Cigarette Taxes Have Funneled $270 M. Toward Arts and Culture in Cleveland Since 2007

Cuyahoga County, Ohio, has funneled $270 million into arts and culture since 2007 through a cigarette tax, distributed by the nonprofit Cuyahoga Arts and Culture. Beneficiaries include the Cleveland Museum of Art, the Museum of Contemporary Art Cleveland, the Cleveland Institute of Art, ICA-Art Conservation, Sculpture Center, and the Cleveland Arts Prize. The tax has funded roughly 4,000 grants to 485 organizations, far exceeding the $48 million the entire state received from the National Endowment for the Arts in the same period.

No money, more problems: 85% of US museums in urgent need of building repairs

A recent survey by the US Government Accountability Office (GAO) found that approximately 85% of US museums face a costly backlog of maintenance or building repairs, with 77% having at least one structural issue that puts their collections at risk. Based on a survey of around 300 museums and 17 site visits, the report reveals that institutions across the country struggle to keep buildings updated and safe due to a lack of funding, with challenges especially pronounced in rural and remote locations where shipping materials and finding skilled workers is prohibitively expensive. Many museums are housed in historic homes or sites that are part of their collections, adding further complexity, and smaller museums often lack the budget to address major problems like new roofs or HVAC systems.

Syracuse-born artist Peter McGough hand-painted Anne Hathaway’s Met Gala dress

Syracuse-born artist Peter McGough hand-painted a custom Michael Kors gown worn by Anne Hathaway to the 2026 Met Gala. The dress, a strapless black Mikado silk ball gown with a plunging neckline and high-leg slit, features intricate Grecian patterns inspired by the Met's urns and statues, including a goddess with a dove on the back. McGough, a former classmate of Michael Kors at the Fashion Institute of Technology, painted directly on the silk and wool gown over a week using three layers of fabric paint. The design aligns with the gala's 'Fashion Is Art' dress code and references John Keats' poem 'Ode on a Grecian Urn,' also tying into Hathaway's upcoming film 'The Odyssey.'

Unsung modernist artist's work back in Christchurch after 45 years

A major exhibition of works by pioneering New Zealand modernist painter Edith Collier has opened at Christchurch Art Gallery Te Puna o Waiwhetū, marking the first time in 45 years that Christchurch audiences can see a wide range of her work. The show, titled 'Edith Collier: Early New Zealand Modernist,' features over 60 pieces including studies, sketches, watercolours, prints, and archival material, drawn from the permanent collection of Te Whare o Rehua Sarjeant Gallery in Whanganui. Collier, born in 1885, developed a bold post-impressionist style during a nine-year stay in London alongside artist Frances Hodgkins, but faced harsh criticism upon returning to conservative New Zealand, leading her father to destroy some of her paintings.

Currents of the 61st Biennale: Inside Venice’s Flow of Art and Power

The 61st Venice Biennale jury, composed of five curators—Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—resigned on April 30th amid internal tensions over decisions that conflicted with the late Koyo Kouoh's curatorial vision. The jury had previously stated it would refrain from considering countries whose leaders are charged with crimes against humanity by the International Criminal Court. Meanwhile, Filipino artist Jon Cuyson prepares to present his installation at the Philippine Pavilion, featuring works shipped 60 days before geopolitical conflict escalated, navigating unstable maritime routes. His project includes the film series "Sea of Love (Dagat ng Pag-ibig)" and a new fourth film, "Sea of Echoes," exploring themes of migration, queer experience, and ecological resilience through mussels as non-human protagonists.

The Bad Bunny chairs taking over the art world

Edra Soto, a Puerto Rican artist based in Chicago, has created a series of plastic lawn chairs upholstered with the face of reggaetón superstar Bad Bunny, now on view in the exhibition "Dancing the Revolution: From Dancehall to Reggaetón" at the Museum of Contemporary Art Chicago. The chairs, part of Soto's broader practice transforming everyday Puerto Rican objects into art, also appear at the Kemper Museum of Contemporary Art in Kansas City and were shown at EXPO Chicago. The exhibition explores the visual history and political power of Caribbean music, highlighting Bad Bunny's role in the 2019 protests that led to the resignation of Governor Ricardo Rosselló.

The Met's New 'Costume Art' Exhibition Is All About Real Bodies

The Metropolitan Museum of Art has opened a new exhibition titled "Costume Art," curated by Andrew Bolton, which aims to collapse the historical hierarchy between fine art and fashion by focusing on the act of dressing and real bodies. The show features nine new mannequin forms representing pregnant, trans, disabled, and larger bodies, largely absent from traditional fashion displays. Models including musician Yseult, Jade O’Belle, Charlie Reynolds, and designer Michaela Stark were 3D-scanned and translated into physical figures by sculptor Frank Benson, with mirrored faces added by Samar Hejazi to reflect viewers. The exhibition also highlights voices and designers outside the European sphere, and the mannequins will become part of the museum's permanent collection.

INSIDE THE 2026 MET EXHIBITION ON FASHION AS ART

The Metropolitan Museum of Art's 2026 exhibition 'Costume Art' explores how standards of form, modesty, and exposure have evolved across history and cultures. The show is organized into sections examining the classical body, distorted bodies through corsets and bustles, and reclaimed bodies by designers like Rei Kawakubo, Duran Lantink, and Michaela Stark. Another section focuses on the 'Anatomical' and 'Mortal' bodies, highlighting universal experiences such as aging and mortality. Mannequins represent diverse body types—pregnant, plus-size, disabled, and non-conforming—modeled after real people including Sinéad Burke, Aariana Rose Philip, Aimee Mullins, and Yseult, with reflective steel faces designed by artist Samar Hejazi.

Stories the Soil Remembers Exhibition by Jyoti Tyagi to Open at Shridharani Gallery in New Delhi

A solo exhibition titled "Stories the Soil Remembers" by Delhi-based artist Jyoti Tyagi will open from 8 May to 14 May 2026 at Shridharani Gallery, Triveni Kala Sangam, New Delhi. Curated by poet and art critic Prayag Shukla, the show features works in charcoal, acrylic, and mixed media on paper and canvas, exploring themes of nature, memory, and ecological sensitivity. Recurring motifs such as trees, birds, and landscapes reflect on the interdependence between humans and nature, while Tyagi's technique of scratching into painted surfaces evokes a sense of time and transformation.

Painting LACMA's David Geffen Galleries with Light, Shadow, and Color

LACMA's new David Geffen Galleries, designed by architect Peter Zumthor, feature custom-tinted concrete walls that break from traditional museum aesthetics. The walls are coated with a transparent, nano-scale mineral glaze developed by Zumthor and Swiss craftsman Marius Fontana, manufactured by German company Keim. The palette—dusky red, vibrant blue, and nuanced black—was inspired by ancient Indigenous American pigments prepared by artist Porfirio Gutiérrez for the museum's exhibition "We Live in Painting: The Nature of Color in Mesoamerican Art." Diana Magaloni, LACMA's Senior Deputy Director for Conservation, Curatorial and Exhibitions, led the conceptualization and application of the glazes, which are designed to enhance the building's interplay of light and shadow without obscuring its raw concrete surfaces.

“Rising Up Rocky” Exhibition In Philadelphia Museum Of Art

The Philadelphia Museum of Art has opened the exhibition “Rising Up: Rocky and the Making of Monuments,” featuring the iconic bronze statue of Rocky Balboa, the fictional boxer portrayed by Sylvester Stallone. The statue, which has long stood on the museum steps, was moved inside for the show, which also includes photographs of the historic Blue Horizon Gym and a tribute to boxer Joe Frazier. The exhibition runs until August, after which the statue will return to its outdoor perch.

Patchwork Lost – A Critique of the Princeton University Art Museum’s American Art Wing

The article critiques the newly opened American art wing at the Princeton University Art Museum, arguing that its curatorial approach prioritizes contemporary social justice narratives over historical accuracy and national pride. The author contends that the exhibition presents a fragmented, politicized view of American history, highlighting slavery and racial injustice while omitting or minimizing the contributions of Princeton alumni to the nation's founding, such as James Madison and John Witherspoon. Specific examples include the inclusion of a 2022 revisionist painting of the Signing of the Constitution and selective signage that emphasizes marginalized figures while ignoring male patriots.

First-of-its-kind MCA exhibition plays the beat of Caribbean activism

Carla Acevedo-Yates has curated "Dancing the Revolution: From Dancehall to Reggaetón," a major exhibition at the Museum of Contemporary Art Chicago, which will be her final show before departing for a role on the Documenta 16 team in Germany. The exhibition, which occupies the museum's entire fourth floor through September 20, features over 40 artists and explores the social and political histories of Caribbean music genres.

Iran Will Not Participate in Venice Biennale, Organizers Say

Iran will not participate in the 61st Venice Biennale, which opens for previews this week, the Biennale Foundation announced on May 4. The decision comes two months after the United States and Israel launched strikes across Iran, and amid renewed tensions along the Strait of Hormuz. The Iranian pavilion was to be commissioned by Aydin Mehdizadeh Tehrani, director general of the visual arts office in the Iranian Ministry of Culture. Iran has had inconsistent attendance at the Biennale since 1958, with a long absence between the 1960s and 2003, but has participated semi-consistently over the last two decades, most recently in 2024.

In Seine-Saint-Denis, the clever housing for migrants by architect Patrick Rubin

En Seine-Saint-Denis, les logements futés pour les migrants de l’architecte Patrick Rubin

Architect Patrick Rubin of the firm Canal has transformed the former National Road Information Center, known as Bison Futé, in Rosny-sous-Bois (Seine-Saint-Denis) into a housing complex for 169 migrants. The project, commissioned by social landlord Batigere Habitats Solidaires, preserves the original 1986 half-moon building by Ludwik Peretz and Gilbert Delecourt, adding a new floor and a rear half-crown structure. Rubin used 79 prefabricated modules (17–25 m² each), built in workshops near Lyon, each equipped with a bed, kitchenette, bathroom, and window. Inspired by ship cabin manufacturing in Dunkirk and traditions of tiny houses and capsule hotels by Charlotte Perriand, Herman Hertzberger, and Shigeru Ban, the modules were craned into place. The project faced delays due to differing tolerances between concrete and wood construction, pushing delivery from early 2026 to late 2026.

Institutions Across the US to Benefit from Transformative $116 Million Gift to National Gallery

Billionaire collector and National Gallery of Art trustee Mitchell P. Rales has donated $116 million to the museum. The gift, the largest programming endowment in the institution's history, will fund the 'Across the Nation' initiative, which loans works from the National Gallery's permanent collection to small and midsize museums across the United States for two-year periods at no cost to the borrowing institutions.

Jemima Wyman

Jemima Wyman's retrospective "Deep Surface" surveys three decades of her work exploring DIY aesthetics of concealment, protest iconography, and political solidarity. Born in Sydney and based in Los Angeles since 2004, Wyman is known for collages of masked protesters, activist signage, and street rally residues, as seen in works like *Aggregate Icon (RBW)* (2016) and *Mass Monument (Y & B)* (2018). The exhibition highlights her early inspiration from Fluxus, Minimalism, and Yayoi Kusama, as well as the influence of Brisbane's late-1990s art scenes and postcolonial Indigenous Australian art debates. Wyman, who has Indigenous (Palawa) heritage, uses camouflage and disguise to blur boundaries between visibility and concealment, figure and ground.

In Venice, famous street artist JR completely wraps a historic palazzo with an installation

A Venezia il famoso street artist JR avvolge completamente un palazzo storico con un’installazione

Street artist JR has wrapped the historic Palazzo Ca' da Mosto in Venice—now the Venice Venice Hotel—with a large-scale installation timed to the 61st Venice Biennale. The project, titled "Il Gesto," reinterprets Paolo Veronese's 1563 masterpiece "The Wedding at Cana" as a contemporary fresco featuring 176 people from the Refettorio Paris community kitchen. Inside the palazzo, an immersive installation combines photographic portraits, reflective surfaces, and audio recordings to create a layered narrative. A monumental tapestry woven by Giovanni Bonotto and the Fondazione Bonotto, made from recycled plastic, wool, cotton, and washi paper, extends the work into a durable, contemplative form.

Cultural workers at Venice Biennale to strike over Israel’s participation

Cultural workers and participants at the Venice Biennale plan to strike on 8 May during the opening week of the 61st edition, protesting Israel’s participation in the event. The strike, organized by the Art Not Genocide Alliance (ANGA) and supported by Italian trade unions, includes a rally near the Arsenale site. ANGA previously sent a letter signed by over 230 artists and curators demanding the cancellation of the Israeli pavilion, citing opposition to "genocide normalisation in culture" and precarious labor conditions. Israel is represented this year by sculptor Belu-Simion Fainaru, who opposes cultural boycotts.

Venice Biennale jury quits amid row over participation of Russia

The entire jury of the Venice Biennale resigned just days before the 61st international art exhibition's opening on May 9, following a dispute over the decision to allow Russia to participate. The five-member panel, led by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, had previously stated it would not award prizes to artists from countries whose leaders face charges of crimes against humanity, a move seen as targeting Russia and Israel. The Biennale responded by postponing the award ceremony to November 22 and announcing it would give two awards, including one that could go to any national participation, citing its founding principles of openness and rejection of censorship.

Story of Max Peiffer Watenphul, the Bauhaus painter who found his new homeland in Italy

Storia di Max Peiffer Watenphul, il pittore del Bauhaus che trovò in Italia la sua nuova patria

A major retrospective titled "Max Peiffer Watenphul. Pittore del Bauhaus" has opened at the Galleria Nazionale d'Arte Moderna e Contemporanea (GNAMC) in Rome, curated by Gregor H. Lersch, director of the Museo Casa di Goethe. The exhibition explores the complex artistic journey of Max Peiffer Watenphul (1896–1976), a German Bauhaus-trained painter who found a second home in Italy. It highlights his multidisciplinary approach, his troubled painting style marked by unusual materials and scratched surfaces, and his deep connection to Italy, where he fled after Nazi persecution and where he lived until his death.

The Biennale releases the rules for voting on the Visitors' Lions while many artists and pavilions renounce competing for the prizes

La Biennale diffonde il regolamento per votare i Leoni dei Visitatori mentre molti artisti e padiglioni rinunciano a concorrere ai premi

The 61st Venice Biennale has opened to the public, introducing a controversial new voting system for the Golden Lions. After the entire jury resigned en masse on April 30, the Biennale decided to let the public decide the winners of the so-called "Leoni dei Visitatori" (Visitors' Lions). Voting is open from May 9 to November 22, 2026, and requires ticket holders to visit both main venues (Giardini and Arsenale) to receive a voting link. One vote per person is allowed for each of two categories: an artist in the main international exhibition "In Minor Keys" curated by Koyo Kouoh, and a national pavilion.

At the 2026 Venice Biennale, pavilions shut down for pro-Palestine strike. The map of protests

Alla Biennale di Venezia 2026 serrata dei padiglioni per sciopero pro Palestina. La mappa delle proteste

On May 8, 2026, the third VIP preview day of the 61st Venice Biennale, a massive strike shut down numerous national pavilions and disrupted the exhibition. Led by the Art Not Genocide Alliance (Anga), the protest demands Israel's exclusion from the Biennale over allegations of genocide in Palestine, and also targets poor labor conditions in the cultural sector. Pavilions closed one after another due to staff shortages, and protest posters appeared around artworks at the Giardini and Arsenale. The strike involved the Biennale Foundation itself, along with about twenty contractors managing services and national pavilions, with unions Adl Cobas, USB Lavoro privato, and Cub supporting the action. Tensions rose when the UK Pavilion reportedly replaced striking staff to remain open, and the Foundation issued a statement falsely denying that its employees were covered by the strike.

The ironic and intellectual painting of Renato Varese. The exhibition in Conegliano

La pittura ironica e intellettuale di Renato Varese. La mostra a Conegliano

Palazzo Sarcinelli in Conegliano is hosting a retrospective exhibition dedicated to Renato Varese (1926–2024), a versatile Italian painter, graphic artist, engraver, sculptor, and ceramist. Curated by Lorena Gava, the show marks the centenary of Varese's birth and features around fifty works spanning painting and graphic art, highlighting his ironic, intellectual, and visionary style often described as "Gothic." Concurrently, the artist's heirs have donated thirteen works to the city's civic collections, including the large canvas "Beati gli ultimi" (1997), now housed in a dedicated room named Sala L.R. Varese.

The Daughters of Sound. Hildegard of Bingen and Patti Smith are at the Vatican Pavilion at the Biennale

Le figlie del suono. Ildegarda di Bingen e Patti Smith sono al Padiglione Vaticano alla Biennale

The article profiles a meeting between the author and Patti Smith, exploring her new memoir "Bread of Angels" and her connection to the 12th-century Benedictine abbess and mystic Hildegard of Bingen. Both women are presented as figures who see music as a living resonance that can awaken a primordial, sacred vibration within humanity. The piece also notes that Smith wrote the preface to the author's book "A passo d'uomo" and that both she and Hildegard are featured at the Vatican Pavilion at the Venice Biennale.

A Londra compare una statua firmata da Banksy. Trovata di marketing o davvero una nuova opera dell’artista?

A satirical statue has appeared in Waterloo Place, London, depicting a man in a suit with his face covered by a large waving flag. Initially met with skepticism due to its unusual chalk signature and three-dimensional form—departing from Banksy's typical stencil and mural work—the artist later claimed the piece via an ironic video on his Instagram page. The statue stands near the Crimean War Memorial and statues of Edward VII and Florence Nightingale, and is interpreted as a critique of authoritarian trends in democracies.

The Biomorphic Sculptures of Alma Allen in the U.S. Pavilion at the 2026 Venice Art Biennale (Amid Controversy)

Le sculture biomorfiche di Alma Allen nel Padiglione USA alla Biennale d’Arte di Venezia 2026 (tra le polemiche)

Alma Allen, a self-taught American sculptor, has been selected to represent the United States at the 61st Venice Biennale in 2026 with the exhibition "Call Me the Breeze." The pavilion, curated by Jeffrey Uslip, will feature site-specific biomorphic sculptures that explore the concept of "elevation" through a hybrid creative process combining pre-industrial carving and hand-modeling with advanced robotic sculpting. Works will incorporate local American materials such as walnut burl, Cantera green volcanic rock, and Yule marble from Colorado, and the pavilion is tied to America250, the celebration of the 250th anniversary of the U.S. Declaration of Independence.

Exhibition | Daniel Crews-Chubb, 'Pareidolia' at MASSIMODECARLO Pièce Unique, Pièce Unique, Paris, France

MASSIMODECARLO Pièce Unique in Paris presents 'Pareidolia,' an exhibition of new paintings by London-based artist Daniel Crews-Chubb. The show explores the psychological phenomenon of pareidolia—the brain's tendency to see faces in random patterns—through heavily layered works created with hands, ink, oil, sand, and collage. Three paintings are featured: 'Immortal XXXVIII' and 'Immortal XXXIX' (2026), large-scale works drawing on cultural memory of ancient sculpture, and 'Mask XXIV' (2026), which tests the minimal cues needed for facial recognition. Crews-Chubb's process involves building up and tearing back surfaces over weeks, with charcoal lines added last to define emergent figures.

Carole Harris’ Origin Story in “This Side of the River” at MOCAD

The article reviews Carole Harris's solo exhibition "This Side of the River" at the Museum of Contemporary Art Detroit (MOCAD), curated by Abel Gonzalez Fernandez. The show features twenty fiber pieces and archival materials spanning from 1966 to the present, tracing Harris's creative evolution and her responses to Detroit's social and urban changes. It highlights early works like "Potpourri" (1976) and "Black Jack" (1976) from her 1977 debut at Gallery 7, a Black Power-era space founded by Charles McGee, and later pieces such as "Down the Road a Piece" (2003) that mark her shift toward improvisational, abstract compositions.

Shiva Zahed's Istanbul gallery opens new platform for Iranian contemporary art

Shiva Zahed, an Iranian collector and former physician, has opened a new gallery in Istanbul's Pera district dedicated to Iranian contemporary art. The gallery launched with the exhibition "echos," featuring works by Shaqayeq Arabi and Fereydoun Ave, which was extended through May 10 due to strong interest. Zahed frames the space as an active platform to reposition Iranian artists within a global context, rather than a conventional exhibition venue.