The New York Times profiles an artist who repeatedly recreates his childhood home through various artistic mediums, exploring memory, loss, and the passage of time. The article details how the artist reconstructs the house from memory, using materials ranging from drawings and sculptures to immersive installations, each iteration reflecting a different emotional or psychological state.
The Cleve Carney Museum of Art at the College of DuPage has opened "Hokusai & Ukiyo-e: The Floating World," an immersive exhibition exploring Japanese ukiyo-e art from the Edo period. The show features woodblock prints and scrolls, including Hokusai's iconic "The Great Wave Off Kanagawa," drawn from the collection of 19th-century Italian engraver Edoardo Chiossone. Many prints are on view in the U.S. for the first time. The exhibition extends beyond traditional display with an outdoor garden, manga and anime rooms, and a recreated Edo village built by the college's theater department.
The McManus: Dundee's Art Gallery and Museum will open a new exhibition titled 'Border Crossings: Ten Scottish Masters of Modern Art' on Saturday, 28 June, running until 14 June 2026. The show features ten influential Scottish modern artists—Wilhelmina Barns-Graham, Robert Colquhoun, William Crozier, Alan Davie, William Gear, William Johnstone, Robert MacBryde, Eduardo Paolozzi, William Scott, and William Turnbull—all drawn exclusively from Dundee’s nationally recognized art collection. It marks the first time these ten figures have been displayed together at The McManus.
Bob Dylan is presenting 97 new paintings at London's Halcyon Gallery in a show titled "Point Blank," running until July 6. The works, created between 2021 and 2022, began as sketches that the musician later painted over, depicting subjects like Zurich, a piano player, and breakfast scenes. The gallery describes the pieces as masterful expressions of a dynamic imagination, noting that some monochromatic studies draw inspiration from Picasso's Blue Period.
Nadya Tolokonnikova, co-founder of Pussy Riot, began a durational performance titled "Police State" at the Museum of Contemporary Art (MOCA) in Los Angeles on June 5, 2025. Inside a mock prison cell at the Geffen Contemporary, she screams, plays a pink toy piano, synthesizer, and laptop, and layers live music with sampled prison noises to create an 80-hour experimental soundscape. The performance, running until June 15, references her own 2012 imprisonment in Russia for an anti-Putin protest. On the fourth day, MOCA closed due to clashes between ICE agents, the California National Guard, and protesters over immigrant raids, prompting Tolokonnikova to post: "Police State exhibit closed today due to police state."
Local artist Steve Harrington-Ellsmore presents his exhibition "Phantasmagorical Experience" at Unity Art Studio in Andover, running from May 13 to June 7. The show traces his journey from a self-taught "outsider artist" to a formally trained practitioner, featuring surreal paintings, installations, and collages that have drawn comparisons to Bosch and Dali. Harrington-Ellsmore, who graduated from Winchester School of Art in 2006 with a degree in fine art sculpture, is known for vibrant collages and oil paintings that conjure dreamlike landscapes, often incorporating prominent figures for cultural commentary.
The Fabric Workshop and Museum in Philadelphia is presenting "Soft/Cover," an exhibition featuring 90 works by 65 artists drawn from the museum's history from the late 1970s to today. Co-curated by Katy Donoghue and former chief curator DJ Hellerman, the show spans three floors and is arranged thematically around home items, shelter, and suiting, including soft architecture, garments, and tapestries. Eight artists-in-residence created new works for the exhibition, with seven produced on-site, such as Aimee Koran's "Mama's Space Suit" inspired by Louise Nevelson's 1985 "Opera Costume." Notable artists featured include Lynda Benglis, Roy Lichtenstein, Pat Steir, and Richard Tuttle.
Renowned Durban artist Grace Kotze will present a self-curated stand of her work, including her favorite piece 'Darwin's Perch', at the Art in the Country 2025 fair in Hilton from May 22 to 25. The fair, held at Harrington House, features 62 of South Africa's top artists and includes live music. Kotze, who recently showed at the Clarens Arts Festival, draws inspiration from everyday life and cites influences such as William Kentridge and Rembrandt.
Sotheby's high-stakes Modern evening sale on Tuesday night ended in shock when Alberto Giacometti's bronze bust "Grand tête mince (Grand tête de Diego)," estimated at $70 million, failed to sell. Bidding stalled at $64.25 million, well below the reserve, and auctioneer Oliver Barker withdrew the lot. The consignment came from the Soloviev Foundation, the nonprofit arm of the late real estate mogul Sheldon Solow, who had declined an auction guarantee. The sale ultimately brought in only $152 million, far short of the $240 million low estimate, with the Giacometti representing nearly 30% of that target.
Christie’s New York spring sales brought in a combined $489 million across two evening auctions, including the Leonard and Louise Riggio collection ($272 million) and a 20th-century evening sale ($216 million). While sell-through rates were high at 94%, bidding was shallow and several high-profile lots underperformed: a Mondrian estimated at $50 million sold for $47.6 million, a Magritte from the Empire of Light series matched its 2023 price at $34.9 million, and a Lucio Fontana canvas that sold for $14 million in 2017 fetched just $7.5 million. Andy Warhol’s Big Electric Chair was withdrawn last minute amid a reported $10 million gap between seller and buyer expectations. The sales were bolstered by third-party guarantees and came hours after news of a temporary US-China tariff détente.
The article reports on the growing revival of folk culture in the visual arts, centered on the Neo Ancients festival in Stroud, Gloucestershire, UK. The second edition of the festival, held over May Day weekend, featured an eclectic mix of music, Morris dancing, talks, film screenings, and exhibitions celebrating British folklore. Art dealer James Elwes organized a show at the local gallery Rattle and Brash, featuring artists like Sue Webster, Jeremy Deller, and Stanley Donwood, who presented works outside their usual practices. Exhibitions included Donwood's 'Floralia' and Webster's new self-portraits exploring pregnancy and reinvention.
Acne Studios has collaborated with Philadelphia-based artist Jonathan Lyndon Chase for a second time, following their initial partnership for the brand's S/S 2025 runway presentation in Paris. For Frieze Week in New York, Chase has taken over Acne Studios' SoHo flagship with an immersive installation featuring approximately 60 sculptures, furnishings, and paintings. The works, created in Chase's Kensington studio, draw on personal memories, queer identity, and the artist's Philadelphia roots, including soft figurative cloth sculptures, a stuffed cat, bedazzled busts, and vintage furniture covered in doodles. A capsule collection of trousers, T-shirts, a pillow, and a blanket is also available exclusively at the store.
Bob Dylan, the 83-year-old musician, will unveil 97 recent original paintings at the Halcyon Gallery in London in an exhibition titled "Point Blank." The works are based on sketches created between 2021 and 2022, depicting characters, objects, and scenes from his life, and have been painted over with vivid colors to create what Dylan describes as "living, breathing entities that have emotional resonance." The show opens on 9 May and is free of charge.
On the first Friday of every month, Mainframe Studios in Des Moines transforms into a free, interactive art museum, drawing over 2,400 visitors. Approximately 200 artists open their studios to the public, and each event features a different theme. The April edition, curated by Iowa-based artist Jill Wells, featured the exhibition "Diverse by Design," showcasing works by more than 35 contemporary Iowa artists of all abilities and identities, with a focus on multi-sensory engagement and inclusivity.
Pallant House Gallery in Chichester is presenting 'Seeing Each Other: Portraits of Artists,' an exhibition exploring how artists have portrayed one another from the early 20th century to the present. Featuring over 130 artists by at least 80 different hands, the show spans painting, sculpture, installation, photography, drawing, and printmaking, with works arranged chronologically to highlight artistic circles, friendships, rivalries, and collaborations. Highlights include multiple portraits of Francis Bacon by Lucian Freud and Maggi Hambling, candid photographs of Young British Artists by Johnnie Shand Kydd, and a new double portrait by Ishbel Myerscough and Chantal Joffe.
The NSU Art Museum Fort Lauderdale has become the permanent home of Christo and Jeanne-Claude's "Surrounded Islands," featuring over 43 original preparatory drawings and collages by Christo, along with large-scale photo murals, photographs, engineering surveys, environmental reports, permits, personal correspondence, scale models, and actual fabric segments from the project. The exhibition is ongoing and includes rare archival materials gifted by the Christo and Jeanne-Claude Foundation.
Zhenya Gershman, a Moscow-born, bi-coastal painter based in New York and Los Angeles, is opening a new exhibition titled "ICU2" on May 10, the second part of her "I See You" project addressing homelessness. Gershman, who began her career at age 14 in St. Petersburg and now runs Zhenya's Art Academy, draws inspiration from subway encounters, approaching strangers to photograph them and transforming candid, imperfect shots into oil-on-canvas portraits. The exhibition follows her previous activist projects, including a portrait of Russian opposition leader Alexei Navalny and a painting of a Ukrainian war victim that sold for $100,000 to benefit the Ukraine Red Cross.
The Kochi-Muziris Biennale, a major contemporary art exhibition in India, is the subject of this article. The piece likely covers the event's programming, participating artists, or organizational updates, though the provided text is truncated and primarily consists of a newsletter subscription prompt and footer information, obscuring the full details of the biennale's activities.
Gallery, a free contemporary art event in Buenos Aires, returns for its first 2026 edition on Saturday, May 16th, connecting over 40 galleries, museums, art spaces, and foundations across the Recoleta, Retiro, and Microcentro neighborhoods. Organized by Arte al Día and Pinta, the event features guided tours led by specialists, live music performances, and special activities at each meeting point. Participating venues include Rolf Art, Vasari, Fundación Klemm, ARTHAUS CENTRAL, Isla Flotante, and others, with support from the Buenos Aires City Ministry of Culture.
Casa Miraflores presents the RADAR section titled "Porous Systems" at Pinta Lima 2026, curated by Ilaria Conti. The section features Guatemalan center La Galería Rebelde and artist Angélica Serech, whose textile works draw from Maya Kaqchikel knowledge, alongside artists Diana Eusebio, Luciano Giménez, Alberto Casari, and Carlos Luis "Pajita" García Bes. The exhibition explores permeability, process, and the meeting of inherited knowledge with contemporary languages.
A PIONEERING EXHIBITION AT THE MAC IN BARRANCO
The Museum of Contemporary Art (MAC Lima) and the Lima Art Museum (MALI) have launched "Thought is a Hybrid Garden," a comprehensive exhibition spanning six decades of work by Francesco Mariotti and María Luy. The show draws from the Mariotti-Luy Archive and features light installations, acoustic works, and silkscreens that blend technology with Amazonian myths and environmental activism. Curated by Miguel A. López and José-Carlos Mariátegui, the exhibition includes never-before-seen works in Peru, such as the "Hybrid Gardens" series which uses bioluminescence as a metaphor for ecological health.
Animierte Körper
Latefa Wiersch presents her exhibition "Atlas Studios" at the Istituto Svizzero in Rome, featuring unsettling, puppet-like sculptures that resemble film sets. The works explore themes of bodily helplessness, imperfection, and geopolitical displacement, drawing on her earlier project "Hannibal" at the Dortmunder Kunstverein, which addressed post-migrant German realities and the demolition of a housing complex. The new installation references the Atlas Studios in Ouarzazate, Morocco, and the history of cinema, with figures made from rags and nylon stockings that appear as actors or set workers.
Pratt Institute's Fine Arts MFA program is presenting its 2026 thesis exhibitions in a two-part show curated by Alessandra Gómez at Dock 72 in the Brooklyn Navy Yard this spring. The exhibitions feature the culminating work of the graduating MFA candidates, offering a public showcase of emerging artistic talent.
The Metropolitan Museum of Art is hosting a new exhibition titled "Costume Art," timed to coincide with the 2026 Met Gala. The article provides a first look at the exhibit, featuring images credited to photographer Masato Onoda of WWD, showcasing the intersection of fashion and visual art within the museum's galleries.
The Art Gallery of Swift Current is opening a new exhibition titled *Tastatâwâyih* by two-spirit Métis artist Sheri Osden Nault, running from May 22 to August 8. The show features a range of mediums including sculpture, video, photography, and drawings, and explores themes of relationality, community, environment, and futurity. A public reception with the artist will be held on May 22.
The Paul W. Zuccaire Gallery at Stony Brook University hosted the opening reception of the ninth annual combined Senior Show and URECA Arts Exhibition on April 29, drawing about 300 attendees including students, faculty, staff, university leaders, and local museum curators. The Senior Show, a nearly 50-year tradition, features works by senior studio art majors and minors, while the URECA exhibition highlights undergraduate research-based art selected by faculty. This year's exhibition is noted for its diversity in subject matter and materials, from chalk painting to digital media, and runs through May 22.
The Instituto Cervantes in New York presents *Aquel Amplex*, the first institutional exhibition of Venezuelan artist Cassandra Mayela Allen, on view until June 28, 2026. Curated by Fabiola R. Delgado and Carlos Núñez, the show features braided textile sculptures, paintings, and drawings that examine Allen's process-driven practice within the legacies of Venezuelan and Latin American modernism and informalism. The title, meaning "that embrace," references a 1969 letter from Hélio Oiticica to Lygia Clark, evoking longing and forced migration. Allen, a self-taught artist who migrated from Venezuela in 2014, uses communal braiding gatherings to transform found fabrics and garments into architectural works that deconstruct national and artistic heritage.
Brazilian artist Cinthia Marcelle has unveiled a major site-specific installation titled "beginning, middle, beginning" at the Serralves Museum in Porto. Developed in collaboration with the architecture collective vão and curated by Inês Grosso, the work transforms the museum’s Central Gallery into a space governed by cycles of repetition. Drawing inspiration from the philosopher and Quilombola leader Nêgo Bispo, the installation challenges Western linear conceptions of time and highlights the persistence of colonial structures in modern social organization.
Central Oregon’s art scene is hosting a diverse array of exhibitions this week across Bend, Sisters, Sunriver, and Redmond. Notable highlights include Jana Charl’s mixed-media showcase "This is not a Love Story" at Art Adventure Gallery, Hilary Baker’s moth-themed "Prophets" at the High Desert Museum, and a collection of literary-inspired quilts at the Deschutes Historical Museum. The offerings span various mediums, from nomadic woven macramé and custom jewelry to volcanic science explorations and historic cartography.
Stay Connected: Supplying the Globe @ 大館
Tai Kwun in Hong Kong is set to host "Stay Connected: Supplying the Globe," a major group exhibition running from February 28 to May 31, 2026. Curated by Pi Li and Yan Kwok, the exhibition features a diverse array of contemporary artists including Musquiqui Chihying, Ho Rui An, Lap-See Lam, and Li Shuang. The works span various media, from video installations like "The Smart City" to sculptural interventions and performance-based projects, focusing on themes of global infrastructure, labor, and technological connectivity.