Michelangelo’s Sistine Chapel: The Exhibition has officially opened at the Garden State Plaza in Paramus, New Jersey. This immersive showcase features life-size, high-definition replicas of all 34 frescoes from the Vatican’s famous ceiling and altar, including the iconic "The Creation of Adam" and "The Last Judgment."
The WCU Fine Art Museum recently hosted its 58th Annual Juried Undergraduate Exhibition, featuring works by 25 student artists across various media including video, sculpture, and photography. Juried by artist Tracy Templeton, the showcase highlighted technical skill and personal expression, with top honors going to James Wood Boone for his time-based media piece "The Caretaker" and Valeria Enid Ramos for her portraiture.
The Museum of the Southwest in Midland, Texas, is launching a diverse spring season featuring a blend of regional art and scientific exploration. Key highlights include the "West Texas Triangle" exhibition showcasing local talent, a specialized exhibit on space exploration at the Blakemore Planetarium, and the annual "Septemberfest" community fundraiser. The programming aims to bridge the gap between fine arts and the region's scientific interests.
The "Yokai Immersive Experience Exhibition Tokyo" has opened at Warehouse Terrada, utilizing projection mapping and 3D technology to bring over 300 supernatural creatures from Japanese folklore to life. The exhibition features digital recreations of historical emaki scrolls and ukiyo-e prints by masters such as Utagawa Kuniyoshi and Katsushika Hokusai, alongside contemporary works from the Yokai Art Museum in Shodoshima.
The article examines the complex and often fraught relationship between modern art and political power in Germany from 1910 to 1945. It details how avant-garde movements like Expressionism, Dada, and the Bauhaus initially flourished, only to be systematically suppressed and labeled "degenerate" by the Nazi regime after 1933.
The Museum of the Cherokee People has launched "Unrelenting: Cherokee People and the American Revolution," a landmark exhibition marking the 250th anniversary of the United States. The show juxtaposes 18th-century historical artifacts, such as weaponry and archival treaties, with newly commissioned works by 14 contemporary Cherokee artists. Curated by Dakota Brown, Evan Mathis, and Brandon Dillard, the exhibition challenges traditional American nationalist mythologies by centering Indigenous perspectives on the Cherokee American War and the complexities of sovereignty.
The Saint Mary’s College Museum of Art has launched a new exhibition season featuring three distinct Bay Area artists: Hilda Robinson, Zach Clark, and Beth Van Hoesen. The showcase includes a retrospective of Robinson’s vibrant oil pastels documenting Black communal joy, a collaborative landscape project by Clark involving student research, and a survey of Van Hoesen’s minimalist line work and intaglio prints.
Thirty-five fiber artists from the Southern California/Nevada region of Studio Art Quilt Associates (SAQA) are showcasing their work in the exhibition “Beyond the Canvas” at the Poway Center for the Performing Arts. The exhibition features a diverse range of styles, including abstract designs, landscapes, and representational pieces, all created using fabric and thread rather than traditional paint or clay. Featured artists such as Kathleen McCabe, Mary Tabar, and Kathy Piper demonstrate the versatility of the medium through works that range from hand-dyed cotton abstracts to nature-inspired imagery.
Service users from Rehab Care Castlerea and Roscommon are presenting a special art exhibition at the Roscommon Library. Running from February 18th to February 28th, the showcase features a variety of creative works produced by individuals within the care program.
A South African high court has dismissed an urgent application by artist Gabrielle Goliath and curator Ingrid Masondo to reinstate their cancelled pavilion for the 2026 Venice Biennale. The project was scrapped by Sport, Arts and Culture Minister Gayton McKenzie after Goliath refused to remove a segment of her work 'Elegy' that referenced Hiba Abu Nada, a Palestinian poet killed in an Israeli airstrike. The minister labeled the content "highly divisive" and "polarizing."
Mexico City is launching a major cultural initiative ahead of the 2026 FIFA World Cup, including over 1,000 murals painted across the city inspired by Mesoamerican ball games, renovations at 12 museums and 46 archaeological sites, and the opening of a new Indigenous textile museum. The Museo Jumex will host the exhibition "Football & Art. A Shared Emotion" curated by Guillermo Santamarina, featuring a participatory installation by the Mexican collective Tercerunquinto using recycled Estadio Azteca seats.
The Joel and Lila Harnett Museum of Art at the University of Richmond has opened its spring season with three new exhibitions centered on themes of lineage, place, and blackness. The shows include a newly commissioned, full-gallery installation by sculptor Abigail DeVille, an exhibition titled 'Black Work: Absence/Absorption' exploring the material and perceptual qualities of blackness, and 'Politics of Place,' a film-focused exhibition examining geography's influence on identity and power.
South African artist Gabrielle Goliath and curator Ingrid Masondo are taking urgent legal action against South Africa's sport, arts and culture minister Gayton McKenzie after he cancelled their project for the country's Venice Biennale pavilion. The pair were selected in December 2025 to present a new iteration of Goliath's decade-long project *Elegy*, which addresses femicide and the murder of LGBTQI+ people, and was also set to include references to the Ovaherero and Nama genocide in Namibia and the death of Palestinian poet Hiba Abu Nada. McKenzie, leader of the right-wing Patriotic Alliance party, described the Abu Nada-related content as "highly divisive" and cancelled the project on 2 January, just days before the submission deadline. The legal team, led by Adila Hassim, will file an application at the high court in Pretoria by 22 January, arguing that McKenzie's interference is unconstitutional.
The Museum of Goa is presenting three new exhibitions that highlight local art and cultural festivals. The shows feature works by regional artists, exploring themes of tradition, community, and contemporary expression through various media.
Kansas City's winter offers a perfect opportunity to explore seven local art exhibitions, as highlighted in KCUR's Adventure newsletter. Notable shows include "Speeding" at 100,000,000 Space, featuring works by Annie Woodfill, Charlie Crowell, Mario Cuellar Ocaña, and Shaza Umran that capture urgency and motion; "One Bedroom Apartment: The Second Installment" at Gallery Bogart, showcasing bite-sized artworks by artists like Napoleón Aguilera, Monica Figueroa, and Madeline Brice to encourage accessible art collecting; and "What Work Is" at Vulpes Bastille, curated by Adams Puryear and Nina Littrell, where over 40 local artists transform factory coveralls to explore art and labor.
Texart Fair 3.0, a three-day art exhibition and cultural exchange, was held in Ibadan by BlackulHeritage Studios in collaboration with the National Museum of Unity, Ibadan. The event, themed “Tapping the Market Potential of Nigerian Art: Bridging the Gap,” brought together artists, collectors, curators, scholars, and students to discuss strengthening the visibility and economic value of Nigerian art. Highlights included a symposium, panel discussions, and Awards of Recognition presented to notable Nigerian art figures such as Tola Wewe, Prince Tunde Odunlade, and Tunde Kelani.
Hong Kong's first large-scale art dome, FutureScope, has opened at Kai Tak Sports Park, running from December 19, 2025 to January 4, 2026. The dome features 'Perpetual Records', an immersive exhibition co-created by local media art studio XCEPT and Japanese artist Daito Manabe. Visitors can interact with 360-degree projections using facial recognition technology that translates their expressions into geometric patterns and alters an adaptive soundscape. Ticketed performances from January 2 to 4 offer deeper engagement with the artwork through live audio-visual sessions guided by XCEPT's artistic director Chris Cheung (h0nh1m).
Lindsay Adams has opened a new exhibition titled 'Ceremony' that merges art, jazz, and history. The show explores the intersections of visual art and musical improvisation, drawing on historical narratives to create a multi-sensory experience for viewers.
The Revolt Art Fair is staging its second edition in Miami at Ice Palace Studios, featuring over 50 Black artists and digital creators. Titled "Dual Currency: Defiance by Design," the fair allows visitors to purchase works via QR code through the Ujamaa art-market app. Curators Amy Andrieux and Zindzi Harley have focused on celebrating Black art in 2025, with highlights including works by Chire “VantaBlack” Regans, Lex Marie, and Daveed Baptiste. A digital open call was announced for an LED presentation during the closing party, reflecting the fair's connection to hip-hop culture through its parent company Revolt.
Heffel Fine Art Auction House held its marquee autumn sales in Toronto on November 19, featuring four auctions that included works from the collection of the Hudson's Bay Company, North America's oldest company, which declared bankruptcy earlier this year. The marathon series of sales also included a single-owner auction of the late collector Lillian Mayland McKimm's holdings and two multi-owner sales of Canadian, Impressionist, modern, post-war, and contemporary art. Over 16 artists' secondary market records were broken, with total sales reaching C$31 million ($22.1 million). Notable highlights included E.J. Hughes' 'Entrance to Howe Sound' selling for C$4.8 million, more than doubling his previous record, and Winston Churchill's painting 'Marrakech' fetching C$1.5 million.
Christie's London held the 'SILSILA: Highlights from the Dalloul Collection' auction on 6 November 2025, featuring Modern and Contemporary Middle Eastern Art. The sale achieved a total of £4,112,260, with a 93% sell-through rate by value and 85% by lot. The top lot was Saloua Raouda Choucair's 'Poem' (1966-68), which sold for £393,700, setting a world auction record for the artist in the wood medium. Other highlights included Sliman Mansour's 'Untitled' (2014) at £323,850 and Kamal Boullata's 'Nocturne I' (2001) at £165,100. Eight world auction records were set during the evening.
An abandoned office floor in Manila's RCBC Plaza has been transformed into a raw exhibition space for a group show titled "Audacity," curated by Chloe Magpayo. Featuring over 20 artists, the show includes works by Isabel and Alfredo Aquilizan's Fruitjuice Factory Studio, Matt Trinidad, Kristoffer Ardeña, Christina Lopez, Marty Carsi Cruz, Hideki Ito, Bienvenido Tamayo, Mano Gonzales, Marionne Contreras, Luis Antonio Santos, James Clar, Doktor Karayom, Denver Garza, and Maricar Tolentino. The exhibition runs through October in the same space that previously hosted "Here & Now & Now & Then" curated by Nilo Ilarde.
The Gallery at Equinox Village in Manchester, Vermont, will host an exhibition titled "Blind Sight" by local resident and artist Jane Johnson. The opening reception on November 20 will feature live music by Mark LaChac, appetizers, and refreshments, and the show runs through January 6. Johnson, who became legally blind in October 2024, presents a whimsical collection including "Vermont Impressions" paintings, pierced portraits, and floral arrangements, inspired by her journey before and after losing her sight.
The Kennedy Museum of Art at Ohio University has opened "Art & Process," a faculty exhibition featuring works from the School of Art + Design. The show includes diverse media such as video, photography, painting, fiber, and multimedia pieces, with contributions from faculty members including Basil Masri Zada, whose piece "Destroy Again! Syria" combines sound, video, and physical imagery to address the dictatorship and terrorism in Syria, and Duane McDiarmid, whose work "The Silence of Drums" reflects on the 1862 hanging of 38 Native Americans in Mankato, Minnesota. The exhibition was organized by director Sandra Harris and registrar Lisa Quinn.
Milwaukee's Real Tinsel Gallery is hosting "Gig's Up: 50 Years of Punk Poster Art," a show collecting five decades of punk poster art from the local music scene. Curated by Dave Luhrssen, Clancy Carroll, Paul Host, and Tim Noble, the exhibition draws from Carroll's personal collection and contributions from other collectors and artists, featuring works by Eric Von Munz and others. The show includes a hardcover catalog and runs through December, with panel discussions and performances tied to it.
A community news roundup from the Chicago area reports on multiple local events, including a National Merit Scholarship announcement at Oak Park and River Forest High School, a two-day art exhibition and silent auction hosted by the First Congregational Church of Western Springs, a drive-in movie screening at Triton College, a Halloween brunch at Brookfield Zoo Chicago, a fall carnival in Darien, and a Zumba dance fundraiser for breast cancer research in Franklin Park. The art exhibition features works by about 20 church members and friends, with a watercolor workshop for children led by artist Jess Root and proceeds benefiting charities.
The Lilley Museum of Art at the University of Nevada, Reno has launched a new exhibition titled 'To Hold a Form: Art with Sound in the Work of Jennie C. Jones, LaRissa Rogers and Naama Tsabar.' The show features immersive, interactive sound art, including a site-specific performance by artist-in-residence Naama Tsabar and a team of musicians. Visitors are invited to touch and activate Tsabar's felt wall pieces strung with piano wires, which produce sound when handled, challenging traditional museum etiquette. The live performances took place on October 1 and 2, 2025, but the exhibition remains open to the public.
Pepperdine University administrators directed the Frederick R. Weisman Museum of Art to shut down a video installation by artist Elana Mann due to its political content, sparking a censorship controversy. After the censorship, over 20 artists in the exhibition "Hold My Hand in Yours" requested their works be removed in protest, leading the university to close the entire exhibition, which had been scheduled to run until March 29.
Pepperdine University, a private Christian university in Malibu, abruptly closed the exhibition "Hold My Hand in Yours" at its Frederick R. Weisman Museum of Art six months early, after at least a dozen artists requested to withdraw their works in protest. The school had removed or altered artworks it deemed "political," including Elana Mann's video "Call to Arms 2015-2025" (2025), which documented performances using megaphone-like sculptural instruments and included footage from a 2017 May Day March with chants supporting immigrants and racial justice. Another work by the group AMBOS, a collaborative sculpture featuring an embroidery reading "Save the Children" and "Abolish ICE," was altered by turning the fabric swatch to hide the text and removing a sign inviting visitor interaction. The school did not explain its decisions to the artists.
Lisja Tërshana, co-founder of Khrais–Tërshana, an art dealership and production studio based in London with operations between Tirana and Krakow, discusses her unconventional path from law to the art world. After studying law in London and passing the Solicitor Qualifying Exam, she enrolled in Central Saint Martins' MA Innovation Management, where she met co-founder Sofian Khrais. The dealership operates across three distinct art markets: Poland's confident and institutionally anchored scene, Albania's emerging infrastructure with few international commercial galleries, and London's established yet innovative market. Tërshana emphasizes the importance of curation in her work, blending market instincts with curatorial vision, and draws on her legal background to ensure fairness and trust between artists and collectors.