Navid Baraty's series "The Time Between" combines digital photographs of urban skylines like Manhattan and Chicago with dramatic natural landscapes such as desert dunes and snow-capped mountains. Using a double-exposure technique, the artist blends city lights and skyscraper outlines with geological features to explore contrasts between contemporary urban life and ancient, timeless terrains.
Encore d'autres dessins pour Versailles
The Palace of Versailles has acquired several drawings during the Paris Drawing Week sales in March 2026, including a rare study by Charles de La Fosse for the royal chapel's dome decoration. The drawing, depicting a reclining nude man for "The Resurrection of Christ," was purchased at the Rossini auction of Paul and Florence Vercier's collection for €3,800. This acquisition adds to Versailles' growing collection of La Fosse works, following earlier purchases of an angel study in 2016 and a ceiling project in 2023.
DE LAS MINOR KEYS AL ESTRUENDO: LA CRISIS DE LA BIENAL DE VENECIA
The 61st Venice Biennale is engulfed in a structural crisis, marked by geopolitical tensions over the inclusion of Russia (amid its invasion of Ukraine) and Israel (amid the Gaza genocide). The Biennale Foundation, led by Pietrangelo Buttafuoco, defended their participation on legalistic grounds, sparking outrage from over 200 artists, curators, and cultural workers who demanded Israel's exclusion, aligning with Art Not Genocide Alliance (ANGA). The international jury, chaired by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, resigned collectively on April 30 after deciding not to award prizes to countries whose leaders face International Criminal Court arrest warrants. This led to the cancellation of the traditional Golden and Silver Lions, replaced by audience-voted "Visitor Lions," with awards deferred until November. The European Commission suspended a €2 million subsidy over Russia's participation, and Italian Culture Minister Alessandro Giuli notably skipped the May 9 opening.
On May 8, during the pre-opening of the Venice Biennale, the independent collective ANGA (Art Not Genocide Alliance) organized a strike protesting genocide and precarity in the art world. Pro-Palestinian activists entered the Arsenale, where part of the exhibition "In Minor Keys" curated by the late Koyo Kouoh was installed, and hung posters on artworks calling for the liberation of Palestine and denouncing what they described as the Biennale's "art-washing" of Israel's reputation. The disruption blurred the line between activist intervention and the exhibition itself, as many works already addressed Palestine directly, including a poem by Refaat Alareer placed at the entrance.
The exhibition “Conspiracies” at the Warburg Institute in London, curated by Larne Abse Gogarty, brings together works by Hannah Black, Caspar Heinemann, Sam Keogh, and Shenece Oretha alongside panels from Aby Warburg’s Bilderatlas Mnemosyne. Through sculpture, drawing, collage, installation, and sound, the show resists the idea that conspiracy can be solved by exposure or critique, instead constructing unstable relations between historical images, speculative narratives, and material processes. Key works include Heinemann’s drawings reimagining Ted Kaczynski as “Theodora” and Keogh’s large-scale collage referencing medieval tapestries and surveillance systems.
Abstract Expressionist painter Tom Wilson Jones is the subject of a new exhibition at Larkin Gallery in Provincetown, Massachusetts. The show runs through June 9, with an opening reception on May 22. Jones, a Louisville native now living in Harwich Port, studied under Robert Henry, Bill Steeves, and at the Royal Museum of Brussels School.
Fifty-one students from Wallace Consolidated Elementary School and Tatamagouche Regional Academy displayed their artwork in a group show at The Fraser Art Gallery in Tatamagouche, Nova Scotia. The exhibition featured individual and class projects, including a collage inspired by the Artemis II moon flyby and a sculptured monster garden. The opening reception included remarks from gallery president Jackie Robertson, who thanked volunteers and sponsor PharmaChoice, and noted the importance of early art exposure.
Artspace111 in Fort Worth, Texas, has opened the call for its 2026 Texas Juried Exhibition, organized by the nonprofit Love Texas Art Foundation. The annual show invites artists from across the state to apply by June 1, with juror Terri Provencal, publisher of the Dallas Arts District Guide and Patron magazine, selecting participants. Prizes include the $10,000 Edmund Craig Memorial Award, a solo or group exhibition opportunity in 2027, and cash awards totaling thousands of dollars, with every selected artist receiving a $150 honorarium.
Tapisserie de Bayeux : un voyage à blanc qui ne teste rien
A confidential interim report obtained by La Tribune de l'Art reveals that the "blank voyage" test transport of the Bayeux Tapestry from Bayeux to London in February 2026 failed to measure actual risks to the artwork. The report admits that the vibration threshold used (2 mm/s) is arbitrary and based on paintings, not on a textile of this size and fragility. Because the tapestry has been stored and inaccessible since September 2025, no mechanical tests could be conducted beforehand to determine safe vibration levels, rendering the test meaningless. A second test took place on April 15, 2026, but its report has not yet been finalized; the actual loan is planned for July 2026, with transport via Eurostar.
The article examines the ongoing challenge of preventing the illicit trade in cultural property looted from conflict zones. It discusses the Hague Convention of 1954 and its protocol, which require signatory countries to prevent theft and pillage during armed conflict and to seize and repatriate unlawful exports. However, the protocol only applies to situations of 'occupation,' leaving a gap for looting that occurs in the chaos of war beyond formal occupation. The article also notes UN Security Council Resolutions that restrict unlawfully removed cultural property from Iraq and Syria, but no similar consensus exists for countries like Afghanistan, Libya, Ukraine, Lebanon, Yemen, Sudan, and Iran. EU Regulation 2019/880 is highlighted as a measure that prohibits introducing goods removed unlawfully from their place of origin into the EU, though its scope has expanded beyond its original anti-terrorist financing purpose.
A ten-day collagraph printmaking exhibition opened on Wednesday at Kaalnee Art Studio in Rayer Bazar, Dhaka. The exhibition features 19 prints by 14 artists, created during a four-day workshop led by UK-based Bangladeshi artist Zaman Md Fakruzzaman and coordinated by Tarek Amin, jointly organized by Kaalnee Art Studio and the East London Academy of Art. Notable artists including Abul Barq Alvi, Nisar Hossain, Shishir Bhattacharya, Saifuddin Ahmed, Rashid Amin, and Tarek Amin attended the opening ceremony.
ArtHouse Jersey has launched an open call for entries to its new Portrait Award, a competition open to artists aged 16 and over who live in or have a strong connection to the Channel Islands. The award is free to enter, with a deadline of September 30, 2026, and offers a top prize of £1,500 plus two runner-up prizes of £500 each. Selected works will be exhibited at Capital House in St Helier from January to April 2027, alongside works by international artists. All forms of portraiture—painting, photography, mixed media—are eligible, provided they are original and completed within the last three years.
Cerritos College opened its 2026 annual Student Art Exhibition on April 23 at the Cerritos College Art Gallery, featuring over 150 student artworks selected by faculty from the college's art, design, and photography programs. The opening night included an award ceremony introduced by Gallery Director James Mac Devitt and a speech by Dr. Jose Fierro. Juror Kim Abeles, an established L.A. artist, presented five awards across seven categories including Ceramics/3D Design, Painting/Life Drawing, Freehand Drawing, Printmaking/2D Design, Graphic Design/Digital Illustration, Photography, and 3D Modeling/Motion Picture Editing. Faculty also gave honorable mentions in each category. Approximately $7,000 in awards was distributed, supported by the Associated Students of Cerritos College, the Cerritos Foundation, and donors including former student John DeMott.
The Surrey Art Gallery in British Columbia is presenting a new exhibition titled "In the Shadow of the Pavilions: Expo 86 and Contemporary Art," running from April 18 to June 7, 2026. The show features over 50 artists, including a project by Michael de Courcy who took 1,700 photos of Expo 86 visitors, and works by Henri Robideau, a self-described 'Gianthropologist' who photographed giant roadside attractions across Canada in the 1980s.
The Lynden Sculpture Garden in Milwaukee announces its May 2026 events, including exhibitions, workshops, and outdoor installations. Featured exhibitions include Faythe Levine's "Time is Running Out," which explores the legacy of Charlotte Partridge and Miriam Frink, co-founders of the Layton School of Art, and "Slow Growing in the Time of Trees" by the mycology-focused collective mycollective. A bonsai exhibit opens on World Bonsai Day in collaboration with the Milwaukee Bonsai Society and Milwaukee Bonsai Foundation, alongside free community events like Knit @ Lynden with Sara Caron.
The Lucas Museum of Narrative Art in Los Angeles has announced its 18 inaugural exhibitions ahead of its September 22, 2026 opening. The $1 billion, 100,000-square-foot museum in Exposition Park will feature 32 galleries curated personally by George Lucas, including a dedicated Cinema space showcasing the Lucas Archives with original concept art, costumes, and props from Star Wars and Indiana Jones. Unlike traditional museums, the exhibitions are organized by emotion and storytelling themes such as Adventure, Childhood, Fantasy, and Romance, rather than by time period or artist.
Art students from a local university, under the guidance of assistant professor Dawn Kramlich, collaborated with the Elmhurst Art Museum after an assignment inspired by a visit to the museum's "Living with Modernism" exhibition featuring artist Kelli Connell. The museum shared the students' resulting artwork on Instagram and invited several to exhibit in the new Emerging Artists Pavilion at the Art in Wilder Park festival. Students received private tours and one-on-one feedback from museum director Allison Peters Quinn, deepening their professional experience.
This article appears to be a promotional or editorial piece about the artwork "PixCell-Elk#3, 2026" by artist Kohei Nawa. It describes a partnership with leading galleries to showcase artists, artworks, and exhibitions, with membership vetted by industry peers. The text also highlights the role of art advisors providing access to influential galleries, collectors, and auction houses, while celebrating contemporary art through editorial content.
The jury of the Venice Biennale, the world's most prominent art exhibition, has resigned collectively amid a dispute over a proposed ban on awarding artists from countries whose leaders are accused of crimes against humanity. The jury had declared it would not consider such artists for prizes, leading to internal tensions and ultimately their resignation.
The Sherman Fund has acquired works by emerging artists for donation to US museums, supporting new talent and expanding institutional collections. The initiative focuses on acquiring pieces from lesser-known contemporary artists and placing them in public institutions to increase accessibility and representation.
Mexican artist Demián Flores presents "America. New Visions from the Old World," a graphic arts exhibition at the Instituto Cultural de México in Madrid. The show features forty works that reinterpret 16th-century engravings by Theodor de Bry, whose images of Indigenous peoples—ranging from idealized noble savages to violent cannibals—shaped European perceptions of the Americas. Flores draws on his earlier series "Collateral Disasters" (2012), inspired by Goya's "The Disasters of War," to critique how colonial visual narratives constructed otherness and justified violence.
Il centro culturale BASE di Milano compie 10 anni: tutto il programma per i grandi festeggiamenti
BASE, the cultural center in Milan's former Ansaldo industrial complex, celebrates its 10th anniversary on May 23, 2025, with a 16-hour event called FIESTAS. The program runs from noon to 5 a.m. and includes performances, workshops, concerts, installations, and shared practices by artists such as MOMBAO, Stalker Teatro, Klaus, Francesca Grilli, Nazario Graziano, Michele Rizzo, and many others. The event also launches BASE's first summer season, keeping the center open throughout the summer months.
Stefano Boeri Architetti has been commissioned to transform a former ATAC bus depot in Rome's Prati-Delle Vittorie district into a multifunctional hub called Depositi delle Vittorie. The project, owned by the family behind the Fondazione Memmo, will convert the 16,000-square-meter disused site into a mixed-use complex featuring commercial, cultural, and leisure spaces, along with a 8,000-square-meter rooftop park suspended 15 meters high that will host art installations. Construction is set to begin in late 2027 and conclude by 2030.
An opinion article on Hyperallergic analyzes official portraits of Israeli Defense Forces (IDF) soldiers released in May 2025, in which the soldiers are depicted with their backs to the camera. The author argues that this pose is a deliberate tactic to avoid identification and potential prosecution for war crimes in the occupied Palestinian territories, weaponizing surveillance technologies against the very people they surveil. The piece frames these images as "counter-portraits" that transform individual soldiers into a faceless, intimidating mass, contrasting them with traditional portraiture that invites intimate moral scrutiny.
On May 14, 2026, the Salt Lake Art Museum (SLAM) hosted a launch event for X5, a new convergence platform, inside the historic B'nai Israel Temple in Salt Lake City. The event featured an interactive moment where attendees drew on the museum's bare walls before they are painted over. The following day, the Salt Lake Art Show opened at the Mountain America Expo Center in Sandy, serving as X5's first public activation. X5 Vice Chair Joe Ross outlined the platform's three clusters—industry/STEM, culture, and capital/workforce—positioning it as a successor to Sundance's economic impact in Utah.
KAG in Tokyo is presenting a group exhibition titled "月を射る" (Shooting the Moon), running from May 19 to August 16, 2026. The show takes its starting point from a prose poem of the same name by Korean poet Yun Dong-ju (1917–1945), who wrote it in 1939 under Japanese colonial rule and later died in a Fukuoka prison. The exhibition spans pre-war and wartime educational films, propaganda, performance, and contemporary fieldwork, featuring works by artists such as Inoue Kan (Lee Byung-woo), Choe Seung-hui, Kamei Fumio, Yoshimi Yasushi, Atsugi Taka, Fujii Hikaru, Yamamoto Seiko, T.T. Takemoto, Morita Reine, Gataro, and Shirakawa Masao. It examines the management models formed by the former empire and the spiritual structure of colonialism that underlies contemporary issues, centering on works that carry the "memory of censorship"—banned, deleted, or denied existence by national, administrative, or social norms.
Les Rothschild et la porcelaine de Sèvres : une passion de collectionneurs au cœur d’une exposition à Paris
An exhibition at the Galerie des Gobelins du Mobilier national in Paris explores the Rothschild family's centuries-long passion for Sèvres porcelain. Titled "Sèvres, une passion Rothschild. De la Villa Ephrussi à Paris," it traces how the banking dynasty collected, traded, and bequeathed these delicate objects from the Ancien Régime, with a centerpiece table setting featuring pieces lent by family members from Vienna, England, and beyond. The show also highlights Béatrice Ephrussi de Rothschild, who amassed thousands of pieces and left them to the Villa Ephrussi de Rothschild, and includes a section on the Nazi looting of Rothschild collections in 1940, during which 22 Sèvres pieces were acquired by the Musée de Sèvres.
Double vandalisme place de la Concorde
During the PSG Champions League semi-final victory celebrations last Wednesday, vandals destroyed an exhibition by Yann Arthus-Bertrand on the theme of 'Living Together' on the Place de la Concorde in Paris. The article describes this as a double vandalism: the physical destruction by rioters compounded what the author considers the original vandalism—the exhibition itself, which was supported by the French government, the Paris city hall, and several other entities.
The Bendheim Gallery in Westport, Connecticut, opens its annual juried art exhibition today, a tradition that has been running for more than a century. The show features selected works from local and regional artists, chosen through a competitive jury process, and is a staple of the community's cultural calendar.
The New Britain Museum of American Art (NBMAA) has appointed Lydia Holleck as its first Hamm Family Curatorial Fellow. This new full-time position is dedicated to researching, exhibiting, and engaging the public with artwork from the museum’s permanent collection that is currently in storage and rarely seen by visitors.