Ada: My Mother the Architect review – illuminating profile of brilliant builder balances work and family

Architect-turned-filmmaker Yael Melamede directs a documentary portrait of her mother, Israeli architect Ada Karmi-Melamede, who co-designed the Supreme Court of Israel building in Jerusalem in the early 1990s with her brother Ram Karmi and later created Ben Gurion Airport. The film explores Karmi-Melamede's architectural philosophy of "architecture of the ground and of the sky," her departure from her brother's brutalism, and a painful family split when she left her husband and children in New York after being denied tenure at Columbia University.

Row Over Russia’s Return to the Venice Biennale Deepens

Newly leaked emails reveal that the Venice Biennale has been secretly coordinating with Russia since last summer to facilitate its return to the 2025 edition, despite ongoing international sanctions. The correspondence, published by Italian outlets Open and La Repubblica, shows Biennale president Pietrangelo Buttafuoco, director Andrea Del Mercato, and Russian commissioner Anastasia Karneeva working together on visa issues, pavilion logistics, and a legal strategy to bypass E.U. sanctions prohibiting collaboration with state-backed Russian entities. Russia's pavilion will be open during preview days with performers activating the space, while footage will play for the public from a closed pavilion thereafter.

Russia's Venice Pavilion to Close to the Public in Compliance With Sanctions

Russia will return to the 61st Venice Biennale with its national pavilion, but the exhibition will only be physically open to the press and select guests during the vernissage dates of May 5–8. From May 9 onward, the pavilion will remain closed to the public, with multimedia documentation of performances displayed on screens at the windows. The arrangement follows leaked emails among Biennale Foundation President Pietrangelo Buttafuoco, General Director Andrea Del Mercato, and Russian Pavilion Commissioner Anastasia Karneeva, revealing efforts to comply with EU sanctions while still allowing Russia's participation after two consecutive absences since its invasion of Ukraine.

Shelley’s hair to Schindler’s list: the most fascinating objects in the State Library of NSW – in pictures

The State Library of NSW is celebrating its 200th anniversary with a new exhibition featuring 200 objects from its collection of 6 million items. Lead curator Elise Edmonds and her team selected highlights including a lock of Mary Shelley's hair, the smallest book in the library's collection (measuring 6mm by 6mm), bread wrappers from the 1960s, a colonial sketchbook from 1817, a Dharawal Indigenous language wordlist, Australia's oldest surviving political cartoon from 1808, and a contemporary artwork by Wiradjuri artist Karla Dickens. The objects span literature, colonial history, Indigenous culture, sport, and everyday life.

‘It’s a huge, futuristic space with massive skylights’: Ali Zolghadri’s best phone picture

Ali Zolghadri, a Tehran-born fine art photographer, captured a composite image of the central atrium of the Iran Mall in Tehran—the world's largest shopping mall—which was shortlisted in the creative category of the 2026 Sony World Photography Awards. The photograph, taken four months before the US and Israel launched their war on Iran, depicts the mall's futuristic architecture with sweeping curved lines, metallic surfaces, and massive skylights, and includes a lone passerby to emphasize scale. Zolghadri emphasizes that his process involves manual editing in Photoshop without AI, blending three frames and removing unnecessary elements to construct meaning.

A Buddha Is Reborn on the High Line

Tuan Andrew Nguyen's sandstone and brass sculpture "The Light That Shines Through the Universe" (2026) has been installed on the High Line in Manhattan as the park's fifth site-specific commission. The 27-foot-tall work, selected from nearly 60 proposals, resurrects the destroyed Bamiyan Buddhas of Afghanistan, which were demolished by the Taliban in 2001. Nguyen sourced artillery brass from Afghanistan to cast the sculpture's mudra hand gestures, symbolizing fearlessness and compassion, and had the sandstone carved in Vietnam. The piece is on view through Spring 2027.

Comment | 'Artnet-Artsy merger: a Bloomberg for art?'

Artnet and Artsy have officially merged under private equity firm Beowolff Capital, founded by former Goldman Sachs trader Andrew Wolff. The deal, which took Artnet private, has already led to layoffs at both companies—including at least seven staff members from Artnet News—and the closure of Artnet's Berlin office. Jeffrey Yin, CEO of Artsy, will lead the combined entity. The merger aims to combine Artnet's vast database of 18 million auction results with Artsy's primary market gallery network to create a seamless user experience for discovering, researching, and buying art.

WAYAMOU: LENGUAS DE LO COMÚN. LAURA ANDERSON BARBATA Y SHEROANAWE HAKIHIIWE

The exhibition "Wayamou: Lenguas de lo común" at the Museo Tamayo in Mexico City presents the collaborative work of artists Laura Anderson Barbata and Sheroanawe Hakihiiwe, whose artistic and political relationship spans over three decades. The show traces their shared history, beginning in the early 1990s when Barbata traveled to the Venezuelan Amazon and taught handmade papermaking using local plant fibers, introducing Hakihiiwe to a sustained visual exploration of Yanomami cosmology, oral tradition, and legacy. In 1992, they co-founded Yanomami Owë Mamotima ("Yanomami art of papermaking"), a project enabling the community to tell its own stories through its own visual and linguistic codes, exemplified by the handmade book "Shapono (Casa)" (1996).

FROM SÃO PAULO TO NEW YORK: THE MUSEUM OF ERRANCY OF ÉDOUARD GLISSANT

DE SÃO PAULO A NUEVA YORK: EL MUSEO DE LA ERRANCIA DE ÉDOUARD GLISSANT

The exhibition "La tierra, el fuego, el agua y los vientos: Por un Museo de la Errancia con Édouard Glissant" has traveled from the Instituto Tomie Ohtake in São Paulo to the Center for Art, Research and Alliances (CARA) in New York, marking its first U.S. presentation. Curated by Manuela Moscoso with Marian Chudnovsky, and building on prior work by Ana Roman and Paulo Miyada, the show engages with the philosophy of Martinican poet and philosopher Édouard Glissant, particularly his concepts of errantry, Relation, opacity, and the Tout-Monde. It centers on Glissant's unrealized idea of a museum as a fluid, porous space that resists colonial frameworks and fixed origins, featuring works by artists such as Melvin Edwards, Gerardo Chávez, and Eduardo Zamora.

Step Aboard the Superyacht Circling This Year’s Cannes Film Festival

Over the weekend of the Cannes Film Festival, director Ron Howard premiered his documentary *Avedon*, which traces photographer Richard Avedon's rise from a working-class Jewish immigrant background to a defining chronicler of American culture. The film received a second life aboard the Renaissance superyacht with a party hosted by editor Graydon Carter, Ancient chairman and CEO Alexander Klabin, and Burgess chief executive John Beckett. Guests included actors Natasha Lyonne and Rosemarie Dewitt, photographer Jean Pigozzi, model Eddie Mitsou, Avedon's grandchildren Michael, Matthew, and Caroline Avedon, and producers Courtney Kivowitz, Sara Bernstein, Darcie Reisler, Dallas Rexer, Chris St. John, and Justin Wilkes. The after-hours cocktail allowed attendees to relive the film's most impactful scenes while mingling with the producers and the photographer's family.

What Does the Future Hold for Female Collectors? We Got a Sneak Peek.

CULTURED Editor-in-Chief Sarah Harrelson hosted a panel discussion at Christie’s Rockefeller Center with collectors Tiffany Zabludowicz, Sophia Cohen, and Victoria Rogers, exploring the evolving role of women in the art market. The event coincided with Christie’s Marquee Week sales, which included a record-breaking $1.1 billion night, and featured works from the collections of legendary female patrons such as Agnes Gund, Marian Goodman, Lorinda de Roulet, and Marilyn Arison. Guests viewed masterpieces on display and received remarks from Christie’s Senior Vice President Isabella Lauria, who is leading the 21st Century Sale on May 20.

The LA Art World’s New Obsession Is a Theater Where Artists Run the Show

Calla Henkel and Max Pitegoff, former artistic directors of Berlin's Grüner Salon, launched New Theater Hollywood in 2024 as a nonprofit venue on Santa Monica Boulevard. The 49-seat theater specializes in genre-defying, multidisciplinary collaborations, staging works like Sophie Becker's ventriloquist act *Ronnie's Big Idea* and Diamond Stingily's *The Driver*. Every performance sells out, attracting a cult following of literary, art world, and pop culture figures who often linger to discuss shows.

Can a Venice Biennale Pavilion Be Rock ‘n’ Roll? At the Belgium Pavilion, Miet Warlop Makes the Case.

Miet Warlop, a Belgian artist known for her avant-garde theater work, is representing Belgium at the 2026 Venice Biennale with a performance-installation titled "IT NEVER SSST." The project transforms the Belgian Pavilion into a chaotic, sensory-filled space where performers climb wooden structures, bang drums, and break plaster boards inscribed with multilingual text, reflecting the noise and misunderstandings of contemporary life. Curated by Caroline Dumalin, the pavilion blurs the line between theater and visual art, with live performances occurring only part of the time while sculptors continuously remake plaster reliefs throughout the Biennale's run.

How a Remote California Artists’ Retreat Inspired Vhernier’s Latest Ring Collection

Italian jewelry maison Vhernier has collaborated with artist Pae White to create a 10-design limited-edition ring collection inspired by White's childhood memories of Sea Ranch, a remote artists' retreat in Sonoma County, California. The collection translates the architecture of crustaceans and abalone into precious materials, using sapphires, diamonds, and rock crystal set in white or rose gold, with only two versions of each design produced.

Steve La Riccia’s journey through Eugene’s art scene

Steve La Riccia, gallery coordinator for the New Zone Art Gallery in Eugene, Oregon, is profiled for his decades-long journey through the local art scene. After traveling the West Coast and settling in Eugene in the 1970s, he worked at a food processing plant and sold illegal fireworks to buy a home. In 1991, after the Mayor's Art Show rejected many artists, La Riccia helped organize Eugene's first 'Salon De Refusés,' a show for rejected works, which shifted his focus from promoting his own art to supporting other artists. He later co-ran the New Zone gallery and became known for his SX-70 Polaroid manipulations until the company ceased film production in 2009.

Barrie artist bringing Louvre-inspired realism to Aurora gallery

Micak Gallery in Aurora is presenting "Gilded Gold," a solo exhibition by Barrie-based artist JR Newton, featuring new oil paintings on view from May 16 through June 13, 2026. The show includes a live painting event on May 16 and an artist talk and reception on June 4. Newton's highly technical realist works, inspired by a recent trip to the Louvre, reimagine Renaissance portraiture, femininity, and historical grandeur through a contemporary lens, incorporating drapery and jewelry as central motifs.

Patrick Mukabi: Inside the life and legacy of artist who nurtured a movement

Legendary Kenyan painter Patrick Mukabi, known as Panye, has died at age 56 after an illness. Born in Nairobi in 1969, he studied graphic design at the Technical University of Kenya before dedicating himself to fine art. His bold, colorful works were displayed at venues like Jomo Kenyatta International Airport, Java House outlets, and in over 20 countries. He developed the Cover Girls series celebrating curvy women and worked at major art spaces including the Nairobi National Museum, Kuona Artists Collective, GoDown Arts Centre, and the Railway Museum. At Dust Depo Studio, he mentored many young artists, teaching them both technique and the business of art. His protégé Jimmy Kitheka recalls Mukabi's warmth and discipline, and how the studio became a creative hub. Even during his illness, the art community rallied to support him through benefit exhibitions like the Patrick Mukabi Medical Fund Benefit Art Exhibition in April 2026 and a solo show at Banana Hill Art Gallery.

‘Neon graveyard’: Joe Lycett’s first major solo exhibition set for Birmingham

Comedian and artist Joe Lycett will present his first major solo exhibition, 'EVERY THING MUST GO', at Birmingham Museum & Art Gallery in July 2026. The show features paintings on themes of things 'no longer with us', including deceased celebrities, discontinued chocolate bars, extinct animals, and destroyed buildings, displayed in a salon-style arrangement. Lycett describes the exhibition as a 'neon graveyard' meant to overwhelm, delight, and confuse visitors. The works were created over the past twelve months and were inspired by objects from Birmingham's collection.

This is fucking Disneyland

"Das ist fucking Disneyland"

The article surveys recent German cultural commentary, highlighting three main stories: art historian Bénédicte Savoy's warning in the FAZ about the physical decay of German universities, particularly the Technical University of Berlin, as a threat to democratic culture; Berlin artist Charlie Stein's essay on anxiety as a pervasive contemporary condition and art's role in making it visible; and critic Rachel Wetzler's harsh review of the Venice Biennale in Artforum, calling it an overwhelming 'theme park' version of the art world. Additionally, Nikolaus Bernau defends expert juries in the Tagesspiegel, using the Biennale's jury crisis as a case study.

The 10 Best Venice Films

Die 10 besten Venedig-Filme

Monopol magazine has published a ranking of the ten best films set in Venice, timed to coincide with the opening of the Venice Art Biennale. The list includes titles such as Steven Spielberg's "Indiana Jones and the Last Crusade" (1989), Joseph L. Mankiewicz's "The Honey Pot" (1967), and Kenneth Branagh's "A Haunting in Venice" (2023), highlighting how the lagoon city serves as a central character in action films, comedies, and love dramas.

The Great Shitshow

Die große Shitshow

Florentina Holzinger has transformed the Austrian Pavilion at the Venice Biennale into a radical performance installation titled "Seaworld Venice." The piece features naked performers suspended from meat hooks, a performer ringing a bell while dangling upside down from a crane, a woman on a jetski circling inside a flooded pavilion, and a system where visitors are invited to urinate into portable toilets, with the waste processed and recirculated into the water. The work combines extreme physical stunts, nudity, and bodily fluids to create a visceral, immersive experience that has drawn long queues and stunned reactions from the art world.

I Try to Allow Chaos

"Ich versuche, Chaos zuzulassen"

Florentina Holzinger presents her exhibition "Seaworld Venice" at the Austrian Pavilion of the Venice Biennale, a spectacular underwater-themed installation that combines a theme park, sacred building, and sewage treatment plant. The work explores transformation from dirt to cleanliness, featuring water, dolphins in the lagoon, and boundary-pushing performance elements.

Henrike Naumanns langer Weg in den deutschen Pavillon

Henrike Naumann, a German artist who recently passed away, is being honored with a posthumous exhibition at the German Pavilion during the Venice Biennale. Her work, which explores recent German history, state art, and the absence of East German art in the pavilion, finds its ultimate context in this historically charged Nazi-era building.

A Struggle Between Artist and Machine

Ein Ringen zwischen Künstler und Maschine

Mario Klingemann, a pioneer of AI art, presents "Conflict of Interest," a pop-up exhibition at Sleek Art Space in Berlin during Gallery Weekend. Curated by Anika Meier and produced in collaboration with Art on Tezos, the show features works that challenge the flood of AI-generated imagery. Klingemann displays mundane landscape photographs from private slides, a series called "Weapons of Mass Distraction" where he disrupts an AI algorithm's image generation, and a haunting 2020 video in which AI-generated faces morph to music. The exhibition makes visible the struggle between human control and machine logic.

Leigh Magar, High-End Milliner Turned Indigo Artist, Dies at 57

Leigh Magar, a celebrated milliner who crafted bespoke hats for celebrities including Beyoncé and members of the royal family, has died at age 57. After building a high-profile career in Charleston, South Carolina, she relocated to a remote island off the coast, where she shifted her artistic focus to cultivating indigo and creating natural dyes, becoming a dedicated practitioner of the ancient craft.

Nicole Hollander, Acerbic Feminist Cartoonist, Dies at 86

Nicole Hollander, the creator of the long-running comic strip "Sylvia," has died at the age of 86. For over three decades, she wrote and illustrated the strip, which centered on a tart-tongued, witty woman who freely expressed her many opinions, becoming a staple of feminist humor in American newspapers.

Chang-Ching and Rhett Tsai’s Tricks of the Light

Artists Rhett Tsai and Chang-Ching Su have presented tandem projects at Chicago's Watershed Art & Ecology, inspired by a joint research trip to fishing villages on China's Huangqi Peninsula. Their works explore the practice of light-lure fishing, with Su creating photographic exposures using the green LED lights from squid-fishing boats and translating satellite fishing data into sculptural installations. Tsai's contributions include CGI films and a VR video that depict the rhythms and social realities of coastal communities, focusing on the Tanka boat-dwelling people.

Michel Bassompierre (1948-2026)

French sculptor Michel Bassompierre has died at age 78. Known for his monumental bronze and marble animal sculptures—polar bears, gorillas, elephants, pandas, and horses—he depicted them in moments of rest and balance, simplifying forms in the tradition of François Pompon. Bassompierre studied at the École des beaux arts de Rouen under René Leleu, taught applied arts, and later worked with foundries including Venturi Arte in Italy. His major exhibitions include "Fragiles colosses" at the Jardin des plantes in Paris (2019) and a show at the Musée Despiau Wlérick (2021). In February 2025, the municipality of Vertou announced plans for a Michel Bassompierre museum, slated to open in 2028. He was named a Chevalier of the Ordre des Arts et des Lettres in 2010, received the Légion d'honneur in January 2025, and was promoted to Officier des Arts et des Lettres on April 1, 2025.

From simple blue to haute couture suit: workwear studied at the Musée Postal

Du simple bleu au tailleur haute couture, le vêtement de travail étudié au musée Postal

The Musée Postal in Paris has reopened with a new name and identity, launching its first exhibition titled "Sous toutes les coutures" ("Under All Seams"). Curated by Elodie Goëssant and Didier Filoche, the show brings together 420 pieces, artworks, and archival objects to explore the history of workwear in France, from uniforms and protective clothing to high-fashion collaborations. It traces the evolution of work attire from the 18th century to the present, highlighting how women lacked dedicated work clothing until the 1970s and how airlines like Air France pioneered partnerships with luxury houses such as Christian Dior to dress flight attendants as national ambassadors.

Aux châteaux de Malmaison et de Bois-Préau, le festival des Premiers Romantiques fait dialoguer musique et nature

The Festival des Premiers Romantiques takes place from May 22 to 25 at the châteaux of Malmaison and Bois-Préau in Rueil-Malmaison, France. The event features concerts on period pianos (including an 1806 Erard pianoforte and an 1847 Streicher), performed by musicians from La Nouvelle Athènes collective, alongside an exhibition titled "Roses & Pivoines" showcasing works by Pierre-Joseph Redouté and contemporary German artist Thilo Westermann. The festival celebrates Romantic-era music and nature, set in the recently restored château and its emblematic gardens, once the botanical passion of Empress Joséphine.