Three major art fairs in Mexico City—Salón Acme, Clavo, and Material Fair—are prominently featuring works from artist-run spaces during the city's Art Week. These fairs are providing platforms for non-commercial, experimental projects from across Mexico, with a particular focus on supporting spaces from outside the capital.
Amita Shenoy, former curator of the M.F. Husain Museum in Bangalore, has selected six key works by the renowned Indian artist M.F. Husain that are now part of the collection at Lawh Wa Qalam in Doha. The selection includes pieces like 'The Raman Effect series' (1987), 'Arab Astronomy' (2008), and 'Quit India Movement' (1985), which illustrate major themes in Husain's life and artistic practice.
A new exhibition titled "Harold Keller: Portals" opens at the Alexander Gallery in Fayetteville, Arkansas, showcasing the work of the mid-20th-century artist and educator Harold Keller. Curated by Matthew Bailey, the show features paintings, drawings, and ceramics that blend whimsy, spirituality, and magical realism, drawing from Keller's Jewish upbringing, influences like Paul Klee and Saul Steinberg, and his time teaching in Arkansas and New York. Many works come from the University of Arkansas–Fort Smith collection, and some have never been publicly displayed before.
Blunk Space gallery in Point Reyes Station, California, is presenting '100 Candleholders', an exhibition running from 17 January to 28 March 2026. The show features 100 artists and designers from around the world—including Max Lamb, Bethan Laura Wood, Ido Yoshimoto, and Jonathan Cross—each invited to create a candleholder inspired by the late sculptor JB Blunk, his work, or his self-built home and studio, Blunk House. This is the second installment in the '100' series, following '100 Hooks' in 2023-24, and takes its cue from Blunk's own 1981 exhibition '100 Plates Plus', which explored the artistic potential of everyday objects.
21c Museum Hotel Louisville is hosting a free public opening reception on January 17, 2026, for its new contemporary art exhibition, "Revival: Digging Into Yesterday, Planting Tomorrow." Curated by 21c Museum Director and Chief Curator Alice Gray Stites, the exhibition features 70 works by 47 international artists, including Isaac Julien, Yinka Shonibare, Myrlande Constant, Hew Locke, and Kehinde Wiley. The show explores how examining the past can clarify the present and reimagine the future, with themes of imperial legacies, colonialism, diaspora, and personal memory. It remains on view through December 2026, open 24/7 year-round.
The Nora Eccles Harrison Museum of Art at Utah State University will open a new exhibition titled "The Lure and Lore of the West" on January 20. The show examines the blurred boundaries between Western myth and history, featuring works from the late 19th century to the present, including a life-sized Bigfoot skeleton by artist Clayton Bailey. Themes include exploration, monsters, cowboy legends, and the Western sublime, with works by artists such as Roy De Forest and Ansel Adams drawn from the museum's collection and loans from several university archives and private collectors.
The Gihanga Institute of Contemporary Art (GICA) opened this week in Kigali, Rwanda, as the country's first non-profit centre dedicated to promoting Rwandan art, culture, and history while fostering local and Pan-African artistic exchange. Founded by curator Kami Gahiga and artist-educator Kaneza Schaal, the institute was designed by Rwandan architect Amin Gafaranga and features an exhibition space, reference library, screening room, and residency studios. Its inaugural exhibition, "Inuma: A Bird Shall Carry the Voice," includes works by Rwandan artists and explores themes of faith and subtle expression. The Mellon Foundation provided crucial development support.
The I.V. Savitsky State Art Museum in Nukus, Uzbekistan, near the former Aral Sea, houses nearly 100,000 works of 20th-century art, including Russian avant-garde pieces and Central Asian folk art. After a 2024 exhibition in Florence and Venice, the museum underwent a major renovation led by Italian academics and new director Gulbahar Izentaeva, reopening with updated galleries and a new exhibition, "The World of Igor Savitsky." The project is backed by the Art and Culture Development Foundation (ACDF), which also launched the inaugural Bukhara Biennial and partnered with Art Basel Paris.
The 24th edition of Guatemala’s Bienal de Arte Paiz, titled "The World Tree" and curated by Eugenio Viola, runs until 15 February across 11 venues in Antigua and Guatemala City. It features 46 artists from 30 countries, with 31 commissioned works, making it the largest and longest edition in the biennial's history. The organizing non-profit, Fundación Paiz, has also created its first permanent exhibition venue, which soft-launched with a performance by Cuban artist Carlos Martiel.
Bowling Green State University's Fine Arts Gallery presented "Italy In The Artist’s Imagination," a student-curated exhibition running from November 21 to December 10, 2025, at the Dorothy Uber Bryan Gallery. The show featured nearly a hundred works from the university's permanent collection alongside student submissions, spanning Renaissance masters like Albrecht Dürer to contemporary artists, all exploring how Italy has inspired artistic creativity over centuries. Curated by students enrolled in Dr. Allie Terry-Fritsch's Professional Practices in Art History course, the exhibition highlighted pieces such as Dürer's woodcut "Christ Taking Leave of His Mother" (1511), Jessica Faber's screen print "Prospecttiva" (2024), and Jules Maidoff's "Lo Studio."
MotherShip Studios in San Marcos, Texas, announces its upcoming group exhibition "Scrappy: By Any Means Necessary," running from December 13, 2025, to February 7, 2026. Curated by Jennifer Moore, the show features works by eleven artists—Hollie Brown, Ellen Crofts, Lisa Guevara, Julia Hungerford, John Le, Elisa Lendvay, Niloofar Mofrad, Hilary Nelson, Gyan Shrosbree, Jim Shrosbree, and Narong Tintamusik—who explore the concept of "scrappiness" in artistic practice, embracing improvisation, process, and resourcefulness over polished finish.
Kat Lyons has opened her first US institutional solo show, "Full Earth," at Marquez Art Projects (MAP) in Allapattah, Miami. The exhibition features newly commissioned large-scale oil paintings that draw on the ecology, history, and mythology of the Florida Everglades, blending personal narrative with environmental commentary. Lyons, who rarely depicts humans, instead populates her canvases with native and invasive animal species, using them as protagonists in visual fables that explore humanity's relationship with nature.
Bowling Green State University (BGSU) art history students have curated the exhibition 'Italy in the Artist's Imagination,' now on view at the Dorothy Uber Bryan Gallery until December 10. The show draws from the university's permanent collection and submissions from faculty, students, and alumni, all inspired by Italy. It highlights BGSU's long-standing study-abroad programs in Florence, including the now-closed Studio Art Centers International (SACI) and the International Studies Institute of Florence. During the curation process, students encountered authenticity questions regarding a set of Salvador Dalí prints, which led them to reframe the display as an interactive lesson on forgery detection.
The Alexey von Schlippe Gallery of Art at UConn Avery Point presents "Sight and Sound: Artists Consider Long Island Sound," a group exhibition curated by Richard Klein featuring 14 artists including Brechin Morgan, James Prosek, Martha Willette Lewis, and Marion Belanger. The show explores the ecology, cultural history, and geology of Long Island Sound through diverse media, with works inspired by personal experiences and scientific insights about the body of water.
The HOPE Outdoor Gallery in Austin, Texas, will open its new purpose-built location at 741 Dalton Lane near the airport on November 28, following a six-year closure after its original site off Lamar Boulevard shut down. The 8-acre space, sponsored by the Nouns DAO Community, features over 30 street artists including Miles Starkey, Emily Ding, and Kimie Flores, and is designed as a free, accessible laboratory for both budding and established artists. The opening weekend includes a special limited-edition print by Shepard Fairey for the first 50 daily visitors.
The National WWII Museum in New Orleans has opened a special exhibit titled 'Degenerate! Hitler’s War on Modern Art,' on loan from the Jewish Museum Milwaukee and running through May 10, 2026. The exhibit features over 65 works by artists deemed 'degenerate' by the Nazi regime, including Wassily Kandinsky, Max Beckmann, Pablo Picasso, and Marc Chagall, alongside documents and artifacts that explore how modernist art was suppressed and weaponized as propaganda. The museum has expanded the original exhibit to include a focus on suppressed music, featuring instruments from the era, such as a tenor saxophone played by Eddie Powers and a clarinet played by George Lewis, on loan from the New Orleans Jazz Museum.
Marge Dean, an Emmy-winning animation producer and head of Skybound Entertainment, opens a new conceptual art exhibition titled "The Sweepers" at Automata gallery in Los Angeles' Chinatown on November 7. The show imagines a world where housework is valued as highly as fine art, presenting the fictional "Floor Field Cleaning" art movement (1940-1975) through portraits, floor samples, biographies, and an animated interview with a housewife named Laurie Poons. Dean, who is also founder of Women in Animation, created the work during the COVID lockdown, using rotoscoping and Photoshop to explore the intersection of domestic labor and artistic value.
A new book by Canadian art historian James King, titled "Our Little Gang," examines the Vorticist movement, highlighting its toxic internal dynamics and the marginalization of its female pioneers. King details how Wyndham Lewis, the movement's self-appointed leader, belittled followers like Jessica Dismorr and Helen Saunders, even painting over one of Saunders' works. The book also explores the movement's artistic tensions, balancing abstraction with representation, and features works by Lewis, David Bomberg, and Saunders.
The National WWII Museum in New Orleans will host the traveling exhibition "Degenerate! Hitler's War on Modern Art" from November 6, 2025, through May 10, 2026. Originally created by the Jewish Museum Milwaukee, the show examines the Nazi campaign against modern art and music, featuring over 65 original works by artists such as Wassily Kandinsky, Max Beckmann, Pablo Picasso, and Marc Chagall. It explores how modernist art was labeled "degenerate" by the Third Reich, used as propaganda, and systematically suppressed, with many works seized, destroyed, or sold. The exhibition also expands into music, highlighting the suppression of jazz and works by Jewish composers.
The St. Louis Art Museum has opened "Anselm Kiefer: Becoming the Sea," the first American survey of the German-born artist's work in 20 years. The exhibition features five monumental 30-foot-tall paintings, including the 2024 work "Lumpeguin, Cigwe, Animiki," inspired by Kiefer's 1991 visit to St. Louis and his memories of the Mississippi River. Museum Director Min Jung Kim curated the show, which explores Kiefer's signature use of texture, sculpture techniques, and themes of ruin and resurrection.
The 36th Bienal de São Paulo has opened with a site-specific installation by Nigerian-American artist Precious Okoyomon, titled "Sun of Consciousness. God Blow Thru Me – Love Break Me" (2025), which features a spiraling path of moss-covered earth and waterfalls evoking Brazil's deforested Cerrado region. The biennial, curated by Bonaventure Soh Bejeng Ndikung with an international team, includes 125 artists—97 international and 28 Brazilian—with more than half of the works commissioned for the exhibition. Notable presentations include a career-spanning display of over 20 paintings by British artist Frank Bowling, alongside works by Brazilian artist Gervane de Paula, who has the largest presence in the show.
Turner Prize-winning artist Helen Marten has created an epic opera-like exhibition titled "30 Blizzards." during Art Basel Paris, commissioned by fashion brand Miu Miu. The free exhibition at the Palais d'Iéna in Paris combines installation, video, and performance in a five-channel work activated by 30 performers, staged by theatre director Fabio Cherstich. The work features archetypal characters such as the Fox, the Mother, the Snail, and the Dog Walker, with a libretto written by Marten and music composed by Beatrice Dillon. This marks Marten's first foray into performance, expanding her sculptural and film practice into live, resonant bodies.
Southampton Arts Center has opened its "Second Skin" exhibition, curated by Latin American art scholar Estrellita B. Brodsky. The show explores clothing as a medium for identity, gender, cultural expression, and political activism, featuring approximately 30 works by international artists and designers, including prints from Martine Gutierrez's "Indigenous Woman" series and Andy Warhol works on paper from the Jordan D. Schnitzer Foundation. The exhibition runs through December 28.
Christie’s is highlighting several Arab artists in its upcoming Modern and Contemporary Middle Eastern Art sale, scheduled for November 6 in London with an online preview from October 28 to November 11. Featured works include Paul Guiragossian’s 'Automne,' a masterpiece from the 1980s that previously achieved the second-highest auction price for the artist; Abdulhalim Radwi’s 'Untitled,' a semi-abstract cityscape blending traditional architecture and modernist influences; Samia Halaby’s 'Gardenia' from her 'Diagonal Flight' series; Kamal Boullata’s 'Nocturne I,' exploring geometric abstraction and exile; Mahmoud Said’s 'Mekarzel Hill,' a landscape once owned by a former Egyptian prime minister; and Laila Shawa’s 'City of Peace (Jerusalem),' a socio-political commentary on Palestinian life under occupation.
Boston University's Faye G., Jo, and James Stone Gallery is presenting "Ni de Aquí, Ni de Alla" (Not from Here, Not from There), a solo exhibition by artist Victor Quiñonez, known as Marka27, running through December 10. The show features paintings, murals, sculptures, and large-scale installations that explore the intersection of opposing cultures, languages, and experiences, drawing on Quiñonez's neo-Indigenous aesthetic and his background as a graffiti artist. The exhibition was three years in the making and includes works that blend street art with references to Mexican masters like Diego Rivera and David Alfaro Siqueiros.
Syracuse University's College of Fine Arts, the first degree-conferring fine arts program in the United States, opened in 1873, and the Art Students League of New York opened in 1875. To mark 150 years of parallel fine arts education, the University Art Museum presents "Depicting the Everyday: A Legacy of Fine Arts Education at the Art Students League" at the Bernard and Louise Palitz Gallery in Manhattan. The exhibition draws from the museum's collection, featuring works by artists who taught at the League, including Morton Kaish, and explores everyday subject matter from urban scenes to intimate portraits. A reception and gallery talk with League assistant curator Esther Moerdler is scheduled for October 29, 2025.
The article analyzes the best-selling artworks at auction in the first half of 2025, covering Old Masters, Impressionist and Modern, and Postwar categories. Notable sales include a pair of Francesco Guardi views of Venice that sold for $10.5 million at Sotheby’s New York, a Piet Mondrian abstraction from the estate of Barnes & Noble founder Leonard Riggio that fetched just under $50 million, and a monumental rhinoceros-shaped desk by François-Xavier Lalanne that more than tripled its high estimate after a 13-minute bidding war. The report highlights that Old Masters sales were up 24% year-over-year, while top Impressionist and Modern lots saw lower prices compared to 2024.
William Kentridge's award-winning chamber opera *Waiting for the Sibyl* (2019) makes its New York premiere this week at Powerhouse Arts in Brooklyn, as part of the inaugural Powerhouse: International arts festival. The opera, which won an Olivier Award in 2023, features an original score by Nhlanhla Mahlangu and Kyle Shepherd, and incorporates Kentridge's animated ink drawings, collages, text projections, and sculptures. Inspired by the Cumaean Sibyl of ancient legend, the work explores themes of fate and uncertainty, with paper leaves from texts like Dante's *Divine Comedy* symbolically blowing through the action. The production was originally commissioned by the Rome Opera as a companion piece to Alexander Calder's 1968 *Work in Progress*.
Miami International Airport has opened a new art exhibition titled "Curious Geometries" at the Gate D31 Gallery, featuring large-scale quilted artworks by local textile artist Regina Durante Jestrow. The exhibition, on view until March 9, 2026, showcases sewn compositions and free-form art quilts made from repurposed fabrics sourced from various Miami locations, including the airport itself. Jestrow employs improvisational dyeing and piecing techniques inspired by Gee's Bend quilters, Anni Albers, Rosie Lee Tompkins, and Gego, blending organic geometry with tropical color palettes to explore the relationship between craft and fine art.
The Washington County Museum of Fine Arts in Hagerstown, Maryland, opens a new exhibition titled "In Nature’s Studio: Two Centuries of American Landscape Painting," running from September 13, 2025, to January 4, 2026. The show features nearly 90 paintings from the museum's own collection and that of the Reading Public Museum, spanning movements from the Hudson River School to Impressionism, Tonalism, and modern trends, with highlights including Frederic Church's "Cotopaxi" (1862) and Thomas Cole's study for "The Voyage of Life: Childhood."