Helen Legg has been named the new artistic director of the Royal Academy of Arts in London, starting in June. She joins from Tate Liverpool, where she served as director since 2018, and brings prior leadership experience from Spike Island in Bristol and curatorial work at Ikon Gallery in Birmingham.
L’artista Pietro Roccasalva senza tregua: genealogia di un motivo resiliente nella mostra a Milano
Italian artist Pietro Roccasalva presents a new body of work at MASSIMODECARLO’s Casa Corbellini-Wassermann in Milan, titled "Io ti saluto luce, ma con nervi offesi." The exhibition features a series of paintings characterized by dense stratification, featuring recurring motifs like a disheveled child, a bride with a tennis racket, and metamorphic animals. These works function as visual deposits where cultural references and personal iconography overlap, creating a theatrical dialogue with the gallery’s historic architecture.
Longtemps menacé, le Palais de la découverte va finalement rouvrir en 2027 après sept ans de fermeture
The Palais de la découverte in Paris will officially reopen in March 2027 following a seven-year closure for extensive renovations. Located in the Palais d’Antin wing of the Grand Palais, the institution faced the threat of permanent closure or relocation to the Cité des sciences due to economic constraints. However, a joint decision by the French Ministries of Research and Culture has secured its future at its historic site, where it will feature a shared entrance with the Grand Palais to foster a unique dialogue between art and science.
Berlin-based artist Matthias Esch presents a survey of his painterly practice in the solo exhibition 'Slice Through Reality' at Kutlesa in Goldau, Switzerland. The show features works from several years that explore the tension between rigid visual systems and deliberate disruptions, utilizing patterns and schematic forms that are systematically 'sliced' or broken open.
Keita Morimoto's solo exhibition "what we told ourselves" at Kotaro Nukaga gallery in Tokyo presented a series of nocturnal paintings and new sculptural works exploring artificial light in urban environments. The show featured large-scale canvases depicting uncanny, dramatically lit cityscapes alongside life-sized, internally illuminated vending machine sculptures that extended his painterly themes into three dimensions.
Artist Ana Teresa Fernández has launched her solo exhibition "Under Pressure" at the National Museum of Mexican Art in Chicago, presenting a multi-disciplinary call to climate action. The exhibit features oil paintings, sculptures such as a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the planet's breaking point. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to flash an S.O.S. signal in Morse code toward the horizon.
The Floyd Memorial Library in Greenport, New York, is hosting an opening reception for the exhibition "Stow Wengenroth The Flacks: The Greenport Group." The show features nearly fifty rarely seen lithographs by Stow Wengenroth, a prominent 20th-century printmaker whose work is held in major institutions like the Met and MoMA. The exhibition also highlights Wengenroth’s creative circle, including doll-maker Edith Flack Ackley and children’s author Marjorie Flack, alongside contemporary commissions by puppet-maker Carmen Campos.
The National Museum of Mexican Art in Chicago is currently hosting "Under Pressure," a solo exhibition by Mexican-born artist Ana Teresa Fernández. The show features a diverse range of media, including oil paintings, sculptures like a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the fragility of the environment. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to signal an S.O.S. in Morse code toward the horizon.
The Sanctus Artem club at Manhattan University recently hosted "The MET MU," a formal art exhibition held in Smith Auditorium. Designed to emulate the high-end atmosphere of the Metropolitan Museum of Art, the event showcased a diverse array of student and alumni work, including 2D and 3D art, digital media, and fashion-related projects. The exhibition featured contributions from over a dozen artists and offered a professional gallery experience complete with formal attire and refreshments.
Artist Allison Katz presents 'Outta the Bag,' her first solo exhibition with Hauser & Wirth in New York. The show features a diverse range of works that blend personal history, art-historical references, and linguistic wordplay, including her signature 'cock paintings' and motifs of mouths and architectural apertures. The exhibition serves as a homecoming for the Montreal-born, London-based artist, who spent her formative years in New York studying at Columbia University.
Detroit-based artist Elonte Davis and Hungarian curator Kriszti Sarusi are among several creatives reflecting on the personal and social impact of their recent projects. Davis highlighted his 2026 community-centered initiatives, including his solo exhibition 'Homeroom: Detroit Taught Me First' and workshops at the Detroit Institute of Arts, while Sarusi discussed 'Floating Reality,' an exhibition series designed to provide space for underrepresented artists through a collaborative collective.
The Butler Institute of American Art in Youngstown, Ohio, recently hosted the opening reception for the 31st annual Accessible Expressions Ohio (AEO) exhibition. Featuring over 50 works by artists with disabilities from across the state, the event included live music from The Feral Cats and workshops for the Remember Love Recovery Project. The exhibition, which runs through June 7, showcases winners across various categories including youth, professional, and emerging artists.
EXPO Chicago has returned to Navy Pier with a streamlined format of 130 booths, but the fair's influence is increasingly felt through satellite exhibitions across the city. A notable example is 'Neighbors,' an alternative exhibition space hosted in a Gold Coast apartment by Mirka Serrato, which provides a more affordable and intimate platform for 15 emerging galleries and artists from around the world.
The Bank of England has decided to replace historical figures, including painter J.M.W. Turner, with depictions of native UK wildlife on its next generation of banknotes. This follows a public consultation where 'Nature' was the most popular theme, selected by 60% of respondents. A panel of six wildlife experts will now create a shortlist of species for a further public vote this summer.
Artist Sougwen Chung is presenting new work, including the 10-metre scroll 'Recursion 0,' at Art Basel Hong Kong's new Zero 10 sector. The piece, created with brainwave data, will be completed live at the fair, showcasing her ongoing exploration of human-machine collaboration.
The Hong Kong International Cultural Summit returns on March 22-23, gathering cultural leaders from 14 countries in the West Kowloon Cultural District to discuss how institutions can reimagine their relationship with communities. Key figures like M+ Museum Director Suhanya Raffel, Hong Kong Palace Museum Director Louis Ng, and WestK CEO Betty Fung highlight the district's cross-disciplinary, audience-focused approach.
A major exhibition titled "Vivienne Westwood: Rebel – Storyteller – Visionary" has opened at the Bowes Museum in County Durham, England. The show features over 40 ensembles and numerous accessories drawn almost entirely from the private collection of Peter Smithson, a chemistry teacher and dedicated Westwood supercollector who has amassed these pieces over three decades.
The article profiles the unique aesthetic and historical significance of Kettle's Yard, a house in Cambridge, England, created by Jim Ede. Ede, a former Tate curator, transformed a series of dilapidated cottages into a living work of art and a haven for modern artists in the mid-20th century. He filled the space with a carefully arranged collection of modern art, natural objects, and furniture, embracing the building's worn, imperfect character rather than restoring it to pristine condition.
Renowned York-based artist Mark Hearld is hosting an independent five-day exhibition at his private residence in The Mount. The showcase features twenty new collages and a series of prints, including works inspired by a recent trip to Jaipur and a collaborative screenprint with Penfold Press. The event is notable for being held outside the official York Open Studios program, a circuit Hearld has participated in for two decades but was not selected for this year.
The Saginaw Art Museum & Gardens has announced the upcoming exhibition "Warhol and the Image Machine," set to open on May 20. The show explores Andy Warhol’s fascination with the manufacturing of icons through repetition and mass production, featuring celebrity portraits and appropriated imagery. The exhibition aims to demonstrate how Warhol’s work predicted a modern era where digital images and recognition serve as a primary form of cultural currency.
Hong Kong’s art auction market opened 2025 with significant momentum, characterized by a shift toward high-quality, museum-grade works and selective collecting. Major auction houses like Christie's, Bonhams, and Phillips reported strong results for blue-chip artists, highlighted by the sale of Pablo Picasso’s "Buste de Femme" for HK$196.75 million. While the market has become more deliberate, the demand for rare, impeccably sourced pieces by both Western masters and Asian contemporary icons remains robust.
The Ökohaus (Eco-House) project in Berlin stands as a radical experiment in participatory architecture, born from the 1987 Internationale Bauausstellung (IBA) urban renewal program. Designed by Frei Otto, the complex features three residential buildings characterized by a 'double informality' where dense foliage and a patchwork of diverse cladding materials—ranging from timber and metallic shingles to exposed concrete—create a ruin-like yet meticulously resolved aesthetic. The project challenged traditional housing models by allowing residents, or 'Ökohäusler,' to engage in a collective and individualized construction process.
33 Contemporary Gallery has officially closed its pop-up location at the Promenade at Coconut Creek following a successful run that began last fall. Operated by husband-and-wife duo Sergio and Yanina Gomez, the 1,600-square-foot space featured a global selection of paintings and sculptures, often highlighted by live painting demonstrations from Sergio Gomez himself. While the physical storefront has shuttered, the owners have confirmed plans to relocate to a new, yet-to-be-announced space.
The Reina Sofía Museum in Madrid is presenting a major retrospective, 'Viva el arte vivo,' dedicated to Argentine-Spanish artist Alberto Greco. The exhibition traces his evolution from early Informalist paintings to his radical conceptual practice, showcasing works from 1949 until his death in 1965, including photographs, drawings, collages, and literary pieces.
Hera Büyüktaşçıyan Channels Istanbul’s Haunted Histories
Hera Büyüktaşçıyan has opened a major solo exhibition, 'I Know You As Her', at Istanbul's Arter museum. The show features new and existing works, including sculptures, installations, and watercolors, that explore submerged histories and spectral presences within the city's urban fabric, particularly around the historic Pera district.
Julia Dault has opened a new solo exhibition at Bradley Ertaskiran in Montréal, featuring a series of her recent abstract paintings and sculptures. The exhibition, running from January 22 to March 7, 2026, showcases her continued exploration of materiality and process, with works that emphasize the physical act of their own creation through layered pigments and constructed forms.
In ‘Life Forms,’ Janny Baek Imagines a Speculative Landscape
Sculptor Janny Baek is presenting her solo exhibition *Life Forms* at Chicago's Joy Machine gallery from March 20 to May 9, 2026. The exhibition features her speculative ceramic sculptures, which blend recognizable natural forms like blossoms and creatures with unexpected, abstract elements to create imagined landscapes and primordial organisms. Using techniques like hand-building and the Japanese *nerikomi* method of patterning colored clay, Baek's work captures beings in a state of playful mutation and transformation.
L’artista ed ex pugile Omar Hassan che è in mostra a Roma coi suoi gesti forti
Artist and former boxer Omar Hassan has debuted his first solo exhibition in Rome, titled "Tempo al Tempo," at Galleria Latina. The showcase features large-scale works from his "Breaking Through" series, where Hassan uses boxing gloves to strike canvases, alongside a massive map of Rome constructed from nearly 9,000 hand-painted spray can caps. The exhibition emphasizes the physical trace of time and action, blending street art aesthetics with the energy of action painting.
New York è così cara che ormai non è più possibile produrre arte e cultura in città
Artist and curator Josh Kline has sparked a significant industry debate with his essay, "New York Real Estate and the Ruin of American Art," which argues that the city's prohibitive real estate market is dismantling its cultural foundation. Kline posits that the financialization of property and the disappearance of affordable lofts and mid-size galleries have created an unsustainable ecosystem where only those with independent wealth can survive. This economic pressure is forcing a generation of creative workers to choose between their practice and basic survival, leading to a stagnation of innovation.
Andrea Romano presents a new body of work at Federica Schiavo Gallery in Rome, titled “All The Synecdoches And Metonymies In The World Make Up One Great Metaphor.” The exhibition explores the intersection of the artist’s private life and professional practice through a series of fragmented forms, residues, and reflections. By utilizing linguistic concepts as a framework, Romano investigates how individual parts of an experience attempt to coalesce into a unified whole, even when that totality remains elusive.