Un important relief italien pour Nüremberg
The Germanisches Nationalmuseum in Nuremberg has acquired and publicly unveiled a previously unknown masterpiece: a large silver relief depicting the Lamentation of Christ, created in the workshop of Luigi Valadier in 1786. The work, purchased from a private collector in 2024 with support from several foundations, is now on temporary display and will later join the museum's permanent collection.
The Metropolitan Opera opened its season with a politically charged production of Mason Bates's *The Amazing Adventures of Kavalier & Clay*, based on Michael Chabon's Pulitzer Prize-winning novel. General Manager Peter Gelb declared the company's commitment to freedom of artistic expression, drawing a lengthy standing ovation. The opera, running through Oct. 11, follows two Jewish cousins creating an anti-fascist superhero comic during WWII. The opening night featured speeches by Senate Minority Leader Chuck Schumer, who warned that 'the arts are under attack,' and a red carpet attended by celebrities including Christine Baranski, Neil Patrick Harris, Laverne Cox, and Julianna Margulies.
Architects Michael Meredith and Hilary Sample of the firm MOS discuss the concept of "polycrisis"—the intersection of economic, political, and ecological failures—and its impact on architectural form. The conversation highlights a growing void between the formal aesthetic project of architecture and the urgent political realities of the modern world. Sample specifically addresses how the dominance of political and regulatory restrictions in collective housing has stifled formal innovation, often reducing architecture to a mere byproduct of governance rather than a tool for social or cultural expression.
Bolton Museum's Open Art Exhibition, featuring over 240 artworks by local artists and photographers, is closing on Sunday, March 17. The show includes paintings, photography, and sculptures from creators who live, work, or study in Bolton. Grand prize winner Richard Wood received £1,000 from the Mayor for his landscape 'Ghost Chimneys', while University of Greater Manchester student Olivia Edge won the Young Artist Award for her acrylic painting 'Rewilding'.
Future Fair, a contemporary art fair focused on community and emerging talent, will hold its sixth edition at Chelsea Industrial in New York from May 14 to 16, 2026. The fair brings together nearly 70 exhibitors, including brick-and-mortar galleries, artist-run initiatives, and collaborative platforms from nine countries, with nearly half hailing from the New York tri-state area. Highlights include the return of the Pay-It-Forward Fund, which allocates 15% of annual profits as grants to participating galleries and dealers, and a VIP preview day on May 13.
Cary Kwok's exhibition at Sessions Arts Club in London presents four new paintings created with support from Herald St, Cabin Studio, Jonny Gent, and David Southard. The works, rendered in acrylic and ink on paper, explore still lifes, silhouettes, and staged interiors inspired by 1980s visual culture, including interior design, cinematography, fashion editorials, and advertising. Featured pieces include *Eclipse* (2026) and *Anticipation* (2026), with the artist's signature subtly embedded in objects like jewelry and glassware. The show opens May 18 and is viewable by appointment or during dining hours, alongside a related wine label collaboration for the Sessions Arts Club Lost Wines Project.
Art Fund has announced the five finalists for the Museum of the Year 2026 award, the world’s largest museum prize. The shortlist includes Norwich Castle Museum and Art Gallery, the Fitzwilliam Museum in Cambridge, The Box in Plymouth, and London’s National Gallery and V&A East Storehouse. The winner, to be announced on June 25 at the Cutty Sark, will receive £120,000, while the remaining four finalists will each be awarded £20,000.
Southwest Florida's art scene is experiencing a significant surge this April, with over a dozen art centers from Sarasota to Marco Island hosting 29 distinct exhibitions. Highlighting this seasonal peak, Art Center Sarasota is featuring major solo and group shows, including Herion Park’s fiber sculpture installation "UnBroken," Kendra Frorup’s exploration of cultural memory in "At Home Anywhere," and a curated group exhibition titled "Rooted in Community" focusing on historically Black neighborhoods.
David Klein Gallery in Ferndale is set to host a specialized ceramic group exhibition featuring works by Marie Hermann, Del Harrow, and Ebitenyefa Baralaye. Opening on March 14, the show is integrated into the broader NCECA (National Council on Education for the Ceramic Arts) schedule, with a dedicated artist reception planned for March 27.
JD Malat Gallery Dubai is presenting *The Unsaid Remains Remembered*, the debut solo exhibition in the Middle East by Paris-based artist Sophie-Yen Bretez. The show features large-scale canvases that move beyond the human figure to explore landscapes, domestic objects, and natural motifs, using symbolic thresholds like windows, tables, clocks, and fruit to evoke memory, silence, and transformation. Bretez describes her approach as a 'dramaturgy of passage,' capturing unseen moments when time overlaps and absence carries presence.
A roundup of artist-run galleries in Kansas City highlights the rise of spaces like Vulpes Bastille and 100,000,000, which are reshaping the local art scene. These venues, operated by artists and volunteers, offer exhibition opportunities, studios, and community support, exemplified by Andrew Johnson's intimate multimedia installation "In The Presence of an Absence" at Vulpes Bastille.
Art Basel has unveiled its lineup of newcomer galleries for the upcoming fair, featuring seven emerging and rediscovered artists from around the world. The debutants include Kyiv-based Sana Shahmuradova Tanska, whose monumental painting addresses the war in Ukraine; Japanese textile artist Junko Oki, showing embroidered vintage garments; and Italian feminist poet Mirella Bentivoglio, represented by a participatory tree sculpture. Other highlights include Parisian Ndayé Kouagou's video work on mass media, conceptual feminist Tina Girouard's wallpaper pieces from the 1970s, London-based Alexandra Metcalf's deconstructed grandfather clocks, and Georgian artist Nika Kutateladze's installation about rural depopulation. The galleries presenting these artists are Gunia Nowik Gallery (Warsaw), Kosaku Kanechika (Tokyo), Repetto Gallery (Lugano), Nir Altman (Munich), Anat Ebgi (Los Angeles), Ginny on Frederick (London), and Gallery Artbeat (Tbilisi).
Praise Shadows art gallery in Brookline's Coolidge Corner is among five venues offering free art exhibitions this summer. The gallery presents "Pigment Spells," a solo show by Boston-based artist and Boston University professor Lucy Kim, featuring resin casts of found objects covered in oil paint. Other exhibitions include David Weinberg's "Explorations" at Gallery 93 in the Brookline Senior Center, which combines photo montages with medieval manuscripts, and Gateway Arts' "Artists Assortment," a tribute to current and former artists with disabilities featuring celebrity portraits. The roundup also highlights the accessibility of these spaces, which welcome visitors without admission fees.
Art Basel Paris has announced the exhibitor lineup for its 2025 edition, which will bring 203 galleries to the Grand Palais this autumn. The fourth edition features 89% returning exhibitors from last year and 25 newcomers, with a strong Parisian presence—one-third of participants operate a space in the French capital. The main sector includes 177 exhibitors such as Thaddaeus Ropac, Mor Charpentier, and Acquavella Galleries, while the Emergence section offers 16 solo stands for emerging artists, and the Premise sector challenges art historical canons with pre-1900 works and obscure practices. Highlights include a joint presentation by Gordon Robichaux and Stars of Janet Olivia Henry's dioramas, and a solo stand by Arash Nassiri at Ginny on Frederick.
The Marjorie Barrick Museum of Art in Las Vegas is presenting "Perception," an exhibition drawn from its permanent collection that explores the relationship between sight and cognition. Featuring works by over twenty artists—including new acquisitions by Thomas Burke, Denise R. Duarte, Dirk Staschke, and Thomas Ray Willis—the show includes paintings, sculptures, photography, and neon pieces that challenge viewers' trust in visual perception. The exhibition runs from June 20 to December 20, 2025, with an opening reception on September 5.
The March 2026 issue of the academic journal *Print Quarterly* has been published, featuring a collection of scholarly articles and reviews focused on the history of prints and printmaking. The contents include new research on artists ranging from Hans Burgkmair and Paul Gauguin to Hiroshige and Aubrey Beardsley, along with obituaries for notable scholars and reviews of recent publications and exhibitions.
The 61st Biennale di Arte Venezia opens under the posthumous curatorial vision of Koyo Kouoh (1967–2025), the late Cameroonian-born curator who reshaped contemporary African and diasporic art discourse. The central exhibition, spanning the Giardini and Arsenale, features 111 participants including artists, collectives, and artist-led organizations from across the Global South, with works in textiles, film, sculpture, and performance that interrogate colonialism, migration, and ecological repair. The Biennale is also marked by a pronounced presence of African and diasporic narratives across national pavilions, including several first-time pavilions from the African continent.
Gregory Crewdson, known for his meticulously staged photographs of small-town America, has partnered with the fashion brand Aritzia for its Artistic License Series. The collaboration features Crewdson's images on limited-edition shopping bags, in stores, and online, accompanied by an exhibition during Frieze Week in Los Angeles. The series has previously worked with photographers like Juergen Teller, Ryan McGinley, and Harley Weir. In an interview, Crewdson discusses his influences, including filmmakers David Lynch and Steven Spielberg, and the challenges of shooting a rain scene when a real storm interrupted the set.
CULTURED and Aritzia co-hosted a dinner party at the former Fred Segal store on Melrose Avenue in Los Angeles during Frieze Week. The event celebrated Aritzia's Artistic License series, featuring photographer Gregory Crewdson, whose work appears on shopping bags and in stores. Guests included Aritzia CEO Jennifer Wong, CULTURED Editor-in-Chief Sarah Harrelson, artists Chloe Wise and Maya Man, curator Essence Harden, and others from the art and fashion worlds. The evening featured a multi-course meal, Krug champagne, and copies of CULTURED's Entertainers Issue.
Amélie du Chalard, a bi-continental art collector and gallery owner, discusses her lifelong journey with art in an interview with CULTURED. Starting her collection at age 16 through family tradition, she founded her eponymous gallery in Paris in 2015 and later expanded to New York. Her collection and gallery blend design objects with fine art, embracing what she calls 'haptic minimalism'—a tactile, gentle aesthetic. She shares her sourcing process, including using the Drouot auction app and Artsy, and recounts tracking down a piece first seen in a 14th-century palace.
Terry and Jo Harvey Allen, a multidisciplinary artist couple now in their 80s, have donated their entire archive to Texas Tech University. The collection includes countless paintings, scripts, hundreds of audio tapes recorded with collaborators like David Byrne and Steve Earle, and personal letters exchanged over decades. The couple, who met at a dance in Lubbock, Texas, over 70 years ago, continue to live and work in a rambling adobe home in Santa Fe, surrounded by their art and memories.
Sharon Maidenberg, who became the Ernest and Sarah Butler Executive Director & CEO of the Contemporary Austin in summer 2020, reflects on her five-year tenure in an interview with CULTURED. Under her leadership, the museum has navigated the pandemic, deepened programming, expanded accessibility with an ADA ramp and offerings for visually impaired and neurodivergent visitors, launched sustainability initiatives with the Teiger Foundation and Rute Collaborative, and hosted its annual Art Dinner featuring a Benefit Art Auction with works by Lubaina Himid, Ed Ruscha, RF. Alvarez, and others. Current exhibitions include “The Canvas Can Do Miracles,” “HOST: Raul De Lara,” and “Teddy Sandoval and the Butch Gardens School of Art.”
Versace has appointed Dario Vitale as its new Chief Creative Officer, and under his direction, the house launched the Spring/Summer 2026 collection at Milan Fashion Week alongside a new initiative called Versace Embodied. This series commissions photographers, painters, filmmakers, and poets to reinterpret Versace’s visual language through their own mediums. The first chapter features contributions from photographer Stef Mitchell, poet Eileen Myles, artist Collier Schorr, photographer Camille Vivier, and photographer Andrea Modica, whose works range from motorcycle portraits to hand-drawn nudes and regional Italian portraiture.
Dior has launched the 10th edition of its Lady Art initiative, inviting a new roster of artists to reimagine the iconic Lady Dior handbag. The project, which began nearly a decade ago, has previously featured artists like Judy Chicago, Jack Pierson, and Mickalene Thomas. This year's participants include Jessica Cannon and Ju Ting, who discuss their creative processes, material explorations, and the dialogue between their artistic practices and Dior's heritage. The handbags incorporate sculpted tulle, pleated silk, stones, glass beads, and pearlized elements, blending fine art with fashion.
Hero Bean Stevenson, a New York-based photographer, is featured in Cultured's "29" series, nominated by Brigitte Lacombe. Stevenson has shot for clients like Maison d’Etto and Carven, co-founded the Los Angeles gallery Raum, and developed a spare black-and-white photographic style. The article includes Stevenson's reflections on portraiture, citing influences such as Peter Hujar, Robert Mapplethorpe, and a memorable 2023 portrait session with filmmaker Werner Herzog.
Brooklyn’s newest experimental art space, The Gallery (stylized as “The Gallry”), has opened on the fourth floor of a former automobile service station in Prospect Heights, now converted into creative offices. Curated by artist Florian Meisenberg, the exhibition features site-specific works by over 40 artists installed throughout a former guitar-string manufacturer’s office, including cubicle walls, utility closets, and HVAC systems. The space also functions as a co-working hub, with free daily spots for subscribers. The show runs through May 24 and includes events like screenings, poetry readings, and satirical corporate-themed programming.
A remarkably complete 154-million-year-old theropod fossil, nicknamed Juliasaurus, has made its public debut at the Hollytrees Museum in Colchester, U.K. Discovered in Wyoming’s Morrison Formation in 2020 and sold by the David Aaron gallery to a private collector, the 20-foot-long specimen is currently part of the “Discover: Museum Wonders” exhibition. While initially thought to be an Allosaurus or Marshosaurus, unique anatomical features in its skull and pelvis suggest it may represent an entirely new species.
The Australian puppetry company Erth is preparing for a new immersive dinosaur show at the Sydney Opera House. The article provides a behind-the-scenes look at their workshop in Marrickville, where a team of artists and designers hand-craft highly realistic, large-scale dinosaur puppets using animatronics, 3D printing, and traditional craftsmanship.
The Guardian's picture editors curated a global selection of photographs for April 2, 2026. The images include scenes of cherry blossoms in Tokyo and Seoul, Holy Week processions in Costa Rica and Venezuela, a NASA rocket launch in Florida, political events in the US and the Middle East, and the aftermath of storms in Greece.