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Russia’s justice ministry is seeking to have Pussy Riot, the feminist punk rock art collective, designated as an extremist organization, with a hearing set for December 15 at Moscow’s Tverskoy Court. The lawsuit, filed by prosecutor general Alexander Gutsan, aims to ban the group’s activities in Russia, marking the first time Pussy Riot faces official allegations of extremism. The move coincided with a performance of Police State by member Nadya Tolokonnikova at the Museum of Contemporary Art Chicago, where she transformed the theater into a replica Russian prison cell for a five-day immersive piece. Tolokonnikova, who was previously imprisoned by Russia on religious hatred charges, has been placed on the country’s wanted list, and other members have received lengthy prison sentences for spreading alleged "fakes" about the Russian military.

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A Confederate heritage group, the Georgia Division of the Sons of Confederate Veterans, has filed a lawsuit against Stone Mountain Park in Georgia, challenging a new exhibition that examines the site's history of slavery, segregation, and white supremacy. The group argues that the exhibition, commissioned by the Stone Mountain Memorial Association and developed by Warner Museums, violates state law by repurposing the park away from its original mandate to honor the Confederacy. The exhibition, funded with $11 million from the Georgia legislature in 2023, is not yet open to the public but has already sparked backlash from heritage groups.

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South Africa's culture minister Gayton McKenzie canceled artist Gabrielle Goliath's selected presentation for the country's national pavilion at the 2026 Venice Biennale, prompting Goliath and curator Ingrid Masondo to file a constitutional court challenge on January 22. The artist's work, *Elegy*, commemorates victims of injustice including women, queer people, and victims of the Herero and Nama genocide, and was to address deaths of Gazan women and children since October 2023. McKenzie described the work as "highly divisive" and canceled the exhibition on January 2, despite an independent committee's binding selection. The minister now plans to replace it with a project by the collective Beyond the Frames titled "Shameless Rebellions: a South African Chorus."

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The Department of Homeland Security (DHS) posted a painting by the late artist Thomas Kinkade titled *Morning Pledge* on social media platforms Facebook, Instagram, and X, with the caption “Protect the Homeland.” The painting depicts an idealized American small town with midcentury cars, a schoolhouse, and an American flag. Kinkade, known for mass-producing sentimental, conservative scenes and dubbed the “painter of light,” was widely dismissed by the mainstream art world as kitschy. The DHS post coincided with the opening of a new ICE detention center in the Florida Everglades, nicknamed “Alligator Alcatraz,” built to imprison immigrant detainees, and with the passage of a controversial bill expanding ICE funding while cutting healthcare and food benefits.

Where to see art in Houston now: 9 intriguing new exhibits opening in June

Houston's art scene is bustling in June 2025 with nine new exhibitions opening across the city. Highlights include Lawndale Art Center's annual "Big Show," juried by Dr. Phillip A. Townsend, featuring 88 works by 77 local artists; Sawyer Yards' "Be the Art: The Silos Selfie Experience," an immersive, social-media-friendly display; and three new shows at the Blaffer Art Museum, including "a way to mend" focusing on Gulf Coast artists and healing, "¡Cuidado!" by X Arriaga Cuellar and Adán Vallecillo about migrant healthcare workers, and Saif Azzuz's debut museum exhibition "Keet Hegehlpa’ (the water is rising)" addressing land and water privatization. The Museum of Fine Arts, Houston also celebrates new acquisitions spanning luxurious historical works and AI-driven futures.

Watch: Khaled Sabsabi and Michael Dagostino in Conversation

Artist Khaled Sabsabi and curator Michael Dagostino discuss their project 'conference of one’s self' for the Australia Pavilion at the 61st Venice Biennale. Sabsabi explains how the work draws on the twelfth-century Sufi poem 'The Conference of the Birds' by Farīd al-Dīn ʿAṭṭār, mapping its seven spiritual valleys and adding an eighth level of 'wholeness and completeness'. He also reflects on his childhood in Lebanon, migration to Australia, and how his return to Lebanon in 2002 reconnected him with his Sufi lineage, which informs his artistic practice focused on memory, displacement, and social justice.

The National Museum of Mexican Art’s Special Mission

The National Museum of Mexican Art (NMMA) in Chicago was founded in 1987 by a group of public school educators, led by Carlos Tortolero, to address a lack of Mexican history and culture in the curriculum. It has grown into a 48,000-square-foot institution with a collection of over 20,000 objects, spanning from Pre-Columbian times to the present, and was the first Latino museum in the U.S. to be accredited by the American Alliance of Museums.

Guest Artist Exhibition Opens at Center for the Visual Arts

The University of Toledo Department of Art will host a free public exhibition of photographs and installation works by guest artist Margaret LeJeune, opening August 25 at the Center for the Visual Arts. Titled "Drawn from Memory: Mapping Salt and Time," the exhibition examines ecological shifts in Dare County, North Carolina, including the transformation of coastal forests into ghost forests due to saltwater intrusion and rising sea levels, while also addressing histories of colonialism, enslaved Africans and their descendants, and Indigenous displacement. LeJeune will give an artist talk on September 24, and the show runs through October 10.

Art exhibits to check out in May and June

A roundup of art exhibitions opening in May and June 2026 across Dayton and Cincinnati, Ohio, highlights solo shows by Teresa Olavarria, Tony Foster, Nathan Foley, Mina Kim, and Eunshin Khang, along with group exhibitions including SOS ART 2026, 'Voices of Kenya: Social and Cultural Reflections,' and 'Elizabeth Hawes: Radical American Fashion.' Venues include The Contemporary Dayton, The Dayton Art Institute, Rosewood Arts Center, the Art Academy of Cincinnati, and Kennedy Heights Arts Center.

The Clay Studio organizes "Radical Americana" exhibitions across Philadelphia

The Clay Studio has organized "Radical Americana," a sprawling exhibition series featuring 45 artists across 22 sites in the Philadelphia area. Curated by Jennifer Zwilling, the project includes a central "welcome hub" at The Clay Studio and 25 satellite exhibitions at venues such as the Museum for Art in Wood, Cliveden, and the Historical Society of Pennsylvania. Artists were prompted to reflect on the Declaration of Independence and envision a better future, resulting in works that explore feminism, social justice, and LGBTQ rights through media including ceramics, wood, fiber, metal, glass, paper, and bookmaking. Notable participant Roberto Lugo presents "American Crib: What's Happening?" at The Clay Studio, blending Puerto Rican heritage with historical references.

Local artist work on exhibit in Tulsa

Living Arts of Tulsa is presenting “Who Lives, Who Dies, Who Decides?”, an exhibition by Kenneth and Isabelle Watson Reams, with support from JustArts Gallery. Kenneth Reams, a former Arkansas death row inmate now serving a life sentence, created over 50 works including paintings, drawings, sculptures, and poetry alongside his wife Isabelle. The show opened April 3 and runs through April and May, exploring themes of incarceration, capital punishment, and social justice through the lens of Reams’ 31 years on death row.

“100 Years of Creative Visions”: Mills College Art Museum celebrates a century of diversity and community

The Mills College Art Museum in Oakland, California, has opened "100 Years of Creative Visions," a centennial exhibition running through April 26 that showcases major works from its permanent collection. The show highlights the museum's long history of supporting diverse artistic communities, featuring pieces such as Hung Liu's "White Rice Bowl" and works by Diego Rivera, Alfredo Ramos Martinez, and members of the f/64 photography group including Imogen Cunningham, Ansel Adams, and Tina Modotti. The exhibition emphasizes creative friendships and the museum's role as a laboratory for risk-taking, with artists like Young Suh and Weston Teruya discussing how the institution encouraged experimental approaches.

Fall and Winter 2025 Programming at the National Museum of Women in the Arts

The National Museum of Women in the Arts (NMWA) in Washington, D.C., has announced its fall and winter 2025 programming lineup. Highlights include the monthly after-hours series NMWA Nights, the landmark exhibition "Women Artists from Antwerp to Amsterdam, 1600–1750" opening September 26, and a mixed-media photography show by Baltimore-based artist Tawny Chatmon. The season also features hands-on workshops in paper-cutting with Janelle Washington, Pilates sessions in the museum's Great Hall, Fresh Talk discussions on fashion and the gender pay gap, Free Community Days, and a holiday Makers' Market.

The Sky High Farm Biennial Cultivates Something Special

The Sky High Farm Biennial, curated by former Downtown art star Dan Colen, opened in a cold storage warehouse in Germantown, N.Y., featuring over 160 works by 50 artists across two floors. The exhibition is loosely themed around humanity's relationship with the natural world, with immersive installations by Anne Imhof (a maze of cider crates) and Rudolf Stingel (a mirrored floor requiring paper booties). Highlights include works by Nan Goldin, Thiago Rocha Pitta, Stephen Lichty, Carrol Dunham, Pia Camil, and Ann Craven. The show balances informal and polished elements, offering a breezy summer experience while serving as a thesis on artist community.

Director of Poland Jewish Museum Reinstated

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Dariusz Stola has been reinstated as the director of the Polin Museum of the History of Polish Jews in Warsaw, seven years after being forced out by Poland’s former nationalist government. Stola, a respected historian who led the museum from its 2014 opening, was blocked from reappointment in 2019 by the Law and Justice party despite winning a competitive selection process. His return follows the 2023 election of a centrist coalition led by Donald Tusk and a subsequent move by Culture Minister Marta Cienkowska to reverse the previous administration's ideological purges.

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A newly released tranche of documents from the US Department of Justice reveals a $5,000 donation from Jeffrey Epstein's foundation, Enhanced Education, to the Metropolitan Museum of Art's Costume Institute Benefit (the Met Gala) in 2014. The check was part of millions of pages made public under the Epstein Files Transparency Act.

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The Walker Art Center in Minneapolis will close on Friday, January 23, to participate in the Day of Truth and Freedom protest, a statewide general strike organized by local labor unions and community groups in response to increased ICE presence in Minnesota. The museum is the largest institution to join over 300 small businesses, cultural organizations, and nonprofits in shuttering for the day, citing its institutional values of community care and staff support. The closure follows ICE's Operation Metro Surge, which intensified enforcement in the Twin Cities, and the January 7 killing of U.S. citizen Renée Good by ICE agent Jonathan Ross, which sparked nationwide protests and lawsuits against the Department of Homeland Security.

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The British Museum is reportedly considering a long-term loan of the Asante Ewer, a rare 14th-century English bronze jug, to the Manhyia Palace Museum in Kumasi, Ghana. The ewer, which was looted by British forces from the Ashanti royal palace during the Fourth Anglo-Asante War in 1896, is the largest extant medieval English bronze vessel and was likely made for King Richard II. Ghana is expected to make a formal request for the loan, which would be long-term, and is not anticipated to demand full repatriation.

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The U.S. Supreme Court lifted a lower court order that had temporarily blocked the Trump administration's plan to lay off thousands of federal workers. The initial lawsuit was filed by the American Federation of Government Employees (AFGE), 11 nonprofits, and local governments from states including California, Texas, and Illinois, challenging Executive Order 14210. Justice Ketanji Brown Jackson was the sole dissenter, while liberal justices Elena Kagan and Sonia Sotomayor sided with the conservative majority. The ruling allows mass firings and reorganizations at 19 federal agencies, including the State Department and Social Security Administration, to proceed, though a separate injunction protecting sub-agencies of Health and Human Services remains in place.

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The U.S. House of Representatives approved a $1.4 trillion national budget that includes $162 million for the National Endowment for the Arts (NEA), a $7.25 million increase over the previous year. This marks the largest one-year funding bump for the NEA in a decade, despite the Trump administration's repeated proposals to eliminate the agency entirely. The measure passed 297–120 in the Democrat-controlled House and also includes increases for the Institute for Museum and Library Services, the Corporation for Public Broadcasting, and arts-based programs in the Departments of Veterans Affairs, Defense, and Justice.

The Met's Costume Exhibit Finally Made This Obvious Change To Mannequins And Its Exhibit After Years

The Metropolitan Museum of Art's Costume Institute has made a historic shift toward disability and body inclusivity in its annual exhibition, titled "Costume Art." For the first time, the exhibit includes a section called "The Disabled Body," featuring mannequins modeled on disabled bodies, such as those of activist Aimee Mullins, model Aariana Rose Philip, and accessibility consultant Sinéad Burke. Burke and her team at Tilting the Lens consulted on the exhibit for 18 months, suggesting disabled designers like Sugandha Gupta and Helen Cookman, and donated pieces to the permanent collection. The Met Gala also became accessible for the first time since 1948, with wheelchair user Aariana Rose Philip attending as the first ever.

Patchwork Lost – A Critique of the Princeton University Art Museum’s American Art Wing

The article critiques the newly opened American art wing at the Princeton University Art Museum, arguing that its curatorial approach prioritizes contemporary social justice narratives over historical accuracy and national pride. The author contends that the exhibition presents a fragmented, politicized view of American history, highlighting slavery and racial injustice while omitting or minimizing the contributions of Princeton alumni to the nation's founding, such as James Madison and John Witherspoon. Specific examples include the inclusion of a 2022 revisionist painting of the Signing of the Constitution and selective signage that emphasizes marginalized figures while ignoring male patriots.

Compton’s New Canvas: Mr. Wash and the Art of the Possible, Los Angeles

Fulton Leroy Washington, the Compton-based artist known as Mr. Wash, is spearheading a $15 million campaign to build a 14,000-square-foot community arts center and studio in his hometown. The project is being supported by his latest exhibition, "The City of Compton: Then & Now," and a showcase at Jeffrey Deitch’s Compton space titled "Don’t Turn Your Back On Us." Washington, who served 21 years of a life sentence before receiving clemency from President Barack Obama in 2016, gained international acclaim for his photorealistic "teardrop" portraits created while incarcerated.

French government adopts bill for restitution of colonial-era objects

The French government has adopted a bill that facilitates the restitution of cultural objects plundered from former colonies, eight years after President Emmanuel Macron pledged to return African heritage. Presented by Culture Minister Rachida Dati, the bill maintains that French public collections are inalienable but creates an exemption for items taken by force between 1815 and 1972. Restitution requests must come from foreign states, be for public preservation and display, and involve items allegedly stolen, looted, or sold under duress. A bilateral scientific committee will examine each case, with final approval from the Conseil d'État. The bill aims to replace the current slow, case-by-case legislative process that has resulted in only 30 objects returned since 2017.

Sicily's new anti-mafia museum honours ‘strength of the vulnerable over fear’

Sicily has inaugurated the Museum of the Present (Museo del Presente) inside Palermo's historic Palazzo Jung on 23 May, marking 33 years since the assassination of anti-Mafia judge Giovanni Falcone. The museum commemorates Mafia victims and confronts the ongoing threat of Cosa Nostra through personal artifacts, multimedia installations, and historical documentation, including items from Falcone and his colleague Paolo Borsellino. The opening was attended by Italy's interior, justice, and culture ministers, and entry remains free until 19 July.

Got an Idea About Who Robbed the Gardner Museum? Get in Line.

The 1990 theft of 13 artworks from Boston's Isabella Stewart Gardner Museum remains unsolved, generating countless theories about the perpetrators. A new book by the former FBI agent who led the investigation for over a decade systematically debunks many prominent public theories, arguing they distract from the actual investigation.

An artist told the incredible story of a Calabrian village that no longer exists. The interview

Un artista ha raccontato l’incredibile storia di un borgo della Calabria che non c’è più. L’intervista

Italian artist Martin Errichiello has created [campanamuta], a six-part audio work broadcast on RAI Radio 3's Zazà program in late 2025 and now available on RaiPlay Sound. The piece tells the story of Eranova, a farming community founded in 1896 near Reggio Calabria that was destroyed by 1980 after the Christian Democratic party planned—but never built—a steel center on its land, now the site of the Port of Gioia Tauro. Errichiello weaves together interviews with former residents and his own original texts, using non-linear narration to explore the village's utopian origins and forced disappearance.

Henry Art Gallery fall opening celebration hums with color and conversation

The Henry Art Gallery hosted its fall opening celebration on October 3, transforming the museum into a lively social event with a DJ set by KEXP's Diana Ratsamee and an open bar. The evening featured four exhibitions: "Spirit House," exploring life and death through works by 34 Asian diasporic artists; Charlene Liu's single painting "Scallion"; Rodney McMillian's "Neighbors," a multimedia reflection on social and civic violence; and Kameelah Janan Rasheed's "we leak, we exceed," an immersive text-based installation. The event drew crowds who engaged with the art and each other, creating a vibrant atmosphere that contrasted with the museum's usual quietude.

Anonymous image makers, New York nights and confronting the colonial: three photography shows to see at Les Rencontres d'Arles

The article highlights three photography exhibitions at the 2025 Rencontres d'Arles festival, titled "Disobedient Images." The first show features the late David Armstrong, a Boston School photographer, with vintage prints and contact sheets capturing 1970s-80s New York counterculture. The second, "On Country: Photography from Australia," presents works by Indigenous and non-Indigenous photographers that challenge colonial narratives and explore First Peoples' connection to land. The festival runs across multiple venues in Arles through summer and fall.

Local artists unite in ‘Balance the Scales’ International Women’s Day exhibition

Arts Mid North Coast is organizing an exhibition titled 'Balance the Scales' to coincide with International Women's Day. The show will run from February 22 to March 8 at the MAKE/SPACE gallery in Coffs Central Shopping Centre, featuring works by local artists from the Mid North Coast region that explore themes of gender balance, power, and social change.