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Painting our neighborhoods: Storefront art at Tribeca gallery

Brooklyn-based artist Charis Ammon presents "Pedestrian," an exhibition of oil paintings depicting storefronts from her Bushwick neighborhood and other parts of New York City, at Sargent's Daughters Gallery in Tribeca. The works, inspired by photographs taken during her daily walks, feature scenes of Chinese takeout places, bodegas, dry cleaners, and laundromats, often incorporating reflections of buildings across the street. The exhibition runs through January 24 and is Ammon's second with the gallery, which is owned by Allegra LaViola.

Harold Keller exhibition opens in newly renovated Porter Art Warehouse gallery

The newly renovated Porter Art Warehouse in Fayetteville, Arkansas, will host its first signature exhibition, "Harold Keller: Portals," from January 15 to March 8, 2025. The show features works by Harold Keller, an artist and educator whose career spanned over seven decades, curated by Matthew Bailey from the University of Arkansas Fort Smith Collection. The exhibition includes paintings, drawings, ceramics, and artist books drawn from the largest repository of Keller's work, housed at the University of Arkansas Fort Smith, where he taught in the late 1950s and early 1960s. The Alexander Gallery, named for philanthropists Bob and Becky Alexander, opened in October 2024 after a $1 million exterior restoration by the city and a $950,000 interior renovation by Walton Arts Center.

10 Oregon museum exhibits and events to add a little light to your winter

The Oregonian/OregonLive's winter arts guide highlights 10 museum exhibits and events across Oregon designed to bring light and joy during the dark season. Featured exhibitions include "Psychedelicatessen: A Powerful Dose of Art by Steve Marcus" at the Oregon Jewish Museum and Center for Holocaust Education, "Minidoka on Our Minds" at the Japanese American Museum of Oregon, "David Hockney: Works from the Collections of Jordan D. Schnitzer and His Family Foundation" at the Portland Art Museum, and "From Highway 101: Images of Oregon's Most Iconic Highway" at the Oregon Historical Society, among others.

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MSCHF, the art collective known for viral stunts like Big Red Boots and a branded ATM, has launched a project called "Our Cow Angus" in which they purchased a cow named Angus in August 2024 and presold tokens tied to its eventual slaughter. Token holders can cancel their pre-orders via a "Remorse Portal," and if 50% opt out, Angus will be sent to a sanctuary instead of being turned into hamburger patties and leather handbags. As of January 8, only 31.8% of holders had canceled.

January 2026 Opening Reception at the Bush Barn Art Center

The Bush Barn Art Center in Salem, Oregon, will host an opening reception on January 9, 2026, for four new exhibitions. The shows include Yuji Hiratsuka's "Personal Mythology: Color Intaglio" in the A.N. Bush Gallery, Sam Marroquin's "Inhabit: Reflections of Us" in the Focus Gallery, and SAA Represented Artists in the Camas and Annex Galleries. The free public event runs from 5:30 to 7:30 p.m., with artist introductions at 6:00 p.m.

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Jacqueline Humphries's survey exhibition at the Aspen Art Museum features her painting installation "TSLA" (2025), a five-panel work hung on bare metal studs that bisects the gallery space. The installation plays with perception through mirrors and anamorphic imagery, including a distorted Tesla logo, and includes a hidden set of red paintings visible only as reflections. The show also presents nine smaller works generated in part by artificial intelligence, housed in a green-walled adjacent room.

Must-See Museum Exhibits Opening in Colorado in 2026

Several Colorado museums are launching new exhibitions in 2026. The Museum of Boulder presents "Blazing Trail for 150 Years at CU Boulder" (Jan 16–Mar 1), celebrating the university's sesquicentennial. The Boulder Museum of Contemporary Art (BMoCA) opens "Yes &…" (Jan 29–May 3), featuring 18 artists exploring human-made art in the age of AI. History Colorado Center mounts "Mountains Majesty: On the Summit With John Fielder" (Jan 24, 2026–Jan 10, 2027), showcasing landscape photographs by the late John Fielder. MCA Denver hosts Ana María Hernando's solo exhibition "Seguir Cantando (Keep Singing)" (Mar 5–Jul 5), featuring tulle sculptures.

Exhibit Reclaims Space for Human Artists

Cedarville University's 220 Gallery is hosting “Painters and Paintings,” an exhibit featuring physical and digital paintings by the university's art students, open through January 14, 2026. Conceived by associate professor Aaron Gosser, the show pairs each artwork with a photo of the student artist and a personal reflection on painting in an era flooded with AI-generated images, aiming to foreground the human hand and story behind each piece.

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Artnet News has published its annual roundup of art world figures who died in 2025, honoring a diverse range of individuals including museum directors, painters, curators, philanthropists, and an archaeologist. Among those remembered are Julia Alexander, former director of the Yale Center for British Art; Sylvain Amic, recently appointed to lead the Musée d'Orsay; philanthropist Wallis Annenberg; abstract painters Timothy App and Jo Baer; curator Leonid Bazhanov; and Tony Bechara, painter and former director of El Museo del Barrio.

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Artnet News editors and journalists compiled their annual roundup of the best artworks seen in 2025, highlighting standout pieces from around the world. Among the featured works are Richard Serra's monumental steel sculpture "East-West/West-East" (2014) in the Qatari desert, Emma Ferrer's painting "You Will Return the Evil to Its Steppe (Homage to Josefa de Óbidos)" (2024) shown at New York's Sapar Contemporary, and Kerry James Marshall's "The White Queens of Africa: Colette" (2025) from his retrospective at the Royal Academy of Art. Each artwork is accompanied by a personal reflection from the journalist who encountered it.

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A new Banksy mural appeared on a wall in west London on Monday, December 22, 2025, depicting two children in winter clothing lying on their backs and gazing at the sky. The stenciled artwork, located on Queen’s Mews in Bayswater near Notting Hill, was officially claimed by Banksy via Instagram. An identical version was also spotted outside the Centre Point tower in central London, though not yet claimed. The piece has sparked widespread speculation about its meaning, with interpretations ranging from a commentary on childhood imagination and wonder to a satirical critique of consumerism and the replacement of sacred values by utility.

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Courtney McClellan's exhibition "Simulations" at the Shirley Fiterman Art Center in Lower Manhattan features deadpan photographs of empty mock courtrooms at universities across the American South, including a haunting simulation of the Supreme Court's chambers at Liberty University, an evangelical Southern Baptist college in Virginia. The show, which includes images taken over six years, is installed with blue borders and wainscoting that blur the line between architecture and image, placing viewers in the position of judge and jury while highlighting the theatricality of these spaces.

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The Museum of Contemporary Photography (MoCP) at Columbia College Chicago will host an exhibition titled “If Emmett Till Lived: Freedom on American Ground,” guest curated by Harvard professor Sarah Lewis. Opening September 3, the show draws from MoCP’s permanent collection and features 70 photographers—including Gordon Parks, Henri Cartier-Bresson, Dorothea Lange, and Carrie Mae Weems—to imagine the life Emmett Till might have lived had he not been lynched in 1955. The exhibition includes images of Chicago, the railways Till traveled, and milestones he missed, such as the Chicago Bulls phenomenon, Barack Obama’s election, and ongoing civil rights protests.

Surf’s up at annual exhibition

The annual Surf Art exhibition at Port Noarlunga’s Arts Centre in South Australia has opened, celebrating the region’s surfing culture, lifestyle, history, and coastal environment. First held in 1993, the free exhibition runs until February 2 and features works in various media—painting, jewellery, mosaics, photography, glassware, textiles, and sculpture—by local and interstate artists. Coordinator Nerissa Galloway noted pieces referencing the recent algal bloom, including a painting by Jo Headon depicting a surfer in a hazmat suit. A separate exhibition, 'The Bloom,' will follow from February 6 to March 16, inviting community reflection on the algal bloom and coastal ecology.

Art Museum and Galleries at W&L: Winter 2026 Programs and Exhibitions

Washington and Lee University's Art Museum and Galleries is hosting five temporary exhibitions through Winter Term 2026, including "Edward Burtynsky: Taking Place" at the Reeves Museum of Ceramics, "Moffat Takadiwa: Recoded Memories" at the Watson Galleries, and "Luminous Layers: Glazed Surfaces and the Art of Reflection" alongside "Points of Exchange: Asian Ceramics in the Reeves Collection" at the Reeves Museum, plus "Expressions of Color: Paintings by Evelyn Dawson" at the McCarthy Gallery. The museum is also offering free public programming such as Artful Yoga sessions and an MLK Week Open House featuring artworks connected to the Civil Rights movement.

In Oregon, a One-Night Art Exhibition Within a Midcentury Home

A one-night, invitation-only exhibition titled "The Open House" took place within a private midcentury home in Oregon, designed by modernism pioneer Robert Rummer. Curated by Lena Vasilenko and Emma Strgar of the experiential agency Ethereal Reflections, and presented by Marisa Swenson of Modern Homes Collective, the group show featured works by contemporary artists including Stephanie Ketty, Christopher Belluschi, Ben Latham, Aremy Stewart, and Carvers Collective. The installation was designed to integrate the artworks with the architecture, encouraging reflection on how art enhances domestic space.

A brush with… Olafur Eliasson

This article features an in-depth interview with artist Olafur Eliasson, who discusses his career-long focus on human perception, environmental concerns, and the concept of "we-ness" in his work. Eliasson reflects on key installations such as *Beauty* (1993) and *Your lost lighthouse* (2020), his influences from thinkers like Donna Haraway and Alva Noë, and his fascination with James Turrell and early Renaissance art. He also shares insights into his Berlin studio and answers the question "what is art for?" The piece is accompanied by details of his current exhibitions in Brisbane, Jakarta, and Singapore, as well as a new permanent public work in Oxford, UK.

Harlem’s Studio Museum reopening was a fitting reflection of its history and work

The Studio Museum in Harlem reopened in November 2025 after a seven-year reconstruction, unveiling a new building designed by Adjaye Associates and Cooper Robertson that incorporates architectural elements of Harlem, such as masonry-framed windows and a staircase evoking brownstone stoops. The reopening featured a major exhibition highlighting alumni from its renowned artist-in-residence program, which began in 1968 with Tom Lloyd as the first recipient. Founded by Charles E. Innis and a coalition of artists, activists, and philanthropists, the museum has long served as a nexus for artists of African descent, expanding the canon of Black art during the civil rights and Black Power movements.

Slawn and Opake Open 'Heroes, Villains, & Violence' Joint Exhibition in Miami

Slawn and Opake have opened a joint exhibition titled “Heroes, Villains, & Violence” in Miami, timed to coincide with Art Basel. The show explores themes of heroism, villainy, and violence through imagery from comics, film, and media, including Iron Man, Captain America, Snow White, and the Mad Hatter. Boxing serves as a recurring motif, with a real boxing ring hosting Miami fighters Uly “Monster” Diaz and Bryan “El Gallo” Duran during the opening. The exhibition runs through Dec. 31 at The Art of Hip Hop.

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TONO, the time-based art festival, has announced its 2026 lineup, running March 6–22 across Mexico City and Puebla. The program includes video installations, performance commissions, music events, and screenings at venues such as Laboratorio Arte Alameda, Casa del Lago UNAM, Museo Jumex, Museo de Arte Moderno, and Museo Amparo. Featured artists include Tino Sehgal, Space Afrika, Franziska Aigner, Kelman Duran, Ho Tzu Nyen, Avantgardo, Rafael Lozano-Hemmer, and Melanie Smith. International collaborations bring dance works via 99 Canal and Dance Reflections by Van Cleef & Arpels, and a joint evening with Berlin’s Neue Nationalgalerie. The festival is also co-producing Camille Henrot’s exhibition Água Viva at São Paulo’s Instituto Bardi.

Made in LA biennial contemplates wildfires and immigrant arrests

The Hammer Museum in Los Angeles has opened the seventh edition of its Made in LA biennial, running until March 1, 2026. Curators Essence Harden and Paulina Pobocha selected 28 artists from over 200 studio visits, with no predetermined theme. The exhibition features works that respond to the city's recent challenges, including the January wildfires and ongoing ICE raids, as seen in pieces like Alonzo Davis's 'Eye on ’84' and Patrick Martinez's neon sign reading 'Agua Is Life; NO ICE'.

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Japan’s Yokohama Triennale has appointed Cosmin Costinaș and Inti Guerrero as co-artistic directors for its 9th edition, opening at the Yokohama Museum of Art on April 23, 2027. Costinaș, a Romanian writer and critic currently senior curator at Haus der Kulturen der Welt in Berlin, will become a curatorial adviser there at year’s end. Guerrero, from Bogotá, is a professor at City University in Hong Kong. The duo previously co-directed the 2024 Biennale of Sydney and the 2018 Dak’Art Biennale, and have collaborated on several other projects. They were selected from 22 candidates by a six-person international committee.

A brush with… Luc Tuymans—podcast

This podcast episode features an in-depth conversation with Belgian painter Luc Tuymans, born in 1958 in Mortsel and based in Antwerp. Tuymans discusses his transformative approach to painting, which draws from photographs, film, and media to explore subjects ranging from contemporary politics and historical events to everyday objects. He shares insights into his meticulous process, his influences including Piet Mondrian, Léon Spilliaert, Francisco de Goya, and David Lynch, and his concept of "authentic forgeries." The episode also highlights his current exhibitions: "Luc Tuymans: The Fruit Basket" at David Zwirner in New York and Los Angeles, and a presentation at the Basilica di San Giorgio Maggiore in Venice.

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New York-based artist Saya Woolfalk is the subject of her first retrospective, "Saya Woolfalk: Empathic Universe," at the Museum of Arts and Design (MAD) in New York. The exhibition, curated by Alexandra Schwarz, runs from April 12 to September 7, 2025, and surveys two decades of Woolfalk's multidisciplinary practice, which blends science fiction, fantasy, and critical examinations of race, science, anthropology, and identity. The show is organized into chapters highlighting major projects, including her fictional "Empathics"—a race of women who can fuse with plants—and features sculptures, video, painting, works on paper, a commissioned audio drama, and live dance performances.

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Pantone has selected “Cloud Dancer,” a shade of white, as its 2026 Color of the Year, sparking backlash on social media and in some media outlets. Critics have accused the company of “whitewashing” and being out of touch, particularly given the current political discourse and rollback of DEI programs. Some have also suggested the color signals wealth and elitism. Pantone’s executive director, Leatrice Eiseman, defended the choice in a statement, saying it was based on emotional and creative resonance, not politics or ideology, and that the color represents relaxation, reflection, and creativity.

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The article is a personal remembrance of artist Robert Grosvenor, written by a former student who encountered him as a visiting speaker at the Rhode Island School of Design in 1978. It recounts the profound impact Grosvenor's work and teaching had on the author's own artistic practice, describing his use of ordinary materials, his sculptural innovations like the cantilever and "hover," and his influence on her approach to art-making. The piece also references Grosvenor's 2025 exhibition at Paula Cooper Gallery and his earlier commission at Storm King Art Center.

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The article recounts the author's experience at Art Basel Miami Beach 2025, beginning with a moment of reflection on the beach before the fair week's chaos. Three veteran attendees—an artist, an advisor, and a gallery owner—chose to skip the event this year, citing lackluster parties, declining collector interest in Miami compared to Paris, and poor sales attrition. Despite these doubts, the fair saw strong sales, with Hauser & Wirth reporting a 40% increase in the first three hours, and a new digital art sector boosting optimism. Pop-up exhibitions, like "The Body is The Body" at the Rice Hotel, were highlights, while Vanity Fair's party remained the most coveted invite.

Olafur Eliasson’s exhibition ‘Presence’ challenges visitors’ senses and perception

A new Olafur Eliasson exhibition, 'Olafur Eliasson: Presence,' opens December 6, 2025, at Brisbane’s Gallery of Modern Art (GOMA) and runs through July 12, 2026. The immersive show transforms GOMA’s ground floor with multi-sensory installations spanning over three decades of the artist’s career, including early works like 'Beauty' (1993) and 'Riverbed' (2014), alongside new commissions such as the large-scale 'Presence 2025' and the magnetic sculpture 'Lost compass' (2013). Visitors are invited to become co-creators, navigating environments that play with light, mist, mirrors, and even a LEGO city.

9 Up-And-Coming Gallerists Chart the Path To—and Beyond—Showing at Art Basel Miami Beach

Nine emerging galleries from around the world are showing in the Positions sector of Art Basel Miami Beach 2025, a dedicated platform for up-and-coming exhibitors. The article profiles several of these gallerists, including Allann Seabra and Ian Duarte of Verve in São Paulo, and Mauricio Aguirre of N.A.S.A.L. in Mexico City and Guayaquil. They discuss their gallery's growth, key milestones such as artists participating in the 36th Bienal de São Paulo, and their hopes for gaining international exposure and deepening understanding of their local art scenes.

Persian miniatures and mermaids: Hiba Schahbaz’s garden of delights at the Museum of Contemporary Art North Miami

The Museum of Contemporary Art North Miami has opened "Hiba Schahbaz: The Garden," the first major retrospective of Karachi-born, Brooklyn-based artist Hiba Schahbaz. Curated by Jasmine Wahi, the exhibition spans 15 years of Schahbaz's practice, including loans from private collections, studio works, and new commissions. Anchored by the concept of the jannat (Paradise Garden) rooted in Islamic tradition and Sufi poetry, the show is organized around the elements of earth, water, fire, and air. Schahbaz, trained in the Indo-Persian miniature tradition, works with water-based pigments and tea on handmade paper, and her practice has evolved from small formats to large-scale works, including a 45-foot-by-14-foot mermaid painting commissioned for the Miami show.