Calvin Tomkins, the longtime New Yorker staff writer renowned for his profiles of major 20th-century artists, has died at the age of 100. His career spanned more than six decades at the magazine, where he produced intimate and influential portraits of figures like Marcel Duchamp and Robert Rauschenberg, and authored several books including "Living Well Is the Best Revenge."
Shanti Escalante-De Mattei launches a new column called "Link Rot" in ARTnews, exploring the intersection of art, technology, and the internet. The first edition focuses on the fragility of digital and new media art, which faces rapid obsolescence as hardware and software evolve. New media art dealer Kelani Nichole, founder of Transfer Art Gallery (2013), has launched the Transfer Data Trust, a data cooperative designed to preserve digital artworks for up to 100 years. The Trust uses a combination of network-attached storage, decentralized file storage (IPFS, Filecoin), and a user-friendly browser to archive artist intent and conservation data, with pooled sales proceeds funding conservation efforts.
Marcel Duchamp's 1917 readymade *Fountain* and its radical questioning of art's definition are the focus of a new retrospective at the Museum of Modern Art (MoMA) in New York, curated by Matthew Affron, Michelle Kuo, and Ann Temkin. The exhibition, the first major Duchamp show in the U.S. since 1973, assembles three hundred objects and presents them chronologically, tracing Duchamp's evolution from early paintings to his conceptual breakthroughs. The article highlights how *Fountain* was originally submitted to a no-jury exhibition by the Society of Independent Artists, sparking a debate that ultimately led to its rejection and Duchamp's resignation, a pivotal moment in art history.
The article examines Marcel Duchamp's enduring influence on contemporary art, focusing on his readymades such as "Fountain" (1917) and "Bicycle Wheel" (1913/1951). It notes that a major survey co-organized by the Museum of Modern Art and the Philadelphia Museum of Art, 70 years after Duchamp predicted his true public would emerge in 50 to 100 years, reaffirms his status as the most influential artist of the past century. The piece discusses how Duchamp's practice of selecting and presenting ordinary objects as art—from a urinal to a snow shovel—once shocked the art world but now seems quaint compared to later works like Maurizio Cattelan's taped banana.
Three artists—Veronika Georgieva, Stephen j Shanabrook, and Shura Skaya—have transformed an industrial venue at the Brooklyn Navy Yard into a pop-up exhibition titled “Drifting Until Caught.” The show, accessible only by appointment, features works that range from pressed plastic sculptures and chocolate casts to wax crayon drawings and acrylic paintings, all exploring the boundary between figuration and abstraction. Each artist employs mechanical or chance-based methods, such as Shanabrook’s hydraulic press or Georgieva’s video projections, to create images that embrace distortion and materiality.
The Museum of Modern Art in New York has launched a major retrospective of Marcel Duchamp, marking the artist's first comprehensive North American survey in over half a century. The exhibition traces Duchamp’s evolution from his early satirical drawings and avant-garde paintings to his revolutionary experiments with movement and mechanization, featuring iconic works like "Nude Descending a Staircase" and "L.H.O.O.Q." alongside technical diagrams and studies for "The Large Glass."
Sotheby's has announced that an edition of Maurizio Cattelan's gold toilet sculpture "America" (2016) will be auctioned in its The Now & Contemporary Evening Auction on November 18, 2025, with a starting bid of approximately $10 million based on its 101.2-kilogram weight in gold. The work first gained fame at the Solomon R. Guggenheim Museum in New York in 2009, where over 100,000 visitors used it, and later made headlines when it was stolen from Blenheim Palace in a raid that caused structural damage and flooding. The stolen piece was never recovered and is presumed melted down, making this edition the only one in existence.
Maurizio Cattelan's iconic 2016 gold toilet sculpture, 'America,' will be auctioned at Sotheby's on November 18, 2025, during The Now and Contemporary evening auction. The starting bid will be tied to the fluctuating gold market price, currently around $10 million based on its 101.2 kg weight, and Sotheby's will accept cryptocurrency as payment. The work, a fully functional toilet made of 18-karat gold, was famously installed at the Solomon R. Guggenheim Museum in New York in 2016, where over 100,000 visitors used it, and was later stolen from Blenheim Palace in 2019. This is the only surviving version of the two originally made.
Art Basel Paris is underway, and this article highlights 17 must-see museum shows across the city. Key exhibitions include a joint tribute to Niki de Saint Phalle, Jean Tinguely, and Pontus Hultén at the Grand Palais; a Rick Owens fashion retrospective at Palais Galliera; the first French monographic show of John Singer Sargent at the Musée d'Orsay, featuring his scandalous 'Portrait of Madame X'; a Bridget Riley exhibition exploring her debt to Georges Seurat; a Minimalism survey at the Bourse de Commerce; and a major Jacques-Louis David retrospective at the Louvre marking the bicentenary of his death.
LA Louver, the longest-running gallery in Los Angeles, is closing its Venice, California space after 50 years in business. Founder Peter Goulds, who turns 77 next month, is transitioning the gallery into a private dealing model with pop-up exhibitions from its Jefferson Boulevard warehouse in West Adams. The Venice space will be listed for sale but remain open by appointment to sell inventory. The gallery is also donating its extensive archive to the Huntington Library in San Marino, which includes papers of writers like Octavia Butler and Christopher Isherwood.
The Metropolitan Museum of Art has announced its MetLiveArts fall and winter 2025–26 season, featuring world premiere performances and commissions created specifically for the museum's galleries, as well as concerts in the Grace Rainey Rogers Auditorium. The season highlights a significant number of new works by female artists, including composers and musicians Gabriela Ortiz, Wu Man, Hanzhi Wang, Emily Wells, Layale Chaker, and Leilehua Lanzilotti. Performances will draw inspiration from the Met's collection and special exhibitions like 'Man Ray: When Objects Dream,' with events beginning September 9, 2025, featuring Wu Man and The Knights. The season also includes the JACK Quartet as the museum's 2025–26 Quartet in Residence and the appointment of Sarah Jones as Head of Live Arts.
Time Out has published a list of the 44 best art museums in the U.S., ranking institutions like the Museum of Modern Art (MoMA), the Whitney Museum of American Art, and the Metropolitan Museum of Art (The Met) at the top. The article highlights each museum's collection highlights, architectural features, and visitor tips, with prices and recommendations for immersive experiences.
Nearly 150 artists, curators, and cultural figures signed an open letter denouncing the Centre Pompidou-Metz's abrupt cancellation of an exhibition centering on contemporary Franco-Creole, Caribbean French, and Guyanese art. The survey, titled "Van Lévé: Sovereign Visions from the Maroon and Creole Americas and Amazonia," was slated to run from October 2026 to April 2027 and would have featured artists including Julien Creuzet, Gaëlle Choisne, and the late Hervé Télémaque. Guest curator Claire Tancons had raised concerns about a scheduling overlap with Maurizio Cattelan's ongoing exhibition, leading to tense exchanges with museum director Chiara Parisi before the museum formally canceled the show on June 10, citing a "particularly difficult budgetary context."
Alex Da Corte's exhibition "The Whale" at the Modern Art Museum of Fort Worth is the first museum show to focus on his relationship to painting, though it defies traditional definitions. The show features a variety of works including "puffy paintings," "slatwall paintings," and "reverse glass paintings," alongside a video where Da Corte portrays Marcel Duchamp. Curated by Alison Hearst, the exhibition also integrates some of Da Corte's works into the museum's permanent collection galleries, a first for the institution.
Air de Paris, a leading French gallery, is declaring bankruptcy and closing after 36 years, as announced by cofounders Florence Bonnefous and Edouard Merino to Cultured. The gallery owes money only to its landlord and bank, not to its artists. The closure is attributed to fragile finances and health issues, including Bonnefous's Chronic Obstructive Pulmonary Disease. The gallery's farewell exhibition, “Oh What a Time,” featured artists such as Trisha Donnelly, Joseph Grigely, Pati Hill, Pierre Joseph, Allen Ruppersberg, Lily van der Stokker, Mona Varichon, and Amy Vogel. Bonnefous will continue to manage the estates of Guy de Cointet, Pati Hill, Dorothy Iannone, Bruno Pelassy, and Sarah Pucci, and work as a curator.
Nel Principato di Monaco una mostra dove il grande pittore Poussin dialoga con l’arte contemporanea
The Nouveau Musée National de Monaco presents an exhibition titled "Le Sentiment de la Nature," which juxtaposes works by 17th-century French painter Nicolas Poussin and his followers with pieces by about thirty contemporary and 20th-century artists. The show is organized into six thematic sections—storms and nights, forests and gardens, seas and waterfalls, deserts and volcanoes, mountains, and flowers and butterflies—each exploring the ancient concept of "miracula naturae" (wonders of nature). Featured contemporary artists include Nan Goldin, Andreas Gursky, Thomas Demand, Sarah Moon, Mimmo Jodice, Giulio Paolini, Giorgio Andreotta Calò, and Fausto Melotti, with works spanning photography, painting, video, and sculpture. The exhibition runs until May 25, 2026, and is accompanied by a catalog published by Italian publisher Humboldt Books in collaboration with the museum.
New York City’s cultural landscape is undergoing a significant transformation with the reopening of the New Museum in its expanded 60,000-square-foot building designed by OMA. The inaugural exhibition, "New Humans: Memories of the Future," features over 200 contributors exploring the intersection of technology and humanity. Simultaneously, major institutions are launching landmark shows, including a massive Raphael retrospective at the Metropolitan Museum of Art and the 2026 Whitney Biennial, which focuses on artificial intelligence and climate grief.
Tai Shani, a London-based artist born in 1976, is the subject of a podcast episode in the "A brush with…" series. She discusses her multidisciplinary practice, which draws on cultural forms, historical events, and theoretical ideas to create fantastical, utopian worlds infused with contemporary political and social themes. Shani reflects on the gendered nature of her mediums, the influence of works like John Everett Millais's *Ophelia* and Valie Export's exhibition at Camden Art Centre, and the revolutionary potential of art in an era of right-wing politics. The episode also covers her upcoming exhibitions: *The Spell or The Dream* at Somerset House (August–September 2025), *Gathering* in London (September–November 2025), a sculpture at Dulwich Picture Gallery's new sculpture park, and her High Line commission in New York, on view through March 2026.
A new feature-length documentary titled "Maintenance Artist" will premiere at the Tribeca Film Festival on June 8, chronicling the decades-long career of 86-year-old New York artist Mierle Laderman Ukeles. The film, directed by Toby Perl Freilich, traces Ukeles's pioneering concept of 'maintenance art'—reclaiming everyday tasks like diaper-changing, floor-washing, and garbage-collecting as artistic acts. It covers her unpaid role as artist in residence of the New York City Department of Sanitation, her 1970s performance shaking hands with 8,500 sanitation workers, and her first major retrospective at the Queens Museum in 2016-17.
Artists Space in New York is hosting a posthumous survey of Michael Asher, the influential conceptual artist who died in 2012. Curated by Jay Sanders and Stella Cilman, the exhibition focuses not on Asher's well-known site-specific interventions—which by their nature cannot be recreated—but on the material residues they left behind: magazines, advertisements, radio works, postcards, T-shirts, and other ephemera. A key artifact is a copy of Tom Marioni's 1975 magazine *Vision*, in which Asher glued two facing pages together, effectively making himself disappear between contributions by Doug Wheeler and Bruce Nauman. The show spans forty-five years of projects, presenting these objects as physical remainders of Asher's practice.
Ann Temkin, the chief curator of painting and sculpture at New York’s Museum of Modern Art (MoMA), is featured in a Cultured magazine profile discussing her career and the museum's ambitious upcoming exhibition of Marcel Duchamp, which she and her colleagues have been preparing for five years. The article includes a Q&A where Temkin reflects on her biggest contribution to culture—connecting art and people—and cites John Cage's touring exhibition "Rolywholyover A Circus" as a surprising influence, noting how it demonstrated that a show can itself be a work of art.
Marcel, a new restaurant, opened on April 17 in the lower level of Sotheby’s new home at the Marcel Breuer building on the Upper East Side. Designed by Roman and Williams in partnership with the auction house, the space features walnut-paneled walls, an open kitchen, and a pâtisserie. Chef Marie-Aude Rose, who also oversees La Mercerie downtown, created a “continental” menu rooted in French technique but influenced by Breuer’s Hungarian heritage, with dishes like chicken paprikash and lobster bisque with turmeric and ginger. The wine list comes from Sotheby’s own collection, allowing guests to purchase bottles they enjoy during their meal.
Over 500 guests gathered on a Tribeca rooftop for the 2026 Bronx Museum Gala, a fundraising event held in advance of the museum's South Wing renovation, slated to open in 2027. The evening honored artist Awol Erizku, designer Colm Dillane (KidSuper), and patron Lois Plehn, with newly-installed museum director Shamim M. Momin and co-chairs Danielle Falls and Annie B. Taylor wearing custom KidSuper suits. The gala featured a live auction led by Phillips auctioneer Sarah Krueger, including works by Ann Craven and Joyce McDonald, and an afterparty with DJ sets by Erizku and DJ Düe Champ.
YoungArts hosted its 2026 gala at the Metropolitan Museum of Art's Temple of Dendur, honoring actor Marisa Tomei with the Arison Award and featuring ballerina Misty Copeland and artist Glenn Ligon as honorary co-chairs. The event drew a crowd of notable arts figures including Mikhail Baryshnikov, Anne Pasternak, Max Hollein, Cecilia Alemani, and artists KAWS, Taryn Simon, and Camille Henrot, with performances by YoungArts alumni directed by Caleb Teicher.
The article explores the creative freelancer's financial landscape, focusing on the tax write-off strategies used by artists, writers, musicians, and other cultural workers. It features anecdotes from figures like writer Michelle Tea, photographer Luisa Opalesky, artist Josh Kline, and musician Ben Levi Ross, who share the unusual items they have deducted as business expenses—ranging from cat food and luxury handbags to Skittles, NyQuil, and even a vintage truck used in a film.
On Friday night, Bobbi Salvör Menuez, Whitney Mallett, and quori Theodor hosted a fundraiser vintage sale above Chinatown at lighting design studio Blue Green Works, benefiting the Trans Justice Funding Project. The event featured poetry and literary readings, with designer donations from Lena Waithe, Pedro Pascal, Chloë Sevigny, Julia Fox, Tommy Dorfman, Conner Ives, and Eckhaus Latta, plus archival pieces from co-organizer John Mollet's personal collection including Hermès and a Jean Paul Gaultier ballet costume. Guests included artists, writers, and photographers such as Collier Schorr, K8 Hardy, and Erin Markey.
The Museum of Modern Art (MoMA) in New York is organizing a major retrospective of Marcel Duchamp, the first in the U.S. since 1973. Curated by Michelle Kuo, Ann Temkin, and Matthew Affron, the exhibition titled "Marcel Duchamp" will run from April 12 through August 22 and feature over 300 artworks, including iconic pieces like *Nude Descending a Staircase, No. 2* and *Fountain*. The curators describe the challenge as extreme, given Duchamp's deliberate confounding of traditional art systems, and they aim for a "deadpan accuracy" in presenting his work, including studies and replications as independent artworks.
Humberto Moro, deputy director of program at the Dia Art Foundation, discusses his role in expanding the institution's focus to include Latin American artists such as Liliana Porter, Delcy Morelos, and David Lamelas, whose major survey he curated. The interview, published by Cultured, covers Moro's career path from his early painting pursuits to positions at Museo Tamayo, Museo Jumex, SCAD's Museum of Art, and the Park Avenue Armory, and his current work at Dia alongside director Jessica Morgan. Moro also shares his personal interests in science fiction and literature, citing authors Ted Chiang, Cixin Liu, and Mariana Enriquez.
The New Museum in New York has reopened after two years with a major expansion designed by OMA / Shohei Shigematsu and Rem Koolhaas, doubling its size to 60,000 additional square feet. The inaugural exhibition, “New Humans: Memories of the Future,” curated by Massimiliano Gioni, features over 800 objects by more than 200 artists, scientists, and designers across three main floors. The show explores how concepts of the human have evolved in response to technological innovation over the past century, with thematic chapters such as “Reproductive Futures” and a site-specific sculpture by Klára Hosnedlová in the new Atrium Stair.
Marat Guelman's exhibition at Ethan Cohen Gallery in New York (April 23–May 30, 2026) features AI-generated monoprints created in collaboration with the Montenegrin digital art group + - Komma. None of the works were painted by Guelman himself; instead, he programmed AI outputs based on historical models by artists like Picasso, Gauguin, Monet, Warhol, Lichtenstein, Turner, Matisse, and Richter. Every piece in the show incorporates an image of an atomic mushroom cloud, a motif Guelman uses to respond to Vladimir Putin's nuclear threats during the Ukraine war.