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Actor Robert De Niro announced that artist R.H. Quaytman has won the 2016 Robert De Niro Sr. Prize, awarded to a mid-career painter for excellence and innovation. Quaytman, represented by Gladstone Gallery and Miguel Abreu Gallery, is known for mixed-media works on wood panels that blend photography, printmaking, and technology, often organized into series called "chapters." She will receive a $25,000 prize at a ceremony in New York on December 14. The selection committee included curators from the Metropolitan Museum of Art, the Guggenheim Museum, and the Whitney Museum.

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Artist Chase Hall discusses his new solo exhibition “Momma’s Baby, Daddy’s Maybe” at Galerie Eva Presenhuber in Vienna, which takes its title from a phrase his father told him in childhood. The show explores themes of race, mixed-race identity, fatherhood, and family dynamics, using coffee as a signature medium—Hall layers espresso on raw cotton canvas to create symbolic and formal depth. The exhibition follows his rise from photojournalism to a buzzy painting career, with works acquired by major institutions and auction records at Christie’s.

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Thaddeus Mosley, a 98-year-old sculptor based in Pittsburgh, creates monumental wood sculptures that weigh hundreds of pounds and rise high into the air. Working alone in a cavernous studio, he carves cherry and walnut using gouges, comparing his process to judo. Despite his long career spanning seven decades, Mosley remained largely unknown outside Pittsburgh until recently. He has now gained wider recognition following his inclusion in the 2018 Carnegie International, and his work is currently featured in a major exhibition at New York's City Hall Park, where he shows giant bronze versions of his wood creations.

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Photo London's 10th edition opened with a buoyant mood despite co-founder Michael Benson acknowledging a difficult economic climate. The fair features classics by pioneers like Henri Cartier-Bresson and Brassaï, alongside emerging artists through its Discovery section and Positions platform. Standouts include Palestinian-American artist Adam Rouhana's poignant images of joy and resistance, the special exhibition "London Lives" curated by Francis Hodgson featuring 30 photographers, and a notable booth by Guerin Projects showcasing Robin Hunter Blake's chronophotographic works paired with Rodin's The Kiss.

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Gallery Weekend Berlin took place during the city's spring bloom, featuring exhibitions like Alvaro Urbano's melancholic installation "September and Lions" at ChertLüdde and Pamela Rosenkranz's flesh-toned water bottles at KaDeWe. The event kicked off on May Day and included expanded public tours, artist talks at the Neue Nationalgalerie, and a 24-hour window project. Notable attendees included collector Frédéric de Goldschmidt and celebrity Usher, who collected art. The weekend was marked by a mood of resilience despite political turmoil.

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The article previews the 2025 Met Gala, which coincides with the Metropolitan Museum of Art's exhibition "Superfine: Tailoring Black Style." The gala's dress code will celebrate Black dandyism, inspired by Monica L. Miller's 2009 book *Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity*. Co-chairs include actor Colman Domingo, Formula 1 driver Lewis Hamilton, rapper A$AP Rocky, and musician Pharrell Williams. The exhibition, guest-curated by Miller, will feature historical and contemporary clothing, artworks, and photographs organized into 12 sections such as "Respectability," "Disguise," and "Cool." The article also highlights five art historical examples of Black dandyism, including a 1772 portrait of Julius Soubise.

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Artist Harry Gould Harvey IV and others are reclaiming the frame as an integral part of the artwork, using found wood and elaborate designs to embed narrative, memory, and place. Harvey, represented by P.P.O.W., began making frames from a fallen black walnut tree, while artists like Jenna Rothstein create ceramic frames with spiky thorns. The New Museum Los Gatos recently honored Holly Lane, a pioneer who milled Renaissance-style frames in the 1980s, challenging the minimalist norm.

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The Cooper Hewitt, Smithsonian Design Museum has opened "Making Home," the seventh installment of its Triennial, featuring 25 newly commissioned projects that explore the concept of home through memory, construction, and rupture. Co-curated by Alexandra Cunningham Cameron, Christina L. De León, and Michelle Joan Wilkinson, the exhibition is organized across three themes—Going Home, Seeking Home, and Building Home—and marks the first partnership between Cooper Hewitt and another Smithsonian museum, the National Museum of African American History and Culture. The show is on view through August 10.

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Isaac Julien’s retrospective at the de Young Museum in San Francisco features 13 multiscreen video installations, including works like *Baltimore* (2003) and *Ten Thousand Waves* (2010). The exhibition blends Renaissance art, Black cinema, science fiction, and documentary, with Julien’s signature use of multiple screens to create an overwhelming visual experience. Curated by Claudia Schmuckli, the show is billed as Julien’s largest in the US, requiring about four and a half hours to view in full.

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Alserkal Avenue in Dubai's Al Quoz Industrial district has transformed from a cluster of warehouses and auto shops into a major cultural hub, now housing around 90 creative businesses including 17 contemporary art galleries. Founded in 2008 by Emirati patron Abdelmonem Bin Eisa Alserkal, the Avenue began with a single gallery, Ayyam, and has since expanded through a $13.6 million investment to replace a marble factory with purpose-built spaces. Key galleries include Carbon 12, The Third Line, and Green Art Gallery. The centerpiece is Concrete, an exhibition hall designed by Rem Koolhaas's OMA, currently hosting Imran Qureshi's solo show 'Vanishing Points,' curated by Nada Raza. Other notable exhibitions include Michael Sailstorfer's 'Air Electric' series at Carbon 12.

‘Surfers say, that board is so sick!’ The French artist redesigning the surfboard like you’ve never seen before

French designer and musician Lucas Lecacheur is creating wildly unconventional yet functional surfboards and skateboards, including a split board resembling crab pincers, a stingray-like shape, and a Brutalist board. Currently in Australia for Melbourne Design Week, Lecacheur is living and working out of At The Above gallery in Fitzroy, where he is crafting new boards like the cowboy boot-nosed Château Rouge. His designs, made with traditional materials like fiberglass, push the boundaries of surfboard norms while remaining rideable.

‘I couldn’t believe we weren’t falling over ourselves for it’: Asia-Pacific art finally conquers Britain

The Victoria and Albert Museum (V&A) in London has opened "Rising Voices: Contemporary Art from Asia, Australia and the Pacific," a major exhibition produced in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane. Featuring over 70 works never before exhibited in the UK, the show draws from QAGOMA's Asia Pacific Triennial of Contemporary Art (APT), which began in 1993. Highlights include Michael Parekōwhai's sculpture of a Māori bouncer, Montien Boonma's terracotta bell installation, and Takahiro Iwasaki's intricate wooden model. The exhibition is the first APT survey to be held outside Australia and Chile, arriving after years of planning by V&A exhibitions director Daniel Slater.

Renowned feminist artist and film-maker Valie Export dies aged 85

Valie Export, the Austrian performance artist and film-maker known for her provocative feminist works that challenged the male gaze, has died at age 85. Her foundation announced she died in Vienna on Thursday, three days before her 86th birthday. Export gained notoriety in the late 1960s for low-budget performances such as "Tapp und Tastkino" (1968), where she invited shoppers to touch her bare breasts through a tiny curtain strapped to her chest. She also co-founded the Austrian Filmmakers Cooperative, participated in documenta (1977, 2007) and the Venice Biennale (1980), and was a professor of multimedia and performance at the Academy of Media Arts in Cologne.

The car park that changed British art: Bold Tendencies at 20

Bold Tendencies, the pioneering arts organization that transformed a multi-storey car park in Peckham, London, into a vibrant cultural venue, is celebrating its 20th summer season. Founded by gallerist Hannah Barry in 2007, the project has hosted over 3 million visitors, commissioned dozens of new artworks, and built an auditorium and concert hall within the concrete structure. It began as a low-budget experiment in using derelict urban spaces for art, featuring sculptures, performances, and a rooftop bar that predated the experiential art boom.

From Mother Mary to Foo Fighters: your complete entertainment guide to the week ahead

This article is a weekly entertainment guide from The Guardian, covering cinema, gigs, art, stage, streaming, games, albums, and brain food. In the art section, it highlights two exhibitions: "Handpicked: Painting Flowers from 1900 to Today" at Kettle's Yard in Cambridge, featuring artists like Henri Rousseau and Lubaina Himid; and a show of South African photographer George Hallett's work at the John Lennon School of Art and Design in Liverpool, documenting black resistance in 1970s Britain. It also mentions an open house for Lonnie Holley's new works at Edel Assanti gallery in London.

From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead

The Camden Art Centre in London is hosting a significant survey of the late Guyanese-British artist Donald Locke, marking the final stop of a UK touring exhibition. Locke is celebrated for blending the formal language of minimalism and modernism with the potent symbols of Guyanese and Black American culture, effectively challenging the traditional art world's Eurocentric perspectives through his work in ceramics, painting, and sculpture.

Dark Mofo: 2026 festival to show Willem Dafoe film that can only be watched by one person at a time

Tasmania's Dark Mofo festival for 2026 will feature an exclusive, single-viewer experimental film titled 'Sculpt: Eye of the Duck,' starring Willem Dafoe and Charlotte Rampling. Created by French artist Loris Gréaud, the 50-minute film will be shown to only 90 individuals at a secret, remote location outside Hobart, with viewers transported to the site after securing one of nine daily slots.

‘What a fascinating challenge for an artist’: how Monet captured Venice in his twilight years

A major exhibition at San Francisco's de Young Museum, titled 'Monet and Venice,' brings together over 100 works, focusing on the two dozen paintings Claude Monet created during his only visit to the city in 1908. The show contextualizes his Venetian output with works by contemporaries like J.M.W. Turner, John Singer Sargent, and Pierre-Auguste Renoir, revealing that the trip was almost cancelled and was initially planned as a brief holiday.

A Launchpad for the Future

"Eine Startrampe für die Zukunft"

The article is a media roundup covering several stories from the art world. It includes an interview with Jeff Koons discussing his artistic process and philosophy, a portrait of artist Jorinde Voigt, a report on the robust Art Düsseldorf fair, a news piece about two valuable Gerhard Richter paintings on loan to a museum, and a review of the new LACMA building's non-linear curatorial approach.

VALIE EXPORT, pioneering artist who centred the female body, 1940–2026

VALIE EXPORT, the pioneering Austrian feminist artist known for her provocative performances centered on the female body, has died at age 85. Born in Linz in 1940, she adopted the name VALIE EXPORT in 1967 and quickly rose to prominence with iconic actions such as *TAP and TOUCH Cinema* (1968) and *Action Pants: Genital Panic* (1968), which challenged passive representations of women. Her work spanned photography, film, and expanded cinema, and she participated in major international exhibitions including documenta 6 and 12, and the Venice Biennale, where she and Maria Lassnig became the first women to represent Austria in 1980.

The Interview: Steven Soderbergh

Steven Soderbergh discusses his new film *The Christophers* (2025), which follows a cantankerous artist and his young assistant tasked with forging his unfinished works, exploring themes of authorship, originality, and the ethics of art-making. In an interview with ArtReview, Soderbergh also addresses his recent use of AI in a documentary about John Lennon, defending the technology as a creative tool akin to his own filmmaking process, and reflects on his career spanning genres from indie dramas to studio blockbusters.

Notes from New York: The World in a Convex Mirror

The article reviews the sixth edition of MoMA PS1's quinquennial survey 'Greater New York 2026,' which coincides with the institution's 50th anniversary. It highlights works by artists such as Covey Gong, Win McCarthy, Mekko Harjo, and Sophie Friedman-Pappas, noting how the exhibition's themeless structure and use of reflective surfaces create a hall of distorted reflections. The show includes 53 emerging and midcareer artists, mostly millennials, and is accompanied by a block party and gala rather than a dedicated commemorative exhibition like FORTY (2016).

Georg Baselitz, artist who turned painting upside down, 1938–2026

Georg Baselitz, the German painter, sculptor, and printmaker known for turning his canvases upside down, has died at age 88. Born Hans-Georg Kern in Saxony in 1938, he witnessed the bombing of Dresden as a child, an experience that shaped his artistic vision. Expelled from art school in East Berlin, he moved to West Berlin and adopted the name Baselitz. His first solo exhibition in 1963 was deemed obscene and confiscated. In 1969, he created his first upside-down painting, which became his signature. He rose to international prominence as a neo-expressionist in the late 1970s and 80s, represented Germany at the Venice Biennale in 1980, and continued working until his death. A recent series of his paintings will be shown at the Fondazione Giorgio Cini in Venice from May to September 2026.

VALIE EXPORT, Icon of Feminist Art, Dead at 85

VALIE EXPORT, the radical Austrian performance artist, filmmaker, and sculptor widely regarded as the most significant feminist artist of the postwar era, died in Vienna on May 14, just three days before her 85th birthday. Her death was confirmed by Thaddaeus Ropac gallery, which represents her. Known for provocative works such as *Tapp und Tastkino* (1968), in which she invited passersby to touch her bare breasts through a miniature theater, EXPORT faced hate mail, death threats, and indecency charges but remained undeterred in her mission to challenge patriarchal norms through the female body and sexual agency.

The Box Shutters in Los Angeles After Nearly Two Decades

The Box, a pioneering Los Angeles gallery known for its nonprofit-style support of experimental and performance art, has announced its closure after nearly two decades. Founded in 2007 by Mara McCarthy, the gallery’s final exhibition featured late California painter Wally Hedrick, and a closing event will include a fashion show by Johanna Went. Mara McCarthy cited the shifting market for her father Paul McCarthy’s work and the loss of family homes in the Eaton Fire as factors behind the decision.

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The Studio Museum in Harlem has selected Derriann Pharr, Simonette Quamina, and Taylor Simmons as its 2026 Artists-in-Residence. This cohort will be the first to work in the museum's new Bruce Llewellyn Artist in Residence Center, with their residency running from March 15 to October 15, culminating in an exhibition and publication funded by the Glenstone Foundation.

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Rachel Harrison's recent exhibition "The Friedmann Equations" at Greene Naftali in New York was a highlight of 2025, featuring her signature brainy, oblique, and funny sculptures and drawings. The show included works alluding to Marcel Duchamp and his alter-ego Rrose Sélavy, as well as drawings riffing on Hans Holbein's portraits of Henry VIII and his court. During a visit to the gallery, Harrison's dealer Carol Greene handed the author a copy of Harrison's new children's book, "Hold Still, Henry!", which reproduces those Holbein-inspired drawings in a board-book format for young readers. The book is published by Rookie Books, a small press founded in 2022 by artist Camillo Paravicini of Basel, Switzerland, who has previously worked with artists like Monster Chetwynd, Martin Parr, and Nathalie Du Pasquier.

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Artist David Diao reflects on his long engagement with Barnett Newman's work, from his 1966 experience as an art handler installing Newman's 'Stations of the Cross' series at the Guggenheim Museum to his own paintings that reference Newman both admiringly and critically. Diao's 1992 work 'Barnett Newman: Paintings by Title & Size' lists all 118 of Newman's paintings against a red background, treating them as inventory rather than masterpieces, while later works like 'BN: Spine 2' (2013) incorporate the worn fold of a Newman catalog cover. The article, based on a studio visit, captures Diao's matter-of-fact perspective on Newman's art and his own decades-long dialogue with the Abstract Expressionist.

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Sperone Westwater, the venerable New York gallery that celebrated its 50th anniversary two months ago, will close as an entity on December 31, 2025. Co-founders Angela Westwater and Gian Enzo Sperone have decided to pursue separate endeavors, affecting 28 artists and estates. The gallery, known for representing legends like Bruce Nauman and David Lynch, will continue its current Richard Long show through December 13 and attend Art Basel Miami Beach as planned. The closure follows months of rumors and comes as both partners are in their 80s.

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Artnet News's Wet Paint column reports that Lomex gallery founder Alexander Shulan and art advisor Ralph DeLuca are partnering to open a new gallery, Lomex Las Vegas, in an old atomic ranch home three miles from the Strip. The space, located in a historic neighborhood where parts of Martin Scorsese's 'Casino' were filmed, will feature seasonal exhibitions, performances, and events curated by Shulan, with a new roster of artists distinct from Lomex's existing lineup. Separately, the column introduces Marvin, an AI-generated Instagram influencer who mimics a techno-optimistic art speculator and leaves ChatGPT-style comments on art world accounts.