Everything to know about David Geffen Galleries as a new LACMA emerges

The Los Angeles Times reports on the upcoming David Geffen Galleries, a new building that will become the centerpiece of the Los Angeles County Museum of Art (LACMA) as it undergoes a major transformation. Designed by architect Peter Zumthor, the structure is part of a long-delayed, multi-billion-dollar renovation project that aims to modernize the museum's campus and consolidate its collection under one roof. The article details the timeline, design features, and the controversies surrounding the project's cost and scope.

150 photos depict 185 years of the US mining industry in world-first historical exhibition

The National Gallery of Art in Washington, D.C., will present "Beneath the Surface," a world-first photographic exhibition dedicated to 185 years of the U.S. mining and natural resource extraction industries. Featuring 150 images from 100 photographers, the show spans from California Gold Rush daguerreotypes to 20th-century industrial documentation, including works by Dorothea Lange and Lewis Wickes Hine. The exhibition will be on view at the National Gallery from May 23 to August 23, 2026, before traveling to the Milwaukee Art Museum and the Amon Carter Museum of American Art.

Picture gallery in transformation: recent gifts

MASP — Museu de Arte de São Paulo Assis Chateaubriand will present the exhibition "Picture gallery in transformation: recent gifts" starting May 15, as part of its Latin American histories series. The show features two sets of silkscreen prints recently added to the museum’s collection: 51 prints (2002–2007) by the Argentine collective Taller Popular de Serigrafía, which combined art and activism during the 2001 economic crisis, and the series "Ink and blood: 1968–2009" by Mexican artist Abraham Cruzvillegas, comprising 41 facsimiles of protest ephemera from Latin American social movements. The exhibition is curated by MASP artistic director Adriano Pedrosa, curator Regina Teixeira de Barros, and curatorial assistant Matheus de Andrade.

MUUS Collection Acquires Todd Webb Archive, Expanding Its Story of 20th-Century American Photography

MUUS Collection has acquired the archive of American photographer Todd Webb (1905–2000), adding approximately 15,000 prints, 50,000 negatives, ephemera, and his extensive journal to its holdings. Webb is known for his evocative postwar images of New York and Paris, as well as his travels across the American West, Great Britain, New Guinea, and Africa. The archive documents his relationships with key figures such as Alfred Stieglitz, Georgia O'Keeffe, Walker Evans, and Berenice Abbott, and will join works by Rosalind Fox Solomon, Larry Fink, and Deborah Turbeville in the collection.

With mysterious Magic Show, artist Rosamunde Bordo blurs line between real and fictional worlds

Vancouver-based artist Rosamunde Bordo presents *Magic Show*, a multilayered exhibition at Western Front that blends video, glassblowing, and found objects to weave a detective-style narrative around a mysterious woman named Denise. The show, on view until July 25, features works like *Karmic Cleanse* and *Communicating Vessels*, combining esoteric rituals and handcrafted materials to create an immersive, genre-defying storytelling experience.

HKMoA Showcases Local Artists at Venice Biennale with 'Fermata: Hong Kong in Venice' Exhibition

The Hong Kong Museum of Art (HKMoA) has organized 'Fermata: Hong Kong in Venice' as a Collateral Event of the 61st Venice Biennale, running from May 9 to November 22. The exhibition features artworks by Hong Kong artists Kingsley Ng and Angel Hui, curated under the musical symbol 'Fermata' in dialogue with the Biennale's theme 'In Minor Keys'. This marks the first time HKMoA has curated Hong Kong's exhibition at the Venice Biennale, with support from the Hong Kong Arts Development Council (HKADC) and the Hong Kong Special Administrative Region Government.

Space One Eleven presents art exhibitions by El Paso artist José Villalobos and local artist Jason Tanner Young

Space One Eleven Art Center in Birmingham is launching two concurrent solo exhibitions: "Navegando la Masculinidad de la Frontera / Navigating the Border’s Masculinity" by El Paso-based artist José Villalobos and "see saw sawn" by local sculptor Jason Tanner Young. Villalobos’s work utilizes sculpture and performance to deconstruct machismo and queer identity within Norteño culture, while Young, an Associate Professor at the University of Montevallo, presents a body of work rooted in his extensive background in wood and expanded sculpture practices.

Space One Eleven presents art exhibitions by El Paso artist José Villalobos and local artist Jason Tanner Young

Space One Eleven in Birmingham, Alabama, is presenting two new exhibitions: “Navegando la Masculinidad de la Frontera / Navigating the Border’s Masculinity” by El Paso artist José Villalobos and “see saw sawn” by local artist Jason Tanner Young. The opening reception with the artists takes place on February 19, 2026, and the shows run through April 17, 2026. Villalobos, a multidisciplinary artist, explores queer identity, machismo, and border culture through sculpture, performance, and installation, while Young, an associate professor at the University of Montevallo, works primarily in sculpture.

The many faces and identities of Frida Kahlo are explored in exhibition catalogue

The Museum of Fine Arts, Houston, has released a comprehensive exhibition catalogue for 'Frida: The Making of an Icon,' which investigates the posthumous transformation of Frida Kahlo from a niche painter into a global cultural phenomenon. The publication features eleven scholarly essays that deconstruct the various identities attributed to Kahlo—from the political activist and feminist martyr to the disabled artist—while debunking common myths regarding her relationship with Surrealism and her husband, Diego Rivera.

Singapore Art Week captures the many sides of this multi-faceted city

Singapore Art Week (SAW) 2026 showcases the city-state's multifaceted identity through a diverse range of artistic offerings. Highlights include the second iteration of Wan Hai Hotel, adapted from Shanghai's Rockbund Art Museum, which explores themes of water, migration, and diaspora with artists like Ho Tzu Nyen, Dawn Ng, and Robert Zhao Renhui. The premier art fair Art SG (23-25 January) runs alongside S.E.A. Focus, aiming to boost market access and solidify Singapore as a hub for Southeast Asian art.

Art Week holdovers: Here are some exhibits you can still catch in Miami

Miami Art Week has concluded, but several exhibitions remain on view for locals to enjoy. The article highlights shows at venues including Collective 62, El Espacio 23, Fifth & Biscayne Micro Gallery, KDR Gallery, Spinello Projects, and Locust Project, featuring artists such as Tara Long, Susan Kim Alvarez, and Jennifer Basile. These exhibitions range from text-based art and photography to large-scale installations, with closing dates extending through early 2026.

What’s on now at San Francisco museums, November 2025

San Francisco museums are presenting a wide array of exhibitions in November 2025, with several closing soon and others opening in the coming months. At SFMOMA, major shows include "Alejandro Cartagena: Ground Rules" (through April 19), "KAWS: Family" (through May 3, 2026), the photography exhibition "(Re)Constructing History" featuring Carrie Mae Weems, Nona Faustine, Carla Williams, and Dawoud Bey, and "Suzanne Jackson: What is Love," the artist's first retrospective. The Institute for Contemporary Art hosts "Midnight March" by Masako Miki and "stay, take your time, my love" by David Antonio Cruz, both closing Dec. 7. The Asian Art Museum presents "Rave into the Future: Art in Motion" closing Jan. 12, and the Legion of Honor will open "Drawn to Venice" from Jan. 24 to Aug. 2, 2026. The Murphy and Cadogan Contemporary Art Awards Exhibition, a collaboration with the San Francisco Foundation and SOMarts, closes Dec. 7.

What not to miss at the 2026 Venice Biennale

The article highlights five standout pavilions and installations at the 2026 Venice Biennale. Florentina Holzinger's Austrian pavilion features extreme, nude performances including a woman submerged in a urine-purified tank, drawing police attention. Sanya Kantarovsky presents eerie paintings and a Murano glass sculpture in a historic palazzo. Gabrielle Goliath's 'Elegy'—a hypnotic mourning performance for women killed in violence—was banned by South Africa but staged with London's Ibraaz. Carrie Schneider's 1.5km photographic curl in the Arsenale references Chris Marker's 'La Jetée'. Lydia Ourahmane's delicate sculptural show uses materials sourced from Venice, including a bead curtain made by inmates.

Francois Boisrond prend de la hauteur

French artist François Boisrond, a key figure of the 1980s Figuration libre movement, presents his new series "Ouvrages d'art" at Galerie Maïa Muller in Paris. The series reinterprets monumental architecture—including the Millau Viaduct, the Pont de Normandie, Mont Saint-Michel, Notre-Dame, and the Eiffel Tower—using drone-sourced images. Boisrond employs a new liquid acrylic technique that creates a matte, flat finish, producing works that appear hyperrealistic from a distance but dissolve into impressionistic or pixelated abstraction up close. The exhibition, extended through May 16, 2026, features large-format paintings priced between €25,000 and €50,000.

Come for the Jeff Koons living sculpture, stay for the wine: A map of LACMA's David Geffen Galleries

The Los Angeles Times has published a guide to the new public park surrounding LACMA's David Geffen Galleries, designed by architect Peter Zumthor. The 3.5-acre campus features outdoor dining, a sculpture garden, and a 300-seat theater, with free public art including Jeff Koons' topiary "Split-Rocker," Chris Burden's "Urban Light," and works by Alexander Calder, Pedro Reyes, and Shio Kusaka. The article provides a detailed map of installations, amenities, and nearby attractions like the La Brea Tar Pits.

Acclaimed Wilkes Artist Ward Nichols dies

Ward Hampton Nichols, a celebrated artist from North Wilkesboro, North Carolina, died on May 5 at the age of 95 at the Kate B. Reynolds Hospice Home, surrounded by his children. A few weeks before his passing, a celebration of his life, legacy, and art was held at the Wilkes Art Gallery. Nichols, born in 1930 in Welch, West Virginia, taught himself to draw as a child and later served in the U.S. Navy during the Korean conflict, where he designed a NATO shoulder patch and co-founded a shipboard newspaper. After his service, he pursued a lifelong passion for art, painting until January of this year, and was also an avid aviator and sports car enthusiast.

NEXT in the Gallery: See Pittsburgh-made art in the streets, coffeehouses and a warehouse in Brooklyn

NEXTpittsburgh's August gallery guide highlights a wave of Pittsburgh-made art appearing in streets, coffeehouses, open studios, and even a warehouse in Brooklyn. Featured exhibitions include the Pittsburgh Photography Club's 140-year retrospective at Manos Gallery, Monica Matthews' graphite pencil drawings at Ruckus Coffee Gallery & Café, the juried group show "Living Canvas III" at Studio 4, Kristin Divers' pastel solo show at Mark Rengers Gallery, the multimedia group exhibition "Horizons" at Castle Consortia, and Annie Heisey's paintings at Sweetwater Center for the Arts. The month also includes a one-night solo show by New Orleans muralist Dago at Studio 4.

Latino community organisation opens $33m arts centre in Boston

On 15 May, Inquilinos Boricuas en Acción (IBA), a Latino-founded nonprofit community development corporation, will open La Casa, a $33 million, 26,000-square-foot cultural center in Boston's South End. The largest Latino cultural center in New England, La Casa is designed by local firms Studio Enée and Annum Architects and features a terracotta-colored facade, energy-efficient design, and flexible spaces for civic engagement, education, and artistic expression. Initial programming includes artist residencies, workshops, and a mural by local artist Alvin “Acóma” Colon honoring Boston’s Puerto Rican residents. The building incorporates salvaged elements from the original turn-of-the-century Lutheran church that IBA repurposed in the 1960s.

From intimate still lives to shadowed saints: the many sides of Spanish painter Francisco de Zurbarán go on show at London’s National Gallery

The National Gallery in London is opening a major survey exhibition of Spanish painter Francisco de Zurbarán (1598-1664), the first on this scale since 1987. The show expands beyond his famous austere saints to include intimate still-lifes, late private devotional works, and large-scale altarpiece reconstructions. Curator Daniel Sobrino Ralston highlights two newly discovered paintings, including *Alcarraza on a Plate*, and a rare reconstruction of the second tier of the Charterhouse of Jerez de la Frontera altarpiece, reuniting works from museums in Grenoble and Poznań.

2026 hong kong cultural summit museum leaders talk

The 2026 Hong Kong International Cultural Summit convened global museum leaders and policymakers at the M+ museum and the Hong Kong Museum of Art to discuss the city's evolving role as a cultural hub. Amidst geopolitical shifts, the summit saw the signing of several memoranda of understanding between Hong Kong and international institutions, including the Misk Art Institute and the Czech Academy of Visual Arts. Key announcements included a five-year partnership renewal with Art Basel and the upcoming launch of the West Kowloon Academy, an incubator for arts professionals.

secret mall apartment documentary michael townsend

A new documentary titled *Secret Mall Apartment*, directed by Jeremy Workman and produced by Jesse Eisenberg, tells the true story of eight artists who secretly built and lived in a hidden apartment inside the Providence Place mall in Providence, Rhode Island, for four years in the late 1990s and early 2000s. Led by Michael Townsend, the group—including Adriana Valdez Young, Andrew Oesch, Jay Zehngebot, Colin Bliss, James Mercer, Greta Scheing, and Emily Ustach—transformed a forgotten dead zone of the corporate complex into a living space and art collective headquarters, calling the project "Malllife." The film features never-before-identified participants and footage of their discovery by mall authorities.

art heist genre film tv books guide

This article from Cultured explores the history and evolution of the art heist genre across film, television, and books. It traces the genre's origins from the 1911 theft of the Mona Lisa by Vincenzo Peruggia to its appearance in 19th-century detective serials by Agatha Christie and Arthur Conan Doyle, and later in French New Wave noirs and slick 1990s heist films. The piece highlights recent entries like Kelly Reichardt's film *The Mastermind* starring Josh O'Connor, and compiles a list of key works including *Animal Crackers* (1930), *How to Steal a Million* (1966), *The Thomas Crown Affair* (1968/1999), and *Hudson Hawk* (1991), noting how the genre reflects changing attitudes toward wealth, crime, and the sublime power of art.

art met roof garden jennie c jones

The Metropolitan Museum of Art has unveiled its 2025 Roof Garden Commission, titled *Ensemble*, by artist Jennie C. Jones. The installation features three upright sculptures made from concrete travertine and powder-coated steel, whose angular forms are inspired by musical instruments—a zither, an Aeolian harp, and a one-string instrument. A fourth red floor piece acts as a "conductor." The works are equipped with frets and strings that vibrate in the wind, inviting viewers to engage with them as both visual and sonic objects. The exhibition also includes collaborative programming, performances, and a publication with contributions from curator Lauren Rosati and artist Glenn Ligon.

Collecting in Madrid: 50 Ways to Build the Contemporary

COLECCIONAR EN MADRID: 50 FORMAS DE CONSTRUIR LO CONTEMPORÁNEO

The exhibition 'Madrid Colecciona. 50 colecciones de arte contemporáneo' opened at CentroCentro, showcasing a hundred works from fifty private collections in Madrid. It shifts focus from the artwork and artist to the often-opaque figure of the collector, allowing each collector to present two pieces: one of personal significance and one recent acquisition, accompanied by their own explanatory texts.

The Interview: Kei Ishikawa

Filmmaker Kei Ishikawa has adapted Kazuo Ishiguro's debut novel, 'A Pale View of Hills,' into a feature film, with Ishiguro serving as executive producer. The film expands the novel's dual-timeline narrative, set in post-war Nagasaki and 1980s England, and introduces a decisive narrative closure not found in the original text. It features performances from leading Japanese actors and meticulous period detail.

Boats and trains, not planes: reflections on a greener—but sometimes greenwashed—Venice Biennale

The article recounts the author's train journey from London to Venice for the 61st Venice Biennale, highlighting the environmental benefits and pleasant experience of traveling by rail versus flying, despite higher costs and longer duration. It then focuses on the Biennale's central exhibition "In Minor Keys" curated by the late Koyo Kouoh, which foregrounds environmental themes through works that engage with earth, nature, and ecological stakes, featuring artists like Otobong Nkanga, Célia Vasquez Yui, Theo Eshetu, Linda Goode Bryant, and Annalee Davis.

Drained, Drowning, and Decay: The Best National Pavilions at the Venice Biennale

The 2026 Venice Biennale is defined by themes of ruin and decay, with standout national pavilions exploring bodily, infrastructural, and archaeological collapse. The Slovenian Pavilion features the Nonument Group repurposing materials from past Biennales into a ruin of a mosque for Bosnian Muslim soldiers from World War I. Syria presents its first national pavilion since the Civil War, with Sara Shamma invoking Palmyra, destroyed by ISIS. Germany's pavilion, titled "Ruin," features works by Henrike Naumann (who died in February) and Sung Tieu, questioning the pavilion's fascist architecture and nationalist residue. The Austrian Pavilion, curated by Florentina Holzinger, offers a visceral performance titled "Sea World." The Biennale is also marked by the abrupt resignation of its five-member jury, who refused to consider nations charged with crimes against humanity, leading to awards being chosen by public vote. Additionally, the main exhibition "In Minor Keys" was affected by the death of its curator, Koyo Kouoh.

First Impressions of a Venice Biennale Torn Apart by the Present

The 61st Venice Biennale, titled "In Minor Keys," opens amid turmoil: its curator Koyo Kouoh died of cancer during planning, and the festival jury resigned after a controversial statement about excluding Israel and Russia from prizes, replaced by a Eurovision-style people's choice award. The main exhibition, completed by a team of five collaborators using Kouoh's plans, features over 110 artists and collectives, with highlights including works by Big Chief Demond Melanchon, Tammy Nguyen, Guadalupe Maravilla, Ayrson Heráclito, and a section focused on Michael Armitage's Nairobi Contemporary Art Institute.

‘It’s a world heritage site, but it’s my home’: the last resident of Casa Milà on life in Gaudí’s masterwork

Ana Viladomiu, a 70-year-old writer, is the last remaining tenant of Antoni Gaudí’s Casa Milà (La Pedrera) in Barcelona, a UNESCO World Heritage site that receives about a million visitors annually. She has lived in the luminous apartment since 1988, originally moving in with her then-husband Fernando Amat, owner of the iconic design store Vinçon. Viladomiu holds a rare renta antigua (fixed-rent contract) that allows her to stay until she or Amat dies, after which the not-for-profit foundation managing the building will take ownership. The rest of the building now houses offices and cultural event spaces.

Venice Bound? Here’s All the News You Need to Know About This Year’s Biennale

The 61st Venice Biennale is embroiled in geopolitical controversy over Russia's return to the event in 2026, which has sparked widespread backlash. Nearly 10,000 artists and cultural leaders signed an open letter opposing Russia's participation, and the European Union withdrew €2 million in funding for the 2028 edition. Leaked emails reveal Biennale officials worked with Russian pavilion commissioner Anastasia Karneeva to circumvent EU sanctions, while Italy's culture minister Alessandro Giuli plans to boycott the opening week. Meanwhile, activists continue to push for Israel's removal from the Biennale, though Israel will be accommodated in the Arsenale this year.