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Whitney Biennial 2026: Care, Catastrophe, and Private Gestures

The Whitney Biennial 2026, the 82nd edition of the longest-running survey of American art, opened with a stripped-down, self-referential title and no subtitle, reflecting a moment of national self-questioning. The exhibition features 56 artists, duos, and collectives, with highlights including Agosto Machado's shrine sculptures dedicated to friends lost to AIDS, Emilie Louise Gossiaux's tender works about her guide dog London, and Michelle Lopez's apocalyptic video projection *Pandemonium*. Machado, a longtime downtown New York artist and caregiver, died shortly after the biennial opened, and his ashes are to be mixed with those of Marsha P. Johnson and spread in the Hudson River.

Sotheby’s Launches Museum Partnership Series, Starting with Exhibition by New York’s Hispanic Society Museum & Library

Sotheby's has launched a new exhibition initiative called 'In Residence' at its Breuer building on Madison Avenue, starting with a presentation of three paintings by Spanish master Joaquín Sorolla from the collection of the Hispanic Society Museum & Library. The inaugural show, titled 'In Residence: The Hispanic Society Sorollas,' opened Monday and runs through June 1, featuring works including 'Sea Idyll' (1909), 'Louis Comfort Tiffany' (1911), and 'Señora de Sorolla in a Spanish Mantilla' (1902). This marks the first partnership between Sotheby's and the Hispanic Society, and the first edition of a broader program inviting museums to stage focused exhibitions inside the Breuer building, which previously housed the Whitney Museum and the Met Breuer.

‘Blood can either be a connective tissue or something used for division’: Jordan Eagles on his show a Pioneer Works

Jordan Eagles presents "Bases Loaded," a solo exhibition at Brooklyn's Pioneer Works that explores his lifelong fandom of the New York Mets through works made with donated blood and medical waste. The show features three bodies of work: large-scale reproductions of New York Post covers about the team, cast-resin sculptures of home plate filled with blood and family artifacts, and T-shirts given to blood donors at the Mets ballpark that Eagles cropped and splashed with blood from HIV-positive gay men, arranged by color into orange and grey factions.

‘It’s a tiny bit of joy!’ How trinket swapping is making the world a happier place, one china sheep at a time

Trinket exchange boxes, where people swap small items like pins, stickers, and ceramic animals, are rapidly spreading across the UK and US. The phenomenon, which began in Philadelphia in autumn 2024, has grown from 800 to nearly 1,500 installations in two months, according to Portland-based artist Rachael Harms Mahlandt, who tracks them on a world map. In Edinburgh, pet-sitter Sam Stevens runs a popular pink box outside Argonaut Books, inspired by a San Francisco exchange, and has seen her follower count jump overnight as locals trade trinkets for fun.

A ‘bird of Mexico City’ strikes a revolutionary pose: Pieter Henket’s best photograph

Photographer Pieter Henket describes the creation of his portrait "La Mujer" (The Woman), part of his series "Birds of Mexico City." The image features Ixchel Paz, a young Mexican woman wearing a lucha libre wrestling mask, captured in a dignified pose on the first day of the project. Henket explains how the series evolved from an earlier project, "Birds of New York," which celebrated young people in New York during the first Trump administration. After the pandemic, he traveled to Mexico City with his husband Roger Inniss, collaborated with stylist Chino Castilla and his team, and encouraged subjects to express their identities through costume and culture.

AI Helps UK Researchers Identify Unknown Subject in Hans Holbein Drawing as Anne Boleyn

Researchers Karen L. Davies and Hassan Ugail used artificial intelligence facial recognition to analyze two Hans Holbein drawings from the Royal Collection Trust. Their study, published in npj Heritage Science, suggests that a portrait previously labeled as Anne Boleyn actually depicts her mother, Elizabeth Howard, while a drawing cataloged as an unidentified woman is the true likeness of Anne Boleyn. The findings challenge long-held identifications based on 18th-century inscriptions and align more closely with contemporary descriptions of Boleyn as slender with dark hair.

A.I. Identifies Holbein Drawing as Possible Portrait of Anne Boleyn

Researchers at the University of Bradford have used artificial intelligence to analyze preparatory drawings by Hans Holbein the Younger in the Royal Collection at Windsor Castle. The AI model, which previously identified a forgotten Raphael painting, suggests that a drawing long believed to depict Anne Boleyn actually shows her mother, Elizabeth Howard, while another drawing labeled "Unidentified Woman" likely portrays Anne Boleyn herself. The findings, published in Heritage Science, are based on biometric analysis of facial features, bone architecture, and proportional relationships, offering quantifiable evidence to resolve long-standing scholarly uncertainty about the sitters' identities.

Mystery sitter in Holbein portrait could be Anne Boleyn, AI analysis finds

Researchers using AI have analyzed two Renaissance sketches by Hans Holbein from the Royal Collection, known as the Windsor sketch and the Unidentified Woman. The AI model, developed by Professor Hassan Ugail at the University of Bradford, compared the entire Holbein corpus and found that the Unidentified Woman may actually be Anne Boleyn, while the Windsor sketch—long thought to depict Boleyn—may instead show her mother, Elizabeth Howard. The study suggests the works were incorrectly inscribed in the 1700s, leading to centuries of misidentification.

59th Carnegie International tests the limits of connection and inclusion

The 59th Carnegie International, titled "If the word we," opens at the Carnegie Museum of Art in Pittsburgh, curated by Ryan Inouye, Danielle A. Jackson, and Liz Park. The exhibition emphasizes community and collaboration, featuring immersive installations by artists such as Shala Miller, Jasleen Kaur, and Georges Adéagbo, whose work incorporates local thrift-store finds like Pittsburgh Steelers merchandise. Offsite programming extends to venues including the Mattress Factory and Children's Museum of Pittsburgh.

Fair Warning Bets Big on a Banksy That Could Realize $18 Million

Fair Warning, the members-only online sales platform founded by former Christie's rainmaker Loïc Gouzer, is staging a rare live auction on May 20 at Tiffany & Co.'s flagship store in New York. The centerpiece is Banksy's *Girl and Balloon on Found Landscape* (2012), a work from the artist's 'Crude Oils' series that has never been publicly exhibited. Consigned by a private collector, the painting carries an ambitious estimate of $13 million–$18 million, one of the highest ever for a Banksy. Gouzer argues that Banksy is among the most consequential artists of our time, comparing his trajectory to Jean-Michel Basquiat, and sees this sale as a landmark moment for the artist's market.

Ulysses Jenkins (1946–2026), A Black Radical Imagination

The article is a personal tribute by curator Erin Christovale to the late artist Ulysses Jenkins (1946–2026), chronicling their decade-long friendship and collaboration. Christovale recounts how she first encountered Jenkins's video work at the William Grant Still Arts Center in Los Angeles, and how a conversation with Otolith Group's Kodwo Eshun led to her curating Jenkins's work. She describes key moments including Jenkins's video "Planet X" (2006) about Hurricane Katrina, his 1979 work "Two-Zone Transfer" featuring Kerry James Marshall in blackface masks, and the 2021 retrospective "Ulysses Jenkins: Without Your Interpretation" co-curated with Meg Onli at the Institute of Contemporary Art Philadelphia, which later traveled to the Hammer Museum and Julia Stoschek Foundation.

Can Raising Children Make You a Better Artist? Four Artist Mothers Weigh In.

Four artist mothers—Hope Atherton, Jessi Reaves, Sam Moyer, and Sarah Morris—share candid reflections on how raising children has shaped their art practices. They discuss fractured time, heightened decisiveness, evolving rituals like bedtime reading, and the guilt and power that accompany balancing motherhood with studio work. Atherton describes a new sense of urgency and efficiency, while Reaves and others offer personal anecdotes about the interplay between caregiving and creativity.

The Guardian view on the legacy of the Festival of Britain: look to the future | Editorial

The Guardian editorial reflects on the 75th anniversary of the Festival of Britain, launched by King George VI on 3 May 1951 as a "tonic" for a war-weary nation. It highlights the festival's most enduring legacy: the construction of the South Bank, including the Royal Festival Hall, which later became the Southbank Centre—the UK's largest arts complex. This summer, commemorations include poems from London schoolchildren projected onto its walls and a mobile poetry library visiting coastal towns, recreating the journey of the repurposed naval ship Campania. The festival, a triumph for the Labour government, faced critics like Evelyn Waugh and Noël Coward, and much of its physical infrastructure was demolished by the incoming Conservative government, save for the Royal Festival Hall.

Georg Baselitz ist tot

German artist Georg Baselitz has died at the age of 88. According to Galerie Thaddeus Ropac, he passed away peacefully on Thursday. Born Hans-Georg Bruno Kern in 1938 in Deutschbaselitz, Saxony, Baselitz fled East Germany in 1957 after political repression and academic conflicts. His first solo exhibition in West Berlin in 1963 was shut down due to scandal, and works were confiscated. He became internationally known in the late 1960s for his radical upside-down painting, a signature inversion that destabilized pictorial logic. He also created an extensive sculptural body of work. Key career milestones include representing Germany at the Venice Biennale in 1980 alongside Anselm Kiefer, multiple Documenta appearances, the Praemium Imperiale in 2004, and election to the Académie des Beaux-Arts in Paris in 2019. Major late-career exhibitions included "Nackte Meister" at the Kunsthistorisches Museum in Vienna in 2023.

Au Mémorial de Caen, les artistes africains font face à l’histoire de la colonisation

The Mémorial de Caen, a museum dedicated to World War II and the Cold War, has opened a new exhibition titled "(Dé)colonisations: des artistes africains interrogent l'histoire" (Decolonizations: African Artists Question History). Curated by Ayoko Mensah and Jean-Yves Marin, the show features 80 works by contemporary artists of sub-Saharan African origin, including Omar Victor Diop and Roméo Mivekannin. Swiss collector Jean Claude Gandur, who is building a foundation adjacent to the museum, lent 23 works, and his foundation's curator Olivia Fahmy helped organize the exhibition. The show is a prelude to a planned permanent section on colonial history at the memorial.

Andy Warhol | Cow II.11A (1971) | For Sale

Andy Warhol's screenprint "Cow II.11A" (1971) is being offered for sale by Composition.Gallery, priced at $15,200. The work is a color screenprint on wallpaper, printed by Bill Miller's Wallpaper Studio, Inc., New York, and published by Factory Additions, New York, for a Warhol exhibition at the Whitney Museum of American Art from May 1 to June 13, 1971. It is part of a limited edition of 100, stamped by the artist's estate, and includes a certificate of authenticity.

Rene Matić wins 2026 Deutsche Börse Photography Foundation Prize

Rene Matić has won the 2026 Deutsche Börse Photography Foundation Prize, becoming the first British winner in over a decade. The announcement was made at The Photographers’ Gallery in London on May 14, 2025, where Matić received £30,000 for their exhibition *AS OPPOSED TO THE TRUTH*, which uses photography, installation, and sound to explore identity and belonging. Matić was nominated for the show at the Center for Contemporary Arts Berlin (CCA Berlin) and is also a recent Turner Prize nominee. The prize exhibition runs at The Photographers’ Gallery until June 7, alongside works by fellow shortlisted artists Jane Evelyn Atwood, Weronika Gęsicka, and Amak Mahmoodian.

A skateboarder’s lament: the dismantling of San Francisco’s iconic and divisive fountain

San Francisco's Vaillancourt Fountain, a controversial concrete sculpture and centerpiece of Embarcadero Plaza since 1971, caught fire during its dismantling in early May 2025 after the city voted to potentially replace it with a grassy park. Designed by artist Armand Vaillancourt, the fountain was a landmark for the city's skateboarding scene in the 1980s and 1990s, but fell into disrepair and became a flashpoint in debates over modernist public art. The removal, costing $4 million for storage and assessment, was mourned by skateboarders and preservationists who saw it as a loss of cultural and architectural heritage.

Sotheby’s Posts $433 Million Haul, as Trophy Lots Continue to Carry the Market

Sotheby's May 2025 evening auctions in New York generated $433.1 million, a 132.7% increase over the same sales last spring, despite offering fewer lots. The evening featured an 11-lot sale from the collection of the late banker-turned-dealer Robert Mnuchin, which alone brought in $166.3 million, led by Mark Rothko's "Brown and Blacks in Reds" (1957) selling for $85.8 million. The main contemporary art auction, including "The Now" sale, totaled $266.8 million, with over 80% of lots guaranteed. Four works went unsold and one was withdrawn, yielding a 91% sell-through rate.

Across Venice, Artists Defy Censorship to Mourn and Memorialize Gaza

The 2026 Venice Biennale, titled “In Minor Keys,” features numerous artworks that mourn and memorialize the destruction of Gaza, despite censorship pressures. The main exhibition opens with a poem by slain Palestinian poet Refaat Alareer, and includes works by artists such as Theo Eshetu, Mohammed Joha, Manuel Mathieu, and Avi Mograbi that directly or indirectly address the conflict. Outside the official Biennale, South African artist Gabrielle Goliath’s performance series “Elegy” was censored by her country’s culture minister after she proposed a version honoring murdered Palestinian poet Hiba Abu Nada, leading her to present the work independently at a church in Venice.

‘We put our heads above the parapet’: Lubaina Himid on winning her 40-year battle to storm the Venice Biennale

Lubaina Himid, the 71-year-old British artist, is representing Britain at the Venice Biennale with a solo exhibition in the British Pavilion. Known for her decades-long career addressing Black identity and colonial history through paintings, textiles, and cut-out figures, Himid installed her work early and even got married in the lead-up to the biennale. She follows fellow Black British artists John Akomfrah and Sonia Boyce in recent years, completing a trio of artists from the same generation to take over the pavilion.

Nasher Museum’s ‘Everything Now All At Once’ Celebrates Diversity, Resilience, and Joy

The Nasher Museum of Art at Duke University is presenting 'Everything Now All At Once,' an exhibition drawn entirely from its permanent collection that features works by over a dozen contemporary artists including Nick Cave, Ai Weiwei, Nina Chanel Abney, Wangechi Mutu, Jeffrey Gibson, Amy Sherald, and Barbara Chase-Riboud. The show focuses on painting and sculpture—deliberately analog mediums in an era of rapid technological change—and highlights pieces acquired over the past twenty years that center artists from historically marginalized backgrounds. Running since August 2025, the exhibition will rotate new works next month and continue through November 1 in Durham, North Carolina.

Vermont Visual Arts

The article is a roundup of visual art exhibitions and events across Vermont and neighboring New York and New Hampshire, compiled by the Vermont Visual Arts staff. It lists current and upcoming shows at venues including Espresso Bueno, Studio Place Arts, Bennington Museum, Brattleboro Museum & Art Center, UVM Fleming Museum, The Hyde Collection, Hood Museum of Art, and others, with details on dates, artists, and locations. Featured exhibitions include silk screen prints by Jodi Whalen, acrylic paintings by Heidi Broner, a group show on Vermont farms, and a Pride-themed closing reception for "Gayzing" at Studio Place Arts.

15 Must-See Events Enriching the Venice Biennale 2026 Experience.

The article presents a curated guide to 15 must-see events accompanying the 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, running from May to November 2026. It highlights key exhibitions beyond the main pavilions, including "Screen Melancholy: Li Yi-Fan" at Palazzo delle Prigioni, "Darkness Visible: The Long Shadow of Dictatorship" at Spazio Punch, "Elegy" by Gabrielle Goliath at Chiesa di Sant'Antonin, and "As Above, So Below" at Ex Church Santi Cosma e Damiano, among others. These events span museums, foundations, and historic palazzi, featuring performances, talks, and curatorial interventions that extend the Biennale's reach across Venice.

Editor’s Letter: Still, Listening

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens in May 2026, shifting focus from Eurocentric narratives to quieter, relational, and improvisational voices from the Global South. ArtAsiaPacific's May/June issue honors Kouoh's vision with features on artists including Gala Porras-Kim (a 2025 MacArthur Fellow), Khaled Sabsabi (representing Australia), and others like Liang Yuanwei, Yuko Mohri, Mona Hatoum, Tadanori Yokoo, Gayane Umerova, Li Yi-Fan, Hyeree Ro, and Ei Arakawa-Nash, with contributions from a curatorial team that carried Kouoh's work forward after her death in 2025.

How Can Art Depict Everyday Violence?

Anuar Maauad and Roger Muñoz have cocurated the exhibition "La Alegría de Vivir" at Estudio Anuar Maauad in Mexico City, featuring works by Jorge de León, Benjamin Orlow, Miguel Ángel Rojas, Berenice Olmedo, Miguel Ventura, Paul McCarthy, and Teresa Margolles. The show confronts themes of necropolitics and systemic violence through sculptures, photographs, and installations that depict war, state power, and human suffering as ongoing, normalized conditions.

Inside the New Madison Avenue Flagship of the Powerhouse Gagosian Gallery

Larry Gagosian has opened a new flagship gallery at 974 Madison Avenue (preferring the address 980 Madison at 76th Street) after Bloomberg Philanthropies took over the building's upper floors, which had housed Gagosian's New York flagship since the late 1980s. The megadealer relocated to the street level, creating a 12,000-square-foot complex with exhibition spaces, offices, meeting rooms, and private viewing areas designed by Jonathan Caplan of Caplan Colaku Architects. The gallery launched with a double-header presentation of works by Marcel Duchamp and Robert Rauschenberg, and features ceilings just over 12 feet high, adaptable walls, and a vestibule display of art books.

Renowned Gallery Air de Paris Bankrupted, Closing This Week

Air de Paris, the Paris gallery known for its punk ethos and commitment to cutting-edge Conceptual art, will close this week after 36 years and more than 400 exhibitions, amid bankruptcy proceedings. Founded in Nice in 1990 by Florence Bonnefous and Edouard Merino, the gallery was named after Marcel Duchamp’s 50cc of Paris Air and became legendary for its inaugural show, “Les Ateliers du Paradise,” which featured artists living in the gallery and later influenced critic Nicolas Bourriaud’s theory of relational aesthetics. The gallery moved to Paris in 1994 and later to Romainville in 2019, showing artists such as Paul McCarthy, Raymond Pettibon, Liam Gillick, Pierre Huyghe, and Dorothy Iannone.

Artists turn to textiles as they excavate history at Nada New York

At the New Art Dealers Alliance (Nada) New York fair, running until 17 May, multiple artists are presenting works that heavily incorporate textiles to explore themes of culture, belonging, and history. Artists such as Keith Lafuente (with SoMad), Polina Osipova (with JO-HS), and Griselda Rosas (with Luis De Jesus Los Angeles) use fabric and sewing techniques to examine histories of inequality, migration, and labor. Rosas embroiders over painted paper using imagery from Mexican codices, Osipova prints family photos onto traditional Chuvash fabric, and Lafuente repurposes scraps from Oscar de la Renta to comment on global labor inequalities. Other participants like Ruth Owens (with Voltz Clarke Gallery) use textiles in lightbox works to tell personal stories of migration and abduction.

Artist Debuts and Inspired Duos Define the Can’t-Miss Booths at Independent

The article highlights standout booths at the Independent Art Fair, newly relocated to Pier 36 in Manhattan's Lower East Side. With 76 exhibitors, 26 of whom are presenting an artist's New York debut, the fair features notable presentations including Sprüth Magers' restaging of Gretchen Bender's 'TV Text & Image (PEOPLE WITH AIDS)', Omar Mismar's debut with abstract paintings on salvaged PVC banners referencing Lebanese protests, Carrie Schneider's large-format photographs from the Venice Biennale, and works by Kim Stolz and Raphael Egil at YveYANG. The fair runs through Sunday and aims for greater attendance and institutional influence.