Brooklyn Museum Plans $13 Million Overhaul for New African Art Galleries

The Brooklyn Museum has announced a $13 million renovation project to establish a permanent 6,400-square-foot home for its extensive African art collection. Scheduled to open in Fall 2027, the new Arts of Africa galleries will feature approximately 300 works ranging from ancient Meroitic ceramics to contemporary pieces. The architectural overhaul, led by Peterson Rich Office and Beyer Blinder Belle, will transform former storage spaces on the museum's third floor into four distinct gallery environments.

A local’s guide best art galleries in Paris

This guide highlights Galerie Daniel Templon as a cornerstone of the Parisian art scene. Located near the Centre Pompidou, the gallery has been a fixture since the 1960s, specializing in contemporary painting and sculpture from both European and American artists including David Salle and Jonathan Meese.

Today in History March 17 | Opening of the National Gallery of Art

On March 17, 1941, President Franklin D. Roosevelt officially dedicated the National Gallery of Art in Washington, D.C. The museum was established through the massive bequest of industrialist Andrew Mellon, who donated his world-class art collection, the funds for the building's construction, and a significant endowment. The opening marked a milestone in American cultural history, providing the public with access to a premier national collection of Old Master paintings.

Great Dunmow artist has painting featured in Harlow Open exhibition

Great Dunmow artist Mandy Whittick is among the selected participants in this year's Harlow Open exhibition at the Gibberd Gallery. Her acrylic painting, "Stocks and Tulips," was chosen from nearly 500 submissions by a panel of prestigious judges, including representatives from the Royal College of Art and the Cambridge School of Art. The annual showcase, organized by the Harlow Art Trust, features 205 works from regional creators and is curated this year by Laura Noble.

Obituary | Umberto Allemandi, visionary publisher who founded 'Il Giornale dell’Arte', has died aged 88

Umberto Allemandi, the influential Italian publisher and founder of 'Il Giornale dell’Arte', has died at the age of 88. After early career stints in advertising with Armando Testa and directing 'Bolaffi Arte', Allemandi launched his own publishing house in 1982. His most significant contribution was the creation of a monthly publication designed with the rigor and layout of a daily newspaper, dedicated entirely to the art world and modeled after London’s 'The Times'.

Celebrating Indigenous Vitality: MORE COLORS THAN THE EYE CAN SEE

The Portland Art Museum and SITE Santa Fe have launched "MORE COLORS THAN THE EYE CAN SEE," a national educational initiative based on Jeffrey Gibson’s historic solo exhibition for the U.S. Pavilion at the 60th Venice Biennale. Developed in collaboration with the Smithsonian National Museum of the American Indian and a cohort of ten educators, the project introduces 14 interdisciplinary K-12 lesson plans. These resources integrate Indigenous contemporary art into subjects ranging from mathematics to social studies, utilizing Gibson’s vibrant aesthetic to explore themes of identity, representation, and creative sovereignty.

Walkable suspended labyrinth exhibit returns to the Museum of Fine Arts, Houston

The Museum of Fine Arts, Houston (MFAH) has brought back its massive, immersive installation "SunForceOceanLife" by Brazilian artist Ernesto Neto. The 35-foot-tall suspended labyrinth, hand-woven from vibrant paracord and filled with plastic balls, invites visitors to walk through its elevated pathways, requiring them to navigate the structure in museum-issued socks after signing a safety waiver.

Maryland artist examines Matisse's legacy in upcoming Museum of Art exhibit

The Baltimore Museum of Art is set to host "Fratino and Matisse: To See This Light Again," a major exhibition pairing the works of Maryland-born artist Louis Fratino with those of Henri Matisse. The show features approximately 30 works by the French master alongside Fratino’s contemporary pieces, marking the MICA graduate's first significant institutional exhibition in the United States.

Blanton show reimagines American modernism through private collection of H-E-B chairman Charles Butt

The Blanton Museum of Art has unveiled a new exhibition featuring approximately 80 works of American modernism drawn from the private collection of H-E-B chairman Charles Butt. Curated by Carter Foster, the show eschews a "trophy collection" approach in favor of intimate, transitional works by canonical artists such as Edward Hopper, Alice Neel, and Alma Thomas. The exhibition is organized thematically, focusing on urban life, precisionism, and the evolution toward abstraction, presenting these works together in a single gallery for the first time.

War in the Middle East, the Whitney Biennial, and a newly-discovered Rembrandt in Amsterdam—podcast

The Rijksmuseum in Amsterdam has officially authenticated a previously dismissed painting, 'The Vision of Zacharias in the Temple' (1633), as a genuine work by Rembrandt van Rijn. Long considered a mere copy of a lost original, the piece has been upgraded following extensive research by the museum's scholarly team. Simultaneously, the 82nd Whitney Biennial has launched in New York, while the escalating conflict in the Middle East raises concerns regarding the stability of the burgeoning cultural tourism sector in the Persian Gulf.

‘In Her Place’: Female artists fill the Frist for its 25th anniversary

The Frist Art Museum in Nashville is celebrating its 25th anniversary with a major exhibition titled “In Her Place: Nashville Artists in the Twenty-First Century.” Occupying the museum's largest gallery space through April 26, the show features nearly 100 works including paintings, sculptures, and textiles by women artists based in the city. The exhibition is organized into three thematic sections—“Materiality and Memory,” “Scenes and Dreams,” and “Patterns and Abstraction”—highlighting the diverse generations, ethnicities, and styles that define Nashville's contemporary art scene.

Obscured Gauguin nude sculpture may be revealed in its entirety following museum donation

A polychromed wood relief by Paul Gauguin, titled 'Te Fare Amu', is set to undergo conservation to remove overpaint that has obscured the figure's genitals for seven decades. The sculpture was partially painted over in 1954 by American collector Henry Pearlman, who feared the work would be seized by US Customs as 'obscene' or 'indecent' upon its import from Paris. The piece is part of a major 63-work promised donation from the Pearlman family foundation to the Brooklyn Museum, LACMA, and MoMA.

Dozens of Artists Bring Their Studios to Hauser & Wirth New York

Hauser & Wirth New York has launched "Studio Visit," a sprawling group exhibition co-curated by artists Anicka Yi and Josh Kline in collaboration with Performance Space New York. Featuring works by 27 international artists including Jean-Michel Basquiat, Huma Bhabha, and Wolfgang Tillmans, the show pairs physical artworks with AI-generated "machine-generated memories" based on the artists' written recollections of their early workspaces. The project revives the spirit of Circular File, an experimental collective formed by Yi and Kline in the late 2000s.

New Bedford Art Museum has Mary Cassatt, Mexican exhibitions coming

The New Bedford Art Museum has unveiled its 2026 exhibition schedule, featuring a diverse range of programming that spans from historical masterpieces to contemporary social issues. The season began with "The Homecoming," a rare display of works by Mary Cassatt and Käthe Kollwitz from private SouthCoast collections, and will continue with a major survey of contemporary Mexican art titled "Resistance." Other highlights include an exploration of ecological anxieties in "Vanishing Ecologies" and a partnership with the American Visionary Art Museum to showcase self-taught artists.

New Orleans Takes the Stage at the 2026 Venice Biennale

New Orleans artists Dawn DeDeaux and Demond Melancon have been selected to participate in the 61st Venice Biennale in 2026. Curated by Koyo Kouoh under the title "In Minor Keys," the exhibition marks a historic moment as two artists from the city receive simultaneous invitations to the prestigious international forum. DeDeaux, a veteran multimedia artist known for her "MotherShip Series" and environmental themes, will bring her focus on post-anthropocene landscapes to the global stage.

3 new D.C.-area museum exhibits you don't want to miss

Three major art exhibitions are debuting in the Washington, D.C. area, headlined by Nick Cave’s largest-ever single-artist commission at the Smithsonian American Art Museum. The immersive installation, titled "Mammoth," features a 70-foot illuminated table and bronze sculptures. Other significant openings include a survey of American masters at Glenstone and a massive showcase of female artists from the Shah Garg Collection at the National Museum of Women in the Arts.

Opera Gallery Houston Grand Opening

Opera Gallery has officially opened its 14th international location in Houston’s River Oaks District, marking a significant expansion of its global footprint. The new space debuted with a high-profile presentation featuring masterworks by Claude Monet, Pablo Picasso, and Marc Chagall, alongside contemporary pieces by Yayoi Kusama and Kehinde Wiley. Led by Director Gregory Lahmi and Deputy Director Kara Przybyl McIver, the gallery plans to host several curated exhibitions annually focusing on Modern and Post-War art.

Frieze Los Angeles reflects the city’s resilience

Frieze Los Angeles has returned to the Santa Monica Airport for its seventh edition, marking the first iteration since the fair was acquired by Ari Emanuel’s live events venture, Mari. The event features nearly 100 galleries from 22 countries, balancing global powerhouses like Gagosian and Hauser & Wirth with a strong contingent of local Los Angeles mainstays. Fair director Christine Messineo emphasized the fair's role as a central gathering point for the international collecting community within the city's sprawling landscape.

A Conversation with Visual Artist Nick Cave

Acclaimed visual artist Nick Cave participated in a public lecture and live conversation moderated by Rukaiyah Adams, CEO of the 1803 Fund, as part of the Miller Family Free Day. The event centered on Cave’s multidisciplinary practice, specifically highlighting his work featured in the exhibition "Conductions: Black Imaginings II" and his iconic Soundsuits, which address themes of social justice, identity, and trauma.

Guest column | At the nation’s galleries, celebrations of selfhood, joy and renewal

Major American art institutions are undergoing a significant shift in perspective, prioritizing themes of diversity, selfhood, and renewal in their programming. This evolution is evidenced by the Los Angeles County Museum of Art’s total re-evaluation of its permanent collection display in anticipation of its new building, alongside a wave of exhibitions featuring contemporary voices like Derrick Adams and Nick Cave, and retrospectives for historical figures such as Edmonia Lewis and Isamu Noguchi.

New biography offers well-crafted story of Louise Bourgeois’s rich life

Marie-Laure Bernadac’s new biography, 'Knife-Woman: The Life of Louise Bourgeois', provides a comprehensive look at the French-American artist’s prolific career and traumatic upbringing. The book explores how Bourgeois transformed childhood wounds—specifically her father’s infidelity and psychological cruelty—into a radical body of work spanning sculpture, installation, and textiles. From her early encouragement by Fernand Léger to her late-career fame with the 'Maman' spider sculptures, the biography traces her evolution from a painter to a boundary-defying sculptor who utilized materials ranging from latex to marble.

Cincinnati Goes MAD for Art Museum Exhibit

The Cincinnati Art Museum is hosting the exhibition 'What, Me Worry? The Art and Humor of MAD Magazine,' which opened in November 2025 and runs through March 2026. The show, organized by the Norman Rockwell Museum, traces the history of the iconic satirical publication through original comic covers, artwork, and interactive displays, highlighting its cultural impact from its 1952 origins to modern parodies.

Spencer Museum’s spring exhibitions explore richness of Japanese and Asian American art

The Spencer Museum of Art at the University of Kansas is opening two major exhibitions on February 19: 'Street Nihonga: The Art of Jimmy Tsutomu Mirikitani' and 'Brush, Block, and Blood: Three Generations of Yoshida Women Printmakers.' The Mirikitani exhibition is the largest assembly of the Japanese American artist's work, featuring 145 pieces that document his life of displacement, incarceration, and homelessness, created using traditional Japanese techniques with found materials. The Yoshida exhibition presents prints by three generations of women from a renowned Japanese artistic family, marking the first U.S. display of their work together.

A ‘showstopper’ of an exhibition at WAM: ‘Alex Katz: Theater and Dance’

The Wichita Art Museum (WAM) has opened a major exhibition titled 'Alex Katz: Theater and Dance,' focusing on the celebrated American artist's decades-long engagement with performing arts subjects. The show features over 50 works, including paintings, collages, and prints, that capture the energy and aesthetics of theater and dance, highlighting Katz's distinctive style of flat planes and bold color.

Museum of Modern Art of Bogotá dismisses longtime artistic director

Museo de Arte Moderno de Bogotá dismisses longtime artistic director

The Museo de Arte Moderno de Bogotá (Mambo) has dismissed its artistic director, Eugenio Viola, after more than seven years. The museum's board announced the termination as part of a "comprehensive review," stating Viola will remain until May 2026 while a search for a successor begins. Viola contends his dismissal followed his raising of concerns about deteriorating working conditions, which the board dismissed.

Smithsonian American Art Museum Debuts Monumental New Commission by Nick Cave

The Smithsonian American Art Museum has unveiled "Nick Cave: Mammoth," a major new commission by artist Nick Cave. The exhibition, which opened on February 13, 2026, is the museum's largest-ever commission by a single artist and marks Cave's first solo show in Washington, D.C. It transforms a suite of galleries into immersive environments featuring a massive hand-beaded tapestry, towering sculptures incorporating mammoth skulls, and a large light table displaying thousands of found objects.

Hawai‘i Ceramic Artist Toshiko Takaezu Retrospective Exhibit Opens This February

A major retrospective of Hawai‘i-born ceramic artist Toshiko Takaezu opens at the Honolulu Museum of Art on February 14, 2026. Titled 'Worlds Within,' the exhibition features over 100 works, including her signature closed ceramic forms, textiles, paintings, and a bronze bell, and marks the final stop of a two-year national tour that began at The Noguchi Museum in New York in 2024.

This year's Carnegie International will feature 61 artists, including Jasleen Kaur and Li Yi-Fan

The Carnegie Museum of Art has announced the full list of 61 artists and collectives for the 59th Carnegie International, which opens in May. The exhibition will feature a record 36 new commissions and includes notable participants such as 2024 Turner Prize-winner Jasleen Kaur and Li Yi-Fan, who will represent Taiwan at the Venice Biennale, alongside a significant number of Indigenous artists.

A Nation of Artists

The Philadelphia Museum of Art has announced a major new exhibition titled "A Nation of Artists," which will showcase over 200 works of American art from its collection. The show spans from the early 19th century to the mid-20th century and features paintings, decorative arts, and folk art by artists including Georgia O'Keeffe, Edward Hopper, and Stuart Davis.

Exhibition of Black artists reinterpreting the US flag opens without key Dread Scott work

An exhibition titled 'America Will Be!' opened at the University of Maryland's David C. Driskell Center, exploring how Black artists have reinterpreted the US flag. However, the show opened without a key work by artist Dread Scott, 'What is the Proper Way to Display a US Flag? (1988)', after the loan request was rescinded by the curators citing logistical and safety concerns.