In Minor Keys: The 61st Biennale di Arte Venezia Opens Under Koyo Kouoh (1967–2025).

The 61st Biennale di Arte Venezia opens under the posthumous curatorial vision of Koyo Kouoh (1967–2025), the late Cameroonian-born curator who reshaped contemporary African and diasporic art discourse. The central exhibition, spanning the Giardini and Arsenale, features 111 participants including artists, collectives, and artist-led organizations from across the Global South, with works in textiles, film, sculpture, and performance that interrogate colonialism, migration, and ecological repair. The Biennale is also marked by a pronounced presence of African and diasporic narratives across national pavilions, including several first-time pavilions from the African continent.

Sharjah Biennial 17 Assembles 109 Artists Across a Restless Global Landscape.

What Does the Future Hold for Female Collectors? We Got a Sneak Peek.

CULTURED Editor-in-Chief Sarah Harrelson hosted a panel discussion at Christie’s Rockefeller Center with collectors Tiffany Zabludowicz, Sophia Cohen, and Victoria Rogers, exploring the evolving role of women in the art market. The event coincided with Christie’s Marquee Week sales, which included a record-breaking $1.1 billion night, and featured works from the collections of legendary female patrons such as Agnes Gund, Marian Goodman, Lorinda de Roulet, and Marilyn Arison. Guests viewed masterpieces on display and received remarks from Christie’s Senior Vice President Isabella Lauria, who is leading the 21st Century Sale on May 20.

Nancy Lupo “Meow Meow Real Estate” at Nicoletta Fiorucci Foundation, London

Nancy Lupo's exhibition "Meow Meow Real Estate" opens at the Nicoletta Fiorucci Foundation in London's Chelsea neighborhood, curated by Vittoria de Franchis. The show shares its title with Lupo's first novel, which follows a woman searching for an apartment—a quest that is both literal and existential. The foundation's Victorian architecture serves as the bourgeois dwelling central to the narrative.

Gregorian Art Exhibition Debuts in Lagos in Honour of Bruce Onobrakpeya

The inaugural Gregorian Art Exhibition opened at Jubilee Hall, St. Gregory’s College, Ikoyi, Lagos, honoring renowned artist Bruce Onobrakpeya. Organized by the St. Gregory’s College Old Boys Association, the three-day event runs from April 25 to April 27, 2026, under the theme “Celebrating Legacy, Excellence and Continuity.” It features an intergenerational mix of artists including Victor Uwaifo, David Dale, Mike Omoighe, and others, and attracted Nigeria’s cultural, political, and religious figures. Speeches by Dr. Michael Omolayole and Francis Oluwole Kudayah highlighted the exhibition as a cultural tradition and platform for mentorship, with plans for an annual art clinic and a digital “Gregorian Art Mart” to support alumni welfare and the college endowment fund.

Uzbek Artist Saodat Ismailova Makes Her U.S. Museum Debut at the Smithsonian

Uzbek artist Saodat Ismailova is making her U.S. museum debut at the Smithsonian Institution. The exhibition introduces her multimedia works, which often explore Central Asian history, spirituality, and female identity, to an American audience for the first time.

On Exhibit: Must-See Art Shows in Alexandria This May

This article highlights a variety of art exhibitions and events taking place in Alexandria, Virginia, during May 2026. Featured shows include the "Floret 2026" floral exhibit and the May 2026 Open Exhibit juried by Jowita Wyszomirska at the Art League Gallery of the Torpedo Factory Art Center, as well as the Alexandria City High School Titan Student Art Exhibition at Del Ray Artisans Gallery. Other offerings include a mask exhibit at Mount Vernon Unitarian Church, multiple ART + WINE + CHEESE soirées at Nepenthe featuring artists like Leah Sturgis, Sunny Goode, and Evelyn Dunphy, and special print exhibits at Printmakers, Inc. honoring Avis Fleming.

Review | An abruptly postponed Smithsonian show of African LGBTQ+ art is now open

The Smithsonian's National Museum of African Art has opened "Here: Pride and Belonging in African Art," its first major exhibition dedicated to African LGBTQ+ artists. The show, which was abruptly postponed earlier, features works that celebrate queer life through themes of joy, family, and belonging, while also addressing the darkness and loss faced by LGBTQ+ communities globally.

Condemned by Francoism, a writer rehabilitated by the Spanish Congress

Condamné par le franquisme, un écrivain réhabilité par le Congrès espagnol

The Spanish Congress has officially rehabilitated Cipriano Salvador (1894-1975), a Republican intellectual wrongly accused by the Franco regime of stealing a Renaissance painting he actually saved. During the Spanish Civil War, Salvador hid Fernando Yáñez's "La Santa Generación" (c. 1525-1532) from destruction. After Franco's victory, a priest sold the work to the Prado Museum for 15,000 pesetas, while Salvador was arrested, sentenced to death (later commuted to 30 years), and spent seven years in prison. He died in 1975 without exoneration. The rehabilitation motion passed with 32 votes in favor, 3 against, and 1 abstention, with only far-right party Vox opposing.

From Brâncuși to Neo-Constructivism: National Museum of Contemporary Art opens new exhibition season

The National Museum of Contemporary Art (MNAC) in Romania will launch its new exhibition season on May 23, featuring seven exhibitions that highlight key figures in Romanian contemporary art. Central projects include "Campo Santo" by Călin Dan, a retrospective of Victoria and Marian Zidaru, and a show dedicated to neo-constructivist Roman Cotoșman. The season also includes an anniversary project marking 150 years since Constantin Brâncuși's birth, titled "BOÎTE. BOX. BRÂNCUȘI." The exhibitions span multiple floors and explore themes of memory, spirituality, abstraction, and contemporary reinterpretations of artistic heritage.

In Antwerp, as photography show asks 'What is a normal family?'

The FOMU photography museum in Antwerp has opened a new exhibition titled 'Families', curated by Anne Ruygt. The show explores the evolving concept of family through historical and contemporary photography, featuring works by artists such as Mous Lamrabat, Cecil Beaton, Omar Victor Diop, Mayara Ferrão, Peter Hujar, Carmen Winant, and Seiichi Furuya. It includes diverse perspectives, from 'hidden mother portraits' and post-mortem photography to AI-generated images of queer Black and Indigenous women, questioning traditional notions of kinship and representation.

Guntersville Museum Welcomes ARTS Works

The Guntersville Museum hosted a recognition ceremony for the 18th annual ARTS Works All-County Student Art Exhibit, organized by the nonprofit Artists Responding to Students (ARTS). The exhibit featured around 100 artworks from K-12 students across Marshall County, including Boaz, Grant, Guntersville, and Albertville. For the second year, the show included special needs artists, with the Kamryn HeART Award presented in memory of a young artist. Additionally, the Lakeview Community Civic Organization displayed posters from its Black History Month contest. Winners were announced across multiple grade categories, judged by two National Board Certified Teachers from Decatur.

New exhibition at Buxton reveals insights into Chinese conceptual art

The University of Melbourne's Buxton Contemporary has opened a new exhibition titled "Poetry goes no further than language," which examines the emergence of conceptual art in China during the mid-1980s and early 1990s. Featuring works by the Beijing collective New Measurement Group and Shanghai artist Qian Weikang, the show also includes a new commission by Victorian College of the Arts graduate Darcey Bella Arnold. Curated by Dr. Carol Yinghua Lu, Director of Beijing's Inside-Out Art Museum, together with artist Liu Ding, the exhibition brings previously inaccessible or little-known works to Australia for the first time.

Buxton Unveils Chinese Conceptual Art Exhibition

The University of Melbourne's Buxton Contemporary has opened "Poetry goes no further than language: A historical moment of art becoming art again," an exhibition examining the emergence of conceptual art in China during the mid-1980s and early 1990s. It features works by the Beijing collective New Measurement Group and Shanghai artist Qian Weikang, alongside a new commission by Victorian College of the Arts graduate Darcey Bella Arnold. The exhibition is curated by Dr. Carol Yinghua Lu, Director of Beijing's Inside-Out Art Museum, and artist Liu Ding.

St. Gregory’s College unveils inaugural art exhibition in Lagos

St. Gregory's College in Lagos, Nigeria, launched its inaugural Gregorian Art Exhibition on April 25, 2026, at Jubilee Hall. Organized by the St. Gregory's College Old Boys Association in honor of legendary artist Bruce Onobrakpeya, the three-day event features established and emerging artists under the theme “Celebrating Legacy, Excellence and Continuity.” Speakers included former association chairman Dr. Michael Omolayole and current president Francis Kudayah, who announced plans for an annual art clinic and a digital platform called the “Gregorian Art Mart.” Onobrakpeya, who could not attend in person, delivered a vote of thanks reflecting on his career and the school's role in his development.

College launches Art exhibition to celebrate Onobrakpeya

The inaugural Gregorian Art Exhibition opened on April 25, 2026, at St. Gregory's College, Ikoyi, Lagos, organized by the Old Boys Association to honor renowned Nigerian artist Bruce Onobrakpeya. The three-day event, themed “Celebrating Legacy, Excellence and Continuity,” brought together an intergenerational mix of artists, cultural figures, and stakeholders, featuring speeches from alumni leaders Dr. Michael Omolayole and Francis Oluwole Kudayah, who announced plans for a yearly art clinic and a digital platform called the “Gregorian Art Mart.” Onobrakpeya, unable to attend in person, reflected on his decision to remain in Nigeria and credited the school for shaping his artistic identity.

Image of Family Torn by ICE Wins World Press Photo of the Year

American photojournalist Carol Guzy won the 2026 World Press Photo of the Year for her image "Separated by ICE," which captures a tearful family torn apart by Immigration and Customs Enforcement (ICE) after an immigration court hearing in New York amid President Trump's broader crackdown. The contest, established in 1955, selected 42 global winners from over 57,000 photographs submitted by nearly 3,800 photographers across 141 countries. Finalists included Saber Nuraldin's "Aid Emergency in Gaza" and Victor J. Blue's "The Trials of the Achi Women," while other winners addressed displacement, war, and environmental crises.

And the (Senior Show and URECA Art Exhibition) Winners Are …

The Paul W. Zuccaire Gallery at Stony Brook University hosted the opening reception of the ninth annual combined Senior Show and URECA Arts Exhibition on April 29, drawing about 300 attendees including students, faculty, staff, university leaders, and local museum curators. The Senior Show, a nearly 50-year tradition, features works by senior studio art majors and minors, while the URECA exhibition highlights undergraduate research-based art selected by faculty. This year's exhibition is noted for its diversity in subject matter and materials, from chalk painting to digital media, and runs through May 22.

Vibrant Victorian-Era Transparencies Illuminate a Host of Microscopic Creatures

Osh Gallery in London is exhibiting 'The Hudson Transparencies,' a collection of 58 original illustrations by Charles Thomas Hudson, a 19th-century educator and amateur scientist. Created for his lectures, these large-scale transparencies (37.8 by 29.5 inches) combine painted paper and perforated pinholes to depict microscopic creatures such as rotifers, algae, protozoa, and marine organisms. When back-lit, the dark, seemingly unfinished images transform into vivid, detailed visions of life invisible to the naked eye, showcasing the intersection of Victorian-era optical innovation and scientific discovery.

Australian Indigenous Art Speaks to Contemporary Concerns

The National Gallery of Victoria (NGV) in Melbourne, in collaboration with the National Gallery (NGA) in Washington, D.C., has organized 'The Stars We Do Not See,' the largest and most comprehensive exhibition of Australian Indigenous art ever shown outside Australia. Opening in Washington on October 25 and running through March 1, 2026, the show features over 200 works from the 19th century to the present, including 130 of the NGV's most prized pieces by revered artists from across Australia. The title is inspired by late Yolŋu artist Gulumbu Yunupiŋu, known for her celestial mappings, and the exhibition will travel to several U.S. cities and Toronto over two and a half years.

The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant

The Center for Art, Research and Alliances in New York presents "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant," running from February 28 to May 10, 2026. The exhibition focuses on the Martinican poet and philosopher Édouard Glissant's personal art collection, tracing how his key concepts—opacity, relation, and creolization—emerged through his engagement with artworks and artists. It features works by artists such as Agustín Cárdenas, Victor Anicet, Eduardo Zamora, Gerardo Chávez, José Gamarra, and M. Emile, and travels from Instituto Tomie Ohtake in São Paulo.

Press Photos of the Year Chosen

Pressefotos des Jahres gewählt

Carol Guzy won the World Press Photo competition for 2025 with her image "Separated by ICE," taken for the Miami Herald. The photograph depicts children clinging to their father's shirt during a court hearing in New York, after he was unexpectedly detained by U.S. Immigration and Customs Enforcement (ICE). The jury selected the image from nearly 57,000 entries by about 3,700 photographers. Two other finalists were recognized: Saber Nuraldin for documenting the humanitarian crisis in Gaza, and Victor J. Blue for covering the trial of perpetrators who kidnapped and abused women during Guatemala's civil war.

This is the Press Photo of the Year

Das ist das Pressefoto des Jahres

The World Press Photo competition has named Carol Guzy's photograph "Separated by ICE" as the World Press Photo of the Year. The image, taken for the Miami Herald in August 2025, shows children clinging to their father's shirt during a court hearing in New York after he was unexpectedly detained by U.S. Immigration and Customs Enforcement (ICE). The jury praised the photo as a stark documentation of family separation resulting from U.S. immigration policy. Two other finalists were recognized: Saber Nuraldin's image of the humanitarian crisis in Gaza and Victor J. Blue's photo documenting the Achi women from Guatemala who sought justice for wartime abuses.

Victoria Smith at Roland Ross

Victoria Smith presents "Apples and Oranges," a solo exhibition at Roland Ross in Kent, running from April 11 to May 23, 2026. The show features a series of new works by the artist, documented through eight images on the gallery's page, with photography by Ollie Harrop.

L'invité de La Tribune de l'Art n° 28 : Gérard Audinet

Gérard Audinet, director of the Maison de Victor Hugo in Paris, is retiring. In a new podcast episode of "L'invité de La Tribune de l'Art," he discusses the history of the museum, its collections, the Maison de Victor Hugo in Guernsey, and the acquisitions and exhibitions he oversaw during his tenure.

Photo of the Week: Amherst Arts Night Plus Returns

Amherst Arts Night Plus returned on April 23 after a six-year hiatus, with 20 venues across downtown opening their doors and over 20 local artists exhibiting their work. Several pieces were sold during the evening, and most venues offered free refreshments and the chance to speak directly with artists. Katie Streater of the Amherst Business Improvement District estimated attendance at about 125 people, and the Amherst Center Cultural District is now exploring a recurring version of the event, possibly quarterly or monthly.

"Shared Spaces" Opens Season at Haley Art Gallery

Haley Art Gallery in Kittery, Maine, has opened its 21st season with the group exhibition "Shared Spaces," featuring works by Paul Burke, Sheridan Cudworth, Barbara D’Antonio, Jozimar Matimano, Bill Oakes, and Carlos Vega. The show runs through August, with gallery artist talks scheduled for June 13 and June 27. The gallery also offers special purchasing incentives for local business owners and designers, as well as a Victorian Tea-Time Art experience for groups.

Ashfika Rahman's art lands in New York Times Critics' Top 6

Bangladeshi visual artist Ashfika Rahman has been recognized by The New York Times as one of the six must-see shows at the Venice Biennale, with her work "Than Para — No Land Without Us" featured in the collateral exhibition "Still Joy — From Ukraine into the World." The installation, presented by the PinchukArtCentre and curated by Björn Geldhof and Oleksandra Pohrebnyak, incorporates thousands of small temple bells gathered from different spiritual traditions and draws on testimonies from Ukraine as well as the struggles of Indigenous communities in Bangladesh's Hill Tracts.

in venice, ukrainian artists reclaim joy with tender force

The article reports on 'Still Joy — From Ukraine Into the World,' a collateral exhibition at the 61st Venice Biennale presented by the Victor Pinchuk Foundation and PinchukArtCentre. The show features works by Ukrainian artists including Malashchuk & Khimei, Simone Post, and Zhanna Kadyrova, exploring themes of joy, survival, and resilience amid war. Highlights include a two-channel video juxtaposing a Kyiv rave before and after Russia's full-scale invasion, letters from Ukrainian soldiers printed on foam panels, and installations that transform everyday objects into meditations on sweetness and endurance.

Healing through art : Stories of First Nations people who have experienced incarceration

The Torch, a First Peoples-led arts organization in Victoria, Australia, runs a program supporting Indigenous artists who have experienced incarceration. Its annual exhibition, Confined 17, features nearly 500 artworks by 424 First Nations artists at the Glen Eira City Council gallery in Naarm. The organization provides art materials, cultural connection, and economic support, with artists receiving 100% of their income from sales. Participants like Tegan, a Palawa woman, describe improvising with food dye in prison to create watercolor-style works, while CEO Susannah Day and founder Kent Morris emphasize the program's role in reducing reincarceration rates.