Pi Li, former head of art at Hong Kong's Tai Kwun, has been appointed the founding director of the new Róng Museum in Shenzhen. The museum, focusing on 20th and 21st-century global creative practices across visual art, design, performance, architecture, and digital media, is scheduled to open in the second half of 2027 as part of the M80 lifestyle complex.
A pop-up exhibition in Tribeca, New York, has transformed Mriya Gallery into the Donald J. Trump and Jeffrey Epstein Reading Room, displaying over 3,000 bound volumes of printed Epstein files. Organized by the Washington, DC-based Institute for Primary Facts, the room holds 3,437 volumes encompassing 3.5 million pages of released documents, printed over about a month. The free exhibition runs until 21 May and requires advance booking.
The exhibition “Conspiracies” at the Warburg Institute in London, curated by Larne Abse Gogarty, brings together works by Hannah Black, Caspar Heinemann, Sam Keogh, and Shenece Oretha alongside panels from Aby Warburg’s Bilderatlas Mnemosyne. Through sculpture, drawing, collage, installation, and sound, the show resists the idea that conspiracy can be solved by exposure or critique, instead constructing unstable relations between historical images, speculative narratives, and material processes. Key works include Heinemann’s drawings reimagining Ted Kaczynski as “Theodora” and Keogh’s large-scale collage referencing medieval tapestries and surveillance systems.
Raheleh Filsoofi and Reza Filsoofi presented a collaborative sound performance titled *Listening: The Fourth String* at the Ismaili Center in Houston on April 11, 2026, alongside a participatory installation of the *ShahTár* (شهتار), a large Persian rug fitted with two four-string instruments. The performance featured Houston musicians Will Adams, Tom Carter, Parham Daighighi, Laura Dykes, Ruthie Langston, Gabriel Martinez, and Firuz Shukrikhudoev, blending improvisational music, poetry, and vocals. Audience members were invited to touch their own bodies and eventually join the stage, fostering an immersive, embodied experience.
The F.E. McWilliam Gallery & Studio in Northern Ireland has opened a new exhibition titled "Threads of Time: Industry, Ecology and the River Bann," presented by Shore Collective, an artist-led group based in Lurgan. The show features work from twenty local artists across painting, textiles, photography, and performance, exploring the River Bann's historical role in Irish linen production, its agricultural significance, and its evolving environmental story. The exhibition runs until July 2026 with free admission.
The article covers three events in Kuala Lumpur as part of the KL Festival and Borneo Native Festival 2026. The 'Untitled' group exhibition at GMBB creative mall features 127 artists and 329 works without labels or artist names, inviting viewers to write personal reflections. Proceeds from admission and 'gift letters' go directly to participating artists, offsetting typical financial burdens for emerging creators. The theatre piece 'Lessons Of Silence' by Indonesian artist Agnes Christina is a wordless performance exploring race, class, and parent-child dynamics during a turbulent period in Indonesian history. Additionally, the Borneo Native Festival 2026 at Central Market showcases Sabah and Sarawak's arts and culture, with a highlight being Pangrok Sulap, a woodcut collective from Ranau, presenting prints, books, and socially engaged art.
Nike Okundaye, founder of Nike Art Gallery, is leading 13 US-based Nigerian artists in a cultural diplomacy initiative titled "Threads of Heritage: A Cultural Confluence Connecting Africa to Atlanta." Organized by Fulton County Arts and Culture under Commissioner Robb Pitts and Director David Manuel, alongside Georgia State Representative Kim Schofield, the show opened last Friday at Fulton County Arts and Culture Downtown exhibition space in Atlanta. The event features artists including Shayee Awoyomi, Lasaki Olubunmi, Adeleke Akeem, Ola Balogun, Ajibade Awoyemi, and Bimbo Samson Adenugba, among others, and includes masquerade performances, African-American dances, and cuisines. The exhibition runs through the end of June.
The twentieth edition of Art Dubai opened to VIP visitors on Thursday in a smaller format than originally planned, delayed from mid-April due to regional geopolitical unrest. The fair presented around fifty galleries, roughly 60% fewer than the approximately 120 exhibitors initially expected, yet drew a strong crowd of collectors primarily from the Gulf states and the wider Middle East. Separately, a new gallery, 971 Art Gallery, has opened in Dubai's Art of Living Mall, featuring international artists such as Gérard Rancinan, Isabelle Scheltjens, Riccardo Gusmaroli, Benito Cerna Leon, and Michele Tombolini, and offering curatorial advice and collection management to a growing base of newer collectors.
Amherst Arts Night Plus returned on April 23 after a six-year hiatus, with 20 venues across downtown opening their doors and over 20 local artists exhibiting their work. Several pieces were sold during the evening, and most venues offered free refreshments and the chance to speak directly with artists. Katie Streater of the Amherst Business Improvement District estimated attendance at about 125 people, and the Amherst Center Cultural District is now exploring a recurring version of the event, possibly quarterly or monthly.
Yelena Popova's solo exhibition 'Moments of Grace' opens at Osnova gallery's new space in Valencia, Spain, marking a decade of collaboration between the artist and the gallery. The show brings together works from several of Popova's major series, including 'Painting Installations' (2012-2017), 'Evaporating Paintings', 'Post-Petrochemical Paintings', and three jacquard-woven tapestries, tracing her practice over the past fifteen years. Popova approaches each project as part of an interconnected body of work, comparing her logic to garden cultivation—a layered, cyclical process. Her cross-disciplinary research focuses on the material conditions of painting, exploring temporal transformations like evaporation, oxidation, and decay, as well as the dynamics between image, surface, and space.
Zody Burke and Klara Zetterholm have opened a joint exhibition titled "Ersatz Strata" at Temnikova & Kasela Gallery in Tallinn, Estonia. The show examines how history is staged and reimagined, using reliefs, sculptures, printed works, kinetic elements, and industrial residue to create a fictional archaeological site. A live performance by Los Angeles-based artist 011668 accompanied the opening. The exhibition runs through August 15.
Queensborough Community College Art Gallery held an opening reception for its 2026 Juried Student art exhibit on April 21. The annual show, which began in 2011, features between 87 and 100 works selected as the "best of the best" from students in the Art and Design Department, with the pieces remaining on view through May 29.
Six opera gowns worn by Maria Callas onstage at La Scala in Milan are on display at the Luther W. Brady Art Gallery in Washington, D.C., as part of the exhibition “Callas at La Scala.” The exhibition, located within the Corcoran School of the Arts and Design, features costumes from roles including Anna Bolena and Ifigenia, alongside costume sketches by designers Nicola Benois and Piero Tosi and photographs of Callas. Students from the Corcoran School, guided by assistant professor Tanya Wetenhall, contributed by researching, writing labels, and installing the show, while ambassadors from Greece and Italy spoke at the opening.
The Santa Monica College Emeritus Art Gallery is hosting a free online exhibition of painted portraits by artist Barbara Gordon, opening January 22, 2026. The exhibition will feature a Zoom Virtual Launch Event from 5 to 6:30 p.m., hosted by gallery curator Jesse Benson, who will discuss selected works with Gordon. The show highlights Gordon's portraits of women and children, reflecting her background in Women's Studies and her focus on emotional connection with her subjects.
Zen Crafart, an Indian art company, presents Viveek Sharma's solo exhibition 'Silence Please' at Bikaner House in New Delhi from November 20–30, 2025. The show features large-format paintings, intimate compositions, sculptural works, and limited edition art plates, exploring stillness and psychological interiors. Rashmin Majithia, Partner at Zen Crafart, and Chief Guest Jyoti Mayal, Chairperson of THSC, spoke at the opening. A second exhibition, 'Sacred Gestures,' is scheduled for December 2–8, 2025, at Jahangir Art Gallery in Mumbai, focusing on movement and expressive emotion.
ShanghART Singapore presents 'Simplified', a solo exhibition by Chinese artist Tang Maohong opening on 16 May 2026. The show features paintings developed over the past two years since his relocation to Kuala Lumpur, Malaysia, and marks his return to Singapore after a 2019 solo exhibition and twenty years since his participation in the first Singapore Biennale. Tang's new works explore a technique of mixing colors directly on the painting surface rather than using a palette, collapsing the image and the palette into a single pictorial space.
Comedian and designer Julio Torres debuted a furniture collaboration with Sabai at Collectible's second New York edition, hosted by Water Street Projects. The Brussels-based design fair featured Torres's playful line alongside other standout pieces, including works by Studio Sam Klemick, Merve Kahraman, Realm, Andrea Spiridonakos, 304.Cage, and María Laura Camejo. Torres, known for his work on Saturday Night Live, the film Problemista, and the series Los Espookys and Fantasmas, offered whimsical commentary on each selected object in an interview with Cultured.
This article lists numerous gallery openings and ongoing exhibits across Central Oregon, including venues such as Amejko Artistry, Art Adventure Gallery, Artists’ Gallery Sunriver, and the High Desert Museum. Featured shows include nomadic woven artwork by Anna Amejko Peterson, a 40th anniversary exhibition of Jefferson County artists, “A Man Named York” at the Belknap Exhibit Center, and “Drawn West — A History of Promoting Place” at the High Desert Museum, among many others spanning pottery, photography, fiber art, and historical displays.
Art Garden, a combination art gallery and plant shop in Asheville, North Carolina, reopens on May 7, 2025, at a new downtown location at 98 N. Lexington Ave. The business was displaced after its former home in Riverview Station was flooded by over 25 feet of water during Tropical Storm Helene in September 2024. The reopening includes a preview party for the ReRoot art exhibit, a fundraising gala, a theatre performance, and a Mother's Day plant sale, celebrating community support that helped rebuild the space.
Photographer Jonk has invited 13 fellow artists to reinterpret his urbex photographs for a group exhibition titled "Jonk & Friends" at his Galerie Nature Forte in Paris. The show runs from May 7 to June 6, 2026, featuring works in a uniform 60 x 80 cm format, with participating artists including Horss, Mouarf, S4m, Siel, Bault, and Jace. Admission is free.
The Godfrey Dean Art Gallery in Yorkton is hosting a new photography exhibition titled 'Storied Telling: Performative & Narrative in Photography,' organized by the Organization of Saskatchewan Arts Councils (OSAC) through its Arts on the Move program. Running until May 15, the show features six Canadian artists—Catherine Blackburn, Lori Blondeau, Xiao Han, Marium Magsi, Meryl McMaster, and Laura St. Pierre—whose work uses the camera to create layered, story-driven images exploring themes of identity, cultural heritage, diaspora, and history.
Alserkal Art Month in Dubai continues with Weekend 2, featuring the headline exhibition 'Déjà Vu' opening at Concrete on Saturday, April 25. The weekend includes a kids' art workshop led by Lucy Jung, a majlis talk series curated by Nadine Khalil, a slow art walk with Natalya Konforti, a film screening of 'Ghanati Man' by Al Reem Al Beshr, a performance workshop by Dirwaza Curatorial Lab and Ammar Al Attar, and a music performance by Bull Funk Zoo curated by Ratish Chadha.
The hit anime series BLEACH and renowned illustrator LAM have announced a collaborative nationwide exhibition tour titled “BLEACH×LAM -SOUL ART SHOWCASE-.” Launching in late April 2026, the showcase features new, highly stylized artworks by LAM that reinterpret iconic characters from Tite Kubo’s manga, including Ichigo Kurosaki and Grimmjow Jaegerjaquez. The exhibition will travel to galleries in Tokyo, Osaka, and Fukuoka, offering free admission and exclusive merchandise to the public.
The Dallas-Fort Worth art scene has expanded with the debut of two new exhibition spaces: The Masure Gallery of Photography in Fort Worth and Spazio Morandi in East Dallas. The Masure Gallery, an extension of Fort Worth Camera, launched with a group exhibition titled "RED" featuring ten North Texas photographers, while Spazio Morandi opened with a solo exhibition by Austin-based artist Brad Tucker titled "Hospitality Suite."
Harta Space in Penang is hosting 'A Third Eye', an exhibition paying tribute to the late multi-dimensional artist Askandar Unglehrt. Born in Germany, Unglehrt studied at the Sorbonne in Paris during the 1960s, where he was influenced by Dadaism and surrealist poet Jean Hans Arp. He later settled in Malaysia, taught at Universiti Sains Malaysia, and developed a distinctive artistic practice rooted in collage, assemblage, and the concept of a 'third eye' that synthesizes Eastern and Western perspectives. The exhibition explores his humorous, esoteric works and his lifelong questioning of art's seriousness.
A new exhibition titled SwipeRight4Art has opened at Artizan Gallery in Torquay, running until 4 May. Inspired by dating apps, the show invites visitors to engage with artworks as if swiping through profiles, using “matchmaker cards” to indicate which pieces they would “pass” or “match” with. The exhibition is the first project from Sienna Editions, a publishing and art venture co-founded by charcoal artist Hannah Leadbetter and landscape photographer Kevin Cowell, with backing from local studio Print2Wall and funding from Innovate UK. It features works by local artists including Szabotage, David Norman, Francesca Lawrence, Rosie Rowell, Peter Blakesley, and Sally Loxton, alongside pieces by the founders.
Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?
Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.
The board of trustees of the John F. Kennedy Center for the Performing Arts voted on Thursday to add President Donald Trump's name to the institution, renaming it "The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts." The vote was described as unanimous by spokeswoman Roma Daravi, but Democratic Representative Joyce Beatty, an ex-officio board member, disputed this, claiming she was muted when trying to voice opposition. The move has been met with disapproval from members of the Kennedy family and legal experts who argue it violates a federal stipulation from 1963. The name change has already been reflected on the institution's website and façade, following a year of turmoil that included Trump being booed at a performance and a Washington Post exposé on staff turmoil and declining ticket sales.
Pond Gallery, a new artist-run exhibition space, has opened in the basement of a former flower shop on the downtown square in Fayetteville, Arkansas. Founded in May 2024 by artist-friends Taylor Loftin, Ty Barnes, and Christian Schultz, the gallery operates on a DIY model, with the founders handling construction, curation, and rent. Its programming, including recent shows by Akeylah Imani Wellington and Natalie Conway, focuses on creating a communal hub for local artists.
The Mildred Lane Kemper Art Museum at Washington University in St. Louis is hosting a public tour on May 14, 2026, as part of its Graduation Weekend programming. The tour will explore the exhibition "Looking Back Toward the Future: Contemporary Photography from China," which features over forty large-scale photographs by fourteen Chinese artists created between 1993 and 2006. The exhibition is organized into three thematic sections—The Presence of the Past, East and West, and Performance and the Body—examining how artists used photography and performance to critique China's post-1989 sociopolitical and cultural shifts. This is the first time these works are on view at the museum, and they represent a significant recent addition to its contemporary Chinese art collection.