Making Their Mark: Works from the Shah Garg Collection | Exhibition

The exhibition "Making Their Mark: Works from the Shah Garg Collection" will be on view from February 27 to July 26, 2026, featuring approximately 80 works by nearly 70 influential women artists from the 20th and 21st centuries. Artists include Magdalena Abakanowicz, Cecily Brown, Sheila Hicks, Jenny Holzer, Julie Mehretu, Joan Mitchell, Faith Ringgold, Tschabalala Self, Amy Sillman, Lorna Simpson, Jaune Quick-to-See Smith, Pat Steir, Sarah Sze, Kara Walker, and Zarina. The show is organized into seven thematic sections—Gestural Abstraction, Luminous Abstraction, Pixelated Abstraction, Disobedient Bodies, Of Selves and Spirits, The Power of Form, and Craft is Art—juxtaposing emerging artists with their predecessors to highlight intergenerational connections and subversions of traditional art hierarchies.

Local artists transform waste into striking art at the Melrose Gallery

The Melrose Gallery in Johannesburg is hosting "Junkyard Dogs," an exhibition featuring South African artists Dr. Willie Bester and Prof Pitika Ntuli, running until October 31. The show transforms discarded materials into sculptures, paintings, and installations that address social and political issues, including apartheid and post-colonial identity. Curated by Ashraf Jamal and Tumelo 'Tumi' Moloi, the exhibition includes a soundscape, children's workshops, poetry sessions, and guided walkabouts, all free to the public.

Károly Ferenczy, Elusive Inventor of Hungarian Modernity at the Petit Palais

Károly Ferenczy, insaisissable inventeur de la modernité hongroise au Petit Palais

The Petit Palais in Paris is presenting a major exhibition dedicated to Károly Ferenczy, a pivotal figure in Hungarian modernism. The show features works like his 1896 painting 'Le Sermon sur la montagne,' exploring his role within the Nagybánya artists' colony and his synthesis of plein air painting with a European artistic education.

Galleries condemned, bones exploding… The National Museum of Natural History is in a serious state of disrepair, warns its president

Galeries condamnées, ossements qui explosent… Le Muséum national d’Histoire naturelle est dans un grave état de vétusté, alerte son président

The president of the Muséum national d’Histoire naturelle in Paris, Gilles Bloch, has issued a public alarm about the institution's severe state of disrepair. He warns that 74% of the museum complex is in grave danger, with urgent repairs costing an estimated €500 million needed to prevent collapse and reopen closed galleries. The deterioration includes mold-infested herbariums, flooded archives, and mineralized bones exploding due to heat and humidity, threatening the museum's world-class collection of over 70 million specimens.

Nocturnal Worlds: Keita Morimoto’s Uncanny Cities

Keita Morimoto's solo exhibition "what we told ourselves" at Kotaro Nukaga gallery in Tokyo presented a series of nocturnal paintings and new sculptural works exploring artificial light in urban environments. The show featured large-scale canvases depicting uncanny, dramatically lit cityscapes alongside life-sized, internally illuminated vending machine sculptures that extended his painterly themes into three dimensions.

art basel abbas ruanne abou rahme brown bell gallery

An exhibition titled "Prisoners of Love: Until the Sun of Freedom" by artists Basel Abbas and Ruanne Abou-Rahme is on view at the Bell Gallery at Brown University until May 31. The show centers on a historical misattribution: the poem "Enemy of the Sun," found in the cell of Black Panther George Jackson after his 1971 murder, was long thought to be his work but was actually written by Palestinian poet Samih al-Qasim. Through a video installation featuring interviews with former political prisoners in Palestine, the artists explore what they call "radical kinship" between Black radical thinkers in the U.S. and Palestinian activists. Curators Kate Kraczon and Thea Quiray Tagle, who were terminated from Brown last December, collaborated on the project, which also draws on archival research into mass incarceration.

art ivan argote paris studio pigeon

The article profiles Colombian-born, Paris-based artist Iván Argote, focusing on his monumental aluminum-cast pigeon sculpture *Dinosaur* (2024), currently installed on the High Line Plinth in New York. It discusses his broader practice, which includes performance, video, and installation, often addressing themes of power, resistance, and public space. Argote is preparing for his second exhibition at Albarrán Bourdais in Madrid, centered on a civic performance where he fills sidewalk cracks with colored concrete. The piece also includes a studio visit during Paris Art Week, revealing his creative process, team, and personal touches like a stocked champagne fridge.

7 Contemporary Artists to Follow If You Like Cecily Brown

The article presents a curated list of seven contemporary artists whose work shares aesthetic or thematic connections with the painter Cecily Brown. It highlights artists like Jenna Gribbon, known for intimate, luminous portraits; Issy Wood, who blends Old Master techniques with contemporary malaise; and others such as Flora Yukhnovich, Doron Langberg, Louis Fratino, Maia Cruz Palileo, and Somaya Critchlow, each exploring figuration, sensuality, and painterly abstraction in distinct ways.

Willem de Rooij at Lumiar Cité

Artist Willem de Rooij presents a new exhibition titled "Hut Hut" at Lumiar Cité in Lisbon. The show, curated by Jürgen Bock, runs from February 21 to May 17, 2026, and is documented with 11 images on the Contemporary Art Daily platform.

An Art Historian’s Riotous Novel Melds Medieval Art with Monica Lewinsky

Julia Langbein's new novel *Dear Monica Lewinsky*, published by Doubleday, follows translator Jean Dornan as she revisits a traumatic relationship with a professor from her youth, set against the backdrop of the 1998 Monica Lewinsky scandal. The story interweaves medieval art, particularly the 13th-century *Golden Legend*, with Lewinsky's public shaming, as Jean prays to Lewinsky for guidance and is visited by a haloed version of her. Langbein, an art historian with a PhD from the University of Chicago, draws on her expertise to explore themes of humiliation, self-estrangement, and collective experience.

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The Vatican has repatriated 62 Indigenous cultural treasures to Canada, following years of negotiations that began with a visit by the late Pope Francis in 2022. The objects, which include a kayak made of driftwood and seal skin used for beluga whale hunting, were first sent to Rome for a 1925 exhibition organized by Pope Pius XI and remained there until Pope Francis called for their return. The handover was unveiled this week at a warehouse belonging to the Canadian Museum of History in Gatineau, Quebec, where Indigenous elders and experts are now examining each piece to trace its origins. Vancouver Archbishop Richard Smith and Natan Obed, president of Inuit Tapiriit Kanatami, spoke at a news conference about the significance of the return.

How the adoption of canvas in Venice changed the way artists painted

Art historian Cleo Nisse has published a new book, *Venetian Canvas and the Transformation of Painting*, examining how 16th-century Venetian painters such as Titian, Veronese, and Tintoretto pioneered the use of canvas as a painting support. Nisse reveals that canvas was not a uniform material—artists experimented with different weaves, including tabby and herringbone patterns, and even repurposed sailcloth and tablecloth-quality fabrics to achieve specific visual effects. The book argues that canvas was already familiar in the late Middle Ages for banners and alternatives to tapestry, and that Vittore Carpaccio was the first master of the medium, varying canvas types for expressive purposes in his *Legend of St Ursula* series.

In Munich, Two Artists Imagine Futures Both Playful and Epic

The Munich gallery Filser and Gräf is presenting a two-person exhibition titled "Medèn ágan – Nothing in Excess," featuring artists Paris Giachoustidis and Toshihiko Mitsuya. The show uses the ancient Greek maxim as a curatorial framework, with Mitsuya's delicate, reflective aluminum sculptures and Giachoustidis's paintings of futuristic, cosmic landscapes exploring themes of balance, scale, and humanity's place in the universe.

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A new exhibition at the Hispanic Society Museum & Library in New York, titled "Spanish Style: Fashion Illuminated, 1550–1700," explores how 17th-century Spanish fashion was governed by strict moral and legal codes. Curator Amanda Wunder highlights that garments like the guardainfante hoop skirt and the ruffled collar were regulated by kings and clergy, with women fined or barred from church for revealing shoulders or wearing lace, and men criticized for effeminate styles. The show features portraits and artifacts that reveal how clothing was used as a tool of social control, power, and gender policing in Habsburg Spain.

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The article examines 'Spanish Style: Fashion Illuminated,' an exhibition at the Hispanic Society Museum in New York curated by Amanda Wunder. It explores how Spanish fashion from the Habsburg dynasty (1516–1700) used luxurious materials like logwood black, gold, silver, silk, and lace to project imperial power and religious austerity. The show features portraits of royalty and nobility, including works by Diego Velázquez and Juan de Pareja, highlighting how clothing served as a uniform of status and belonging rather than individual expression.

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A 4.9-meter stainless steel sculpture titled "Chaînes de Lumière" was unveiled on March 15, 2025, in Bikfaya, Lebanon, by artist duo Pierre and Cedric Koukjian. The work, composed of seven monumental links, was inaugurated in the presence of local officials including Bikfaya Mayor Nicole Gemayel, former President Amine Gemayel, Swiss Ambassador Marion Weichelt, and several UN envoys. It is part of a series of chain-motif sculptures installed globally, with previous works like "X-Link" (2022) in Geneva, Switzerland, and future installations planned for London and Bristol.

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Martin Scorsese's 1990 film *Goodfellas* features a brief but memorable scene where mobsters Tommy DeVito (Joe Pesci), Jimmy Conway (Robert De Niro), and Henry Hill (Ray Liotta) visit Tommy's mother, played by Scorsese's own mother Catherine. She shows them a small painting of a man in a boat with two dogs facing opposite directions, prompting an improvised, humorous exchange of amateur art criticism that ties into the film's dark plot. The painting was actually based on a photograph by Adam Woolfitt from the November 1978 issue of *National Geographic*, depicting Irish river advocate John Weaving and his dogs Brocky and Twiggy; the on-screen version was created by Pileggi's mother.

FSU's Museum of Fine Arts presents exhibit examining humanity through things we collect, keep and carry

Florida State University's Museum of Fine Arts (MoFA) will present the exhibition "Like everything alive that we try to hold forever" from January 29 to June 27, 2025. Curated by Elizabeth Diggon, Naomi Potter, and Shauna Thompson of Esker Foundation and produced by Independent Curators International (ICI), the show features seven international artists—including Larry Achiampong & David Blandy, Diane Borsato, Stephanie Dinkins, Bridget Moser, Sondra Perry, and Miya Turnbull—whose work in photography, sculpture, and video examines the complex relationship between humans and non-human objects, touching on themes of identity, colonialism, artificial intelligence, and digital technologies.

culture aesop new york creatives holidays

Aesop, the skincare and fragrance company, has released a collection of festive holiday kits designed for creatives, focusing on hand and workspace care. The kits include themed sets like “Party in the Greenhouse” and “Too Many Cooks in the Kitchen,” featuring products such as geranium-infused balms and pumice hand wash. Cultured magazine partnered with Aesop to highlight the creative spaces of New York artists and chefs, including Fernando Mastrangelo, Flynn McGarry, and Eny Lee Parker, who opened their studios and kitchens to showcase their rituals.

art gaetano pesce final public sculpture

Gaetano Pesce's final sculpture, "Double Heart," has been installed as his only permanent public artwork in the United States. The 30-foot-tall illuminated piece, featuring two interlocking hearts pierced by Cupid's arrow, now hovers above the Massachusetts Turnpike at the Lyrik Back Bay plaza in Boston. Commissioned by developer Samuels & Associates and art advisory Goodman Taft, the work was overseen by gallerist Lucy Chadwick of Champ Lacombe after Pesce's death in early 2024. The sculpture reflects Pesce's signature blend of playfulness and humanism, contrasting with the rigid geometry of modernist design.

A Dutch Art Studio Lights Up Venice’s Grand Canal

Dutch artists Lonneke Gordijn and Ralph Nauta of Studio Drift have installed their kinetic light sculptures along Venice’s Grand Canal, bringing their work outdoors for the first time during the Venice Biennale. The installation transforms the iconic waterway with moving, illuminated forms that interact with the surrounding architecture and water.

Portland’s Converge 45 Triennial Announces Participating Artists

Portland, Oregon's Converge 45 triennial has announced the participating artists for its upcoming exhibition titled “Here, To you, Now.” Curated by Lumi Tan, the triennial draws inspiration from Ursula K. Le Guin's 1985 novel Always Coming Home, which explores the impermanence of spoken language. Featured artists include Trisha Baga, Ricky Bearghost, Aaron Cunningham, Jacqueline Kiyomi Gork, and sidony o'neal, among twenty-three others, with seventeen new commissions. Venues include Barn Radio, the Hoffman Gallery at Lewis & Clark College, the Native Arts and Cultures Foundation, Oregon Contemporary, and the Pacific Northwest College of Art.

Where to go on Potsdamer Straße?

Wohin auf der Potsdamer Straße?

The article previews the Gallery Weekend Berlin, focusing on the Potsdamer Straße art scene. It highlights several exhibitions, including Adam Gordon's "Months Turn to Years" at Galerie Isabella Bortolozzi, which transforms the space into a secluded enclave with quiet paintings. Other featured shows include luminous color experiments, soap foam as an art form, and works exploring identity.

Six environmental artists win this year’s Rewilding Art Prize

Six Canadian artists have been awarded the 2026 Rewilding Arts Prize, established in 2023 by the David Suzuki Foundation and Rewilding Magazine. The winners include Nicole McDonald-Fournier, whose project EmballeToi! repurposes old winter coats as plant-growing pots, and the Montreal/Toronto duo Masumi Rodriguez and Elena Kirby, who run community papermaking workshops using invasive plant species. The prize awards $2,000 to each artist and plans to feature their work in a future exhibition, following the inaugural winners' show at the Canadian Museum of Nature in Ottawa.

A semester of SLAM

The St. Louis Art Museum (SLAM) hosted two special exhibitions during the past semester: the annual "Art in Bloom" floral exhibition from February 27 to March 1, 2026, and the solo show "Currents 125: Blas Isasi" opening February 6, 2026. "Art in Bloom" pairs 30 permanent collection pieces with ephemeral floral arrangements created by local designers, featuring a centerpiece by New York-based floral designer Rachel Cho. The exhibition has grown from an invitational event with 7,000 attendees to an open call drawing over 30,000 visitors. Isasi's exhibition, titled "The weight of a gaze (is to listen to the sound of a kilogram)," is part of SLAM's "Currents" series and the WashU Henry L. and Natalie E. Freund Teaching Fellowship, incorporating a Chincha Inka balance from the museum's collection alongside sandstone sculptures and aluminum foil pieces.

Shaniqwa Jarvis: Only Love Can Break Your Heart

Artist Shaniqwa Jarvis is set to debut her first UK solo exhibition, "Only Love Can Break Your Heart," at London’s Public Gallery on April 30, 2026. The show features twelve new works that blend photography with silk, mirrored surfaces, aluminum, and collage to explore themes of grief, memory, and renewal. Central to the exhibition are immersive silk installations that create live double exposures and a new film work that weaves together personal archival footage with intimate conversations on motherhood, labor, and identity.

An open-air art gallery: Hogan Park at Highlands Creek

Hogan Park at Highlands Creek in Aurora, Colorado, is a 100-acre public park that doubles as an open-air art gallery, featuring around two dozen sculptures and painted installations along a two-mile trail. Curated by Carla Ferreira, CEO of the development, and her father, the park includes works by artists such as Michael Benisty, Hunter Brown, Daniel Popper, and Olivia Steele, with pieces designed to withstand Colorado's extreme weather. Notable installations include the 25-foot steel sculpture "Broken but Together," the viral fiberglass-reinforced concrete figure "Umi" by Daniel Popper, and a bronze bench honoring Dr. Justina Ford, part of the Statues for Equality initiative.

700 Years of Tenochtitlan (again): Mexico honours its pre-Hispanic capital

Mexico is commemorating the 700th anniversary of the founding of México-Tenochtitlan with a series of public events including art installations, urban routes, performances, and dances organized by federal and local authorities. The festivities, centered on the Zócalo near the Templo Mayor site, feature large-scale reproductions of Mexica artifacts such as the Aztec Calendar Stone and the Coatlicue statue, along with a video-mapping projection titled "Memoria Luminosa" that narrates the city's history. The celebration follows a similar event in 2021 led by then-president Andrés Manuel López Obrador, which drew criticism for historical inaccuracies and political manipulation.

Fairfield University Art Museum Presents Famous & Family: Through the Lens of Trude Fleischmann, May 2 – July 26

Fairfield University Art Museum will present "Famous & Family: Through the Lens of Trude Fleischmann" from May 2 to July 26, 2025, marking the first solo museum exhibition of the Austrian-born photographer's work in the United States. The show features over 100 photographs spanning Fleischmann's career, including her early studio work in 1920s and 1930s Vienna capturing cultural figures, and her later portraits of luminaries such as Eleanor Roosevelt, Marian Anderson, and Albert Einstein after she emigrated to New York in 1940. The exhibition includes never-before-exhibited works from family collections and a documentary film, and is curated by museum executive director Carey Weber alongside Fleischmann's cousin Barbara Loss.

Tell Me About Love…

Yvon Lambert, the legendary French art dealer and collector, reflects on his lifelong relationship with art and literature in an interview for TLmag41: The Art of Collecting. He recounts buying his first painting at age 14, opening his Paris gallery in the 1960s, and later donating a major portion of his collection to the French State, now housed at the Collection Lambert in Avignon. After closing his gallery in 2014, he shifted focus to an artist's bookshop, now run by his daughter Eve Lambert. The conversation, led by Sibylle Grandchamp, explores Lambert's early influences, his father's passion for literature, and the family's shared love for art books.