This article is a sales listing for a collaborative artwork by Raymond Pettibon and Chris Johanson, titled "You're Not Worth Much" (2017), hand-signed by Pettibon. The listing includes a biography of Pettibon, detailing his career, exhibitions, and gallery representation by David Zwirner, as well as his influences and major museum shows.
An auction listing for Ed Ruscha and Lawrence Weiner's collaborative print "Hard Light" (1978) has ended, with the work described as an offset lithograph in colors on 60 lb. Mountie Matte paper, measuring 7 × 5 inches. The print is from an edition of 3560 published by Heavy Industry Publications, Los Angeles and Moved Pictures, New York, and is in good condition with pale toning and faint stains. The listing also promotes similar available works by Ed Ruscha, including "Mr. Ray" (1975), "Wall Rocket" (2013), and "Dead End III" (2014), with prices ranging from €13,500 to request-based.
This article presents Ed Ruscha's 1994 print "Clock," a Mixografia print on handmade paper measuring 40 1/2 × 34 inches, part of a limited edition of 75 plus 7 artist's proofs. The work is being offered by Upsilon Gallery, which has locations in New York, London, Miami, and Milan. The article includes a biography of Ruscha, noting his career since the 1960s, his use of unusual materials like gunpowder and Pepto Bismol, his representation of the United States at the 2005 Venice Biennale, and his auction record of $68.3 million at Christie's in 2024.
This is a listing for a vintage Ed Ruscha exhibition poster from his "Mountain series" (2010), offered for sale by Baldwin Gallery (London/Dubai) on Artsy. The offset lithograph on paper measures 39.4 × 27.2 inches, is from an unknown edition, unsigned, and includes a certificate of authenticity. The price is £3,250, with shipping available from London.
The article profiles six rising artists at the 2026 Venice Biennale, focusing on Sung Tieu and Gala Porras-Kim. Tieu transforms the German Pavilion with a tile shell recreating a former housing complex for Vietnamese contract workers, while inside she scatters chocolate ladybugs as a symbol of occupation. Porras-Kim presents work in the Arsenale examining 'institutionally defined damage' and how decay can realign objects with their natural state.
LACMA has opened its new David Geffen Galleries, a single-story building spanning Wilshire Boulevard that houses the museum's permanent collection spanning 6,000 years of art. The galleries feature a revolutionary curatorial approach organized around bodies of water—Atlantic, Mediterranean, Indian, and Pacific—creating nonhierarchical displays that mix works across time and geography, such as 17th-century Dutch paintings alongside 20th-century photography. The building also includes 3.5 acres of shaded public space below, outdoor sculptures by artists like Alexander Calder and Jeff Koons, and a 220,000-square-foot pavement artwork by Mariana Castillo Deball.
An Andy Warhol offset lithograph poster from his 1976-1977 "American Indian Series" is being offered for sale by Revolver Gallery in West Hollywood. The poster, designed to advertise Warhol's exhibition at Ace Gallery Los Angeles in February 1977, depicts Native American civil rights activist Russel Means, a member of the American Indian Movement. Warhol created three different posters for consecutive exhibitions at Flow Ace Gallery Paris (October 1976), Ace Gallery Vancouver (November 1976), and Ace Gallery Los Angeles (February 1977), with this blue version corresponding to the Los Angeles show. The work is signed by Warhol, includes a certificate of authenticity, and is priced at $2,860.
Curators Emma Lavigne and Jean-Marie Gallais have organized exhibitions for the Pinault Collection at Palazzo Grassi and Punta della Dogana during the 61st Venice Biennale, featuring artists Lorna Simpson, Paulo Nazareth, Michael Armitage, and Amar Kanwar. The shows respond to global tensions, with Nazareth using salt to trace a ghost ship referencing the slave trade, and Simpson creating nocturnal paintings and collages from Ebony and Jet magazines that explore identity and history. The exhibitions are part of the Biennale's broader global outlook, engaging with Venice's mercantile past and contemporary migration routes.
The article titled "The Art Diary May 2026 – Revd Jonathan Evens" appears to be a diary or column by Revd Jonathan Evens, published on Artlyst, covering art-related events, reflections, or commentary for May 2026. The specific content is not provided in the snippet, but the format suggests a curated overview of exhibitions, cultural happenings, or personal observations from the author's perspective.
This article highlights three art exhibitions in Hong Kong for May 2026. 'Seeds of Wishes' at JPS Gallery features black-and-white and colorful drawings by thirteen-year-old artist Yat Long, created after his diagnosis with a life-threatening disease, with a related CASETiFY phone case collection. 'Dial-A-Poem Hong Kong' at M+ presents an interactive installation based on John Giorno's 1969 project, offering newly recorded poems in Cantonese, English, and Mandarin by thirty local poets. 'Fallen Angels' at Hauser & Wirth showcases Nicole Eisenman's paintings and sculptures exploring middle-class life, departing from her usual crowded scenes.
The article highlights collateral exhibitions at the 2024 Venice Biennale that take place beyond the main venues of the Giardini and Arsenale, offering visitors unexpected discoveries in historic Venetian palazzos and warehouses. Featured shows include Hernan Bas's 'The Visitors' at Ca' Pesaro, exploring tourism's contradictions; 'Turandot: To the Daughters of the East' at Palazzo Franchetti, a group exhibition of women artists from Central Asia; and Amoako Boafo's first solo show in Italy at Palazzo Grimani, presented by Gagosian.
The Dallas Museum of Art acquired six works from the 2026 Dallas Art Fair, held April 16–19 at the Fashion Industry Gallery in the Dallas Arts District. The acquisitions, made possible by the Dallas Art Fair Foundation + Dallas Museum of Art Acquisition Fund, include pieces by Nicole Eisenman, Gloria Klein, Caroline Monnet, Hasani Sahlehe, and Raymond Saunders. Selections were made by DMA curators including Dr. Vivian Li, Ade Omotosho, Dr. Emily Friedman, Dr. Nicole R. Myers, and director Brian Ferriso. This marks the tenth year of the fund, which has added 78 works to the museum's permanent collection since 2016 through over $1 million in donations.
Pippy Houldsworth Gallery in London presents 'We Were Like Those Who Dreamed,' the second solo exhibition by Nigerian artist Nengi Omuku. The show features new paintings that explore the politics of green spaces in urban centers, particularly Lagos, where rapid urbanization has created a 'concrete jungle.' Omuku transposes figures from contemporary and archival images of Lagos into lush, Impressionistic landscapes painted with pointillist brushstrokes and a Fauvist palette, using the garden as a radical symbol of equality and resistance. She paints on sanyan, a hand-spun Yoruba cloth, working with local artisans in Ilorin to revive the tradition. Works like 'Dream Logic' and 'One Particular Man' address socio-economic tensions, while 'A quiet nation' captures the dichotomy between urban Brutalist architecture and natural foliage.
The article lists the best art exhibitions opening in Miami in May, including group shows at Voloshyn Gallery featuring musicians Brian Eno and Malibu, solo debuts at ICA Miami for Manoucher Yektai and Manuel Chavajay, a survey of Afro-Cuban art at Lowe Art Museum, a photography show at Dale Zine by Juanita Richards, and a landscape exhibition at NSU Art Museum Fort Lauderdale. Other highlights include a World Cup-themed video installation at The Bass and Japanese woodblock prints at the Morikami.
The Serpentine x FLAG Art Foundation Prize has announced its selection committee for the inaugural award, the largest contemporary art prize in the UK given to a single artist. The five-person jury includes Michelle Kuo (Chief Curator at Large and Publisher at MoMA), Venus Lau (director of Museum MACAN), Hans Ulrich Obrist, Jon Rider, and artist Rirkrit Tiravanija. The committee met in London on 23rd April to select the first recipient, who will be announced on 12th May. The prize awards £200,000 biennially over ten years, totaling £1 million across five artists, with each recipient developing a new body of work culminating in exhibitions at Serpentine in London and The FLAG Art Foundation in New York.
Derrick Adams has opened a maximalist exhibition at the Institute of Contemporary Art (ICA), featuring vibrant, densely layered works that blend pop culture references with social commentary. The show presents a bold visual experience, combining painting, sculpture, and mixed-media installations that celebrate Black joy and resilience while critiquing systemic inequities.
The Buffalo AKG Art Museum has opened "Let Us Gather in a Flourishing Way," the first major institutional survey of contemporary Latinx painting in the United States. Curated by Andrea Alvarez, the exhibition features 58 living artists in an intergenerational dialogue, spanning an entire museum floor with seven thematic groupings. Alvarez conducted extensive studio visits across the U.S. and Puerto Rico over an unusually long research period, focusing solely on painting to establish a clear curatorial lens while reflecting the diversity of the Latino diaspora.
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Detroit's art scene is experiencing a resurgence, marked by the reopening of the Museum of Contemporary Art Detroit (MOCAD) after an eight-month renovation. The museum, now renamed the Julia Reyes Taubman Building, unveiled four new exhibitions, including a career survey of local artist Olayami Dabls titled "Olayami Dabls: Detroit Cosmologies," his first solo museum show in over 40 years. The reopening follows a 2020 reckoning over toxic workplace allegations, leading to the appointment of co-directors Jova Lynne and Marie Madison-Patton, who have refocused the institution on accessibility, civic engagement, and local contemporary art.
Boston Art Review (BAR) has published a guide titled "Ready, Set, Go: Ten Spring Exhibitions Opening or Closing Within Six Weeks," highlighting a curated selection of ten spring exhibitions in the Boston area and beyond. The article provides a concise overview of each show, including opening and closing dates, venues, and featured artists, aimed at helping readers plan their art-viewing schedules during a compressed six-week window.
Hauser & Wirth is hosting a launch event during the opening weekend of Firelei Báez's solo exhibition 'Feet squelching on wet grass, nourished by uncertainty' at its 22nd Street gallery in Chelsea, celebrating the release of Ursula issue No. 16. The issue features a portfolio by Báez titled 'The Earth That Remains,' a cover story on collector Eileen Harris Norton, and contributions on Elsa Schiaparelli, Christopher Harris, Alice B. Toklas, and LACMA director Michael Govan. The free event includes Casa Dragones tequila and access to Báez's exhibition alongside 'Carol Rama. I See You You See Me.'
Tracey Emin's 2021 lithograph "Even Saying Nothing Is a Lie" is being offered for sale by Hang-Up Gallery in London for £8,500. The limited-edition print, hand-signed and numbered by the artist, measures 37 × 29 1/10 inches and comes framed. Emin, a leading Young British Artist known for her confessional works such as "My Bed" (1998), has exhibited globally at institutions including the Mori Art Museum, Whitney Museum, and Stedelijk Museum, and her work is held by major collections like Tate and MoMA.
Two Brazilian women, Fernanda Mazzuco and Luciana Solano, run Art in Brackets, a consultancy and art advisory firm based in New York. For the first time, they have opened a public exhibition space on Walker Street in Tribeca, featuring a collective show centered on the African diaspora and transatlantic connections. The exhibition includes works by artists such as Santídio Pereira and Madalena dos Santos Reinbolt, with prices ranging from $3,800 to $140,000. The company, founded in 2022, connects collectors with Brazilian and Latin American artists, operating as 'wall curators' in partnership with various galleries.
Art Basel is launching a new initiative called "Basel Exclusive" for its June 2026 Switzerland fair, asking exhibitors to withhold at least one key work from pre-fair digital PDF previews to encourage in-person viewing. Around 170 of 232 exhibitors, including major galleries like Gagosian, Hauser & Wirth, Pace, and David Zwirner, have already adopted the program. Separately, Tate Britain announced the 2026 Turner Prize shortlist featuring artists Simeon Barclay, Tanoa Sasraku, Kira Freije, and Marguerite Humeau, with the exhibition opening at Middlesbrough Institute of Modern Art (MIMA) in September. The Museum of Sonoma County will also commemorate the 50th anniversary of Christo and Jeanne-Claude's land art installation "Running Fence" with a major exhibition opening June 27.
The Philadelphia Museum of Art will present "Rising Up: Rocky and the Making of Monuments," an exhibition opening April 25, 2026, that explores the cultural significance of the Rocky statue and its connection to Philadelphia's boxing legends, immigrant neighborhoods, and public monuments. Featuring over 150 works by more than 50 artists—including Keith Haring, Rashid Johnson, Kara Walker, and Andy Warhol—alongside artifacts spanning 2,000 years, the show includes sculptures, paintings, video, and new commissions, timed to the 50th anniversary of the film "Rocky" (1976), the city's World Cup matches, and Philadelphia's Semiquincentennial.
The Dallas Art Fair (DAF), founded in 2009 by developer John T. Sughrue and curator Chris Byrne, concluded its eighteenth edition this past weekend. Director Kelly Cornell, who started as an intern and became director in 2016, has strengthened partnerships with the Dallas Museum of Art, Nasher Sculpture Center, and Dallas Contemporary, while securing sponsors like Bank of America. The fair has grown from 35 to over 90 galleries, though it still lacks mega-galleries like Gagosian, Hauser & Wirth, David Zwirner, and Pace. International participation this year included about 20 galleries, with notable names such as Perrotin, Anat Egbi, and Hesse Flatow, while galleries from Germany and China were absent.
Giuseppe Penone is preparing for his exhibition 'The Reflection of Bronze' at Gagosian's New York flagship, running from April 22 through July 2. The show, curated by former Whitney Museum director Adam D. Weinberg, features eighteen artworks from 1995 to the present, including the new sculpture 'Marsia (Marsyas)', and is designed to create a forest-like sensory immersion using materials like cork.
This article highlights a curated spring journey through major exhibitions across Europe and the US, focusing on artists represented in the UBS Art Collection. Featured shows include Catherine Opie at the National Portrait Gallery in London, Yin Xiuzhen at the Hayward Gallery, Tracey Emin at Tate Modern, Lorna Simpson at Palazzo Grassi in Venice, and Jean-Michel Basquiat at the Louisiana Museum of Modern Art in Denmark. Each exhibition offers fresh perspectives on the artists' practices, from photography and installation to painting and works on paper.
Gagosian Gallery in Beverly Hills is presenting a posthumous exhibition of works by architect Frank Gehry, opening on May 14, 2026. The show, realized in collaboration with Gehry's family and studio, features animal-themed sculptures and works on paper, including the life-size stainless steel 'Bear with Us' (2014), 'Fish on Fire' (2023), and the early 'A Pair of Snake Lamps' (1989).
Several galleries and a museum in Columbus's Short North arts district are opening new exhibitions for May 2026. Highlights include a women's group show at Sean Christopher Gallery Ohio, environmental abstract paintings by Annette Poitau at Marcia Evans Gallery, a spring-themed solo exhibition by Amy Adams at Sharon Weiss Gallery, and a salon exhibition at 24 Lincoln St. Gallery & Art Studios. The Columbus Museum of Art at the Pizzuti is presenting the first U.S. museum survey of Bahamian conceptual artist Tavares Strachan, featuring his 'Encyclopedia of Invisibility'.
The Louisiana Museum of Modern Art in Denmark is hosting "Headstrong," the first museum exhibition in Scandinavia dedicated to Jean-Michel Basquiat. The show reunites 49 works on paper created between 1981 and 1984 that focus on the artist's depiction of the head—works Basquiat originally kept for himself and which were only discovered after his death. The exhibition includes the record-breaking 1982 "Untitled" painting, which previously sold for $110.5 million.