Four Latin American Voices Around the Montevideo Curatorial Intensive

CUATRO VOCES LATINOAMERICANAS EN TORNO AL INTENSIVO CURATORIAL DE MONTEVIDEO

Independent Curators International (ICI) held the Montevideo Curatorial Intensive in March 2026, in partnership with the ESTE ARTE fair and the Faculty of Arts at the University of the Republic (Udelar). This was the first time the program took place in Uruguay, bringing together twelve emerging curators from Uruguay, Brazil, Argentina, Chile, Venezuela, Ecuador, Colombia, and the United States for eight days of seminars, debates, and mentorship. Led by independent curator Marina Reyes Franco, the intensive included visits to local cultural spaces such as CasaMario, SUBTE, and the Espacio de Arte Contemporáneo, as well as a trip to Punta del Este to tour galleries and artist studios. The program featured presentations by international faculty including Ionit Behar, Victoria Noorthoorn, Maya Juracán, and Keyna Eleison, and concluded with a public symposium at the Museo Nacional de Artes Visuales (MNAV).

Three artists explore belonging in new exhibition at Craighead Green Gallery

Craighead Green Gallery in Dallas is opening a new three-person exhibition featuring artists Faith Scott Jessup, Linda McCall, and Damián Suárez. The show explores themes of belonging, heritage, and personal history through diverse styles ranging from realism and impressionism to abstraction. Suárez presents his 'Kinetic Landscape' series using threaded thread on wood panels, Jessup offers surrealist 'Duets' paintings of empty dresses, and McCall displays impressionist 'Rituals' scenes capturing private moments. Gallery director William Bardin notes the intentional pairing of artists with distinct practices but a shared narrative.

Amid Iran war, Paterson Middle East art show carries layered meaning

Tehran-born artist and human rights lawyer Sanam Ghandehari is presenting a new body of work in Paterson, New Jersey, against the backdrop of escalating military conflict in Iran. Her multi-layered pieces reflect the duality of the current crisis, juxtaposing the hope for democratic liberation with the immediate trauma of seeing her childhood home bombarded.

Cathedral to exhibit 80m long knitted WW2 artwork

Lichfield Cathedral will host an expansive 80-meter-long knitted and crocheted installation titled "The Longest Yarn 2: Britain at War" throughout May 2026. Created by a global community of makers, the textile artwork depicts various facets of British life during World War II, ranging from the declaration of war in 1939 to the celebrations of VE Day in 1945, including scenes of evacuation and rationing.

Art seniors explore identity, faith and change in capstone exhibition

Four graduating seniors at Shippensburg University—Drew Weaver, Greg Schultz, Ally Richwine, and Katelyn Bard—unveiled their capstone art exhibition at the Huber Arts Center. The showcase features a diverse array of media, including surrealist paintings of liminal spaces, printmaking focused on mental health and friendship, experimental ceramics, and biblical-themed paintings exploring personal identity.

Russia's winter bombardment puts strain on Ukrainian museum workers

UNESCO has expressed serious concern over recent Russian attacks damaging cultural heritage sites in Ukrainian cities including Odesa, Lviv, and Kyiv. The winter bombardment has targeted power grids and infrastructure, complicating the work of museums and cultural institutions. The Kyiv-Pechersk Lavra, a World Heritage Site, suffered its first military damage since WWII, and the historic center of Odesa, already on UNESCO's endangered list, saw its Holy Dormition Monastery severely hit.

25 Artists in Gaza Stage Exhibition of New Works Expressing Grief Amid Genocide

In July 2025, 25 artists in Gaza staged an exhibition titled "Aphenix" inside a coffee shop in Gaza City, organized by Mohaned Asayas, a student at Al-Aqsa University. The exhibition featured 55 new works created during a month-long workshop that provided a rare space for artistic expression amid the ongoing war, offering materials like soft charcoal, pastel, and acrylic. Artists such as Bisan Al Amasy produced pieces addressing themes of starvation, displacement, bombardment, and loss, using symbolic imagery like a fatigued donkey to represent Gaza City.

Svolta per il Museo del Fumetto che chiuse a Milano: nuova sede in un’ex biblioteca di Monza

The Franco Fossati Foundation's Museo del Fumetto (Comics Museum), which was evicted from Milan due to a €180,000 debt to the city, has found a new permanent home in Monza. The Monza city council approved the foundation's proposal on April 30, paving the way for the renovation of a former library in the Cederna district, which has been abandoned for years. The archive of 500,000 pieces will be temporarily stored in Desio while the Monza building is refurbished with €850,000 from the municipality and additional funds from the foundation.

A new certification has been created to improve the management and valorization of Italian cultural heritage

È nata una nuova certificazione per migliorare gestione e valorizzazione del patrimonio culturale italiano

A new certification standard called SGPI01:2024 has been launched in Italy to improve the management and valorization of cultural heritage. Developed by Certiquality and the Stati Generali del Patrimonio Italiano (SGPI), the standard was presented in Florence at Palazzo Guadagni Strozzi Sacrati, with the patronage of the Tuscany Region. It applies to all public and private entities that own or manage cultural and landscape assets, introducing a comprehensive management system that goes beyond legal compliance, focusing on conservation, economic sustainability, accessibility, and safety through independent third-party audits.

Withdrawing from Intense Labor: 'Quiet Quitting' Discussed in a Milan Exhibition

Sottrarsi al lavoro troppo intenso. Si parla di ‘quite quitting’ in una mostra a Milano

Artist Niccolò de Napoli explores the phenomenon of "quiet quitting" in his solo exhibition, "I’m here, but not entirely yours," hosted at Studio Lombard DCA in Milan. The exhibition, produced by PROGETTO LUDOVICO, utilizes the unconventional setting of a strategic consultancy firm to showcase works that critique modern labor expectations. Key pieces include a blue neon sign mimicking corporate aesthetics, a sound installation referencing the 1983 film "Vieni avanti cretino," and monochromatic cases made of switchable glass that obscures itself as viewers approach, symbolizing the withdrawal of the self from the workplace.

Art e Fekts to host artist Paul DeLuca’s pottery exhibit May 8

Art e Fekts Gallery in Downtown Pittston will host "This is Me – The Pottery of Paul DeLuca," the second exhibit of 2026, opening on Friday, May 8 from 5 to 7 p.m. in the Dr. Joseph Lombardo Gallery. The exhibit coincides with the first 2nd Friday Art Walk of the year and will run until June 5, featuring the unique ceramic work of regional artist Paul DeLuca, who owns and operates Bank Street Pottery.

Step through time with Bardo Arts Center’s 20-year anniversary exhibit

The Bardo Arts Center at Western Carolina University recently celebrated its 20th anniversary with a reception for a dynamic retrospective exhibition. The show features a timeline of the WCU Fine Art Museum’s growth, showcasing a diverse range of works including paintings, glass, and ceramics dating from 1969 to the present. Founding director Martin DeWitt and current executive director Denise Drury Homewood highlighted the institution's evolution from a small gallery space to a nationally accredited museum housing over 2,000 objects.