding the new layout, the opening saw high attendance and early optimism from dealers regarding sales.
Maureen Gallace is making her South Korean debut with 'April 2026,' an exhibition of new paintings at Gladstone Gallery’s Seoul location. The presentation features the artist’s signature small-scale works, which depict the rural and coastal landscapes of the American Northeast through a minimalist, distilled visual language. These paintings continue Gallace's exploration of the tension between architectural geometry and natural environments, blending direct observation with the hazy quality of memory.
The Art Gallery of Ontario (AGO) has launched a dedicated exhibition to rediscover the work of Edna Taçon, a mid-century abstract artist who was once a prominent figure in the New York and Toronto art scenes. Curated by Renée van der Avoird, the show features collages, drawings, and paintings from the 1940s, a period when Taçon exhibited alongside Lawren Harris and was championed by Hilla Rebay at the Museum of Non-Objective Painting (now the Guggenheim). The exhibition was sparked by the discovery of a single work in the AGO’s holdings and a subsequent connection with the artist's grandson, sculptor Carl Taçon.
Acclaimed Norwegian artist and writer Lars Elling is set to debut his first South African exhibition, "Dreams of Reason," at the Everard Read Gallery in Franschhoek on April 11, 2026. The collection features works created during his annual five-month residencies at the De Rust farm in Elgin, home of Paul Clüver Family Wines. The exhibition marks a significant shift in Elling’s palette, moving from the muted greys of Norway to the vibrant ochres and blues of the Western Cape, while exploring the liminal psychological space between sleep and wakefulness.
Amrita Jhaveri, a Brown University alumna, has transitioned from a pioneering role at Christie’s to becoming a central figure in the global promotion of South Asian art. After launching Christie’s Mumbai office in the 1990s—a time when modern Indian masterpieces sold for a fraction of their current multi-million dollar values—she co-founded Jhaveri Contemporary with her sister Priya. The gallery has gained international prestige by placing works by overlooked, female, and queer South Asian artists into the permanent collections of major institutions like the Tate Modern, the Met, and MoMA.
The National Portrait Gallery in London is hosting "To Be Seen," the first major UK museum exhibition dedicated to the American photographer Catherine Opie. Curated in collaboration with the artist, the show spans over 30 years of work, including her seminal 1991 series "Being and Having" and her Holbein-inspired portraits of the LGBTQ+ community. The exhibition is further expanded through a series of interventions where Opie’s contemporary photographs are placed in direct dialogue with the gallery’s permanent collection.
The City of Santa Monica has officially opened the Santa Monica City Gallery, its first municipal art space, located within the Bergamot Station Arts Center. The gallery launched with the inaugural exhibition "Case Study: Adapt," which showcases architectural models designed by students and professional firms to address housing needs for families displaced by the 2025 California wildfires. The venue is designed to host a rotating schedule of exhibitions, artist residencies, and selections from the city’s permanent Art Bank collection.
Artsy has highlighted five emerging and established artists to watch this April, selected based on recent gallery representation, exhibition success, and market data. The list features Peruvian painter Sylvia Fernández, known for her meticulous and majestic depictions of the natural world, alongside four other artists who have made significant impacts through recent art fairs and new bodies of work.
Chicago-based artist Carlos Rolón has debuted a new solo exhibition titled "The Division Street Riots" at 65Grand gallery. Moving away from his signature high-gloss aesthetic of Swarovski crystals and gold, Rolón presents a series of restrained graphite and charcoal drawings and dye sublimation prints based on archival imagery. The works document the 1966 uprising in Chicago's Humboldt Park, which was sparked by the police shooting of a young Puerto Rican man, Arcelis Cruz, following the city's first Puerto Rican Day Parade.
Galerie Buchholz in New York is presenting "Projects for Outside — ISA USA," a solo exhibition by the influential German artist Isa Genzken. Running from March 11 through April 25, 2026, the show focuses on Genzken's outdoor proposals and large-scale sculptural projects, documenting her career-long engagement with public space and urban architecture through a comprehensive selection of works.
Ehrlich Steinberg gallery in Los Angeles is presenting the group exhibition "Nature Morte, 1982–1988," featuring works by a significant roster of artists including Alan Belcher, Gretchen Bender, Sherrie Levine, Louise Lawler, and Laurie Simmons, among others. The show runs from February 24 to April 18, 2026, and focuses on artworks created within that specific six-year period.
Maxwell Graham gallery in New York is presenting a joint exhibition featuring works by artists Hans Haacke and Louise Lawler. The show runs from March 5 to April 18, 2026, and is documented with 18 images on the source website.