Wadi Finan Art Gallery presents "Geological Encounters," an exhibition running from April 25 to May 14, 2026, at its Jabal Amman location in Amman, Jordan. The show features the work of Jordanian artist and architect Ammar Khammash, whose multidisciplinary practice engages directly with Jordan's terrains, responding to their geological, social, and cultural conditions.
Jule Korneffel's third solo exhibition at Spencer Brownstone Gallery in New York, titled 'In Search of Lost Light,' presents a series of paintings that capture the quiet, liminal moments just before dawn. Using artist-mixed natural pigments, Korneffel shifts from her previous twilight-focused work to explore the anticipation of daylight, with pieces like the titular painting (2025) standing out for its playful, musical composition. The show also includes a mural in the gallery's back patio that blends colors into a grey neutral tone reminiscent of early-morning skies.
An exhibition titled 'Houses I Almost Lived In' is currently on view at Latitude 28 gallery in Delhi's Defence Colony, running until May 25. The show brings together works by five artists—Shalina Vichitra, Pooja Iranna, Raj Jariwala, Samit Das, and Mahen Perera—who explore how architecture, memory, and belonging intertwine. Through layered cartographies, cement grids, stitched forms, and material fragments, the artists evoke nostalgia for the houses and spaces we once inhabited, examining how physical structures persist in personal and collective memory long after they vanish.
Taiwan has revoked the National Award for Arts from Indigenous artist Sakuliu Pavavaljung after his sexual assault conviction was upheld by the Supreme Court. The Ministry of Culture and the National Culture and Arts Foundation announced the withdrawal on 17 April 2025, and Pavavaljung must return the NT$1 million prize. The conviction stems from a February 2021 incident involving a woman under his artistic mentorship; he was sentenced to four years and six months in prison. Allegations first surfaced in December 2021 via social media, prompting further accusations. Pavavaljung had previously been dropped from representing Taiwan at the Venice Biennale and suspended from Documenta 15.
A new exhibition titled 'Mother Tongue' has opened at the Haifa Museum of Art, exploring the hierarchy of Arabic dialects and the politics of language among Arabic speakers. The show turns identity politics into art, examining how language can be a battlefield in a region where one language holds power over another and political expression can lead to legal consequences.
Jasmine Lezema, an art history major and museum intern at the Janet Turner Print Museum, has organized a peer-led exhibition tour titled "Through an Art Historian’s Lens," scheduled for Wednesday from 5 to 5:30 p.m. The tour focuses on printmaking at Chico State and encourages students to engage deeply with artworks. Lezema selected three pieces from the current exhibition that personally resonated with her, drawing on her art history training to interpret symbolism, materials, and context. The museum’s director, Rachel Skowoski, and education assistant, Dylan Charlton, emphasize that student interns are empowered to shape programming around their interests, making this tour a product of that philosophy.
The Martha Invitational and MarfaMUST are collaborating on a two-day arts weekend in Marfa, Texas, from May 29-30, 2026. The event, themed 'Home Coming,' features a pop-up opening at Rule Gallery for the Martha Invitational, a closing event for MarfaMUST, and open studios throughout the town, all free to the public. It reunites the founding organizers of the Martha Invitational and incorporates new participants, celebrating the local artist community across generations.
Bobby Rogers, a graduate of the Minneapolis College of Art and Design, has been appointed as the head of design and editorial at the Minneapolis Institute of Art (MIA). In this role, he oversees the museum's visual identity, exhibition design, and marketing, aiming to make MIA a more engaging and innovative space for visitors. Rogers previously worked as head photographer at the Walker Art Center and as a senior art director at Target.
The Cleveland Museum of Art has opened "Epic of the Northwest Himalayas: Pahari Paintings from the ‘Shangri’ Ramayana," an exhibition featuring 40 rare paintings from a 1700s royal commission. These works, which depict the life of the Hindu deity Rama, have been reunited from 12 different lenders after being dispersed globally for centuries. The display is augmented by digital stations that animate over 100 additional paintings to illustrate the narrative's themes of virtue and heroism.
The Rowan University Museum of Contemporary Art is hosting "The Spectrum of Resilience," a solo exhibition by New Jersey-based artist and educator Jazlyne Sabree. The showcase features works that explore the tenacity and authenticity of the African Diaspora, drawing from Sabree’s extensive research and residencies in West Africa, Brazil, and Liberia. The exhibition highlights everyday moments—such as washing hair or embracing children—elevating them into profound artistic statements on ancestral lineage and survival.
The Charles H. MacNider Art Museum in Mason City has opened a solo exhibition titled "Ray Colby: Nature Photographer" in its Kinney-Lindstrom Gallery. The show features digital photographs printed on canvas, focusing on three specific themes: backyard insects and arachnids of the Midwest, urban birds from Minneapolis, and migrating Sandhill Cranes in Wisconsin. The works on display will be sold via auction to benefit the museum's programming.
The Azerbaijan National Carpet Museum has launched "Images Imprinted in Memory," a solo exhibition by multidisciplinary artist Madina Gasimova. Supported by the .ART domain, the showcase features 28 works produced over the last five years, including five new carpets woven using the museum's traditional techniques based on the artist's contemporary sketches. The exhibition highlights the fluidity of artistic motifs as they transition across various media, including painting, stained glass, mosaic, and digital formats, accompanied by a sound installation of the carpet-weaving process.
Atlanta’s cultural landscape is undergoing a significant transformation as its major museums spearhead ambitious expansions and programming shifts. Institutions like the High Museum of Art, the Spelman College Museum of Fine Art, and the Atlanta Contemporary are leveraging the city's economic growth and its status as a hub for Black culture to redefine their roles within the community. These developments include physical renovations, record-breaking acquisitions, and a renewed focus on local and diverse artistic voices.
The Tarble Arts Center hosted the opening reception for the 2026 Master of Arts in Studio Art Exhibition, featuring thesis projects from 11 graduate students. The exhibition showcased a diverse range of mediums, including an immersive installation by Vitória Kazanovski that recreated her grandmother’s Brazilian kitchen using audio and textured cookbooks, and a ceramic series by Wendy Peters that highlighted the technical mistakes and evolution of her craft.
Stella’s Art Gallery in Willoughby, Ohio, is currently hosting two distinct exhibitions: "The Four Seasons," a juried show featuring local award winners like Anna Hsu and Tatiana Strelnikova, and "Unreal: 2 Visions," an abstract showcase in the Annex Gallery featuring artists Josh Chefitz and Gregory Johnson. Additionally, the gallery is preparing for its upcoming "Size Matters" small works exhibition in May, while the Willoughby Arts Collaborative has launched a call for artists to design local utility boxes.
The Arizona State University Art Museum is set to open "Carmen Lomas Garza: Picturing the Familiar" this May, a retrospective dedicated to the 76-year-old Chicana artist and author. The exhibition highlights Garza’s career-long commitment to documenting South Texas and Mexican-American life through paintings, prints, and children's book illustrations. Her work focuses on intimate, everyday scenes—from domestic interiors to community celebrations—that were heavily influenced by her involvement in the Chicano movement.
Digital artist Mike Winkelmann, known as Beeple, is launching a major mid-career survey titled "BEEPLE: / INFINITE_LOOP" at Node, a new non-profit art space in Silicon Valley. The exhibition features immersive installations including the kinetic sculpture "Human One," the multi-screen tower "Diffuse Control," and a comprehensive presentation of his long-running "Everydays" project. This survey marks a significant moment for the artist as he transitions from the viral NFT boom into large-scale physical and generative museum-style installations.
The Inyo Council for the Arts (ICA) is launching a major solo retrospective titled “Drew Wickman: Getting Here,” featuring over 40 works by the local artist. Opening with a public reception on April 11, the exhibition spans more than five decades of Wickman’s creative output and will remain on view through May 26.
The Bascom: A Center for the Visual Arts is set to debut a new exhibition by photography resident Dean Kessmann titled "realism succumbing to abstraction or is it the other way around" on April 18, 2026. The show features medium-format digital photographs captured during Kessmann’s sabbatical residency, focusing on the overlooked textures of urban landscapes such as sidewalks, graffiti, and signage. The exhibition includes unique physical presentations, with some works mounted on oriented strand board to mirror the industrial surfaces depicted in the images.
The Fairbanks Arts Association has issued a call for entries for its upcoming juried exhibition, "Interdependence," scheduled to run from May 1 to May 30 at the Bear Gallery in Pioneer Park. Open to artists aged 18 and older living in Interior Alaska, the show will kick off with a First Friday opening reception and an awards ceremony on May 1.
The High Desert Museum in Bend, Oregon, has unveiled a new solo exhibition titled "Miguel Almeida: Las Manos que dan de Comer" (The Hands That Feed). Featuring large-scale murals, hand-painted animations, and a ten-foot-tall cutout figure surrounded by actual soil, the installation explores the daily lives and human stories of farm workers in the American West. Almeida, a first-generation Mexican American artist based in Boise, draws from his own family history of agricultural labor to create vibrant, contemporary works influenced by skateboarding culture and Mexican folk traditions.
The Weisman Art Museum is hosting "Never Spoken Again: Rogue Curatorial Strategies," a traveling exhibition that critically examines the history of institutional collecting. Curated by David Ayala-Alfonso, the show features works by international artists that investigate how objects are acquired, categorized, and displayed, often highlighting the colonial and exploitative practices embedded in museum traditions.
The New York Times profiles a previously overlooked or emerging artist whose work focuses on the iconography of 'caped crusaders' and superhero mythology. The feature explores the artist's journey from the periphery of the art world to a position of critical visibility, highlighting their unique aesthetic approach to pop culture figures.
Amelchenko Gallery has officially opened its doors in Red Bank, New Jersey, relocating from Sea Bright to the Galleria complex on Bridge Avenue. The gallery celebrated its arrival with a ribbon-cutting ceremony and a reception for its inaugural exhibition, "Reel Icons," featuring the work of New York-based artist Ginette Laboz. Laboz utilizes a unique pointillist technique, applying paint with pastry tools to create large-scale reinterpretations of iconic cinematic moments from films like "Pulp Fiction" and "When Harry Met Sally."
The Weatherspoon Art Museum has launched two concurrent exhibitions centered on the legacy of Southern Black quilters. "Of Salt and Spirit: Black Quilters in the American South," curated by Dr. Sharbreon Plummer, showcases 24 quilts from the collection of folklorist Roland L. Freeman, including works by UNCG alumna Gwendolyn Magee. Complementing this is "Harriet’s Powers," a site-specific immersive installation by artist Precious D. Lovell that pays homage to Harriet Powers, a 19th-century quilter born into slavery whose work is now held by the Smithsonian and the MFA Boston.
The Museum of Contemporary Art San Diego (MCASD) in La Jolla is set to host "Giants: Art from the Dean Collection of Alicia Keys and Swizz Beatz." This major exhibition features a selection of world-class works from the private holdings of the musical power couple, highlighting their significant contributions as patrons of contemporary art.
A group exhibition titled “One Rose, A Thousand Worlds” opens at A2Z Art Gallery in Paris from February 12 to March 14, 2026, celebrating the 80th anniversary of the first French publication of Antoine de Saint Exupéry’s *The Little Prince*. Conceived with the Antoine de Saint Exupéry Youth Foundation, the show features 17 Asian and French artists—including Alain Delsalle, Shiori Eda, and Jihee Han—who reinterpret the tale through painting, sculpture, ceramics, and mixed media, focusing on themes of love, responsibility, exile, and memory.
The Denver Art Museum has announced a major touring exhibition of Australian Indigenous Art, set to open in April 2026. The show is a collaborative effort organized by the National Gallery of Victoria and the National Gallery of Art in Washington, D.C., and will also travel to the Portland Art Museum and the Peabody Essex Museum.
Michael McGraw, a prominent figure in the design public relations world, is opening a new gallery called Dernier Cri on New York's Upper East Side. The space debuts on January 29, 2026, with an exhibition titled "Night Shift," featuring sculptural works by artists including Julian Mayor, Casey Johnson, Todd Marshard, Jessie Nelson, and Marit Harte, all rendered in a single black palette. McGraw, who has spent years shaping narratives for design studios and brands, describes the gallery as a physical extension of his work as a design publicist, aiming to showcase compelling art and design that inspires interior designers.
The National Endowment for the Humanities (NEH) has awarded $75.1 million to 84 projects across the United States, marking the first grants since the Trump administration dismissed most members of the National Council on the Humanities. Major recipients include the University of Texas at Austin and the Foundation for Excellence in Higher Education, each receiving $10 million for programs focused on civics, strategy, and "Great Books." Other notable grants include $2.2 million for Philadelphia's Museum of the American Revolution and $2 million for Grand Central Atelier, a small art school in Queens that teaches classical realist techniques.