The William Havu Gallery in Denver is hosting "Sea Change," the 11th solo exhibition by artist Amy Metier. The show features a new body of work consisting of paintings on panel and works on paper that utilize abstraction to reference landscapes, still lifes, and architectural forms. Metier, a seasoned artist with a significant international residency history, continues her long-standing relationship with the gallery through this latest collection.
Self-taught artist Marvin Young, 64, who has an intellectual and developmental disability, will have his first solo exhibition, “Impressions of a City,” at the Intuit Art Museum in Chicago from April 9 to August 23, 2026. Curated by Christina Stavros, the show features Young’s vivid drawings of Chicago cityscapes, architecture, and portraits, created from memory using graphite, colored pencils, crayons, and markers. Young, who works at Envision Unlimited and Arts of Life—nonprofits supporting people with disabilities—has long dreamed of selling his art, and this exhibition marks a major milestone in that goal.
Sixteen artists have been commissioned to create original works for "Forged," a group exhibition at Drummond Studio Gallery honoring the legacy of Philip Simmons. Simmons was a master ironworker and blacksmith whose ornamental gates and balconies are definitive features of Charleston’s architectural landscape. The exhibition, which opens March 6, features local artists including Demetrius Bing, Riivo Kruuk, and Jonathan Green, and aims to highlight the cultural significance of the Simmons home and workshop.
The global mega-gallery Hauser & Wirth is opening a new branch in Palo Alto, California, in the historic Downing Block building, a former U.S. Post Office. The gallery, designed by architect Luis Laplace, will open in the fall and aims to bring influential contemporary art exhibitions to the Bay Area.
Singapore Art Week (SAW) this year spotlights women artists from Southeast Asia through multiple initiatives, including the release of the book *You Are Seen: Women’s Contemporary Art Practice in Southeast Asia* and the exhibition *Fear No Power: Women Imagining Otherwise* at the National Gallery Singapore (NGS). The book, published by Yeo Workshop, and the exhibition, featuring five trailblazing artists such as Amanda Heng and Imelda Cajipe-Endaya, reflect a concerted push to elevate female voices in the region. Audrey Yeo, president of the Art Galleries Association Singapore (AGAS), calls it a “big women’s moment,” while collector and author Krystina Lyon notes the varied challenges women artists face across Southeast Asia, from censorship to conservative social norms.
The article highlights five must-see fall art exhibitions in Whatcom and Skagit counties in Washington state. Featured shows include Mary Ann Peters' solo exhibition "myself inside your story" at the Whatcom Museum, Barbara Sternberger's abstract painting survey "At the Core" at Western Gallery, Joy Olney's "Pure Joy" at Cordata Gallery, and Voxel Gallery's first anniversary celebration with its "World Famous" exhibition. The piece also notes a photo exhibition on broadcasting pioneer Elaine Horn curated by archivist Jeff Jewell at the Whatcom Museum's Old City Hall.
SANATORIUM, a leading contemporary art gallery in Istanbul, is opening its third location this fall in the historic Bosphorus port district of Perşembe Pazarı. The new building was designed by prominent Turkish conceptual architect Nevzat Sayin, who drew inspiration from the area's industrial character and small manufacturing workshops. The gallery's inaugural exhibition features artist Farah Al Qasimi, a 2025 Guggenheim Fellowship recipient, with her first solo show in Istanbul titled 'Desert Hyacinth,' running from September 12 to October 26, concurrent with the Istanbul Biennial.
This article compiles a list of open calls, residencies, and grants for artists and designers with deadlines in September and October 2025. Opportunities include the Innovate Grant offering $1,800 each to one visual artist and one photographer, the PHOTOcentric 2025 exhibition at Garrison Art Center, a call for mini-golf hole designs for The Other Art Fair Chicago, and the Ingram Prize 2025 for recent U.K. art school graduates. Other listings include the Moons, Castles, Trees exhibition for The Wrong Biennale ’26 in Copenhagen, the Denver International Airport Rotating Sculpture Program, the MONSTER Exhibition in Berlin, the Abbey Harris Mural Fund in the U.K., and the Contemporary Reflection Art Exhibition in London.
Sidony O’Neal and Bogosi Sekhukhuni, two interdisciplinary artists with backgrounds in conceptual art, design, and technology, are co-founders of the design firm INFANT. O’Neal’s work draws on mathematics, architectural systems, and object histories, with exhibitions at venues such as Sculpture Center, ICA at Maine College of Art and Design, and MASS MoCA residencies. Sekhukhuni explores cultures and histories of technology through sculpture, video, and performance, with exhibitions at Fondazione Prada, New Museum, and Sharjah Art Foundation, and is a founding member of the artist group NTU.
Cheffins auction house in Cambridge, UK, will sell the first archive of work by artist Tirzah Garwood to come to the market, in its Art & Design Sale on 22 May. The archive, estimated to fetch around £30,000, includes wood engravings, pencil sketches, and a sketchbook, and has been consigned by the granddaughter of artist Frederick Austin, a friend of Garwood and her husband Eric Ravilious. The sale coincides with the first major retrospective of Garwood's work, "Tirzah Garwood: Beyond Ravilious" at Dulwich Picture Gallery, which has helped revive interest in her career.
Shanghai-based artist Yu Ji presents her first solo exhibition in New York, "Origin of the Tiger," at P.P.O.W gallery from March 6 to April 11, 2026. The show features multimedia sculptures and installations made during a self-organized residency in Phnom Penh, Cambodia, where she collaborated with Khmer artisans and local children through the project PKA (PLAY KNOW ATTENTION). Works incorporate reed mats, concrete knees, snail shells, and modular furniture, emphasizing joints, fragmentation, and reassembly.
A posthumous exhibition titled "Remembrance: A Tribute to the Work of Dinh Q. Lê" is on view at 10 Chancery Lane in Hong Kong from March 20 to May 23, 2026. Curated by David Elliott, the show features key works by the late Vietnamese artist, including his series of manipulated photographs that slice and weave the iconic 1972 image "The Terror of War" into pixelated grids, alongside pieces like "Skin on Skin Black Mixed No. 9" that critique the influx of Western pornography into Vietnam after internet legalization.
An exhibition titled "Vasari and Rome" has opened at the Capitoline Museums in Rome, running until July 19, 2026. Curated by Alessandra Baroni and promoted by Roma Capitale, the show features over seventy works—including drawings, prints, engravings, letters, medals, sculptures, and paintings—that trace Giorgio Vasari's relationship with 16th-century Rome. Sixteen autograph works and seven drawings are among the highlights, arranged in four sections that follow the chronology of Vasari's Roman sojourns, from his arrival in 1532 under Cardinal Ippolito de' Medici to his later engagements with patrons like Bindo Altoviti and Cardinal Alessandro Farnese. The exhibition is staged in an intimate, chamber-like setting on the top floor of Palazzo Caffarelli, contrasting the small space with the vast theme of Vasari's role in papal Rome's political and cultural life.
The 59th edition of the Carnegie International, the oldest survey of contemporary art in the United States, opens at the Carnegie Museum of Art in Pittsburgh, featuring 61 artists and collectives from around the world and 36 newly commissioned works. Curated by Ryan Inouye, Danielle A. Jackson, and Liz Park, the exhibition is titled “If the word we,” developed in collaboration with writer Haytham el-Wardany, and for the first time partners with local institutions including the Children’s Museum of Pittsburgh, Kamin Science Center, Mattress Factory, and the Thelma Lovette YMCA to engage different segments of the city’s community.
The article traces the history of the Van Gogh Museum in Amsterdam, from its origins in the efforts of Johanna van Gogh-Bonger—who preserved Vincent van Gogh's works after his death—to its official opening in 1973 by Queen Juliana. It describes the museum's location on Museum Square, its two-part building designed by Gerrit Rietveld and Kisho Kurokawa, and its role as a major tourist attraction that drew nearly two million visitors in 2024.
The High Museum of Art in Atlanta presents "Isamu Noguchi: 'I am not a designer'," the first design retrospective of the Japanese-American sculptor in 25 years. Co-curated by Monica Obniski and Marin R. Sullivan, the exhibition features nearly 200 objects, including sculptural models, furniture for Herman Miller and Knoll, Akari light fixtures, and large-scale installations like Martha Graham's stage set for "Seraphic Dialogue" (1955). The show challenges Noguchi's own resistance to categorization by framing his multidisciplinary practice—spanning sculpture, design, architecture, and public art—through a design lens.
The Clark Art Institute in Williamstown, Massachusetts, announced an upcoming exhibition titled “An Exquisite Eye: Introducing the Aso O. Tavitian Collection,” on view from June 13, 2025, through February 21, 2027. The show features approximately 150 works from the Tavitian Collection, a major private collection of European art assembled by the late collector and philanthropist Aso O. Tavitian. Spanning c. 1450–1850, the exhibition includes paintings, sculpture, drawings, and decorative arts by artists such as Jan van Eyck, Jean-Antoine Houdon, and Elizabeth Louise Vigée-Lebrun. The collection, comprising 331 objects, was donated to the Clark and will eventually be housed in a new wing designed by Selldorf Architects, set to open in 2028.
Boston Art Review (BAR) has published an article examining how Maine-based cultural institutions are approaching the American Semiquincentennial, the 250th anniversary of the United States in 2026. The piece explores the programming, exhibitions, and institutional strategies being developed by museums and art centers across Maine to mark this milestone, focusing on how they interpret American history and identity through contemporary art.
Elisa Contemporary Art Riverdale Gallery will open a new group exhibition titled "People and places" on May 20, 2026, running through September 2. The show features works by six artists: Betty Ball, Carol Bennett, Sherry Karver, Mitch McGee, Dean Moore, and Jeffrey Palladini, with a focus on uplifting summer themes including water scenes, poolside figures, and bright yellow elements. The exhibition includes new works from Ball's Land & Sea series and introduces Sherry Karver as a new gallery artist.
Travel And Tour World published an article highlighting Japan's art museums and creative spaces as a unique cultural journey for travelers, blending modern and traditional design. The piece showcases various institutions across Japan, emphasizing their architectural significance and the immersive experiences they offer, from contemporary art galleries to historic venues that reflect the country's rich aesthetic heritage.
Chicago museums have announced a slate of ambitious summer exhibitions, including the opening of the Obama Presidential Center, an Anne Frank exhibition, and a Pokemon-themed show. These exhibits span a range of cultural and historical topics, aiming to attract diverse audiences to the city's major cultural institutions.
The Museum of Fine Arts, Houston (MFAH) is hosting "Picasso-Klee-Matisse: Masterpieces from the Museum Berggruen" from May 20 to September 13, 2026. The exhibition features dozens of works by Pablo Picasso, Paul Klee, and Henri Matisse from the private collection of dealer and collector Heinz Berggruen, on loan from the Museum Berggruen – Neue Nationalgalerie in Berlin. The show is organized thematically—portraits, landscapes, still life, and the human figure—and includes paintings, drawings, collages, sculptures, and archival materials, alongside pieces from MFAH's own collection. It has already attracted over 1 million visitors on its international tour.
Louvre Abu Dhabi has announced the sixth edition of its Art Here exhibition, titled "Confluences," opening November 11, 2026 and running until February 28, 2027. For the first time, the annual exhibition will include artists from India alongside those from the GCC, expanding its geographic scope to trace centuries of cultural exchange across the Indian Ocean. Curated by Kamini Sawhney, the exhibition will feature contemporary works installed throughout the museum’s outdoor spaces, including the courtyard and Jenny Holzer’s permanent marble installation, with commissions responding to the architecture, light, and water of Jean Nouvel’s iconic dome. The exhibition is organized in partnership with Swiss watchmaker Richard Mille and coincides with the museum’s broader programming on historical trade routes.
The Seoul Museum of Art (SeMA) has opened its largest-ever retrospective of pioneering Korean abstract painter Yoo Young-kuk, titled "Yoo Youngkuk: A Mountain Within Me," marking the 110th anniversary of his birth. Running through Oct. 25 at SeMA's Seosomun branch, the exhibition brings together 178 works, including 115 oil paintings, drawings, photographs, archival materials, and previously unseen pieces, as well as BTS RM's collection "Mountain." Rather than a chronological format, the show begins in 1964—the year of Yoo's first solo exhibition—and moves backward and forward through time, highlighting his geometric compositions and bold primary colors inspired by the mountains and sea of his hometown Uljin.
Boston Art Review (BAR) has published an article titled “Edmonia Lewis: Said in Stone” that reconstructs the life of the 19th-century sculptor Edmonia Lewis across fragmented historical records. The piece examines Lewis’s career, her neoclassical marble works, and the challenges of piecing together her biography due to limited archival materials.
The University of Stirling's Art Collection has been designated a Collection of National Significance by Museums Galleries Scotland, joining four other collections receiving the honor on International Museums Day. The collection comprises over 800 prints, paintings, and sculptures, many displayed across the campus, particularly in the A-listed Pathfoot Building. Founded on a policy set by Principal Dr Tom Cottrell in 1967 to allocate 1% of building costs for art, the collection has grown through purchases and donations, including 14 works by Scottish Colourist J.D. Fergusson gifted by Margaret Morris. The collection team runs exhibitions, workshops, and an Artist in Residence programme to integrate art into university life.
India has returned to the Venice Art Biennale with a national pavilion at the 61st International Art Exhibition, after a seven-year hiatus. The pavilion, titled "Geographies of Distance: Remembering Home," is presented by India's Ministry of Culture in partnership with the Nita Mukesh Ambani Cultural Centre and Serendipity Arts Foundation, curated by Amin Jaffer. It features five artists—Alwar Balasubramaniam, Sumakshi Singh, Ranjani Shettar, Skarma Sonam Tashi, and Asim Waqif—whose works explore themes of home, loss, displacement, and cultural memory through materials like soil, thread, bamboo, and clay.
Helsinki Art Museum (HAM) presents "Magdalena Abakanowicz: Crossing Boundaries," the first Finnish exhibition of the Polish artist's monumental fiber works, running from May 6 to August 30, 2026, at the Tennis Palace. The show features 58 works spanning six decades, including her iconic Abakans—suspended woven forms—and headless burlap figures, along with documentary screenings and a new Finnish-language publication.
The World Boxing Council (WBC) presented two commemorative championship belts at the Philadelphia Museum of Art in connection with the exhibition "Rising Up: Rocky and the Making of Monuments," which marks the 50th anniversary of the film "Rocky." On April 23, 2026, Rasheen Farlow of the WBC gave a belt to the family of Joe Frazier, accepted by his daughter Jacquelyn Frazier-Lyde. The following evening, a second belt was presented to the exhibition itself, accepted by guest curator Paul Farber. The belts honor boxing figures Joe Frazier, Muhammad Ali, and Jose Sulaiman, and one also features the film character Rocky.
In 2026, Frida Kahlo has become a global cultural obsession, with museums, opera houses, and cinemas worldwide celebrating her legacy. The Metropolitan Opera in New York City will premiere Gabriela Lena Frank's Spanish-sung opera *El Último Sueño de Frida y Diego* on May 14, which imagines Diego Rivera summoning Kahlo back to life three years after her death. Set and costume designer Jon Bausor drew inspiration from the trees, veins, and cracked imagery in Kahlo's paintings.