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ターナー賞2026最終候補

The Turner Prize 2026 shortlist has been announced, featuring four artists: Simeon Barclay, Kira Freije, Marguerite Humeau, and Tanoa Sasraku. The exhibition will be held at MIMA (Middlesbrough Institute of Modern Art) from September 26, 2026 to March 29, 2027, with the winner revealed on December 10, 2026. The jury includes Sarah Allen, Jo Hill, Suk-Kee Lee, Alona Pardo, and Alex Farquharson as chair.

Turin's new art gallery is an apartment where works are displayed in the kitchen, bathroom, and bedroom

La nuova galleria d’arte di Torino è un appartamento dove le opere si espongono in cucina, bagno e camera da letto

The Italian branch of Paris-based gallery CiacciaLevi is relocating from Milan to Turin in September 2026, opening a new space that is an apartment where artworks will be displayed in the kitchen, bathroom, and bedroom. Founders Antoine Levi and Nerina Ciaccia, who first met and began their careers in Turin between 2005 and 2010, describe the move as both a professional and personal life choice, deepening their ties to the city where they previously worked with Galleria Franco Noero and a.titolo.

Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen

The Museum of Fine Arts, Houston will host the U.S. debut of "Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen" from May 20 to September 13, 2026. The exhibition features over 95 works by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other postwar European avant-garde artists, drawn from the collection assembled by famed gallerist and collector Heinz Berggruen. It explores Berggruen's relationships with artists and his Paris gallery, Berggruen & Cie, and includes thematic galleries on still life, portraits, and the human figure, as well as a dedicated space on Berggruen's life story.

Exhibition | Meg Webster, 'Thicket' at Paula Cooper Gallery, 521 West 21st Street, New York, United States

Meg Webster's exhibition 'Thicket' opens May 9 at Paula Cooper Gallery, 521 West 21st Street, New York, featuring new sculptures and drawings. The centerpiece is a large spiral installation made from plant cuttings, inviting viewers inside for an immersive sensory experience. The show follows Webster's major presentation at Dia Beacon (2024–2026) and her inclusion in 'Minimal' at Bourse de Commerce - Pinault Collection, Paris (2025–2026). Also on view are monochromatic works on paper made by rubbing organic materials onto the surface, and a three-part beeswax relief.

An old hat gets a new show: ‘Matisse’s Femme au chapeau’ opens at SFMOMA

SFMOMA has opened "Matisse's Femme au chapeau: A Modern Scandal," a new exhibition centered on Henri Matisse's iconic 1905 painting "Femme au chapeau" (Woman with a Hat). The show recreates the atmosphere of the 1905 Salon d'Automne in Paris, where the painting first caused a scandal for its bold, fauvist colors. It reunites the work with three other Matisse paintings from that debut, alongside pieces by contemporaries like André Derain, Albert Marquet, and Jelka Rosen, and later artists inspired by the painting, such as Mickalene Thomas. The exhibition also includes a gallery dedicated to the Haas bequest, which brought the painting to SFMOMA in 1991.

Independent Opens With Solo Presentations, Early Sales and (Most Importantly) Breathing Room

Independent art fair opened on May 14, 2026, at a new location in Lower Manhattan’s Pier 36, offering a larger, less central venue than its previous Tribeca home. The fair emphasizes solo presentations, which make up 70 percent of the booths, and features tightly focused displays. Gallerist Susanne Vielmetter reported early sales and museum reservations for works by Samuel Levi Jones, Robert Pruitt, and Nate Lewis. Brazilian gallery Almeida & Dale shares a booth with David Nolan Gallery, showcasing Chakaia Booker and Miguel Rio Branco, while New York dealer Charles Moffett reported strong interest in late Swiss artist Silvia Heyden’s tapestries.

Photo London Returns with a Global Perspective at Olympia

Photo London has opened its latest edition at Olympia London, marking a significant move from its previous home at Somerset House. The fair brings together international galleries from cities including New Delhi, Cologne, New York, Glasgow, Buenos Aires, Johannesburg, Zurich, Paris, Tokyo, Taipei, Munich, and London, creating a global conversation around photography. Highlights include Alfredo Jaar's installation 'Searching for Africa in LIFE,' which interrogates the absence of African voices in Western media, and presentations by Autograph, Leica Gallery London, and others that explore themes of migration, memory, identity, and representation.

Fold in these exhibitions during festival season

Spoleto Festival USA and Piccolo Spoleto begin on May 22, and the article highlights a curated selection of visual art exhibitions in Charleston to enjoy alongside the festival's performances. Featured venues include Robert Lange Studios, Corrigan Gallery, Stevenson and Co., Atrium Gallery, Meyer Vogl, Duckworth Gallery, and the Gibbes Museum of Art, which opens "Mary Whyte: Salt of the Earth" and continues "Rodin: All the Truth in Nature." The College of Charleston's Halsey Institute of Contemporary Art, under new director Michael Dickins, presents "Make Room" by In Kyoung Chun and another exhibition through July 25.

MFA's Nude Exhibition Challenges Art History's Gender Norms

The Museum of Fine Arts, Boston, has opened a new exhibition that challenges traditional gender norms in art history, featuring a dozen artists who disrupt the conventional nude. The show includes Xandra Ibarra's performance "Nude Laughing," where she paraded naked through the museum's European galleries, and works by Betty Tompkins, whose "Fuck Paintings" and "Women Words Painting" series confront misogyny and the male gaze. The exhibition juxtaposes these contemporary pieces with historical works like Jean-Léon Gérôme's "Moorish Bath" to highlight entrenched racial and gender hierarchies in art.

Mario Schifano, the artist who anticipated Arte Povera and beyond. What the exhibition in Rome looks like

The Palazzo delle Esposizioni in Rome has opened a major retrospective of Mario Schifano, curated by Daniela Lancioni and titled simply "Mario Schifano," running until July 12. The exhibition reconstructs the career of the Italian artist (1934–1998), who worked across painting, film, and music, and highlights his role as a precursor to Arte Povera. A centerpiece is the reconstructed dining room Schifano created for the Rome home of Marella and Gianni Agnelli in 1968, featuring 14 canvases and a planned but unrealized sand-filled room with a pyramid, a detail revealed by film producer Ettore Rosboch in a conversation with the curator.

Arnaldo Pomodoro | Arnaldo Pomodoro - Untitled for Art and Research (Ca… (2003) | For Sale

Arnaldo Pomodoro's 2003 etching "Untitled for Art and Research (Ca…" is being offered for sale. The work is an artist's proof on wove paper, signed and annotated p.a., one of only 15 proofs aside from the regular edition of 150. It was created to support the "Art and Research" event in Milan, sponsored by the Mario Negri Pharmacological Research Institute, and published by Art 3, Alberto Serighelli. The piece is framed under UV Plexiglass and measures 12.75 x 12.5 x 1.5 inches framed.

Matisse: The Pursuit of Harmony

Acquavella Galleries in New York presents "Matisse: The Pursuit of Harmony," an exhibition running from April 9 to May 22, 2026, featuring fifty works by Henri Matisse including paintings, sculptures, and works on paper. The show is organized across two floors, with early pieces on the ground floor north gallery, sculptures and early works on the second floor north, later works on the second floor south, and a concluding display of the four bronze castings of Matisse's "Back" series on the ground floor south. Key highlights include the painting *Male Model* (ca. 1900) paired with the bronze *The Serf* (1900–04), and the portrait *Mademoiselle Yvonne Landsberg* (1914), which demonstrate Matisse's transformative approach to traditional genres.

The Parrish Art Museum Presents ‘Sanford Biggers: Drift,’ The Artist’s First Major East End Solo Show

The Parrish Art Museum in Water Mill, New York, will present 'Sanford Biggers: Drift,' the artist's first major solo exhibition on the East End of Long Island, opening in summer 2026. The show features new works, site-responsive installations, and signature sculptures and textiles, including the monumental cloud installation 'Unsui (Cloud Forest)' (2025). The exhibition is part of the museum's 'PARRISH USA250: Life, Liberty, and the Pursuit of Happiness' series, which marks America's semi-quincentennial by exploring the ideals of the Declaration of Independence through the lens of Long Island's artistic heritage.

Exhibition | Paula Rego, 'Drawing from Life' at Galerie Lelong, 38 Avenue Matignon, Paris, France

Galerie Lelong in Paris is presenting 'Paula Rego, Drawing from Life,' an exhibition focused on the artist's intense three-year period from 2005 to 2007, during which she devoted herself almost exclusively to drawing and lithography in her London studio. The show features works inspired by literary sources such as 'Jane Eyre,' 'Peter Pan,' and the sixteenth-century tale 'The King of Pigs,' as well as her connection with playwright Martin McDonagh. Key pieces include 'Shakespeare’s Room,' 'Scarecrow,' and 'Turtle Hands.' The exhibition is made possible with the support of Nick Willing, the artist’s son, and Cristea Roberts Gallery in London.

Sophie Calle’s ‘Overshare’ Exhibition Takes Visitors on a Journey Through the Intimate

Sophie Calle's retrospective exhibition 'Overshare' has opened at the UC Irvine Langson Orange County Museum of Art (OCMA) in January 2026, running through May 24. The show, which first debuted at the Walker Art Center in Minneapolis in October 2024, spans five decades of Calle's work, including photographs, text pieces, physical installations, and video works. It explores themes of intimacy, surveillance, and personal disclosure, featuring iconic pieces such as following strangers, inviting people to sleep in her bed, and documenting her mother's final moments.

Is the US about to be humiliated on the world’s most prestigious cultural stage?

More than 70 prominent international artists have signed an open letter demanding the exclusion of the United States, Israel, and Russia from the 2026 Venice Biennale, accusing those governments of committing war crimes and atrocities. The controversy centers on the US pavilion, which will feature Mexico-based American artist Alma Allen, whose abstract, anodyne sculptures were chosen by a last-minute commissioner with no art-world experience—a luxury pet food store owner from Florida who reportedly gained the role through connections at Mar-a-Lago. The Biennale's five-person jury has already resigned amid the furor, and Russia is returning to the event for the first time since its 2022 invasion of Ukraine.

Sheila Hicks’s Cosmic Art Jewelry Comes To The Venice Biennale

Artist Sheila Hicks is presenting a new collection of jewelry, titled "Cosmic Jewelry," at the Venice Biennale, developed with Elisabetta Cipriani Gallery, London. The collection debuted on May 6 at the Monaco & Grand Canal Hotel during the opening of the 61st International Art Exhibition of La Biennale di Venezia, alongside works by other artists such as Giorgio Vigna and Michele Oka Doner. Known for her monumental textile-based works, Hicks has translated her signature use of thread and fiber into wearable art, creating brooches and necklaces that incorporate gemstones and minerals, produced with Atelier L & L. The pieces draw from her larger-scale "Boules" and "memory bundles," reflecting a two-year process of rethinking proportion and movement for bodily adornment.

As old HQ comes down, Best Products’ design legacy is highlighted in Branch Museum exhibit

The Branch Museum of Design in Richmond has opened 'Imagining Best Products,' an exhibition exploring the architectural and graphic design legacy of the former retailer Best Products. The show, curated by architect Don O’Keefe with Harvard Graduate School of Design students, features original drawings by James Wines, items from a 1979 MoMA exhibition, and building models. It coincides with the demolition of Best Products' old headquarters in Henrico, which is being razed for a new arena-anchored development, though the timing is coincidental.

May Arts Calendar 2026

The May Arts Calendar 2026 highlights a wide range of visual art exhibitions and events in the Seattle area, including group and solo shows at galleries such as Gallery B612, Visual Arts Gallery No. 85, JG Art Gallery, Piano Nobile, ArtXContemporary Gallery, and Common Objects. Notable exhibitions include "Layered Being: A Celebration of AAPINH Heritage" at Gallery B612, "Moving As One" by Tetsuo Aoki, "Material Meditations" featuring woodworker Andy McConell, blacksmith Maria Cristalli, and mixed media artist Jill Kyong, and "TADAIMA: 'I'm Home'" at MOHAI, which explores Japanese American history through dolls. The calendar also features a solo show by Yaminee Patel and a group show titled "Moga" at Fresh Mochi, celebrating Japanese and Japanese American artists.

Who’s Showing What—and What They Love—at Market Art Fair

Market Art Fair in Stockholm celebrated its 20th edition, the largest to date with 150 exhibitors, after moving from Liljevalch’s to Magasin 9, a former warehouse at the city’s port. The fair, founded in 2006 as a joint Nordic initiative, expanded its scope in 2025 to include international presentations. During the preview day, Malin Ebbing captured exhibiting artists, gallerists, and notables with her Polaroid, asking about their work and favorite booths. Artists such as Arvida Byström, Hans Berg, Sigrid Soomus, and Gabriel Karlsson discussed their artistic expressions and discoveries at the fair, with many gallerists reporting significant sales.

Jim Dine | Dorian Gray With Rainbow Scarf (1968) | For Sale

Jim Dine's 1968 lithograph and collage 'Dorian Gray With Rainbow Scarf' is being offered for sale through Palm Beach Modern Auctions. The work, signed and numbered 119/200 from an A edition, was printed by Atelier Desjobert and Atelier LeBlanc in Paris and published by Petersburg Press in London. It is part of Dine's 'The Picture of Dorian Gray' suite and is listed with a starting bid available through Artsy's platform.

What’s on for spring? Spiritualism and symbolic systems

This article surveys several spring exhibitions in Chicago that explore themes of spiritualism, symbolic systems, and interconnected consciousness. Featured shows include Mindy Rose Schwartz's "Countersealed" at M. LeBlanc, which uses deconstructed fur coats, wands, and twisted fiber sculptures to evoke rituals addressing ecological disaster and historical subjugation. Daniel G. Baird's "Margin" at Patron examines thresholds between material and spiritual realms through a gilded canoe, wax arm cast, and birchwood oar. Leah Ke Yi Zheng's "Change, I Ching (64 Paintings)" at the Renaissance Society presents 64 hexagram paintings on silk, connecting abstract minimalism with Eastern silk painting traditions.

Your Australian art guide for May 2026 is here

May 2026 brings a packed calendar of art exhibitions across Australia, with highlights including Rone's 'Another TIME' at COMA Gallery in Sydney, the Archibald, Wynne and Sulman Prizes at the Art Gallery of NSW, and solo shows by Eleanor Louise Butt, Jordan Gogos, Natalya Hughes, Patricia Piccinini, and Michaela Gleave. Regional venues like Bundanon and Ngununggula also feature major exhibitions, including a posthumous show of Rosalie Gascoigne alongside new commissions by First Nations women artists.

Sebastiaan Bremer: Super Modern Things

Edwynn Houk Gallery presents "Super Modern Things," an exhibition of new works by Sebastiaan Bremer. The artworks blend photography and painting, starting from historical source images such as 17th-century Dutch botanical catalogues and Golden Age still life paintings. Bremer photographs these reproductions and adds ink and acrylic marks—dots, lines, stains, and washes—creating rhythms that evoke language, music, emotion, and constellations. The exhibition continues his long-standing exploration of flowers and the layered histories of still life, addressing themes of beauty, mortality, value, ecology, and global exchange. An accompanying monograph of his flower series is scheduled for Fall 2026.

NEXT in the Gallery: Preview Pittsburgh summer with a 'Pity Party,' dog sculptures and so much more art

NEXTpittsburgh's May 2026 gallery preview highlights a packed month of art events leading into the Three Rivers Arts Festival. Key offerings include the 59th Carnegie International at Carnegie Museum of Art, opening May 2 with works by 61 artists from 24 countries and four new commissions at local institutions. Other featured shows include 'Down to Earth: Revealing the Natural World' at James Gallery, Jody Shell's 'Shoebox Memories,' Dominique Swift's 'Uli Awakened,' and a three-artist exhibition at Irma Freeman Center featuring Laura Jean McLaughlin, James Simon, and Robert Qualters.

6 Black-owned Galleries Placing Artists in Major Museum Collections

Six Black-owned galleries—Mariane Ibrahim Gallery, Gallery Guichard, Galerie Myrtis, Richard Beavers Gallery, and Jenkins Johnson Gallery—are profiled for their success in placing artists into major museum collections. Each gallery has built institutional relationships that lead to acquisitions by museums such as the Baltimore Museum of Art, the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, and the Bronx Museum, often retaining artists through the placement stage to capture long-term market value.

The New York Historical Celebrates Artist Betye Saar’s 100th Birthday with a New Exhibition Featuring Her Black Doll Collection

The New York Historical will present "Betye Saar’s Black Dolls" from May 8 to October 4, 2026, celebrating the artist’s 100th birthday. The exhibition features 27 dolls from Saar’s promised gift of over 100 Black dolls to the museum, alongside 15 watercolors and several assemblages, including "Hoo Doo Woman" (1974) and "Indigo Mercy" (1975). Saar, a key figure in the Black Arts and feminist art movements, began collecting Black dolls in the late 1960s after growing up without one.

Exhibition | Carlos Garaicoa, 'Rituals and Liberty' at Goodman Gallery, New York, United States

Goodman Gallery presents Carlos Garaicoa's first solo exhibition at its New York viewing room, titled 'Rituals and Liberty.' The show features eight works, including five reliefs that blend painting and photography, and sculptural models incorporating 19th-century French engravings. The exhibition precedes Garaicoa's solo show at Museo La Tertulia in Cali, Colombia, in May. Garaicoa, a Cuban-born artist based in Madrid, explores urbanism and how architecture reflects and shapes society, continuing his long-standing interest in decoding urban infrastructures.

In an Age of Image Overload, AIPAD’s The Photography Show Reminds Us What a Photograph Can Do

The 2026 Photography Show, organized by AIPAD, opened to VIPs on April 22 at the Park Avenue Armory with record attendance and strong early sales. Featuring 80 domestic and international galleries, the fair showcased works ranging from early photographic experiments to contemporary digital and installation-based practices, with notable acquisitions by the Museum of the City of New York. AIPAD executive director Lydia Melamed Johnson reported a broad demographic of collectors, from established connoisseurs to first-time buyers.

When the story has already been told -- ‘Gordon Parks: The South in Color’ at Jackson Fine Art

Gordon Parks: The South in Color, curated by Dawoud Bey, is on view at Jackson Fine Art in Atlanta through June 13. The exhibition celebrates the 20th anniversary of The Gordon Parks Foundation and the 70th anniversary of Parks’ 1956 Life magazine feature on segregation in the South. The show presents a broader selection of Parks’ photographs than the original magazine spread, including iconic works like In-Home Barbershop, Shady Grove, Alabama, 1956. The article, written by a photographer and writer for ArtsATL, reflects on the experience of seeing Parks’ work in person and contrasts the gallery presentation with the editorial framing of the Life feature.