“Berthe Weill, Art Dealer of the Parisian Avant-garde” in Montreal

The Montreal Museum of Fine Arts (MMFA) has opened a major exhibition titled "Berthe Weill, Art Dealer of the Parisian Avant-garde," showcasing over 100 works that Weill exhibited in her Paris galleries between 1901 and 1940. The show highlights her role in launching the careers of artists such as Picasso, Matisse, Modigliani, and Suzanne Valadon, and includes paintings, drawings, sculptures, and archival materials. Weill, born to a poor Jewish family, opened her first gallery at age 36 using her mother's dowry, never charged for exhibitions, and often sold her own possessions to keep her spaces afloat. Despite her immense contributions, she died in poverty and has been largely omitted from art history.

‘The First Homosexuals’ showcases 300 queer artworks amid ‘rise of homophobic politics’

A major new exhibition, “The First Homosexuals: The Birth of a New Identity, 1869–1939,” has opened at Chicago’s Wrightwood 659, featuring over 300 queer artworks from 125 artists across 40 countries. Curated by Jonathan D. Katz and Johnny Willis, the show includes early photographs of drag, a painting of a late-1700s trans pioneer, and what is believed to be the first same-sex wedding depicted in art, alongside works by iconic figures like Gertrude Stein and James Baldwin. The exhibition, eight years in the making, draws loans from institutions such as the Tate and the Metropolitan Museum of Art, as well as private collections, and runs through July 26.

defaults on art loans soar impact of australias social media ban on museums writer takes aim at singapore biennial morning link for january 6 2025

The Financial Times reports that half of non-bank lenders offering loans against artworks experienced defaults in 2024, up from 17% two years earlier, according to the Art and Finance Report 2025 by Deloitte Private and ArtTactic. The art market has shrunk 12% to $57.5 billion since 2022, dragging down collateral values and triggering margin calls. Meanwhile, Australia's social media ban for under-16s raises questions for museums, with the Art Gallery of New South Wales noting minimal impact but the Museum of Contemporary Art Australia more reliant on youth engagement. Other news includes Vanessa Horabuena's speed-painted Jesus sold for $2.75 million at Mar-a-Lago, the cancellation of NFT Paris and RWA Paris 2026, and a critical column calling for the end of the Singapore Biennial.

I'm a Chicana Curator. This Is Why I Removed Cesar Chavez From My Show

Curator Karen Mary Davalos removed a 1969 portrait of Cesar Chavez by George Rodriguez from the exhibition "Chicano Camera Culture: A Photographic History, 1966 to 2026" at the Cheech Marin Center for Chicano Art and Culture in Riverside, California. The decision came after news reports on March 17 revealed that Chavez had assaulted multiple women and girls associated with the United Farm Workers, including allegations of rape against co-founder Dolores Huerta. Davalos, who curated the show, acted swiftly after a call from interim director Valerie Found, removing the photograph to avoid honoring a figure now seen as an abuser.

New Met Gala fashion exhibit seeks to ‘reclaim’ body types that art history has ignored

The Metropolitan Museum of Art's Costume Institute will launch a new fashion exhibition titled "Costume Art" at the 2026 Met Gala, curated by Andrew Bolton. The show features 400 items across sections exploring body types historically marginalized in art, including the corpulent, disabled, pregnant, and aging body. It debuts in the newly renovated Conde M. Nast galleries on the museum's main floor, with custom mannequins modeled on real individuals such as Sinéad Burke, Aariana Rose Philip, and Goddess Bunny. The exhibition pairs fashion garments with art objects to argue that fashion is art, and will be open to the public from May 10 for eight months.

Tourmaline at Australian Centre for Contemporary Art

A major solo exhibition of work by the celebrated artist and activist Tourmaline has opened at the Australian Centre for Contemporary Art in Melbourne. Titled "Transcendent," the show is curated by Sophie Prince and runs from December 12, 2025, through March 15, 2026. It features new and existing works, including film, photography, and archival installations that explore themes of Black trans history, joy, and liberation.

Recensione, interviste e migliori stand della fiera d’arte contemporanea di Varsavia. Che cresce

Art Warsaw returns for its third edition, this time held in the historic Villa Róż, a former British embassy in Warsaw. The fair features 56 galleries, over 30 of which are international, and is co-founded by Joanna Witek-Lipka and Michał Kaczyński. The unconventional venue, with its blend of aristocratic luxury and Cold War-era bureaucratic spaces, is central to the fair's identity, offering an experience far removed from the typical white cube format. Galleries collaborated closely with organizers to adapt their presentations to the building's unique rooms, creating an atmosphere that balances a commercial fair with an exhibition project.

Mario Schifano al Palazzo Esposizioni di Roma. Una grande mostra che ci insegna a guardare

Palazzo Esposizioni in Rome has opened a major exhibition dedicated to Mario Schifano (1934–1998), running alongside a solo show by Marco Tirelli titled "Anni Luce." The exhibition, curated by Daniela Lancioni, explores Schifano's work through the lens of Kazimir Malevich's Suprematism, particularly his 1915 "Black Square." It features Schifano's early monochromes from 1960, his painting "Chiamato K. Malewič" (1965), and a rarely seen pre-1960 phase including landscapes and informal works from 1956–1959, which have often been marginalized in his official catalog.

The documentary dedicated to Sicilian patron Antonio Presti airs on Rai Tre. Here is the video preview.

Va in onda su Rai Tre il documentario dedicato al mecenate siciliano Antonio Presti. Qui la video anteprima

On Tuesday, May 19, 2026, at 3:30 PM, RAI 3 will broadcast the documentary "Asteroide 20049 Antonio Presti," produced by Rai Documentari and dedicated to Sicilian patron Antonio Presti (born 1957). Written by Fedora Sasso and Francesco Castellani, curated by Giulietta Venneri, and directed by Fedora Sasso, the film explores Presti's four-decade career using art to intervene in marginalized areas of Sicily. The documentary's title references an asteroid named after Presti, symbolizing his vision linking cosmic and urban space. It opens at the Astrophysical Observatory of Isnello and focuses on the Catania neighborhood of Librino, where Presti created MAGMA, an open-air museum developed through collaboration with students, artists, and residents.

"There are no minor or feminine arts." Domitilla Dardi explains this in her new book

“Non esistono arti minori o femminili”. Ce lo spiega Domitilla Dardi nel suo nuovo libro

Domitilla Dardi's new book "Cucire Universi" (published by Einaudi) presents a counter-history of design, focusing on techniques traditionally dismissed as "feminine" and "minor"—such as sewing, ceramics, cooking, and knitting. The book argues that these practices have been systematically undervalued by official art histories, yet have contributed significantly to technologically advanced research fields. Dardi uses real historical figures like Emily Dickinson to illustrate how women's creative and scientific talents were channeled into these marginalized domains, and she calls for overcoming the dualistic view that separates art from craft.

Nan Goldin Gets a Major UK Moment with ‘You Never Did Anything Wrong’

The Hayward Gallery at London's Southbank Centre has announced 'You Never Did Anything Wrong,' Nan Goldin's first major UK exhibition in over 20 years. The show, on view from November 24, 2026, to March 7, 2027, will survey Goldin's autobiographical photography, highlighting her intimate depictions of love, loss, queer and post-punk communities, and her recent anti-war activism. The exhibition follows the UK debut of her opera 'The Ballad of Sexual Dependency' at Gagosian London earlier this year.

A life beyond diagnostic labels: Recovering Art exhibition opened this week at Dax Centre, Melbourne

The Dax Centre in Melbourne, in partnership with SANE Australia, has opened "Recovering Art," an exhibition pairing historical works from the Cunningham Dax Collection—created by patients in Victorian psychiatric hospitals from the 1950s—with new contemporary pieces by artists Ruth Buchanan, John Young Zerunge, Abdul Abdullah, Jenna Lee, and Luke Willis Thompson. Curated by Andy Butler, the show includes landscape paintings by Rene Sutton, works by Graeme Doyle, Carla Krijt, and NEG, alongside new commissions that engage with themes of archive, classification, and institutional observation of lived experience.

Meet Ese Onojeruo: the exciting new talent behind the Venice Biennale’s British Pavilion

Ese Onojeruo has been appointed the Shane Akeroyd associate curator for the British Pavilion at the 2025 Venice Biennale, working with Turner Prize-winning artist Lubaina Himid on her exhibition 'Predicting History: Testing Translation'. The show features Himid's paintings—including 'Boatbuilders', 'Architects', 'Chefs', 'Tailors', and 'Gardeners'—which depict two figures negotiating belonging in a place they did not originally come from. Onojeruo, who previously held roles at South London Gallery, Chisenhale, and Tate, describes the collaboration as a 'full circle moment', having discovered Himid's work only after her formal art education.

America the Artful: U.S. 250th anniversary exhibits bring revolt and revolution to The Wadsworth

The Wadsworth Atheneum Museum of Art in Hartford, Connecticut, has launched a series of exhibitions under the collective title "Framing American Democracy" to commemorate the 250th anniversary of the United States. The exhibits include "Radical Roots," which explores 18th-century America through historical artifacts like the Charter Oak; "Contemporary Artists Reflect," featuring protest works by Sam Durant and the Guerilla Girls; and "Rebel/Revolt/Resist," which examines Black civil rights struggles with pieces by Jacob Lawrence and Sonya Clark. The shows run through various dates in 2025, 2026, and 2027.

Ruminations on Rashid Johnson’s “A Poem for Deep Thinkers”

The article is a reflective review of Rashid Johnson's exhibition "A Poem for Deep Thinkers" at the Modern Art Museum of Fort Worth. The author describes standing before Johnson's work "Falling Man" (2016), a piece incorporating broken mirrors, burned wood, and personal objects like a copy of Harry Haywood's "Black Bolshevik" and shea butter, which prompts meditations on visibility, identity, and Frantz Fanon's "Black Skin, White Masks." The review also examines Johnson's large-scale installation "Antoine's Organ" (2016/2026), which fills a gallery typically reserved for Ellsworth Kelly's minimalist canvases, transforming the space with scaffolding, plants, books, and video monitors.

‘Even late in life, recognition is possible’: photographer Paz Errázuriz opens long overdue UK retrospective

MK Gallery in Milton Keynes is presenting the first major UK retrospective of Chilean photographer Paz Errázuriz, titled *Dare to Look*, featuring 171 photographs from five decades of her career. Now 81, Errázuriz is known for documenting marginalized communities in Chile, often working under the dictatorship that followed the 1973 military coup. Despite international acclaim—including exhibitions at the Venice Biennale and acquisitions by Tate, MoMA, and the Reina Sofía—this is her first solo show at a British institution.

Asian painters were ‘othered’ in Paris a century ago. Now, the art world is taking note

A new exhibition at Singapore's National Gallery, "City of Others: Asian Artists in Paris, 1920s-1940s," highlights the experiences of Asian painters who worked in Paris during the interwar period. These artists, including Le Pho, Sanyu, Tsuguharu Foujita, Liu Kang, and Georgette Chen, faced marginalization and exoticized expectations from European critics, who dismissed their work as either not "Asian" enough or insufficiently Western. Despite these challenges, they produced significant bodies of work blending Eastern and Western traditions.

Kent Monkman: History is Painted by the Victors Member Preview

The Denver Art Museum (DAM) is hosting a member preview on April 19, 2025, for "Kent Monkman: History is Painted by the Victors," the U.S. debut exhibition of the artist. Featuring 41 monumental works, the show reimagines Western art history through an Indigenous lens, addressing colonial injustice, generational trauma, and Two-Spirit and queer visibility, with pieces from the DAM's collection and loans from other institutions.

Reverend Joyce McDonald: ‘Art was like therapy for me’

Reverend Joyce McDonald, a 74-year-old artist and minister, is the subject of her first museum survey, 'Ministry: Reverend Joyce McDonald,' at the Bronx Museum. The exhibition showcases her ceramic sculptures, which she began creating after an HIV diagnosis in 1995 while struggling with heroin addiction and sex work. McDonald discovered ceramics through an art therapy program with the Jewish Board of Family Services and later connected with Visual Aids, a New York organization supporting HIV-positive artists. Her works, often depicting figures praying or embracing, are held in collections including the Hammer Museum, Brooklyn Museum, and CCS Hessel Museum of Art.

art peter hujar paul thek andrew durbin

In 2015, photographer Peter Hujar experienced a mainstream resurgence when his work appeared on the cover of Hanya Yanagihara's novel *A Little Life*, in a campaign for menswear designer Patrik Ervell, and at Christie's, where his 1973 photograph *Candy Darling on Her Deathbed* sold for $50,000. Now, two new publications—*Stay Away From Nothing* and *The Wonderful World That Almost Was*—focus on Hujar's complex relationship with sculptor Paul Thek, who died nine months after Hujar from AIDS complications. Author Andrew Durbin, who wrote *The Wonderful World That Almost Was* and curated the group show "How Beautiful This Living Thing Is" at New York's Ortuzar gallery, discusses their elusive bond, rivalry, and the queer social dynamics that shaped their lives and art.

art black museums moad mocada auc

CULTURED magazine assembled a roundtable of three Black women leaders at prominent Black art museums in the U.S.—Key Jo Lee of the Museum of the African Diaspora (MoAD) in San Francisco, Cheryl Finley of the Atlanta University Center Art History and Curatorial Studies Collective (AUC), and Amy Andrieux of the Museum of Contemporary African Diasporan Arts (MoCADA) in New York. The discussion explores how each arrived at her role, the challenges these institutions face—including financial pressures and heightened scrutiny under the current U.S. administration—and their strategies for preserving and building legacies. Lee, who joined MoAD three years ago after a tenure at the Cleveland Museum of Art, is curating the exhibition “UNBOUND: Art, Blackness & the Universe,” named one of Hyperallergic’s top 25 of 2025. Finley, a curator, art historian, critic, and author, directs the AUC collective at Spelman College. Andrieux, who came from music and media roles at Red Bull Media House and MTV World, was recruited in 2018 to save MoCADA from closure and later became its executive director and chief curator, overseeing a capital expansion in 2023.

art cindy sherman holiday card transanta

Cindy Sherman is reviving her annual holiday party after a five-year hiatus, introducing a new line of kitschy Christmas cards featuring five works created with face-tuning A.I. algorithms that distort her face in a Picasso-esque style. The cards are part of the newly founded Cindy Sherman Legacy Project, curated by Lumi Tan, and all proceeds will benefit Transanta, a trans-led mutual aid project supporting unhoused or unsupported trans youth, founded by Chase Strangio, Indya Moore, and Kyle Lasky. The cards are available through Sherman's website, Hauser & Wirth's New York bookstore, and a launch party on Dec. 9 at Jean's in New York.

design art precious okoyomon garden

Precious Okoyomon, editor of CULTURED at Home gardens, selects five unconventional natural landscapes that thrive against difficult odds. These include Dumbarton Oaks in Washington DC with its ancient wisteria, the radioactive waste site Dead Horse Bay in Brooklyn where invasive species bloom, the childhood haven Glen Helen Nature Preserve in Ohio, the Persian-inspired Untermyer Gardens in Yonkers, and Derek Jarman's seaside garden beside a nuclear plant in Dungeness, UK. Each location is described through Okoyomon's personal reflections, illustrated by Erin Knutson.

art pat steir khajistan hc westermann

Pat Steir's early installation "Mirage 1975" has been restaged at Hauser & Wirth's Soho location, marking the 50th anniversary of her first-ever installation originally at the State University of New York in Oneonta. The exhibition runs through August 15, 2025, and coincides with the publication of the monograph "Pat Steir Paintings 2018–2025." Separately, the exhibition "Spasial Program by Khajistan" is on view at SculptureCenter in Long Island City through July 28, 2025, presenting a vast archive of rare, illicit, and suppressed media artifacts from the Islamicate world, curated by Lahore-born filmmaker Saad Khan.

david rimanelli willem de kooning cosey fanni tutti

Art critic David Rimanelli reviews Willem de Kooning's exhibition "Endless Painting" at Gagosian's 555 West 24th Street location, curated by Cecilia Alemani, running through June 24, 2025. The show spans de Kooning's career from 1944 to his final phase, though notably omits his black-and-white oil-and-enamel paintings from the late 1940s. Rimanelli expresses ambivalence, finding the show dreary and pointless despite the high caliber of individual works, and critiques the press release's focus on fragmented body parts. Separately, Johanna Fateman reviews Cosey Fanni Tutti's exhibition at Maxwell Graham, highlighting her controversial 1970s series "Magazine Actions" (1972–80), on view through June 28, 2025.

The Invincible Spirit of Edmonia Lewis

The Peabody Essex Museum in Salem, Massachusetts, has opened "Edmonia Lewis: Said in Stone," the first major retrospective of the 19th-century sculptor Edmonia Lewis, who was of Black and Indigenous (Mississauga-Tuscarora) descent. The exhibition displays 30 of her Neoclassical white marble sculptures alongside archival materials and works by other artists, organized into four thematic rooms that explore antislavery, Indigenous artistic worlds, her studios in Rome, and religion and mythology. Co-organized with the Georgia Museum of Art, the show emphasizes Lewis's dual heritage without conflating the two identities, featuring extensive text and quotes from the artist herself.

POC Arts Nonprofits Face Severe Staffing Challenges, Survey Finds

A new report by Museum Hue reveals that over a third of surveyed museums and cultural centers founded and led by people of color in the Northeastern United States operate without any full-time staff. The study, which examined 38 institutions, found that 67% of smaller-budget organizations (with budgets under $500,000) lack full-time employees, with some operating on less than $100,000 annually and relying heavily on volunteers.

security threats force londons va to remove prophet muhammad artwork

The Victoria & Albert Museum in London removed an image of an artwork depicting the Prophet Muhammad from its website due to security concerns following the Charlie Hebdo terrorist attack. The artwork, a poster made by an Iranian artist around 1990, remains in the museum's collection and is available to scholars by appointment. The decision has drawn criticism from experts who view it as self-censorship that could undermine the study of Islamic art.

AT A LOW FLAME. CLAY AND NATURAL FIBERS IN THE WORK OF IBERO-AMERICAN ARTISTS

A MEDIA LUMBRE. BARRO Y FIBRAS NATURALES EN LA OBRA DE ARTISTAS IBEROAMERICANOS

The exhibition 'A media lumbre' presents a collection of works by Ibero-American artists that engage with materials and knowledge historically considered minor arts, such as ceramics, clay, wool, textiles, embroidery, and natural fibers. The show integrates sound and oral tradition as tools for transmitting memory, drawing inspiration from communal gatherings like the 'filandones.' It unfolds across four autonomous exhibitions in Valencia, Mallorca, Aragon, and Catalonia, connecting urban museums like the IVAM with rural contexts.

First Indigenous Representative of Peru at the Venice Biennale, Sara Flores Opens the Doors of Her Studio in the Heart of the Amazon

Première représentante autochtone du Pérou à la Biennale de Venise, Sara Flores ouvre les portes de son atelier au cœur de l’Amazonie

Sara Flores, a 76-year-old artist from the Shipibo-Konibo Indigenous community in the Peruvian Amazon, has been selected as the first Indigenous artist to represent Peru at the Venice Biennale. In her open-air studio deep in the rainforest, she creates large-scale geometric compositions in the kené ("true drawing") tradition, using natural dyes from local plants. She is also co-founder of the Bakish Mai Multiversity, an educational institution dedicated to Indigenous knowledge and artist residencies, alongside Matteo Norzi, one of the two curators of the Peruvian pavilion. The article offers an intimate portrait of her life, her matriarchal family, and her creative process.