Open Letter on Auction of “Tributes” to the Russian Avant-Garde

An open letter signed by art historians, curators, and researchers protests an upcoming auction at Stanley's Auction House in Zaventem, Belgium, scheduled for April 23, titled “Tributes to the Russian Avant-Garde & Constructivists.” The second sale is organized in cooperation with Drouot, a major French auction platform, and offers approximately one hundred works from the so-called Toporovsky collection, which has been linked to a scandal involving forged Russian modernist paintings at the Museum of Fine Arts Ghent. The alleged suppliers, Igor Toporovsky and Olga Toporovsky, face criminal charges including the sale of 171 forged works for about €20 million, with court proceedings beginning in May in Ghent. The signatories argue that the auction, with works priced around €300 each, is deeply troubling given the pending legal case and the undisclosed consignor identity.

In Minor Keys: The 61st Biennale di Arte Venezia Opens Under Koyo Kouoh (1967–2025).

The 61st Biennale di Arte Venezia opens under the posthumous curatorial vision of Koyo Kouoh (1967–2025), the late Cameroonian-born curator who reshaped contemporary African and diasporic art discourse. The central exhibition, spanning the Giardini and Arsenale, features 111 participants including artists, collectives, and artist-led organizations from across the Global South, with works in textiles, film, sculpture, and performance that interrogate colonialism, migration, and ecological repair. The Biennale is also marked by a pronounced presence of African and diasporic narratives across national pavilions, including several first-time pavilions from the African continent.

What Biennials Reveal About the Art World

Ben Davis and Jo Lawson-Tancred of Artnet News have published complementary projects analyzing global art biennials. Davis compiled data from major biennials including Istanbul, Gwangju, São Paulo, Sharjah, and Venice over the past four years, tracking which artists have been shown most frequently worldwide since the 2022 Venice Biennale. Lawson-Tancred examined the upcoming Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, comparing the demographics of its artists to previous editions to trace shifts in the global art conversation.

Russia's Venice Pavilion to Close to the Public in Compliance With Sanctions

Russia will return to the 61st Venice Biennale with its national pavilion, but the exhibition will only be physically open to the press and select guests during the vernissage dates of May 5–8. From May 9 onward, the pavilion will remain closed to the public, with multimedia documentation of performances displayed on screens at the windows. The arrangement follows leaked emails among Biennale Foundation President Pietrangelo Buttafuoco, General Director Andrea Del Mercato, and Russian Pavilion Commissioner Anastasia Karneeva, revealing efforts to comply with EU sanctions while still allowing Russia's participation after two consecutive absences since its invasion of Ukraine.

Nasan Tur Collects Contributions for 'Archive of Feelings' for Manifesta 16

Nasan Tur sammelt Beiträge für "Archiv der Gefühle" zur Manifesta 16

Berlin-based artist Nasan Tur is calling on people from the Ruhr region and beyond to submit contributions to his "Archive of Feelings" via an online portal. The project is part of his commissioned work for the 16th edition of the nomadic biennial Manifesta, which opens on June 21 across several cities in the Ruhr area. Tur's installation, titled "Elevation," will be housed in St. Gertrud Church in Essen, where excerpts from anonymous submissions—expressing hopes, fears, wounds, ideas, wishes, and everyday observations—will be carved into old church pews.

Venice Biennale denies it helped ‘circumnavigate’ sanctions against Russia with pavilion

The Venice Biennale is facing allegations that it helped Russia circumvent EU sanctions by allowing the Russian pavilion to operate during preview days, when only arts professionals and press are present. Investigative website Open published emails between Biennale officials and Russian pavilion organizers, including requests for visa assistance for artists and staff. The commissioner, Anastasia Karneeva, is the daughter of a Rostec deputy CEO and runs a consultancy with the daughter of Russia's foreign minister. The Biennale denies any wrongdoing, stating it acted in compliance with international law. Russia has been absent from the Biennale since 2022 but retains a permanent pavilion in the Giardini.

Russia’s Venice Pavilion Will Be Closed to Public for Duration of Biennale

Russia's pavilion at the 2026 Venice Biennale will be closed to the public for the duration of the exhibition, from May 9 to November 22, following escalating controversy over the country's participation. The group show, titled “The tree is rooted in the sky,” will only be open to press and industry insiders during the preview days (May 5–8). The move comes after the International Criminal Court accused Russia of crimes against humanity, leading the Biennale to bar Russia and Israel from competing for awards. Italian culture minister Alessandro Giuli has also boycotted the preview and opening ceremony in protest.

Under pressure, the jury of the 61st Venice Biennale will exclude Russian and Israeli pavilions from the awards

Sous pression, le jury de la 61e Biennale de Venise exclura les pavillons russe et israélien du palmarès

The 61st Venice Biennale, titled "In Minor Keys" and running from May 9 to November 22, 2026, has been embroiled in political controversy after organizers decided to reinstate the Russian pavilion, which had been excluded since Russia's 2022 invasion of Ukraine. Under pressure from the European Commission, which threatened to suspend a €2 million grant, the jury announced it will exclude artists from the Russian and Israeli pavilions from winning prizes, citing that leaders Vladimir Putin and Benjamin Netanyahu face International Criminal Court charges for crimes against humanity. The Russian pavilion will remain closed to the public but open for VIP press previews, while the Israeli pavilion stays open to the public. Italian Culture Minister Alessandro Giuli has refused to attend the opening ceremony in protest.

Pulp singer Jarvis Cocker and Kim Sion to curate 2027 Hepworth Wakefield show.

Musician Jarvis Cocker, best known as the frontman of the band Pulp, and his wife Kim Sion, a creative consultant, will curate a group exhibition titled “The Hodge Podge” at The Hepworth Wakefield in the UK in 2027. The show will feature a diverse range of artworks across different eras and media, focusing on artists who challenge conventional definitions of art. This marks Cocker’s first curatorial project at a major institution.

Festival of Cats brings cat-inspired art to Thanet

The Festival of Cats, a community arts festival celebrating feline-themed art, is returning to Margate, Kent, from May 1-4. Featuring exhibitions, events, and workshops across fine art, poetry, film, performance, and craft, the festival showcases work from 100 local artists. Originally launched in 2018 as a satellite event for Turner Contemporary's "Journeys with The Waste Land" exhibition, it was inspired by T.S. Eliot's Old Possum's Book of Practical Cats and has since grown into a Thanet-wide event attracting thousands of visitors.

Deux nouveaux tableaux français du XVIIIème siècle pour le Musée Fabre

The Musée Fabre in Montpellier has acquired two 18th-century French paintings at auctions held by Artcurial in September 2025. The first is an "Allégorie de la Poésie" (1774) by Élisabeth Louise Vigée Le Brun, purchased for €250,000 with support from the museum's corporate foundation and a special grant from the Fonds du patrimoine. The painting, which depicts the early struggles of the future portraitist, was previously owned by Henry and Catherine Robert and had been exhibited in a major retrospective at the Grand Palais a decade ago.

At the Baths of Diocletian in Rome, a show by a Chinese artist is a hit. The curator explains why

Alle Terme di Diocleziano di Roma spopola la mostra di un’artista cinese. Il curatore spiega perché

Chinese artist Wu Jian'an (born 1980, Beijing) is the subject of a major solo exhibition at the Baths of Diocletian in Rome, part of the Museo Nazionale Romano. Titled "Metamorphoses. L'arte che trasforma," the show explores connections between Chinese and Italian cultures, as well as broader Eastern and European traditions. Curated by Umberto Croppi, president of the Accademia di Belle Arti di Roma, the exhibition features works such as the monumental leather installation "The Heaven of Nine Levels" (2008–2009) and the series "The Eternal Cycle – Running Through the Seasons" (2024–2025), which combines intricate paper cutouts, silk, wax, and cotton thread. The artist, who represented China at the 57th Venice Biennale in 2017, was inspired by the ancient Roman spaces, creating a dialogue between his contemporary pieces and the site's classical mosaics and architecture.

Summer Exhibitions Coming to Venues in East & South Texas

Summer exhibitions are opening across East and South Texas at venues including the Art Museum of Southeast Texas, the Beeville Art Museum, the Longview Museum of Fine Arts, the Museum of East Texas in Lufkin, and the Rockport Center for the Arts. Highlights include Janavi Mahimtura Folmsbee's 'Magic Water' at the Rockport Center for the Arts, a 2026 FotoFest Biennial Participating Space; Jennifer Arnold's 'A Layered Space: Coming Up For Air (v.6)'; Elena Rodz's 'Byways' as part of the Past Master Artists | Rockport Legends exhibition; Bill Pangburn's 'Printed Traces – A Neches River Journal' at the Art Museum of Southeast Texas; and Woody Gwyn's 'Skylight On Water, Trees, Rock and Road' at the Art Museum of South Texas.

Live Arts Program “1922 Revisited” Opens May 5th to Kick Off Preview Week, 61st Venice Biennale 2026

Third Space Art Foundation will present “1922 Revisited,” a live arts program curated by Dr. Janine A. Sytsma, from May 5–9, 2026 in Venice, Italy, during the preview week of the 61st Venice Biennale. The program brings together ten international artists to engage with the 1922 Venice Biennale exhibition of African sculpture through performances, a film screening, and a panel discussion, staged at venues including Hotel Monaco and the European Cultural Centre’s Marinaressa Gardens.

Review | An abruptly postponed Smithsonian show of African LGBTQ+ art is now open

The Smithsonian's National Museum of African Art has opened "Here: Pride and Belonging in African Art," its first major exhibition dedicated to African LGBTQ+ artists. The show, which was abruptly postponed earlier, features works that celebrate queer life through themes of joy, family, and belonging, while also addressing the darkness and loss faced by LGBTQ+ communities globally.

'I want the colour to talk' Artist Sarah Spackman celebrates 20 years at Sarah Wiseman Gallery in Summertown with new exhibition Continuum

Artist Sarah Spackman is preparing for a new exhibition titled "Continuum" at the Sarah Wiseman Gallery in Summertown, celebrating 20 years of collaboration with the gallery. The show features 30 new still lifes, reflecting Spackman's evolving style toward greater simplicity and focus on single objects, color, and quiet intensity. Spackman, an Oxford-based artist and elected member of the Royal Society of British Artists and Royal Institute of Oil Painters, describes her process as organic, often sketching first thing in the morning and working primarily with color to let it "talk" on the canvas.

Students Selected for Autry Museum's Arts Exhibition

Twenty-seven students from South Pasadena High School have been selected to exhibit their work in the Autry Museum of the American West's "Visions of Humanity" student show, marking the largest number of SPHS students ever accepted into the exhibition. The display runs through May 31 at the Autry Museum in Griffith Park, featuring fourteen students in painting and drawing and thirteen in photography, taught by teachers Rouzanna Berberian and Aimee Levie-Hultman.

Venice Biennale jury resigns amid row over Russian entry

The international jury of the Venice Biennale resigned en masse just nine days before the opening of the world's oldest contemporary art fair, amid a dispute over Russia's participation and the panel's decision to bar prizes for countries accused of crimes against humanity by the International Criminal Court. The jury, comprising president Solange Farkas and members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, stepped down without explanation, following tensions that also involved Italy's Culture Ministry cutting €2 million in EU funding over Russia's presence and sending inspectors to the Russian Pavilion.

Artists in Action: Supporting Salem-area artists for a quarter-century

Artists in Action (AiA), a nonprofit organization supporting Salem-area artists, is celebrating its 25th anniversary with a public reception on May 3, 2026, at Elsinore Framing & Fine Art Gallery in Salem, Oregon. Founded by Diane Trevett and about five other artists, the group began as a small support network for struggling artists and has grown into an established arts organization with around 65 active members. AiA hosts monthly openings, critique sessions, open-call shows, and special events like Paint and Write the Town, providing opportunities for artists to exhibit and sell their work across various mediums.

Curator Adriana Farietta On Why CONDUCTOR Is the Fair the Art World Needs Right Now

CONDUCTOR, a new art fair curated by Adriana Farietta in collaboration with Powerhouse Arts, launches this week in Brooklyn, New York. The fair features individual artists and galleries from Africa, Latin America, the Caribbean, South Asia, Southeast Asia, the Middle East, Oceania, and Indigenous Nations, with a focus on the Global Majority. A key innovation is its onsite fabrication model, allowing some works to be produced locally at Powerhouse Arts' facilities, reducing shipping and customs issues. The fair also offers an exclusive preview of artists presenting at the Venice Biennale, including Annalee Davis, Tammy Nguyen, RojoNegro, Beya Gille Gacha, and Bugarin + Castle.

Zurbarán review: Even the godless will be enraptured by this drama

The article reviews a major exhibition of 17th-century Spanish painter Francisco de Zurbarán, highlighting his dramatic religious works such as a stark crucifixion, a depiction of St. Peter crucified upside down, and a series of saintly princesses. It notes the exhibition's effective hanging, the artist's use of vivid color and theatrical lighting, and includes recently attributed works like a mysterious giant head. The review emphasizes the blend of high drama, emotion, and Catholic piety in Zurbarán's paintings, as well as his still lifes that rival those of Velázquez.

morocco debuts national pavilion at the venice biennale with monumental asǝṭṭa installation

Morocco will debut its first-ever national pavilion at the 2026 Venice Art Biennale, presenting a monumental installation titled "Asǝṭṭa" by multidisciplinary artist Amina Agueznay. Curated by Meriem Berrada, the project is housed in the Arsenale's Artiglierie and explores themes of traditional craftsmanship, shared memory, and the symbolic threshold (âatba). The installation, which involves 166 Moroccan artisans and two Venetian collaborators, is conceived as a porous, liminal space that engages with the Biennale's theme "In Minor Keys," curated by Koyo Kouoh.

‘Art of Manga’ makes East Coast debut at Brooklyn Museum

The article announces the East Coast debut of the 'Art of Manga' exhibition at the Brooklyn Museum. This marks the first time the show, which explores the history and cultural impact of Japanese manga, is presented on the East Coast of the United States.

Homecoming for local artist in new West Lothian exhibition

Artist Leo du Feu is returning to his hometown of Linlithgow, Scotland, for his largest solo exhibition to date, titled 'Homecoming,' at the Gallery at Linlithgow Burgh Halls. Running from 22 May to 17 September 2026, the show traces the evolution of his work across nature, landscape, wildlife, and storytelling, and includes new pieces inspired by fatherhood and emotional well-being. The exhibition also marks the 15th anniversary of the gallery's opening in 2011, and a free artist talk is scheduled for 17 June.

MOCA Jacksonville announces new exhibition featuring international artist Amer Kobaslija

The Museum of Contemporary Art Jacksonville announced a new exhibition featuring Jacksonville-based artist Amer Kobaslija. Titled "Outside Looking In: The Paintings of Amer Kobaslija," the show runs from April 30 to September 20 and traces his artistic journey from early works to the present. It includes series such as Florida Diaries, One Hundred Views of Kesennuma (inspired by Japan's 2011 tsunami), and his ongoing Artist Studios series. Kobaslija, originally from Bosnia and Herzegovina, draws on his experiences as a refugee and life across multiple countries, exploring themes of memory, displacement, and belonging.

New show Art Spectrum opens door for San Diego’s LGBTQ+ artists in Balboa Park

Art Spectrum, a new exhibition in Balboa Park’s Village to Gallery 21, showcases the work of twelve professional San Diego LGBTQ+ artists throughout May. Curated by painter RD Riccoboni and produced by gallerist Patric Stillman, the show was initiated by the Village Arts and Education Foundation, which lacked community connections to organize an LGBTQ+ exhibition. The selected artists, including Carole Kuck, Miguel Camacho-Padilla, and Stefan Talian, are mature professionals whose practices span painting, pottery, and stained glass.

John Bellany exhibition in Haddington shines spotlight on his unknown work

A major exhibition of rarely seen works by Scottish painter John Bellany has opened at the John Gray Centre in Haddington, East Lothian. Curated by his widow Helen Bellany and Alexander Moffat RSA, the show features early and lesser-known pieces, many never publicly displayed before. It runs until September 19 as part of the Royal Scottish Academy's RSA200: Celebrating Together project, marking the RSA's 200th anniversary. Loans come from the Bellany estate, Alexander Moffat's private collection, East Lothian Council Museums Service, and the Royal Scottish Academy.

Bertil Vallien celebrates 60 years of glass art with Brooklyn solo exhibition

Swedish glass artist Bertil Vallien, now 88, has opened a major solo exhibition titled "Starman: Sixty Years of Exploring Glass Art" at the Robert Lehman Gallery in Brooklyn. The show features 35 works spanning his 64-year career, highlighting his mastery of sand-casting and his long collaboration with the heritage brand Kosta Boda. Notable pieces include the *Resting Head* series, *Idun’s Magical Apples*, and the *Ships* series, which draw on Norse mythology and themes of life cycles.

Ngununggula unveils major women artists exhibition 2026

Ngununggula, the Southern Highlands regional art gallery, has opened a major all-women exhibition titled *Old Days, New Days | Arlta-imankinya, Arlta-errama*, featuring artists from Tangentyere and Yarrenyty Arltere alongside Arrernte and Kalkadoon artist Thea Anamara Perkins. The show includes painting, sculpture, textiles, video, and works on paper, with a focus on women's roles in sustaining family and community life through care, gathering, and storytelling. Key works include Perkins' portrait series from The Slattery Collection and an immersive installation by Marjorie 'Nunga' Williams. The exhibition runs until 14 June 2026.

Olivia Bourrat revient au Quai Branly

Olivia Bourrat, a 45-year-old chief heritage curator trained at the École du Louvre, the INP, and the Sorbonne, has been appointed director of the heritage and collections department at the Musée du quai Branly-Jacques Chirac in Paris. She succeeds Anne-Solène Rolland, and returns to the museum after previous stints there, as well as at France-Muséums, the Louvre Abu Dhabi, the French Ministry of Culture, and Paris Musées.